Sonata in F Minor Op 34 / 16 Waltzes Piano 4 Hands

On this CD:

1. Sonata for 2 pianos in F minor, Op. 34b
Composed by Johannes Brahms
Performed by Noriko Ishikawa-Kratzer, Manfred Kratzer, Mendelssohn Duo

2. Waltzes (16) for piano, 4 hands (or piano), Op. 39
Composed by Johannes Brahms
Performed by Noriko Ishikawa-Kratzer, Manfred Kratzer, Mendelssohn Duo

Tracks:

24 Preludes, Op.28: I - C Major
24 Preludes, Op.28: II - A Minor
24 Preludes, Op.28: III - G Major
24 Preludes, Op.28: IV - E Minor
24 Preludes, Op.28: V - D Major
24 Preludes, Op.28: VI - B Minor
24 Preludes, Op.28: VII - A Major
24 Preludes, Op.28: VIII - F Sharp Minor
24 Preludes, Op.28: IX - E Major
24 Preludes, Op.28: X - C Sharp Minor
24 Preludes, Op.28: XI - B Major
24 Preludes, Op.28: XII - G Sharp Minor
24 Preludes, Op.28: XIII - F Sharp Major
24 Preludes, Op.28: XIV - E Flat Minor
24 Preludes, Op.28: XV - D Flat Major 'Raindrop'
24 Preludes, Op.28: XVI - B Flat Minor
24 Preludes, Op.28: XVII - A Flat Major
24 Preludes, Op.28: XVIII - F Minor
24 Preludes, Op.28: XIX - E Flat Major
24 Preludes, Op.28: XX - C Minor
24 Preludes, Op.28: XXI - B Flat Major
24 Preludes, Op.28: XXII - G Minor
24 Preludes, Op.28: XXIII - F Major
24 Preludes, Op.28: XXIV - D Minor
Prelude In C Sharp Minor, Op.45
Prelude In A Flat Major
Impromptu In A Flat Major, Op.29
Impromptu In F Sharp Major, Op.36
Impromptu In G Flat Major, Op.51
Fantaisie-Impromptu In C Sharp Minor, Op.66

Tracks:

Ballade No.1 In G Minor, Op.23
Ballade No.2 In F Major, Op.38
Ballade No.3 In A Flat Major, Op.47
Ballade No.4 In F Minor, Op.52
Scherzo No.1 In B Minor, Op.20
Scherzo No.2 In B Flat Minor, Op.31
Scherzo No.3 In C Sharp Minor, Op.39
Scherzo No.4 In E Minor, Op.54

Tracks:

3 Nocturnes, Op.9: I - B Flat Minor
3 Nocturnes, Op.9: II - E Flat Major
3 Nocturnes, Op.9: III - B Major
3 Nocturnes, Op.15: I - F Major
3 Nocturnes, Op.15: II - F Sharp Major
3 Nocturnes, Op.15: III - G Minor
2 Nocturnes, Op.27: I - C Sharp Minor
2 Nocturnes, Op.27: II - D Flat Major
2 Nocturnes, Op.32: I - B Major
2 Nocturnes, Op.32: II - A Flat Major
2 Nocturnes, Op.37: I - G Minor
2 Nocturnes, Op.37: II - G Major

Tracks:

2 Nocturnes, Op.48: I - C Minor
2 Nocturnes, Op.48: II - F Sharp Minor
2 Nocturnes, Op.55: I - F Minor
2 Nocturnes, Op.55: II - E Flat Major
2 Nocturnes, Op.62: I - B Major
2 Nocturnes, Op.62: II - E Major
Nocturne In E Minor, Op.72 No.1
Nocutrne In C Sharp Minor
Nocturne In C Minor

Tracks:

12 Etudes, Op.10: I - C Major
12 Etudes, Op.10: II - A Minor
12 Etudes, Op.10: III - E Major
12 Etudes, Op.10: IV - C Sharp Minor
12 Etudes, Op.10: V - G Flat Major 'Black Key'
12 Etudes, Op.10: VI - E Flat Minor
12 Etudes, Op.10: VII - C Major
12 Etudes, Op.10: VIII - F Major
12 Etudes, Op.10: IX - F Minor
12 Etudes, Op.10: X - A Flat Major
12 Etudes, Op.10: XI - E Flat Major
12 Etudes, Op.10: XII - C Minor 'Revolutionary'
12 Etudes, Op.25: I - A Flat Major
12 Etudes, Op.25: II - F Minor
12 Etudes, Op.25: III - F Major
12 Etudes, Op.25: IV - A Minor
12 Etudes, Op.25: V - E Minor
12 Etudes, Op.25: VI - G Sharp Minor
12 Etudes, Op.25: VII - C Sharp Minor
12 Etudes, Op.25: VIII - D Flat Major
12 Etudes, Op.25: IX - G Flat Major
12 Etudes, Op.25: X - B Minor
12 Etudes, Op.25: XI - A Minor 'Winter Wind'
12 Etudes, Op.25: XII - C Minor

Tracks:

2 Polonaises, Op.26: I - C Sharp Minor
2 Polonaises, Op.26: II - E Flat Minor
2 Polonaises, Op.40: I - A Major
2 Polonaises, Op.40: II - C Minor
Polonaise In F Sharp Minor, Op.44
Polonaise In A Flat Major, Op.53
Polonaise-fantaisie In A Flat Major, Op.61

Tracks:

3 Polonaises, Op.71: I - D Minor
3 Polonaises, Op.71: II - B Flat Major
3 Polonaises, Op.71: III - F Minor
Polonaise In B Flat Minor
Polonaise In G Flat Major
Polonaise In G Minor
Polonaise In B Flat Major
Polonaise In A Flat Major
Polonaise In G Sharp Minor

Tracks:

Waltz In E Flat Major, Op.18
3 Waltzes, Op.34: I - A Flat Major
3 Waltzes, Op.34: II - A Minor
3 Waltzes, Op.34: III - F Major
Waltz In A Flat Major, Op.42
3 Waltzes, Op.64: I - D Flat Major
3 Waltzes, Op.64: II - C Sharp Minor
3 Waltzes, Op.64: III - A Flat Major
2 Waltzes, Op.69: I - A Flat Major
2 Waltzes, Op.69: II - B Minor
3 Waltzes, Op.70: I - G Flat Major
3 Waltzes, Op.70: II - F Minor
3 Waltzes, Op.70: III - D Flat Major
Waltz In E Minor (1830)
Waltz In E Major (1829)
Waltz In A Minor (?1843)
Waltz In A Flat Major (1827)
Waltz In E Flat Major ('Sostenuto', 1840)
Waltz In E Flat Major (1829 - 1830)

Tracks:

4 Mazurkas, Op.6: I - F Sharp Minor
4 Mazurkas, Op.6: II - C Sharp Minor
4 Mazurkas, Op.6: III - E Major
4 Mazurkas, Op.6: IV - E Flat Minor
5 Mazurkas, Op.7: I - B Flat Major
5 Mazurkas, Op.7: II - A Minor
5 Mazurkas, Op.7: III - F Minor
5 Mazurkas, Op.7: IV - A Flat Major
5 Mazurkas, Op.7: V - C Major
4 Mazurkas, Op.17: I - B Flat Major
4 Mazurkas, Op.17: II - E Minor
4 Mazurkas, Op.17: III - A Flat Major
4 Mazurkas, Op.17: IV - A Minor
4 Mazurkas, Op.24: I - G Minor
4 Mazurkas, Op.24: II - C Major
4 Mazurkas, Op.24: III - A Flat Major
4 Mazurkas, Op.24: IV - B Flat Minor
4 Mazurkas, Op.30: I - C Minor
4 Mazurkas, Op.30: II - B Minor
4 Mazurkas, Op.30: III - D Flat Major
4 Mazurkas, Op.30: IV - C Sharp Minor
4 Mazurkas, Op.33: I - G Sharp Minor
4 Mazurkas, Op.33: II - D Major
4 Mazurkas, Op.33: III - C Major
4 Mazurkas, Op.33: IV - B Minor
4 Mazurkas, Op.41: I - C Sharp Minor
4 Mazurkas, Op.41: II - E Minor
4 Mazurkas, Op.41: III - B Major
4 Mazurkas, Op.41: IV - A Flat Major

Tracks:

3 Mazurkas, Op.50: I - G Major
3 Mazurkas, Op.50: II - A Flat Major
3 Mazurkas, Op.50: III - C Sharp Minor
3 Mazurkas, Op.56: I - B Major
3 Mazurkas, Op.56: II - C Major
3 Mazurkas, Op.56: III - C Minor
3 Mazurkas, Op.59: I - A Minor
3 Mazurkas, Op.59: II - A Flat Major
3 Mazurkas, Op.59: III - F Sharp Minor
3 Mazurkas, Op.63: I - B Major
3 Mazurkas, Op.63: II - F Minor
3 Mazurkas, Op.63: III - C Sharp Minor
4 Mazurkas, Op.67: I - G Major
4 Mazurkas, Op.67: II - G Minor
4 Mazurkas, Op.67: III - C Major
4 Mazurkas, Op.67: IV - A Minor
4 Mazurkas, Op.68: I - C Major
4 Mazurkas, Op.68: II - A Minor
4 Mazurkas, Op.68: III - F Major
4 Mazurkas, Op.68: IV - F Minor
Mazurka In A Minor ('a Emile Gaillard', 1840)
Mazurka In A Minor ('Notre temps', 1840)
Mazurka In B Flat Major (1826)
Mazurka In G Major (1826)
Mazurka In A Flat Major (1834)
Mazurka In C Major (1833)
Mazurka In B Flat Major (For Alexandra Wolowska, 1832)
Mazurka In D Major (1832)
Mazurka In D Major (?1820)
Mazurka In F Minor, Op.68 No. 4 - Vladimir Ashkenazy

Tracks:

Piano Sonata No.2 In B Flat Minor, Op.35: I - Grave - Doppio movimento
Piano Sonata No.2 In B Flat Minor, Op.35: II - Scherzo
Piano Sonata No.2 In B Flat Minor, Op.35: III - Marche funebre
Piano Sonata No.2 In B Flat Minor, Op.35: IV - Finale: Presto
Piano Sonata No.3 In B Minor, Op.58: I - Allegro maestoso
Piano Sonata No.3 In B Minor, Op.58: II - Scherzo: Molto vivace
Piano Sonata No.3 In B Minor, Op.58: III - Largo
Piano Sonata No.3 In B Minor, Op.58: IV - Finale: Presto, non tanto
Fantaisie In F Minor, Op. 49

Tracks:

Piano Sonata No.1 In C Minor, Op.4: I - Allegro maestoso
Piano Sonata No.1 In C Minor, Op.4: II - Minuetto - Trio
Piano Sonata No.1 In C Minor, Op.4: III - Larghetto
Piano Sonata No.1 In C Minor, Op.4: IV - Finale: Presto
Variations sur un air national allemand - E Major (1826)
Rondo In C Minor, Op.1
3 Ecossaises, Op.72 No.3: I - D Major; II - G Major; III - D Flat Major
Rondo 'a la Mazur' In F Major, Op.5
Marche funebre In C Minor, Op.72 No.2
Contredanse In G Flat Major (?1827) - Vladimir Ashkenazy
Rondo In C Major, Op.73 - Vladimir Ashkenazy
Variations In D Major For Piano Duet (1826) - Vladimir Ashkenazy

Tracks:

Variations In A Major ('Souvenir de Paganini', 1829)
Variations brillantes In B Flat Major, Op.12
Rondo In E Flat Major, Op.16
Bolero In A Minor, Op.19
Cantabile In B Flat Major
Variation In E Major
Largo In E Flat Major
Allegro de concert In A Major, Op.46
3 Nouvelles Etudes (1837): I - F Minor
3 Nouvelles Etudes (1837): II - A Flat Major
3 Nouvelles Etudes (1837): III - D Flat Major
Tarentelle In A Flat Major, Op.43
Fugue In A Minor (1841 - 42)
Albumblatt in E Major (1843)
Op.74 No.2: Wiosna - Spring
2 Bourrees (1846): I - G Minor; II - A Major
Galop Marquis
Berceuse In D Flat Major, Op.57
Barcarolle In F Sharp Major, Op.60

Customer Reviews:

My experience of this CD.......2007-04-04

My hats off to this CD collection! It was worth it!!! Chopin is a true genius for the piano, on this collection.

Beautiful!.......2006-08-18

This is a beautifully played collection of Chopin's work. It was a birthday gift,
and I listen to bits of it every day. I have yet to find a favorite
CD, as each is so lovely. It is well worth the price.

Well worth the money. Wonderful! Wonderful!.......2006-06-10

I am not a classical music expert but I am an expert when it comes to a great product. I have listened to the works of rubenstein and Horowitz, but nothing is comparable to this great collection of polands favorite son. The nocturnes are dreamy and romantic. The other pieces though not as mesmerizing have plenty of depth and feeling. This is a collection that you will listen to over and over again. Although this music is great anytime, it's especially meaningful during a light rainfall. Go ahead and make this investment. It's only $100.00. For the next 100 days save a dollar and you will have it paid for. I promise you won't be sorry. Excellent! Excellent!

Best investment to make.......2006-05-21

In my opinion, this is the apex of classical music. You will not find a better CD for Chopin or any piano recordings. There may be plenty of comparable CDs, but nothing can claim to surpass this.

Although some pieces are not as good as those by other artists, Ashkenazy's interpretations of Chopin are the best I've ever heard. Add in his amazing technical performance and you've got some sublime music.

Listening to these pieces have immensely helped my own Chopin reportoire. I don't play to mimic Ashkenazy, but I use his insights and apply my own style over that and end up with something exponentially better than what I could produce on my own.

The price is something you have to seriously consider. A hundred bucks. Yeah, that's a lot of money, but that's 48 cents per song. And you'll listen to these songs dozens of times, at least, I guarantee. Plus it's a great deal... if you were to get all the Ashkenazy-Chopin CDs available on Amazon, overlapping pieces as little as possible, you'd pay $30 more and still not have everything.

This is an investment for life and will definitely remain one of my favorite CD sets for decades. Decades. A hundred bucks for decades of amazing music. This stuff is larger than today, larger than life.. music this good is something you can't afford to pass up because of temporary financial difficulties.

A great pianist interpreting the most inspired composer ever !.......2005-09-15

Lets imagine that Chopin himself has recorded his own compositions in a perfectly clear CD. I am sure that some classical music reviewers would say "This is not the way Chopin is meant to be played". These classical music "pundits" are very intolerant.

Interpretation and emotion feeling is also a matter of taste, so that the only one who can give a final answer is Franois (Frederic).

Ashkenazy is gifted with a phenomenal technique, a great pianist. So that this collection is for sure 5 stars. Enjoy it.

Ah, if you like to see piano technique in action, listen to Georgy Cziffra's interpretation of Etude op. 10 no. 4. (Search the album in my reviews.)

Average customer rating:

Best 2-Dimensional Pianist
Best cd of its kind. Beautiful piano music.
Great Music
So happy to have this in my collection!
El Gruñon

Schroeder's Greatest Hits

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ProductGroup: Music
Binding: Audio CD

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German Dances Wo0 42:: No. 2 In D
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German Dances Wo0 42:: No. 6 In G
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Sonata In C, L. 104
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Album for the Young: Melody
Album for the Young: Wild Horseman
Album for the Young: Siciliana
Album for the Young: Knight Ruppert
Album for the Young: Little Hunting Song
Album for the Young: Little Study
Songs Without Words, Op. 67, No. 4: Spinning Song (Songs Without Words, Op. 67, No. 4) - Mendelssohn
Waltz in A-Flat, Op. 39, No. 15
Album for the Young: German Song
Album for the Young: Old French Song
Album for the Young: Mazurka
Album for the Young: Waltz
Album for the Young: Neapolitan Dance
Album for the Young: Polka
Waltz In A-Flat, Op. 42 'Two-Four Waltz'
Waltz In D-Flat, Op. 64, No. 1 'Minute Waltz'
Well Tempered Clavier, Book 1, No. 1: Prelude (Well Tempered Clavier, Book 1, No. 1) - Bach
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Customer Reviews:

Best 2-Dimensional Pianist.......2006-03-21

I love this album. Besides the familiar theme song, there are many pieces which we all learn to play as children studying piano. It's great to hear them. A great gift for young people studying piano.

Best cd of its kind. Beautiful piano music........2006-02-25

I did not know what to expect when I ordered this cd. I ordered it primarily for the Lucy & Linus song but was pleasantly surprised with all the other selections of piano music. It is a cd of piano music that one would believe Schroeder would play. Classics from of course Beethovan and many other familiar favorites. I listen to this cd in the car and it is one of my favorite cd's.

Great Music.......2006-02-24

Wonderful music to live by. I play this in my car instead of listening to annoying radio chatter. It is a great collection that ends with the Charlie Brown theme that brings back great childhood memories

So happy to have this in my collection!.......2005-09-21

I had this cassette when I was a little girl...mom garage saled it accidentally and I had been missing it for a long time. Amazon was the only place I was able to find a copy of the CD and I was SOOO happy to see it in my mailbox. Just plain old piano classics...if you enjoy solo piano, this is a great one. Love it!

El Gruñon.......2005-03-02

Very enjoyable CD. Simple and straight forward, a solo piano and selections from a long list of remarkable composers, followed up with the Peanuts tune Linus and Lucy with a jazz trio(piano, bass and drums) If this dosen't motivate a piano player nothing will. 5 stars!

Average customer rating:

breakdown by cd.
I'm not a music expert

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Customer Reviews:

breakdown by cd........2007-01-14

CD1-7:SYMPHONIES 1-9

CD8:PIANO CONCERTO

CD9:VIOLIN CONCERTO & CELLO CONCERTO

CD10-11:REQUIEM

CD12-13:STABAT MATER

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CD15:PIANO TRIOS OP.65 & 26

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I'm not a music expert.......2005-08-25

I don't know too much about music. I own over 700 cds, but I don't play music and I don't have much experience with this music. My only point of reference was the ninth symphony, seeing as every other piece in this box set was new to me. It sounds fine, nothing wrong with it as far as I can see.

Now, here's what you'll get in this box set, seeing as Amazon does not give it a description. 40 cds! no joke, you get 40 cds in this box set. It features:
1. Complete symphonies
2. Complete symphonic poems
3. Cello concerto
4. Piano concerto
5. Violin concerto
6. Requiem
7. Stabat Mater
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9. Complete String quartets
10. Chamber music
11. Piano Works (solo and duet)
12. Rusalka

As far as I can tell, the only things missing are The Spectre's Bride and Jacobin. Seeing as it is 40 cds, i have not had an opportunity to listen to it, however what i have heard i have been quite satisfied with.

Average customer rating:

The "Clinker" of the bunch

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Customer Reviews:

The "Clinker" of the bunch.......2006-12-19

Having collected the entire "The Masterworks" series (including the Bach and Mozart Complete Works) this set is the 'clinker' of the bunch. First off... 6 CD's of Lieder 'historic' (pre-historic) recordings. No Overtures, No Orchestral Seranades, No Haydn Variations?? The performances of the Symphonies and the Concertos are shakey and not very well recorded. Brilliant Classics, who has done such a wonderful job with the Hadyn Complete Symphonies (licensed from Nimbus), the Mozart and Bach Complete sets, has stumbled a bit with this release.

Average customer rating:

At least 16 / 19 well spent hours
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Chopin - Luisada, Jean-Marc
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Release Date: 1999-10-12

Amazon.com

On the 150th anniversary of his death, Deutsche Grammophon released this impressive box set featuring the complete works of Frédéric Chopin. Spread out over 17 CDs, it contains some truly big-name artists--Argerich, Pollini, Barenboim, and Ashkenazy--and a few you've probably never heard of. The majority of the set's nine volumes contain some music newly produced for this undertaking, and a few items (Chopin's songs, for instance) were recorded specifically for this collection. A well-illustrated book is included--it contains an essay, dateline, and illustrations--and each volume in the set gets its own liner notes. The music? It varies from great to less than great, but most of it is worth hearing. Those accustomed to Rubinstein's readings of the Mazurkas will find those played by Jean-Marc Luisada less fluid and lacking Rubinstein's power. Chopin's songs, seldom heard and filled with elements of Polish folk dances and the less-than-stellar lyrics of the composer's friend Stefan Witwicki, get a college try here by soprano Elzbieta Szmytka. They sound as good as you'll hear anywhere (if you can find them). It probably goes without saying that Martha Argerich's rousing 26 Préludes are some of the set's more exciting moments. But, really, the entire collection is solid. It should be noted that budget label Naxos has released its own Chopin edition at less than half the price of this set. With Idil Biret as the only performer on that set, you miss out on some of the diverse performances and personalities found here. Also, to please those of us who already own favorite performances of these works, each two-CD volume in the Complete Chopin Edition can be purchased individually. Bravo. --Jason Verlinde

Customer Reviews:

At least 16 / 19 well spent hours.......2004-10-11

In my opinion there is no more effective way to ruin a great musical performance than to record it in front of an audience who cannot control their coughs. The first disc starts out with a 1979 live recording of Chopin's first piano/orchestra concerto featuring pianist Krystian Zimerman and the Royal Concertgebouw Orchestra of Amsterdam. The performance is good, but doesn't allow the listener full concentration,--and therefore not full enjoyment--as a distracting and annoying audience can be heard coughing, sneezing, and clearing their throats even above the orchestra's playing in mezzo forte - it gets worse, of course, at dynamically quieter musical parts. Other distractions, like chairs creaking, cracking and squeaking, pages being turned probably inches away from a microphone (perhaps to give the page-turner a chance to say "Did you hear that? That was me,") and people stomping/dropping things (?) add to the incapability of the listener's full enjoyment. I've heard much worse, however, but considering that the recording technique is no older than 25 years, this is on the verge of being unacceptable. Sure - there can be a certain charm in hearing such "humanity" on a recording, especially when it's older, but I don't think many would disagree that this is a bit too much. Hearing the opening of piano/orchestra concerto no.2, and knowing that the 18+ hours of music to come aren't going to be interrupted by coughs, is a big relief. My favorite Chopin interpreter is--and might always be--Rubinstein; his playing is straight forward, he cuts to the chase quickly, yet somehow manages to leave room for sensitivity and emotion. His performances, of course--since he never recorded a note for Deutsche Grammophon,--are not included in this "complete edition," so aside from suggestions that certain waltzes are missing, that is something that makes this boxed set incomplete for me. Pollini's general interpretation of Chopin is in my opinion, as in many others', quite weak in comparison to Argerich's, Zimerman's, or the passionate playing of Daniel Barenboim. Here Pollini performs Etudes, Scherzos, Sonatas and Polonaises. At times, during the Etudes of op. 10, I feel like I'm getting more Maurizio than I am getting Fryderyk, even though the performance (especially on no.3) may invite feelings of thriving despite the performer's occasional roaring in the left channel. The Scherzos feature some troublesome factors; first and foremost the sound (of this 1990 recording) isn't at all as good as one would expect. It's far worse than several older recordings of this set - at only six seconds into the first Scherzo (op.20) one can't avoid acknowledging obvious distortion - the recording has clearly been done with too much input level. Clips noises continue throughout the grainy and dull sound picture of these pieces. Second of all, the noises Pollini makes while playing can be quite off putting. At times he sounds like a boy with a voice just breaking experiencing climax of coition, and as we all know, Chopin had a prudish aversion to overt sexuality. One reason why Pollini's performance of the Scherzos being called "troublesome" might be harsh, is that musically he handles them ok, and I'd think that's what's essential, but Deutsche Grammophon has made the odd decision of including Pollini's recording of Sonata no. 2, op.35 (a.k.a. "Funeral March") from 1984 in this set, instead of Argerich's recording from 1975. First of all, Argerich's version has clearer sound (at least on the newly refurbished "The Originals" edition...but then again, that was released in 2002,) but second of all, and more importantly, her playing is far more straight forward during the first part of the Sonata (Grave,) whereas Pollini shows too much mercy both for strong dynamics and tempo throughout. Furthermore he's on the verge of playing parts of the March suggesting "lento," as if it read "rubato" (it's a MARCH!) His performance of Piano Sonata no.3 is also a bit lifeless, but the hour long disc of Polonaises recorded 1975 he handles surprisingly well (the occasional phlegmatic karaoke-roars may need a little time getting used to, though.) Several of these interpreters make some less musical noises while playing - Zimerman, for instance, breathes heavily through the nose after each and every completed phrase throughout all off his performances (although it can't be heard with orchestra.) When listening to his solo performances in head phones, the constant snuffling can distract and annoy quite a bit, but I know that I do the exact same thing when I play, myself, so perhaps I shouldn't complain until I've managed to rid the inconvenient problem myself. Besides Pollini's Polonaise interpretations, there's another (76 minute long) disc of Polonaises featuring mainly Ugorski, but also Argerich. Something that seems odd to me is that the sound quality of Argerich's 1974 recording once again is superior to a newer recording - in this case to the 1999 recording of Ugorski, which doesn't feature much middle in the sound picture, but uneven soughing and clip noises! Both their performances (but especially Argerich's,) are about as enjoyable as Chopin interpretations can be, I'd think, as is the technically and musically perfect, touching and mesmerizing Nocturne interpretations of Daniel Barenboim, recorded in 1981 - his playing here equals close to two hours of pure magic. While being a Rubinstein fan, I'm going to have to say that Barenboim's way of playing the Nocturnes is just how I think they should be played; they call for this somewhat gentle touch mixed in with their brutal sincerity, but I suggest for those who (especially) enjoy the Etudes, Sonatas and Scherzos to listen to Rubinstein's recordings of the works (available on RCA's Rubinstein Collection, vol. 26, vol. 45 and vol. 46.) Pollini is, of course, a fine performer, but I'd suggest listening to his interpretations of Prokofiev's and Stravinsky's work instead.
Rubinstein recorded the preludes (op.28) in their entirety only once, in 1946, which means that they aren't available in RCA's collection with preferable sound quality, but on this set Martha Argerich delivers a great performance of the 26 preludes (no.1-24, op.28, plus 25, op.45, and 26, op. 35,) recorded in 1975. One prelude that in my opinion should always be played as slow and gentle as possible is no.15 (a.k.a. "The Raindrop Prelude.") What I'd like to describe as a prefect version of the piece is performed by--despite my having done a lot of research--a, to me unknown performer, but runs at 6:08 minutes. Argerich rushes the whole piece a bit (the drops fall too closely -) the fact that her version runs at 4:51 should say a lot. Of the approximately 20 different performances I've heard of this particular prelude (obviously one of my favorites,) Argerich's is the shortest, and lays somewhere in the swamp among other "medium integral" versions. She delivers exciting performances of the other preludes, though - the first time I heard them, I hit repeat on my CD player, and listened to nothing else for three days.
The Mazurkas, here performed by Jean-Marc Luisada and Lilya Zilberstein, are performed--while beautifully--quite carefully and loosely. For those who'd like a more restrained performance of the pieces, RCA's Rubinstein Collection, vol. 50, is recommended.
Besides all the music for only piano(s,) Chopin also composed 80 minutes worth of chamber music, which here is performed by Beaux Arts Trio, et al. He also wrote 45+ minutes worth of songs, which here is performed by soprano Elzbieta Szmytka and pianist Malcolm Martineau on a 1999 performance. I don't feel qualified to comment on solo singing in Polish, but while I don't care for the occasional close-to-full effect vibrato, I like Martineau's piano playing and the almost folksy melodies and arrangements. This music distinguishes itself by far from the rest of the music in the set. Translations to several languages of the lyrics to the 19 songs are included.
The stereophony on all recordings is great, the overall sound quality on all discs (when considering the years of the recordings) I'd give a 4/5, but still rate the whole package 9/10 - I'd think that some (both older and newer) recordings could have been transferred better, while some sound superior to what you'd dare dream of. This is definitely the best complete edition of Chopin's music available, and perhaps the best collection of works available on disc by any classical composer. A lot of work has been put into the set's design, the sound, and certainly the amount and accuracy of interesting info given in the enclosed illustrated 140 page hard-cover book (of which a fifth is written in English) and in the 40-60 page booklets (also illustrated) included in each volume; practically everything you'll ever need to know about the composer (and these recordings) is included here along with all the music he wrote. Well worthy of your time and money.

Enlightening but slighly blemished.......2004-07-05

I commend DG on producing this comprehensive and thoughtfully packaged/annotated collection of Chopin's output. In it one can appreciate the wondrous manner in which Chopin at once appeased the conservative appetites of the Paris salon set while revolutionizing the genre of piano music in both traditional and more intimate forms.

The greatest virtue of this collection is the opportunity to hear more obscure elements of Chopin's collected ouevre. He wrote some lovely chamber music and wrote highly effective variations with and without orchestra. Among his 17 songs are a few gems.

As for the strength of the performances, some of them are rightly considered definitive. I love Zimerman in the piano concerti, Argerich owns the Op. 28 preludes, and I find in Pollini's scherzos the unbridled energy and interpretive depth required by these challenging pieces. Even if Daniel Barenboim's nocturnes do not set any records, they are well-done and completely satisfying.

I was less enthusiastic about Pollini's readings of the latter 2 piano sonatas, which I find prosaic on the whole. I was equally underwhelmed by Bunin's impromptus, which again betray interpretive rather than technical deficiencies. My greatest disappointment is Jean-Marc Luisada's controversial readings of the mazurkas. An unwieldy rubato rules the day here, and distorts the harmonic language to the point that it sounds like Debussy or Ravel's frequent (and unshakeably French-sounding) evocations of Spain. I much prefer any of the Rubinstein mazurka sets, which are colorful but rhythmically mindful of their namesakes.

Properly supplemented in the more familiar repertory (mazurkas, impromptus, sonatas, in particular), I believe this set is indispensable to anyone who appreciates or seeks a broader understanding of Chopin the composer. I recommend it highly.

Chopin - Luisada, Jean-Marc.......2002-04-14

I am a professional Pianist and Piano-pedagoge trained at the University of Graz and Vienna (Austria).
It seems as often reviewers/critics/listeners have the same opinions: I wonder if it isn't in some cases the old story of the Emperors new clothes - nobody dares to have a different opinion, as they do not want to appear stupid.
Some of the reviewers here, didn't like Luisadas performances of the Mazurkas. I hold the heretical opinion that Jean-Marc Luisadas performances are much better than Rubinsteins (I possess the three different complete Mazurka recordings of Rubinstein). There are few pianists that like Luisada know how to treat the piano as a truly polyphonic instrument, with absolute control of every line, and at the same time being able to emphasise every harmonic detail - giving every chord its differing and appropriate degree of tension. Furthermore he understands how to display the different moods and characters of the music. All these factors make Luisadas performances extremely colourful. Every Mazurka with Luisada is a unique experience.

Ps. Other recordings do occasionally wet the critical appetite: For instance the everywhere highly acclaimed Chopin recordings with Pollini are often musically awful, the Etudes opus 10 nr. 1 and opus 25 nr. 1 are examples. For the complete Etudes, buy Boris Berezovsky's recording for Teldec, it surpasses Pollini by far. Ds.

Chopin - Luisada, Jean-Marc.......2002-04-14

Learn, learn, learn!.......2000-10-16

This box set is a must for any lover of piano music.

DG deserves praise for coming with an excellent set of records as well as presentation of the booklets. It is breathtaking to have the opportunity to really know Chopin so well.

Performers are first rate and speak for themselves, and for the price of 8 CD's you get the whole collection. Yes, you can get in some cases better performances, but overall you can find a better compilation. Naxos has its own, and I am going to exchange it with a friend, problem will be to get mine back!

Customer Reviews:

One of the best of the Masterworks series.......2007-07-06

Brilliant Classics' "Masterworks" series, if you can get them cheaply (and currently they go for about $1/CD from Amazon's France Web site), are a great way to amass a significant library of the works of several great computers. The production values and the performances themselves are uneven, and the interpretations are not always historically-informed (unlike the bulk of Brilliant's "Complete Editions" of the works of Bach and Mozart). But there are numerous gems in the rough in The Masterworks, and the economic value is unsurpassed, even if you were to throw away half of the CDs in each set.

You're unlikely to throw away much of this Schubert collection though. This seems to be the finest of the Masterworks sets, with a succession of solid, often first-rate performances of most of the major Schubert works. Here's what you get:

- The symphonies, performed by The Hanover Band in a historically-informed style. Very interesting performances perhaps marred by an odd recording balance that makes the woodwinds sound distant. Takes up four CDs
- The six Latin masses. Also the Deutsche Messe in the version with wind instruments. Five CDs in all
- Edison Denisov's completion of Schubert's unfinished dramatic work Lazarus (2 CDs, Helmuth Rilling's premier recording)
- The last four string quartets (including the Quartettsatz) with #9 thrown in. Also the octet, piano quintet ("The Trout"), string quintet and both piano trios. In short all the canonical chamber works. Performances are strong, and well recorded
- Two CDs of violin/piano duets, including Op. 137 and Op. 162
- 19 of the 21 "canonical" piano sonatas (missing #7 and #12) as well as the Moments Musicaux, Impromptus, German Dances, Wanderer Fantasy and several other piano works, 11 CDs in all. As with the chamber music, the performances and recordings are strong, often stunning
- Two CDs of piano duets, including the Divertissements and D. 617
- Song cycles: Die Schöne Müllerin, Winterreise, Schwanengesang, and four CDs of standalone songs, including such "standards" as Erlkönig and Gretchen am Spinnrade. The singers are a bit uneven here, ranging from standouts Robert Holl, Deitrich Fischer-Dieskau and John Shirley-Quirk to the somewhat shrill Arleen Augér

Missing from the collection is Rosamunde, and a number of famous songs: Die Forelle (The Trout), Death and the Maiden, Ellens Gesang III (the so-called Ave Maria, D. 839), Der Hirt auf dem Felsen and Der Wanderer. But you do have almost all the important instrumental works, and most of the vocal works generally considered to be essential, with some padding added in the form of minor works such as the parochial Deutsche Messe, the German Dances, and the modernist-informed completion of Lazarus by the 20th Century Russian composer Denisov.

As with the other Masterworks sets, there are no program notes. You'll need to do your own research. Answers.com is a good starting point for Schubert compositions. There are also no song texts or translations provided, so again you'll need to track down your own. Try "The Lied and Art Song Texts Page" for lieder lyrics and translations. Hunt down a good price on this collection, browsing one of Amazon's European sites if necessary, and treat yourself to many hours of lovely music for the cost of a modest night out.

Will not buy this.......2007-03-16

I can't see D965 or D945 on this 40 disks worth of Schubert. Bizarre! There are so many great songs missing it scares me.

Worth it!.......2006-12-19

One of the best in "The Masterpices" series. Many of the discs (the symphonies in particular) were licensed from Nimbus and other full-line labels. Not all that long ago these discs would have set you back $18 to $20 a piece. That said, I still wouldn't part with my Hyperion collection. 40 CD's at this price... you can't go wrong.

Great way to jumpstart a schubert collection.......2006-12-19

Hartmut Holl, Dietrich Fischer-Dieskau, Stephanie Brown, and Jaime Laredo as well as the Stuttgart Bach Collegium performing Schubert are hardly "left-behind artists and ensembles" as the previous naysayer states. These are licensed from major label releases and from the original masters issued at a bargain price, especially for the number of discs you get. Sound quality ranges from good to excellent. Good for all Schubertians and anyone who wants to jumpstart a Schubert collection.

Better to Pick a Few First-rate Performances.......2006-11-14

This is a bargain in dollar/listening time ratio, but who cares? There are many second-rate performances by left-behind artists and ensembles. Obviously the economics of resurrecting disks that don't require royalties has been the driving factor of selection. (On the other hand, the complete edition boxed sets of Bach and Mozart, which you'll find if you look, are stupendous successes artistically.)

Average customer rating:

The Greatest of Music--Certainly Not of Playing
5 stars for value, 4 for performance, 3 for packaging and mastering
Worth the price, but you get what you pay for
Great!
Good Quality for the Price!

Chopin: Complete Piano Music
Idil Biret , Slovak State Philharmonic Orchestra , and Robert Stankovsky
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Bourees | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

Ecossaises | Ballets & Dances | Classical | Styles | Music

Galops | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Polonaises | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Ballads | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Lullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music

Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music

Rachmaninov: Piano Music (Box Set)
Beethoven: Complete Piano Sonatas
Brahms: Works for Solo Piano
Schubert: The Piano Sonatas
Liszt: Piano Works

ASIN: B00001NTN0
Release Date: 1999-09-28

Tracks:

Ballades - Berceuse - Fantaisie - Trois nouvelles des - Galop Marquis - Largo - Marche fune - Cantabile
Ballade No.2 In F Major, Op.38
Ballade No.3 In A Flat Major, Op.47
Ballade No.4 In F Minor, Op.52
Berceuse In D Flat Major, Op.57
No.1 In F Minor
No.2 In A Flat Major
No.3 In D Flat Major
Fantaisie In F Minor, Op.49
Galop Marquis In A Flat Major
Largo In E Flat Major, BI 109
Marche Funebre
Cantabile In B Flat Major

Tracks:

Etudes
No.2 In A Minor
No.3 In E Major
No.4 In C Sharp Minor
No.5 In G Flat Major, 'Black Keys'
No.6 In E Flat Minor
No.7 In C Major
No.8 In F Major
No.9 In F Minor
No.10 In A Flat Major
No.11 In E Flat Major
No.12 In C Minor, 'Revolutionary'
No.1 In A Flat Major
No.2 In F Minor
No.3 In F Major
No.4 In A Minor
No.5 In E Minor
No.6 In G Sharp Minor
No.7 In C Sharp Minor
No.8 In D Flat Major
No.9 In G Flat Major
No.10 In B Minor
No.11 In A Minor, 'Winter Wind'
No.12 In C Minor

Tracks:

Mazurkas - Volume 1
No.2 In C Sharp Minor, Op.6/2
No.3 In E Major, Op.6/3
No.4 In A Flat Minor, Op.6/4
No.5 In B Flat Major, Op.7/1
No.6 In A Minor, Op.7/2
No.7 In F Minor, Op.7/3
No.8 In A Flat Major, Op.7/4
No.9 In C Major, Op.7/5
No.10 In B Flat Major, Op.17/1
No.11 In E Minor, Op.17/2
No.2 In A Flat Major, Op.17/3
No.13 In A Minor, Op.17/4
No.14 In G Minor, Op.24/1
No.15 In C Major, Op.24/2
No.16 In A Flat Major, Op.24/3
No.17 In B Flat Minor, Op.24/4
No.18 In C Minor, Op.30/1
No.19 In B Minor, Op.30/2
No.20 In D Flat Major, Op.30/3
No.21 In G Sharp Minor, Op.30/4
No.22 In G Sharp Minor, Op.33/1
No.23 In D Major, Op.33/2
No.24 In C Major, Op.33/3
No.25 In B Minor, Op.33/4
No.26 In C Sharp Minor, Op.41/1

Tracks:

Mazurkas - Volume 2
No.28 In B Major, Op.41/3
No.29 In A Flat Major, Op.41/4
No.30 In G Major, Op.50/1
No.31 In A Flat Major, Op.50/2
No.32 In C Sharp Minor, Op.50/3
No.33 In B Major, Op56/1
No.34 In C Major, Op.56/2
No.35 In C Minor, Op.56/3
No.36 In A Minor, Op.59/1
No.37 In A Flat Major, Op.59/2
No.38 In F Sharp Minor, Op.59/3
No.39 In B Major, Op.63/1
No.40 In F Minor, Op.63/2
No.41 In C Sharp Minor, Op.63/3
No.42 In G Major, Op.67/1
No.43 In G Minor, Op.67/2
No.44 In C Major, Op.67/3
No.45 In A Minor, Op.67/4
No.46 In C Major, Op.68/1
No.47 In A Minor, Op.68/2
No.48 In F Major, Op.68/3
No.49 In F Minor, Op.68/4
No.50 In A Minor, Op. Posth.
No.51 In A Minor, Op. Posth.

Tracks:

Nocturnes - Volume 1
E Flat Major, Op.9, No.2
B Major, Op.9, No.3
F Major, Op.15, No.1
F Sharp Major, Op.15, No.2
G Minor, Op.15, No.3
C Sharp Minor, Op.27, No.1
D Flat Major, Op.27, No.2
B Major, Op.32, No.1
A Flat Major, Op.32, No.2
C Minor, B.I. 108
C Sharp Minor, B.I. 49

Tracks:

Nocturnes - Volume 2
G Major, Op.37, No.2
C Minor, Op.48, No.1
F Sharp Minor, Op.48, No.2
F Minor, Op.55, No.1
E Flat Major, Op.55, No.2
B Major, Op.62, No.1
E Major, Op.62, No.2
E Minor, Op.72, No.1 (Posth.)

Tracks:

Piano Sonatas
Menuetto
Larghetto
Fianle
Grave - Doppio Movimento
Scherzo
Marche Funebre: Lento
Finale: Presto
Allegro Maestoso
Scherzo: Molto Vivace
Largo
Finale: Presto, Non Tanto

Tracks:

Polonaises - Volume 1
E Flat Minor, Op.26, No.2
A Major, Op.40, No.1, 'Military'
C Minor, Op.40, No.2
F Sharp Minor, Op.44
A Flat Major, Op.53, 'Heroic'
A Flat Major, Op.61, 'Polonaise-Fantaisie'

Tracks:

Polonaises - Volume 2
B Flat Major, Op.71, No.2
F Minor, Op.71, No.3
G Minor, BI 1
B Flat Major, BI 3
A Flat Major, BI 5
G Sharp Minor, BI 6
B Flat Minor, 'Adieu', BI 13
G Flat Major, BI 36
Andante Spianato
Grande Polonaise

Tracks:

Preludes (Including "The Raindrop) - Barcarolle - Bolero
No.2
No.3
No.4
No.5
No.6
No.7
No.8
No.9
No.10
No.11
No.12
No.13
No.14
No.15
No.16
No.17
No.18
No.19
No.20
No.21
No.22
No.23
No.24
Prelude In A Flat Major, Op. Posth.
Prelude In C Sharp Minor, Op.45
Barcarolle, Op.60
Bolero, Op.19
Bourree I
Bourree II
Wiosna
Feuille D'Album
Fugue

Tracks:

Rondos and Variations
Rondo A La Mazurka, Op.5
Rondo, Op.16
Rondo, Op.73
Mazurka In G Major, BI 16
Mazurka In B Flat Major, BI 16
Mazurka In B Flat Major, BI 73
Mazurka In C Major, BI 82
Mazurka In A Flat Major, BI 7
Mazurka In D Major, BI 4
Variations Brillantes, Op.12
Variations On A German Air
Variations On A March From Bellini's I Puritani
Variations 'Souvenir De Paganini'
Variations In D Major For Two Pianos

Tracks:

Scherzi and Impromptus - Allegro de concert
No.2 In B Flat Minor, Op.31
No.3 In C Sharp Minor, Op.39
No.4 In E Major, Op.54
No.1 In A Flat Major, Op.29
No.2 In F Sharp Major, Op.36
No.3 In G Flat Major, Op.51
No.4 In C Sharp Minor, Op.66, 'Fantaisie-Impromptu'
Allegro De Concert, Op.46

Tracks:

Waltzes - Contredanse - Ecossaises - Tarantelle
In A Flat Major, Op.34/1
In A Minor, Op.34/2
In F Major, Op.34/3
Valse In A Flat Major, Op.42
Valse In D Flat Major, Op.64/1, 'Minute'
Valse In C Sharp Minor, Op.64/2
Valse In A Flat Major, Op.64/3
Valse In A Flat Major, Op.69/1, 'L'adieu'
Valse In B Minor, Op.69/2
Valse In G Flat Major, Op.70/1
Valse In F Minor, Op.70/2
Valse In D Flat Major, Op.70/3
Valse In A Flat Major, BI 21
Valse In E Major, BI 44
Valse In E Minor, BI 56
Valse In A Minor, BI 150
Valse In E Flat Major, BI 133, 'Sostenuto'
Valse In E Flat Major, BI 46
Contredanse In G Flat Major, BI 17
No.1 In D Major
No.2 In G Major
No.3 In D Flat Major
Tarantelle In A Flat Major, Op.43

Tracks:

Piano Concertos Nos. 1 and 2
Romanza: Larghetto
Rondo: Vivace
Maestoso
Larghetto
Allegretto Vivace

Tracks:

Fantasia on Polish Airs - Krakowiak - Variations on "Li darem la mano" Andante spianato and Grande Polonaise
Air: Juz Miesiac Zaszedi: Andantino
Theme De Charles Kurpinski: Allegretto
Kujawiak: Vivace
Allegro Maestoso
Scherzo: Molto Vivace
Introduction: Largo
Tema: Allegretto
Variation I: Brillante
Variation II: Veloce, Ma Accuratamente
Variation III: Sempre Sostenuto
Variation IV: Con Bravura
Variation V: Adagio - Alla Polacca
Introduction: Andantino Quasi Allegretto
Rondo: Allegro Non Troppo

Amazon.com

This 15-disc set, recorded from 1990 to 1992, is a truly complete survey of Chopin's piano music, including juvenilia and the works for piano and orchestra. It may not be quite the triumph of Biret's Brahms set, in which the performances are competitive with the best to be heard anywhere. But all of this playing is thoroughly worthy of the music, and Biret's technique is strong enough to deal with such hurdles as the Études and Scherzi without flinching. Her style is a bit more straightforward than that of the most famous Chopin poets (such as Rubinstein and Cortot), making these recordings a particularly good bet for students and listeners who are first learning to love Chopin. One can often come up with a (more expensive) recording that expresses even more of the poetry of the music than Biret does: Moravec's Nocturnes, Rubinstein's Mazurkas, Zayas's Études, and so on. And occasionally some of the lesser-known music (such as the First Sonata) might be better skipped except by scholars and curious listeners who want to know why these pieces are so obscure. But finding 15 well-filled CDs of such great music, in such excellent performances, so well recorded, for such an absurdly low price becomes an irresistible bargain. Even connoisseurs who know the great Chopin recordings of the past may well find these recordings a refreshing alternate view of the music. --Leslie Gerber

Customer Reviews:

The Greatest of Music--Certainly Not of Playing.......2007-05-11

Having been listening to Chopin's celestial piano music ever since I was a young boy, I will probably never stop marveling at the pure beauty of his unique way of conjuring up those dangerously memorable themes, harmonies and figurations. There are days when one of his Etudes, Preludes, Mazurkas or Nocturnes just starts playing itself inside my head, to the extent that I simply have to get to my hi-fi equipment. Whilst still young, I purchased a large amount of Naxos CDs, of which Chopin's piano music account for a major part. Today, I still find a great deal of pleasure in Szekely's Ballades, Scherzos, Waltzes, Sonatas and Concertos (though not as much in his Etudes), in Szokolay's Barcarolle and Fantaisie-Impromptu as well as in Zartitzkaya's Polonaise-Fantaisie.

Of course, playing any well written piano music is difficult--that is to do it so well that the music emerges as an autonomous being. In the case of Chopin, it is even more difficult as his music is composed with such flexibility and plasticity that the chances of going wrong are so immense. Generally, Ms Biret avoids going so much wrong that the result is less than adequate. Alas, though, there are a number of occasions where her playing is not worthy of preserving on disc--most notably the Allegro de Concert, the Barcarolle, the Nocturnes, the Mazurkas, and most of all the Etudes (this certainly not what the music says!--cf. e.g. Op 10 Nos 1, 8 & 12 or Op 25 Nos 3, 8 & 11). So, what is then the problem with Biret's Chopin playing? Well, it can rather neatly be summed up in that it is driven by her very own erratic will rather than the natural force inherent in the music. This implies highly eccentric tempos and rubatos, exaggerated sforzandos, weird pedaling, stiff keystroke, and a clumsy technique that simply is not refined enough to handle the music.

Considering the fact that the 13-disc Ashkenazy set (Decca--review pending) is available at virtually the same price (even less on amazon.com!), there is really no rational motivation whatsoever acquiring the Biret set. Ashkenazy is always good, sometimes great; Biret is mostly functional, sometimes poor. For Chopin playing of out-and-out excellence, one needs to turn to the likes of Argerich, Ohlsson, Pletnev, Perahia, Zimerman, Demidenko or Rubinstein.

Nowadays, Naxos certainly knows how to record the piano (e.g. for Glemser in Scriabin, Prokofiev and Schumann). The recordings given to Biret are, if consistent, among the ugliest ever given to the instrument. The sound is sharp, boxy and clunky, making the piano sounding more like a digital Yamaha than a Bösendorfer concert grand (indeed it is--not a Steinway).

5 stars for value, 4 for performance, 3 for packaging and mastering.......2006-08-01

I got this box set because I wanted to have all of Chopin's piano music without investing in the redundancies of various artists' recordings. In that respect the price value is unbeatable. Much has been said about Idil Biret's playing and it is fine enough.

The packaging is unimaginative. You get the fifteen individual CDs of the series tucked in a slip case. That's a lot of jewel box plastic and shelf space that could have been cut down to at least half. The booklets give thumbnail analyses of the works, but much of the historical background is repeated. Fifteen iterations of "Iterpreting Chopin" and Biret's biography is just a waste of paper. Naxos has made its name with quality, no-frills, budget releases. They may have done a cost analysis against repackaging but there seems little consideration toward the end user experience.

The mastering is careless. In the Variations and Sonatas, for instance, the attack for one track happens at the tail end of the previous track. This becomes evident and annoying when listening on an mp3 player. You get First movement-S[squib-pause]econd movement resumed. If the track indexing was done by an automated system they should have calibrated it a few milliseconds earlier. If it was done by a human, shame on you.

Worth the price, but you get what you pay for.......2005-07-28

Ms. Gerber sums it up very well above: the playing is not what you'd find from Rubinstein, Cortot, or Ashkenazy, but it is still better than many recordings out there, and is a tremendous bargain.

Chopin only wrote one piece in his entire life that didn't include the piano, so a collection this complete of his piano music is a fascinating look into Chopin's creative life, and as a study in music history, it is worth the time. Nevertheless, people who are searching out definitive performances of more familiar works should probably search elsewhere.

Now, I am not a professional music critic, and I would never say that you should trust me over the critics. In fact, much of the acclaim this set receives is merited. Her first and fourth ballades are fine performances, and the scherzi and polonaise in A flat are well executed. That being said, I personally found several other performances to be large disappointments. (For the record, her recording was not universally praised, and some of the favourable reviews, like mine, are somewhat back-handed, but overall the set was a critical success.)

In particular, I couldn't help but think that the Berceuse, third ballade, several of the preludes, the First Concerto, and the Barcarolle were mediocre. In the Barcarolle, Biret's tempi are erratic and constantly changing, sometimes in the opposite way as Chopin indicated! (Where Chopin writes "poco piu mosso" at the transition to the B section, Biret slows to a crawl) Her dynamics are similarly strange and sometimes backward, and the climax is rushed and unmoving. For the third Opus 28 Prelude in e minor--probably one of the best-known preludes after the Raindrop in D flat--Biret takes almost a full measure's worth to play the opening figure (which is written to last one beat), and then proceeds to choose an allegretto tempo despite Chopin's directions to play slowly. She indulges here, and throughout much of the rest of the CDs, in a rubato that breaks momentum and makes it very difficult to follow the melody. It is as if a singer were to take a breath in the middle of important words--it quickly becomes hard to understand a thing she was saying.

It is true that many performers deviate from the score, sometimes in ways that enhance the musicality of the performance. Indeed, even Chopin was reported to play with dynamics that were different than the ones he himself wrote in the score, but Biret's indulgences take away from, rather than add to, the performances. I personally found many of the interpretative decisions to be distracting, or even unmusical.

I don't mean this to sound at all mean-spirited, but if I were to sum up my feelings of this set in one sentence, it would be this:

It is worth every dollar of its relatively low price.

Great!.......2005-02-13

I really enjoyed listening to Biret's approach of chopin on these 15 discs. I have heard other pianists play and i personally find every one of them comparable and each have their own pros and cons. The price of this influenced me over the grammophon's boxset.

Good Quality for the Price!.......2003-05-26

This 15-CD set, covering all of Chopin's piano solo music, is the only complete set out there, and at a bargain price, it is one of the best sets out there that everyone should have.

Some of the playing and interpretations are controversial, such as the lack of noticable dynamics in the nocturnes and other pieces. However, overall, the quality and the price is hard to beat.

Tracks:

Prelude and Fugue In A Minor, BWV 543: 1. Prelude
Prelude and Fugue In A Minor, BWV 543: 2. Fugue
Piano Sontana No.17 In D Minor, Op.31 No.2 'Temptest': 1. Largo - Allegro
Piano Sontana No.17 In D Minor, Op.31 No.2 'Temptest': 2. Adagio
Piano Sontana No.17 In D Minor, Op.31 No.2 'Temptest': 3. Allegretto
Impromptu In E-flat, D.899 No.2
Waltzes, Op.39 (Excerpts): No.15 In A-flat
Waltzes, Op.39 (Excerpts): No.1 In B
Waltzes, Op.39 (Excerpts): No.2 In E
Waltzes, Op.39 (Excerpts): No.6 In c-sharp
Arabesques on 'An der schonen, blauen Donau'
Liebestraum No.3 In A-flat
Hungarian Rhapsody No.6 In D-flat
Consolation No.5 In E (Andantino)
Sonetto 104 del Petrarca
'Rigoletto' Paraphrase

Tracks:

Ballade No.1 In G Minor, Op.23
Impromptu No.1 In A-flat, Op.29
Waltz In E Minor, Op. posth.
Waltz In A Minor, Op.34 No.2
Mazurka In A Minor, Op.67 No.4
Etide In F, Op.25 No.3 'Tristesse'
Etude In F, Op.25 No.3
Etude In G-flat, Op.10 No.5 'Black Keys'
Etude In F, Op.10 No.8
Piano Sonata No.2 In B-flat Minor, Op.35 'Funeral March': Grave - Doppio movimento
Piano Sonata No.2 In B-flat Minor, Op.35 'Funeral March': Scherzo - Piu Iento - Tempo I
Piano Sonata No.2 In B-flat Minor, Op.35 'Funeral March': Marche funebre. Lento
Piano Sonata No.2 In B-flat Minor, Op.35 'Funeral March': Finale. Presto
Scherzo No.3 In C-sharp Minor, Op.39

Customer Reviews:

Byron Janis I - Philips.......2006-04-06

The edition "Great Pianists of the 20th Century" is one of the greatest labels ever. The legendary pianist Byron Janis is presented by two issues, both consisting of two discs.
Byron Janis I - Disc 1
This disc contains piano works by Beethoven, Schubert, Brahms, Liszt and two transcriptions - Bach's Prelude and Fugue in A minor for organ in piano version by Liszt and Strauss' Blue Danube arranged by Adolf Schulz-Evler.
All these works present their performer Janis both as a virtuoso and a great "singer". In other words - typical Byron Janis.
The Prelude and Fugue by Bach/Liszt is played in a very touching way, with an disarming colour of tone combined with modesty and humility. Janis' piano sound is much more personal than any organ sound (the author must excuse), but not less huge and collosal, from inner pianos with delicious legato to a forte fortissimo to tremble by.
Beethoven's Tempest Op.31 No.2 is amazing as well, drammatical passages are really Beethoven-like and lyrical ones - especially all long notes - radiate strong warmth (thanks to Janis' full golden tone).
The Impromptu by Schubert is played in a quite new and original way, four Waltzes by Brahms are great.
From pieces by Liszt I would name mainly the Rigoletto Paraphrase and Hungarian Rhapsody No.6, the Blue Danube shows us a classical sample of "Horowitzian" virtuosity, which influenced Janis very much as he was the first student of Vladimir Horowitz.
Byron Janis I - Disc 2
This is an all-Chopin disc with a great performance of the second sonata, first ballade, third scherzo and other pieces. Janis' style in Chopin's music doesn't need any comments, his cantabile, legato and elegance produce something full of beauty, but mainly full of a concrete content. Byron Janis doesn't play - he talks. He describes, he explains, he complains, he laughs and cries and does everything what is a part of a human life. It is not just "music", it is also "speech". Its not so easy to get into it, you must be able to understand music in a deeper way, and when you can receive music like words and sentences, you can really understand and appreciate the artistry of Maestro Byron Janis.

Music Track:

Recommended Music:

Brahms: Cello Sonatas/Schumann: Adagio and Allegro

Music: Remix Heaven [Import]

Run Wolf Run [Import]

Bloomsbury 1997 [Live]

Book of Ballads (Jpn Lp Sleeve)

Camille Saint-Saëns: Etudes

Billy X: Solo Set [Explicit Lyrics]

Bird Eyes, Vol. 22 [Live]

Attention Please

Blue Bird

2004 Ano de Exitos: Rock

Listen to His Voice

Hooked on Pan Flute