Vivaldi: The Four Seasons Op. 8; Double Concerto for Two Horns and Strings; Double Concerto for Two Oboes and Strings (recorded 1967) [Russian Revelation]

On this CD:

1. Violin Concerto ("La Primavera", The Four Seasons) for violin, strings & continuo in E ("Il cimento" No. 1), Op.8/1, RV 269
Composed by Antonio Vivaldi
Performed by Moscow Chamber Orchestra with Yevgeny Smirnov
Conducted by Rudolf Barshai

2. Violin Concerto ("L'estate", The Four Seasons) for violin, strings & continuo in G minor, Op. 8/2, RV 315
Composed by Antonio Vivaldi
Performed by Moscow Chamber Orchestra with Yevgeny Smirnov
Conducted by Rudolf Barshai

3. Violin Concerto ("L'autunno", The Four Seasons), for violin, strings & continuo in F major ("Il cimento" No. 3), Op.8/3, RV 293
Composed by Antonio Vivaldi
Performed by Moscow Chamber Orchestra with Yevgeny Smirnov
Conducted by Rudolf Barshai

4. Violin Concerto ("L'inverno", The Four Seasons), for violin, strings & continuo in F minor ("Il cimento" No. 4) Op. 8/4, RV 297
Composed by Antonio Vivaldi
Performed by Moscow Chamber Orchestra with Yevgeny Smirnov
Conducted by Rudolf Barshai

5. Double Horn Concerto, for 2 horns, strings & continuo in F Major, RV 539
Composed by Antonio Vivaldi
Performed by Moscow Chamber Orchestra
Conducted by Rudolf Barshai

6. Double Oboe Concerto for 2 oboes, strings & continuo in A Minor, RV 536
Composed by Antonio Vivaldi
Performed by Moscow Chamber Orchestra
Conducted by Rudolf Barshai

Tracks:

I. Allegro - Antonio Vivaldi
I. Allegro - Paul Grund
I. Allergro - I Musici di Zagreb
II. Largo - Edward Carroll
III. Alegro - Gli Accadmici di Milano
Et In Terra Pax - Atlanta Symphony Orchestra And Chorus
II. Adagio Molto - Susanne Lautenbacher
I. Allegro - Musici Di San Marco
II. Largo - Musici Di San Marco
III. Allegro - Melvin Berman
II. Largo - Anton Stingl
I. Allegro - Alois Sprach
II. Adagio - Susanne Lautenbacher
Stabat Mater Dolorosa (Opening Movement) - Margarethe Bence
III. Allegro - I Musici di Zagreb
II. Largo - Gunter Lemmen
III. Allegro - Hans-Martin Linde
III. Allegro - Susanne Lautenbacher
I. Allegro - Musici Di San Marco
III. Allegro - Susanne Lautenbacher
I. Allegro - Musici Di San Marco
II. Larghetto - I Musici di Zagreb
Chamber Concerto In G Minor For Recorder And Oboe - Baroque Trio Of Montreal
Opening Movement From 'Gloria' - Atlanta Symphony Orchestra And Chorus
Concerto In C For 2 Trumpets, PV 75: III Allegro - Edward Carroll

Customer Reviews:

terrific.......2006-04-23

Vivaldi 25 favourites is marvelous ,it has been digitally enhanced and is certainly a keeper.Really am pleased with anything i have purchased from Amazon

Get what you pay for........2005-10-15

This CD is decent but does NOT sweep you off your feet into a soaring concert hall with your heart beating loudly and your breaths coming in faster. Why? I think its the quality of the recording and the caliber of the musicians maybe? But hey, $4.98 does not buy much more than a fast food meal- so no harm done! Happy Listening!
-Rupa

Wonderful!.......2004-11-26

I couldn't believe the wonderful, pure sounds that came from this low-priced CD. I absolutely love it and highly recommend it!!

If only the Amazon discography was as good..........2004-02-14

The majority of the musical selections is undeniably fine. If only the track listing (s) were accurate or agreed with each other and the actual selections as they are ordered on the CD!

One of the best Vivaldi CDs on the market.......2003-01-24

I don't know how SPJ Music Inc., based in the world-famous town of Hauppaage, NY, manages to do it, but they have released at least 24 of these "25 XXXX Favorites" CDs, and all those that I have heard are superb collections. OK, many of the performances on this album are by ensembles that few will have heard of in North America, such as the Wurttemburg Chamber Orchestra, Musica di San Marco, and I Musici di Zagreb, and maybe they are a bit old (no recording dates are given), so SPJ probably doesn't have to pay much in the way of royalties. But this collection of works by Vivaldi is truly second to none.

Wait till you hear track 6, "Et in terra Pax from 'Gloria', by the Atlanta Symphony Orchestra and Chorus, for instance, or track 14, from Stabat Mater Dolorosa, sung by Margarethe Bence with the Alto Pro Music Orchestra of Stuttgart. We are transported into the heights of the etherial world of sacred music, right up into the ceiling of the Sistine Chapel, yet with that unmistakable touch of Vivaldi, who could be both consumately sacred and masterfully secular as he wished -- or even both at the same time. As has been proven again and again in the 20th century, Vivaldi was one of the greatest composers in history, and every classical music lover should have this CD in his or her collection.

I have a lot of Vivaldi recordings by period music ensembles like the virtuosic Il Giardino Armonico (who recorded the two best DVDs of Vivaldi works in existence, one with Cecilia Bartoli) and the somewhat more conservative Europa Gallante, led by Fabio Biondi. Then there are CDs by individual masters like Andrea Marcon (with the Venice Baroque Orchestra) and the immortal Nigel Kennedy (with the English Chamber Orchestra). Older classics re-released on CD include recordings by the Academy of St Martin-in-the-Fields, the Orchestra of the 18th Century, and the Romero family (Los Romeros). And the list goes on and on. All are superb recordings that have given me hours of pleasure.

Tracks:

Canon
Concerto In D Minor For 2 Oboes & Strings, Op. 42, No. 2: I. Largo
Water Music: VI. Minuet
Trumpet Concerto In D: II. Adagio
Sarabande
Oboe Concerto In D Minor: II. Adagio
Concerto In D For Trumpet & Strings: III. Grave
Air On The G String
Adagio For Strings In G Minor
The Four Seasons: Spring, II. Largo
Brandenburg Concerto No. 4 in G, BWV 1049: II. Andante
Concerto In D For 2 Trumpets & Strings: II. Largo
Concerto Grosso In D Minor, Op.3 No. 11: I. Allegro
Concerto In D For 6 Trumpets & Strings: II. Adagio
Ombra mai fu: Handel's Largo
Trumpet Sonata No. 1 In F: II. Grave
Suite In F Major For Horn, 2 Oboes & Strings: III. Der Alster Echo
Concerto In C For Viola Pomposa & Strings: II. Andante
Concerto In D For Trumpet, 2 Violins, Viola, Basso & Continuo: I. Allegro
Hapsichord Concerto In G Minor, BWV 1058: First Mvt.
Sonata For Trumpet & Strings: I. Allegro
Concerto Grosso No. 5 In D, Op. 6: I. Larghetto
Concerto in D for Trumpet, 2 Oboes, Strings & Continuo: I. Allegro
Concerto grosso In G Minor, Op. 6 No. 8: II. Allegro
Trumpet Voluntary

Customer Reviews:

poor sound quality.......2004-09-29

a great selection of baroque favorites, but the sound quality, especially on the pachelbel canon, not great at all. for that reason, i cannot recommend getting it. what do you expect for five dollars, right !>? i would suggest spending a little more money and getting something that you can't bear to part with, for continued listening enjoyment.

SUPERB.......2004-02-19

An introduction to the best baroque music by famous composers.
Great sound on this CD. There are over 10 CD's in this Farorites collection, and this by far is one of the best ones.

If you like the classical sounds of music, then you will like this. Check out the samples on this page that they provide, that's the best way to review.

In this case: I'm baroque.......2004-02-07

I'm not usually a classical listener kind of gal. The only reason I stumbled onto this cd is because my favorite tune from a movie is on it. Sarabande is also played on the movie Persuasion (author: Jane Austen). I wanted to have that tune. Followed the links and landed on the Baroque cd. Ordered it. Sarabande is my favorite, followed by Canon, four seasons: spring, etc. I love this cd! It feels happy and light. For me, as a writer and an animator, it adds extra emotional impact when creating as well as influencing my imagination more. I recommend this cd when people want to feel like spring.

Come to laugh and stay to cry.......2003-11-26

Circumspect at first about buying any CD with a "best of" title, this one really exceeds expectations. Also bought the Vivaldi disc in this series which is likewise exceptional. With the caveat that "Ombra mai fu" is repeated in various of the "25 favorites" collections, I recommend these recordings wholeheartedly, especially in terms of cost per track.

"Canon" is the flagship piece on this CD, a lush arrangement that will move a strong man to tears. Almost as powerful are Bach's "Air on the G String" and of course, Handel's "Ombra mai fu". The disc ends on an up note with "Trumpet Voluntaire".

At this price, you can send "Baroque favorites" to every Classical music lover you know. I would recommend sending this CD even to people who don't like Classical...you might just change their minds.

Great Introduction to Beautiful Music.......2000-07-08

The Baroque period (1600-1750) was one of the most important in the history of music because many of our modern musical forms come from this time. The baroque style is diverse, including such elements as contrast and a deep emotionalism. Although orchestras perform the songs, many individual instruments are highlighted. The baroque composers especially loved strings, the trumpet, and the oboe. The songs range from the vibrant and the lively to the slow and the sad. I have found this CD is excellent as background music for studying, reading, or driving in rush hour traffic, mainly because the music is calming and relaxing. Baroque masters such as Bach and Handel are still popular today and their songs are loved by many. Fans of popular music will recognize a few of the songs on this CD. "Air on the G String" (Bach) was used by Procol Harum in their song "A Whiter Shade of Pale." "Canon," one of the most popular baroque songs today, is often performed at weddings and has been incorporated into pop songs by artists such as the Trans-Siberian Orchestra, Vitamin C, and Rod McKuen.

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Customer Reviews:

This is a fantastic deal!.......2007-02-25

If you are a fan at all of the Four Seasons you should love this music. I will admit right now that I am a classical music fan. I don't write or perform it. I am a novice listener. I have never taken any music lessons(though I am leaning in that direction) and certainly have not gone through any university music training. I started out in rock and roll but found classical as I got older and fell in love with it a few years ago.

With that context in mind I do hope I am able to recognize quality and this work is of the highest. It helps when you are starting with good ingredients in the first place. You can't bake great bread without great ingredients and Vivaldi's music library has some of the greatest musical ingredients of the last 300 years. They are very much the foundation for modern western culture and music. His talent is woven through what we are

The first 26 CDs are instrumental starting with the four seasons and working through many of the Master's many popular works. I will admit the four seasons are not the best interpretation I have heard but it is definitely acceptable. The rest of the music shows us many facets of the Baroque style and you can see themes emerging through some of the pieces that give us a 'fingerprint' of Vivaldi's style and the parameters of the stylistic leanings of the genre at the time. If you want to immerse yourself in 18th century music this is your chance

This music would be ideal for someone who owns a store and is looking for background music. With over 26 CDs of instrumental music alone you could have those constantly looping and you'd probably never get bored of them(OK I may be stretching it a little there). The reason is that the music does not leave a bad 'aftertaste' in your mind. It fits into the background as easily and naturally as it is to listen to it consciously in the foreground. If you are a fan of classical Baroque you don't usually need to be in the mood for this, it will adjust your mood to itself and Vivaldi's music is almost always of an uplifting sort if this collection is any indication. If you want something to listen to at your job 8 hours per day this is good for the mind and it would take you over a week to get through it if you listened to it every minute of every work day. You will also work without the worry of the music distracting your concentration. I find it enhances it when I'm working. I don't know how well this would work on school kids but teachers might want to try playing this during school time. You may create a few geniuses, we certainly could use more!

If you are looking for something to ease your sleep and oil your dreams I have put these CD's on in the background. Not only can I easily fall asleep when they are playing quietly in the background but it helps you sleep and you wake up in a very pleasant atmosphere if the music is still playing quietly when you wake(you probably would need to rip them to your MP3 player to do that). It's like napping at a classical music concert without the worry of being nudged by your spouse or offending the other concert goers with your snoring. That will be quite a unique experience for you and possibly give you some real sweet dreams. It has for me

So to wrap it up this is very intelligent, uplifting music that is great for your mind and your soul. It is definitely worth the purchase if you are a fan of the Four Seasons and the Baroque genre in my novice classical music fan's opinion

Excellent, Broad Selection.......2007-01-25

This 40-cd collection affords me a rare pleasure almost daily: the thrill of hearing something new by Vivaldi. Despite my best efforts over the years, I've managed to miss hearing a lot of great works by the master. Listening to a single CD now and then, catching tunes on the radio... you can't possibly get a comprehensive understanding of Vivaldi's output that way.

But when you work your way systematically from CD 1 through 40, you're sure to find many pleasant surprises. I've been skipping through everything I already know -- in some cases, it has only taken me about a minute to get through a whole CD (first 3 seconds of each track is usually enough). But then I stop and listen carefully three or four times to anything that's new.

Ah, what a pleasure. I've already acquired some new favorites. And some old standbys have proved even more rewarding, e.g. at first I thought RV 127 (CD 7, tracks 10-12) was performed too slowly (Naxos No: 8.553742 is much faster), but now I'm not sure; maybe it's BETTER that way! I can't recommend this set highly enough.

$70....when was this???.......2006-11-25

Wish the cost was $70 now. Guess the record producer (or Amazon) got tired of making less than $2 per CD.

$70/40... you do the math........2006-04-07

No, I don't own this collection...yet. However, the price of the collection compels me to review it beforehand. Never have I seen such a complete collection of Vivaldi compositions at such an incredibly low price. At $1.75 dollars a CD, the record producer (Brilliant Classics) isn't making much of a profit. The compilation pulls some of its works from DG Achiv Produktion's vault (see Standage), such as the violin concertos, as well as from unknown producers (the Poland Philharmonic Chamber Orchestra is heavily featured). The collection is so complete that it is academic, and I would not be surprised if music libraries quickly emptied it from Amazon's shelves. The collection is simply worth it for the incredible price (English Concert's recording of the violin concertos cost nearly 30 bucks, and is exactly featured here). Overall, the price alone makes this collection exceptionally attractive, and the ensembles featured aren't bad either.

Average customer rating:

Outstanding Selection From Beginning To End
Heavenly beautiful
Celestial beauty, magnificent recording

Vivaldi Adagios

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000J9GP
Release Date: 1999-06-15

Tracks:

The Four Seasons: Concerto No. 4 In F Minor: 'Winter' - (Largo)
The Four Seasons: Concerto No. 1 In E Major: 'Spring' - (Largo)
The Four Seasons: Concerto No. 2 In G Minor: 'Summer' - (Adagio)
The Four Seasons: Concerto No. 3 In F Major: 'Autumn' - (Adagio)
Concerto For Guitar In D Major - (Largo)
Concerto For 2 Mandolins In G Major - (Andante)
Concerto For 2 Oboes In D Minor - (Largo)
Concerto For 2 Violins & 2 Cellos In D Major - (Largo)
Concerto For Piccolo In C Major - (Largo)
La Stravaganza, Op. 4: Concerto No. 12 In G Major - (Largo)
La Stravaganza, Op. 4: Concerto No. 1 In B-Flat Major - (Largo)
La Stravaganza, Op. 4: Concerto No. 2 In E Minor - (Largo)
La Stravaganza, Op. 4: Concero No. 3 In G Major - (Largo)
La Stravaganza, Op. 4: Concerto No. 4 Iin A Minor - (Grave)
La Stravaganza, Op. 4: Concerto No. 5 In A Major - (Largo)
La Stravaganza, Op. 4: Concerto No. 6 In G Minor - (Largo)
La Stravaganza, Op. 4: Concerto No. 7 In C Major - (Largo)
La Stravaganza, Op. 4: Concerto No. 7 In C Major - (Largo)
La Stravaganza, Op. 4: Concerto No. 9 In F Major - (Largo)
La Stravaganza, Op. 4: Concerto No. 10 In C Minor - (Adagio)
La Stravaganza, Op. 4: Concerto No. 11 In D Major - (Largo)
Concerto For Recorder In A Minor - (Largo)
Concerto For Oboe In F Major - (Largo)
Concerto For Flute In C Minor - (Largo)
Concerto For Guitar And Viola D'Amore in D Minor - (Largo)
Concerto In A Major - (Largo)

Tracks:

Concerto For Recorder In G Minor, 'La Notte': Largo
Concerto For 2 Oboes, Bassoon, 2 Horns & Violin In F Major: Grave
Concerto For 2 Oboes, Bassoon, 2 Horns & Violin In F Major: Grave
Concerto For 2 Horns In F Major: Larghetto
Concerto For Bassoon In A Minor: Larghetto
La Cetra, Op. 9: Concerto No. 8 In D Minor - Largo
La Cetra, Op. 9: Concerto No. 9 In B-Flat Major - Largo e spiccato
La Cetra, Op. 9: Concerto No. 10 In G Major - Largo cantabile
La Cetra, Op. 9: Concerto No. 11 In C Minor - Adagio
La Cetra, Op. 9: Largo
La Cetra, Op. 9: Concerto No. 6 In A Major - Largo
La Cetra, Op. 9: Concerto No. 7 In B-Flat Major - Largo
ll Cimento dell'Inventione, Op. 8: Concerto No. 5 In E-Flat Major - Largo
ll Cimento dell'Inventione, Op. 8: Concerto No. 6 In C Major - Largo
ll Cimento dell'Inventione, Op. 8: Concerto No. 7 in D Minor - Largo
ll Cimento dell'Inventione, Op. 8: Concerto No. 8 In G Minor - Largo
ll Cimento dell'Inventione, Op. 8: Concerto No. 9 In D Minor - Largo
ll Cimento dell'Inventione, Op. 8: Concerto No. 10 In B-Flat Major 'La Caccia' - Adagio
ll Cimento dell'Inventione, Op. 8: Concerto No. 11 In D Major - Largo
ll Cimento dell'Inventione, Op. 8: Concerto No. 12 In C Major - Largo
Concerto For 2 Cellos In G Minor: Largo
Concerto For 2 Flutes In C Major: Largo

Customer Reviews:

Outstanding Selection From Beginning To End.......2005-11-13

The first CD in this 2-CD set might be sub-titled "Vivaldi's Greatest Adagio Hits" while the second CD has a wonderful compilation of adagio movements that are less well-known. The quality of the musicianship and of the recorded sound is excellent from the beginning to the end of these two CDs. I had heard all the selections on the first CD before, but the second CD had many selections that I heard for the first time. These two CDs show why Vivaldi was truly one of the greatest composers who ever lived. Every melody is wonderful and each track on these CDs flows smoothly to the next. This is a very well selected compilation of adagios that I have listened to many times with great pleasure. Very highly recommended.

Heavenly beautiful.......2004-12-09

I have got 4 CDs from the "Adagio" series of Decca (Violin, movie, piano, Vivaldi). All of them are beautiful. But this one is absolutely my most favorite. I listened it again and again in the sunny weekend mornings or in the tranquil nights, I listened it when I was reading, strolling on line or just before sleeping. It is so beautiful, I did enjoyed every movement from it.

Celestial beauty, magnificent recording.......2000-09-01

Although no longer a professional musician, I listen to classical music constantly, and unlike many of my former colleagues, I greatly enjoy listening to collections of movements from different pieces. Some of these collections work better than others, and having listened multiple times to all of the Adagio collections available, I am extremely fond of the Vivaldi. Some of the pieces are familiar, many are not, and that is part of the charm of this set. Vivaldi is a great melodist, and these tranquil pieces will transport you. Buy this set--you will listen to it again and again.

Average customer rating:

Very versatile Toddler music

Baby Vivaldi

Manufacturer: Buena Vista
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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ASIN: B000065VAB
Release Date: 2002-05-07

Tracks:

Orchestra Tune-Up
Concerto in D Major, RV93, 1st Movement
Concerto in D Major, RV93, 3rd Movement
Concerto in F Major, RV539, 1st Movement
Violin Concerto No. 3 in G Major, RV310, 1st Movement
Concerto in B Minor, RV580, 1st Movement
Concerto in C Major, RV537, 3rd Movement
Concerto in C Major, RV537, 3rd Movement
Concerto in G Major, RV532, 1st Movement
Four Seasons, Spring, RV269, 1st Movement
Four Seasons, Spring, RV269, 3rd Movement
Four Seasons, Summer, RV269, 1st Movement
Four Seasons, Autumn, RV293, 1st Movement
Four Seasons, Autumn, RV293, 3rd Movement
Four Seasons, Winter, RV267, 2nd Movement
Violin Concerto No. 12, RV265, 1st Movement
Violin Concerto No. 12, RV265, 3rd Movement

Customer Reviews:

Very versatile Toddler music.......2004-04-29

Smarter Toddler Daycare NYC plays this CD during naptime and lunchtime and interestingly enough this CD works extremely well for both of those very different activities so it is very versatile. Since Smarter Toddler has a pretty varied music program they have most of the CDs in the "baby series" but I like this one the most.

Vivaldi: The Four Seasons; L'Estro Armonico; La Stravaganza; etc.

Average customer rating:

Excellent recording of Vivaldi
excellent modern instrument set of vivaldi, superb recording quality
One-stop Vivaldi shopping

Vivaldi: The Four Seasons; L'Estro Armonico; La Stravaganza; etc.

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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ASIN: B0002E49X8
Release Date: 2004-10-12

Customer Reviews:

Excellent recording of Vivaldi.......2007-03-09

This is an excellant recording. The music is very enjoyable, that can be played time and time again.

excellent modern instrument set of vivaldi, superb recording quality.......2006-02-27

Firstly the suggestion that period instrument specialists are 'manic and irritating' is unfortunately ill-informed.

That is not to take away the fact that these modern instrument Academy performances of major vivaldi concertos are (a) outstandingly good for modern instrument versions [which is a valid preference] and (b) superb value for money. If your preference is (as mine is generally) for the more rhythmic and colourful aspects of period performance then you may be disappointed, but then you wouldn't be buying a modern instrument set of Vivaldi anyway. As such they are beautiful and virtuosic performances.

This 4 seasons has a top-notch reputation (not listened to it yet) but whereas the l'estro armonico and La Cetra recordings show the limitations of a modern chamber orchestra where a sprightlier period approach may overcome a certain overpolished sheen (beautiful in its own way), the La Stravaganza set is quite simply magnificent, with not a hint of stodginess, where the period/modern debate matters not one jot and sheer liberated musicianship takes hold. I have not heard Podger's new period recording of this, but this modern instrument performance blows away Pinnock's (now quite old) period instrument recording of the same work in my view.

In all buy this set with confidence if you are happy to overlook the period performance movement and wish to discover Vivaldi played by top-notch interpreters, or buy this as part of (or the start of) a larger vivaldi collection, and add other interpretations from the likes of Biondi, Standage, et al, on period instruments and even Virtuosi di Roma (on modern instruments) and I Musici if that style floats your boat....

One-stop Vivaldi shopping.......2006-02-19

Fifty dollars (35 with some dealers listed here) buys you an excellent seven disc collection of many of Vivaldi's favorite concertos. The recordings were made in the 1960s but the sound quality is excellent. The performances are "old-school," as someone would say, played on modern instruments and in a manner that doesn't reflect the revised "correct" view of how these works should be performed. That means the sound is smooth and lovely and the playing is not manic and irritating. Personally I find these long highly-regarded recordings to be charming and filled with character and the performances flawless without sounding sterile at all. Maybe it's not the way Vivaldi wanted them to sound but go ahead and prove that conclusively! I purchased this set not long ago and I have to admit that the magical recording of the Four Seasons contained within made me fall in love with the piece all over again--after ignoring it for nearly two decades. The rest of the set made me finally fall in love with Vivaldi's music.

You'll encounter a lot of strong opinions on this kind of stuff. I'm ignoring most of it and going where my heart takes me on music like this--I don't want it to make me feel smug, I want it to make me smile.

Next stop, Munchinger's Water Music and more of the extraordinary Bach Guild recordings which I cannot recommend enough.