Music for Advent
On this CD:
1. Work(s)
Composed by Giovanni Pierluigi da Palestrina
Performed by John Fenstermaker, Christopher Putnam
2. Come, Thou Redeemer of the Earth
Composed by Michael Praetorius
Performed by John Fenstermaker, Christopher Putnam
3. A Spotless Rose, for chorus
Composed by Herbert Howells
Performed by John Fenstermaker, Christopher Putnam
4. Hark! a thrilling voice is sounding (on the tune "Merton")
Composed by William Henry Monk
Performed by John Fenstermaker, Christopher Putnam
5. Aspiciens a Longe
Composed by Gregorian Chant
Performed by John Fenstermaker, Christopher Putnam
6. Lo, How a Rose E'er Blooming
Composed by Michael Praetorius
Performed by John Fenstermaker, Christopher Putnam
7. Creator of the Stars At Night (Condtor Alme)
Composed by Christmas Traditional
Performed by John Fenstermaker, Christopher Putnam
8. The Angel Gabriel From Heaven Came (Birjina gaztettobat zegoen, Basque carol)
Composed by Christmas Traditional
Performed by John Fenstermaker, Christopher Putnam
9. Prelude on "Veni Emmanuel"
Composed by Leo Sowerby
Performed by John Fenstermaker, Christopher Putnam
10. Veni Emmanuel
Composed by Anonymous
Performed by John Fenstermaker, Christopher Putnam
11. Come quickly, Lord Jesus, for chorus
Composed by John Fenstermaker
Performed by John Fenstermaker, Christopher Putnam
12. Rorate caeli
Composed by Gregorian Chant
Performed by John Fenstermaker, Christopher Putnam
13. Work(s)
Composed by Giovanni Pierluigi da Palestrina
Performed by John Fenstermaker, Christopher Putnam
14. This Is the Record of John, anthem
Composed by Orlando Gibbons
Performed by John Fenstermaker, Christopher Putnam
15. St. John Baptist
Composed by Ernest Bullock
Performed by John Fenstermaker, Christopher Putnam
16. Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 Zion hört die Wächter singen
Composed by Johann Sebastian Bach
Performed by John Fenstermaker, Christopher Putnam
17. O Thou, the Central Orb
Composed by Charles Wood
Performed by John Fenstermaker, Christopher Putnam
18. On Jordan's Bank the Baptist's Cry
Composed by Anonymous
Performed by John Fenstermaker, Christopher Putnam
19. Magnificat
Composed by Joseph Bonnet
Performed by John Fenstermaker, Christopher Putnam
Music for Advent, Music, Boyd Jarrell, Jeffrey Goodsite, John Kelley, Anonymous, German Anonymous, Johann Sebastian Bach, Joseph Bonnet, Ernest Bullock, Anglican Chant, Gregorian Chant, John Fenstermaker, Orlando Gibbons, Jacobus Handl (Gallus), Herbert Howells, William Henry Monk, Giovanni Pierluigi da Palestrina, Michael Praetorius, Leo Sowerby, St. Ambrose, Christmas Traditional, Charles Wood, Douglas Stevens, Christopher Putnam, John Fenstermaker, Anthem, Cantata, Choral, Choral Music, Christmas / Chanukkah, Christmas Music, Classical, Keyboard, Magnificat, Miscellaneous, Miscellaneous Music, Miscellaneous Vocal Music, Sacred Choral Music, Vocal, Western European Chant, Xmas Classical Vocal
Average customer rating:
- Great music, great price
- Definitely Meditative
- Gregorian Meditation
- Beautiful
- Gregorian Chant Gems
|
Lost in Meditation: Meditative Gregorian Chants
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Lost in Meditation: Meditative Gregorian Chants, Vol. 1
- Gregorian Chants: The Best of the Benedictine Monks of St. Michael's
- Salve Regina: Gregorian Chant
- Chant
- Chant II
ASIN: B000001VIL
Release Date: 1994-08-30 |
Tracks:
- Introitus: Ecce advenit
- Graduale: Onmes de Saba
- Communio: Omnes qui in Christo
- Halleluja: Dies sanctificatus
- Ofertorium: Tui sunt caeli
- Hymnus: Creator alme siderum
- Introitus: Gaudens gaudebo
- Halleluja: Leatatus sum
- Communio: Dicite Pusillanimes
- Tractus Deus: Deus meus
- Introitus: Misereris
- Antiphon: Pueri Hebraeorum
- Hymnus: Gloria
- Graduale: Christus factus est
- Halleluja: Hallelujah
- Introitus: Resurrexi
- Sequenz: Victimae paschalis laudes
- Hymnus: Veni creator
Customer Reviews:
Great music, great price.......2007-05-07
I ordered this cd for a book club I was hosting on the book "The Pillars of the Earth" by Ken Follett. It was perfect "mood" music for the discussion and the price was unbeatable!
Definitely Meditative.......2007-03-09
The gift that these men are able to share is worth listening to. To be quiet in yourself and allow space for this soulful chanting is an experience in itself.
Gregorian Meditation.......2007-01-13
Great CD. My wife and I listen to it almost daily. We even use it for prayer sessions. Also the product was in perfect condition and and was as advertised. We're totaly satified.
Beautiful.......2007-01-13
I have bought Volumes I and II and am very pleased with the quality, the sound, and the style of the chanting. The lyrics are amazing, many of which come straight from the Bible, especially from the Book of Psalms. Let me know of other great Chant CD's, be they Gregorian, Amabrosian, or even Greek/Byzantine.
Gregorian Chant Gems.......2005-08-27
It is wonderful to hear again the chants that are familiar to all Catholics who grew up with the Latin Mass and who remember the plain chants from the Liber Usualis. Victimae paschali laudes (the Sequence from the Easter Mass), Gaudens gaudebo in Domino (Rejoicing, I shall rejoice in the Lord), Pueri hebraeorum (the beautiful entrance song to the Palm Sunday Mass), and all the other chants. They are performed by a choir that understands the beauty and simplicity of Gregorian Chant.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
100 Hymns & Songs of Inspiration
Manufacturer: Castle Music UK
ProductGroup: Music
Binding: Audio CD
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| Arne, Thomas Augustin
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Similar Items:
- A Heritage of Hymns: Classic Recordings of the Great Songs of Faith and Inspiration
- Abide with Me and other favourite hymns
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- Praise to the Lord - Hymns From St. Paul's Cathedral
ASIN: B00008GEKT
Release Date: 2003-04-14 |
Tracks:
- Love Divine All Loves Excelling - Choir Of Gloucester Cathedral
- Father Hear the Prayer We Offer - Choir Of Gloucester Cathedral
- Now Thank We All Our God - Choir Of Gloucester Cathedral
- This Day, The First of Days - Choir Of Gloucester Cathedral
- Stars of the Morning So Gloriously Bright - Choir Of Gloucester Cathedral
- God Save the Queen - Choir Of Gloucester Cathedral
- Day of Resurrection - Choir Of Gloucester Cathedral
- God Rest You Merry Gentlemen - Choir Of Gloucester Cathedral
- Of the Father's Heart Begotten - Choir Of Gloucester Cathedral
- O Come All Ye Faithful - Choir Of Gloucester Cathedral
- Awake My Soul and With the Sun - Choir Of Norwich Cathedral
- Thine Arm O Lord in Days of Old - Choir Of Norwich Cathedral
- All People That on Earth Do Dwell - Choir Of Norwich Cathedral
- Good Christian Men Rejoice and Sing - Choir Of Norwich Cathedral
- There Is a Green Hill - Choir Of Norwich Cathedral
- Lord of Beauty - Choir Of Sheffield Cathedral
- Rejoice Today With One Accord - Choir Of Sheffield Cathedral
- New Every Morning - Choir Of Sheffield Cathedral
- Lead Us Heavenly Father Lead Us - Choir Of Sheffield Cathedral
- O God Our Help in Ages Past - Choir Of Sheffield Cathedral
Tracks:
- Morning Has Broken - Choir Of Marlborough College Chapel
- Happy Are They - Choir Of Marlborough College Chapel
- In Christ There Is No East or West - Choir Of Marlborough College Chapel
- Silent Night - Choir Of Marlborough College Chapel
- Be Thou My Guardian - Choir Of Marlborough College Chapel
- Ye Servants of the Lord - Choir Of Marlborough College Chapel
- At the Name of Jesus Every Knee Shall Bow - Choir Of Marlborough College Chapel
- To Thee O Lord Our Hearts We Raise - Choir Of Marlborough College Chapel
- Behold the Great Creator Makes - Choir Of Marlborough College Chapel
- Rejoice the Lord Is King - Choir Of Marlborough College Chapel
- Creator of the Stars of Night - Ely Cathedral Choir
- He Comes With Clouds Descending - Ely Cathedral Choir
- O Little Town of Bethlehem - Ely Cathedral Choir
- Alleluya Alleyluya Alleyluya - Ely Cathedral Choir
- This Is the Day the Lord Hath Made - Ely Cathedral Choir
- How Sweet the Name of Jesus Sounds - Ely Cathedral Choir
- Lord Thy Word Abideth - Ely Cathedral Choir
- Jesus Lord We Look to Thee - Ely Cathedral Choir
- O Lord Our God Arise - Ely Cathedral Choir
- Lord of All Hopefulness - Ely Cathedral Choir
Tracks:
- Soldiers of Christ Arise - Choir Of Wakefield Cathedral
- Lift Up Your Hearts - Choir Of Wakefield Cathedral
- Holy Father, Cheer Our Way - Choir Of Wakefield Cathedral
- Maker of the Sun - Choir Of Wakefield Cathedral
- O King Most High - Choir Of Wakefield Cathedral
- O Praise Our Great and Glorious Lord - Choir Of Wakefield Cathedral
- Forgive Our Sins as We Forgive - Choir Of Wakefield Cathedral
- We Love the Place O God - Choir Of Wakefield Cathedral
- Let Us With a Gladsome Mind - Choir Of Wakefield Cathedral
- Give Rest O Christ - Choir Of Wakefield Cathedral
- Come Holy Ghost Our Hearts Inspire - Choir Of Truro Cathedral
- O Thou in All Thy Might So Far - Choir Of Truro Cathedral
- O Christ, Who Art the Light and Day - Choir Of Truro Cathedral
- O God Thy Soldiers' Crown and Guard - Choir Of Truro Cathedral
- Strife Is O'er the Battle Done - Choir Of Truro Cathedral
- O Christ Our Hope, Our Hearts' Desire - Choir Of Truro Cathedral
- Jesus Shall Reign - Choir Of Truro Cathedral
- God of Love My Shepherd Is - Choir Of Truro Cathedral
- O Jesu Saviour of Mankind - Choir Of Truro Cathedral
- Immortal Invisible God Only Wise - Choir Of Truro Cathedral
Tracks:
- Ride on Ride on in Majesty - Choir Of All Saints - Margaret Street, London
- All Glory Laud and Honour - Choir Of All Saints - Margaret Street, London
- Come Rejoicing - Choir Of All Saints - Margaret Street, London
- God Is Love and Where True Love Is - Choir Of All Saints - Margaret Street, London
- Magnificat: The Great Advent Antiphons - Choir Of All Saints - Margaret Street, London
- Come, Christ's Beloved - Choir Of All Saints - Margaret Street, London
- Children of the Hebrews (Palm Procession) - Choir Of All Saints - Margaret Street, London
- Veneration of the Cross/The Reproaches (Veneratum and Reproaches) - Choir Of All Saints - Margaret Street, London
- Once in Royal David's City - Choir Of Keble College
- God Be in My Head - Choir Of Keble College
- O Thou Who Camest from Above - Choir Of Keble College
- Judge Eternal Throned in Splendour - Choir Of St Edmunsbury Cathedral
- Christ the Lord Is Risen Again - Choir Of St Edmunsbury Cathedral
- For All the Saints - Choir Of St Edmunsbury Cathedral
- Thy Hand O God Has Guided - Choir Of St Edmunsbury Cathedral
- Christ the Dawn of Our Salvation - Choir Of Eastbourne College Chapel
- I Was Glad - Choir Of Eastbourne College Chapel
- Dear Lord and Father of Mankind - Choir Of Eastbourne College Chapel
- Locus Iste - Choir Of Eastbourne College Chapel
- Praise My Soul the King of Heaven - Choir Of Eastbourne College Chapel
Tracks:
- Stand Up! Stand Up for Jesus! - The Choir of the Abbey School, Tewkesbury
- While Shepherds Watched Their Flocks - The Choir of the Abbey School, Tewkesbury
- O Worship the King - The Choir of the Abbey School, Tewkesbury
- O Heavenly Word of God on High - Choir Of The Collegiate Church Of St Mary
- Praise to the Lord, The Almighty - Choir Of The Collegiate Church Of St Mary
- Jesus Christ Is Risen Today - The Choir of York Minister
- First Nowell - The Choir of York Minister
- Abide with Me - The Choir of York Minister
- Breathe on Me Breath of God - Choir Of Keble College
- Rock of Ages - Choir Of Keble College
- On This Day, The First of Days - Choir Of Keble College
- Jesu Sweet and Mary - Choir Of Eastbourne College Chapel
- O Quam Gloriosum - Choir Of Eastbourne College Chapel
- Ye Holy Angels Bright - Choir Of Eastbourne College Chapel
- O for a Closer Walk With God - Choir Of Eastbourne College Chapel
- Prayer of St Patrick - Choir Of Eastbourne College Chapel
- Lord's Prayer - Choir Of Eastbourne College Chapel
- Blessed Be the God and Father - Choir Of Eastbourne College Chapel
- Day Thou Gavest Lord Is Ended - Choir Of Eastbourne College Chapel
- Jerusalem (And Did Those Feet in Ancient Times) - Choir Of Eastbourne College Chapel
Album Description
Full Title - 100 Hymns & Songs Of Inspiration. UK box-set featuring 100 tracks performed by Britain's finest Cathedral Choirs including, Gloucester Cathedral, Norwich Cathedral, Sheffield Cathedral, & many more. Five standard jewel cases housed in a slipbox. Castle Pulse. 2003.
Customer Reviews:
The picture.......2006-12-11
I haven't purchased the CD but the picture of the inside of a church on the cover is not of a British church, like one would assume since it says its a recording of British choirs. This picture is of Notre Dame Basilica in Montreal, Quebec, Canada. Just thought i'd let you know. I'll be honest; I'm one to judge things by it's cover and if the company took such care to choose a 'British' church for their British choir CD, I'm willing to bet the music is equally well selected... I'm being sarcastic. But I gave the product 5 stars because I didn't want to hurt its ratings just because i'm cynical. But check out the church if you're ever in Montreal, it's truly beautiful... here I'm not being sarcastic.
Average customer rating:
- Heavenly
- The Holy Grail of Choral Recordings
- One Small Correction
- Gorgeous music, gorgeous performances
- Stunning collection suitable for music nuts or newbies alike
|
Choral Moods
Manufacturer: RCA
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Similar Items:
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ASIN: B00000DFKO
Release Date: 1998-10-13 |
Tracks:
- Miserere Mei, Deus
- Deutsche Messe D.872: Sanctus
- Hear My Prayer, Oh Lord
- Timor Et Tremor
- Videntes Stellam
- Psalm 13, OP.27
- O Salutaris Hostia
- Salvette Flores
- Evening Hymn
- L'enfance du Christ: Shepherd's Farewell
- Ave Maria
- Advent Responsory
- Ave Maria OP.93
- Edi Beo Thu, Hevene Quene
- Missa Cum Iubilo (Gregorian Chant): Kyrie
- Missa Cum Iubilo (Gregorian Chant): Gloria
- Missa Cum Iubilo (Gregorian Chant): Sanctus & Benedictus
- Missa Cum Iubilo (Gregorian Chant): Agnus Dei
- Requiem: In Paradisum
- Agnus Dei
Tracks:
- Nunc Dimittis
- Mass In G: Agnus Dei
- Ave Verum Corpus Op. 65 No. 1
- O Ignis Spiritus Paracliti
- Hear My Prayer
- Ave Maria
- Panis Angelicus
- Eternal Father
- Vom Himmel Hoch
- Ave Maria
- Messe basse: Kyrie
- Messe basse: Sanctus
- Messe basse: Benedictus
- Messe basse: Agnus Dei
- Rejoice, Rejoice
- Salve Regina, Op. 67 No. 1
- Ave, Verum Corpus
- Laudi Alla Vergine Maria
- Tenebrae Facta Sunt
- O Sacrum Convivium
Customer Reviews:
Heavenly.......2007-03-29
This is the most uplifting music I have encountered. The angelic sounds of this choral group help me stay sane on California highways!
The Holy Grail of Choral Recordings.......2006-07-03
This was the first choral CD I've ever purchased when I started becomming involved with choir during my senior year of high school five years ago. My director was telling the choir that he had finally found his copy at a music store and referred to it as the "Holy Grail" of choral recordings. So, I went out to find my own copy and I'm still blown away by it today. I've even given copies as gifts. The music is certainly relaxing and such, but what I most value from it is the spiritual magic. The Choir of Trinity College, Cambridge (then and now my favorite choir in the world) brings every composition to life in such a way that's pure, elegant, and deep. Listening to this music and enjoying this choir has allowed me to set my own standard of singing and compositional excellence.
One Small Correction.......2004-03-06
I keep finding new things to love on this CD, including the fact that it has the first recording I found of Gabriel Faure's beautiful Soprano (or Soprano/Alto) duet Ave Maria., Opus 93. The same recording appears on another CD where the singers are named. The above description of this selection unaccountably adds a baritone. Incidentally, Faure also composed a shorter SATB Ave Maria, which John Rutter has recorded.
I only wish the recording included the complete text of Psalm 50/51 from Gregorio Allegri's Miserere Mei Deus. This might come from John Rutter's recently edited score, published by Oxford Press, if I'm not mistaken. I, for one, do not find this selection (or indeed the entire recording) too long and I believe that the embellishments at the end (mentioned in another review) are probably correct when considering performance conventions of the time of its composition.
Gorgeous music, gorgeous performances.......2003-06-19
I am a semi-professional singer with a BA in Music, and I bought this CD with some trepidation because it looked like one of those dreadful "pop classical" compilations that are everywhere lately. But it had lots of great repertoire all in on place, so I decided to risk it, and I was not disappointed! In fact, this is now one of my favorite choral CDs.
As usual, the Choir of Trinity College delivers stunning performances, and the music itself is just gorgeous. Lots of "church" favorites from a wide range of musical periods. The mood of the CD is definitely on the mellow side, but it's perfect for those quiet moods. I love this CD -- highly recommended!
Stunning collection suitable for music nuts or newbies alike.......2002-03-18
Even as an avid fan of classical music with very picky tastes, there was just so much good music packed on these two (cheap!) discs for me to take in at once!
The perfectly balanced and locked chords can really give you chills.
I gave this CD as a present to a good friend of mine who was not so familiar with the genre, with tremendous results. I think this would make a great gift to anyone with the slightest inclination towards classical music.
Average customer rating:
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Bach: Cantata 147; 6 Motet; Chorales & chorale preludes for Advent & Christmas
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
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Similar Items:
- Mendelssohn: Elijah
- Palestrina: Missa Hodie Christus natus est; Stabat Mater; Lasus: Missa Bell' Amfitrit' altera
- Vaughan Williams: An Oxford Elegy/ Flos Campi/ Sancta Civitas/ etc.
- Handel - Carmelite Vespers 1707 / Feldman · Kirkby · Van Evera · M. Cable · M. Nichols · Cornwell · Thomas · Parrott
- Bach: Cantatas Nos. 80, 140, 147; Motet
ASIN: B0002XV2XE
Release Date: 2005-02-15 |
Tracks:
- Chorus: Herz Und Mund Und Tat Und Leben - John Shirley-Quirk
- Recitative: Gebenedeiter Mund! - John Shirley-Quirk
- Aria: Schame Dich, O Seele, Nicht - John Shirley-Quirk
- Recit: Verstockung Kann Gewaltige Verblenden - John Shirley-Quirk
- Aria: Bereite Dir, Jesu - John Shirley-Quirk
- Chorale: Wohl Mir, Dass Ich Jesum Habe - John Shirley-Quirk
- Aria: Hilf, Jesu, Hilf - John Shirley-Quirk
- Recit: Der Hochsten Allmacht Wunderhand - John Shirley-Quirk
- Aria: Ich Will Von Jesu Wundern - John Shirley-Quirk
- Chorale: Jesus Bleibet Meine Freude - John Shirley-Quirk
- Chorale BWV 140.VII - Andrew Davis
- Chorale Prelude BWV 645 - Andrew Davis
- Chorale BWV 36.VIII - Andrew Davis
- Chorale Prelude BWV 659 - Andrew Davis
- Chorale BWV 104.VI - Andrew Davis
- Chorale Prelude, BWV 711 (Bicinium) - Andrew Davis
- Chorale BWV 121.VI - Andrew Davis
- Chorale Prelude, BWV 611 - Andrew Davis
- Chorale From BWV 22.V - Andrew Davis
- Chorale Prelude From BWV 601 - Andrew Davis
- Chorale From BWV 248.IX - Andrew Davis
- Chorale Prelude From BWV 700 - Andrew Davis
- Chorale BWV, 151.V - Andrew Davis
- Chorale Prelude BWV 609 - Andrew Davis
- Chorale BWV 227.I - Andrew Davis
- Chorale Prelude, BWV 610 - Andrew Davis
- Chorale BWV 294 - Andrew Davis
- Chorale Prelude BWV 605 - Andrew Davis
- Chorale BWV 40.III - Andrew Davis
- CHorale Prelude BWV 612 - Andrew Davis
- Chorale BWV 65.II - Andrew Davis
- Chorale Prelude BWV 603 - Andrew Davis
- Chorale BWV 368 - Andrew Davis
- Chorale Prelude BWV 729 - Andrew Davis
Tracks:
- Singet Dem Herrn Ein Neues Lied - Choir Of King's College, Cambridge
- Wie Sich Ein Vater Erbarmet - Choir Of King's College, Cambridge
- Lobet Den Herrn In Seinen Taten - Choir Of King's College, Cambridge
- Der Geist Hilft Unsrer Schwachheit Auf - Choir Of King's College, Cambridge
- Der Aber Die Herzen Forschet - Choir Of King's College, Cambridge
- Du Heilige Brunst, Susser Trost - Choir Of King's College, Cambridge
- Jesu, Meine Freude - Choir Of King's College, Cambridge
- Es Ist Nun Nichts - Choir Of King's College, Cambridge
- Unter Deinen Schirmen - Choir Of King's College, Cambridge
- Denn Das Gesetz Des Geistes - Choir Of King's College, Cambridge
- Trotz Dem Alten Drachen - Choir Of King's College, Cambridge
- Ihr Aber Seid Nicht Fleischlich - Choir Of King's College, Cambridge
- Weg Mit Allen Schatzen - Choir Of King's College, Cambridge
- So Aber Christus In Euch Ist - Choir Of King's College, Cambridge
- Gute Nacht, O Wesen - Choir Of King's College, Cambridge
- So Nun, Der Geist - Choir Of King's College, Cambridge
- Weicht, Ihr Trauergeister - Choir Of King's College, Cambridge
- Furchte Dich Nicht, Ich Bin Bei Dir - Choir Of King's College, Cambridge
- Ich Starke Dich - Choir Of King's College, Cambridge
- Furchte Dich Nicht - Choir Of King's College, Cambridge
- Komm, Jesu, Komm - Choir Of King's College, Cambridge
- Komm, Komm, Ich Will Mich Dir Ergeben - Choir Of King's College, Cambridge
- Du Bist Der Rechte Weg - Choir Of King's College, Cambridge
- Drum Schliess Ich Mich In Deine Hande - Choir Of King's College, Cambridge
- Lobet Den Herrn, Alle Heiden - Choir Of King's College, Cambridge
- Denn Seine Gnade Und Wahrheit - Choir Of King's College, Cambridge
- Hallelujah! - Choir Of King's College, Cambridge
Amazon.com
In recent years, single-composer programs have become popular on stage and disc, but this may not always be the best way to listen to music, no matter how beautiful. This 2-CD set presents a mix of Bach's vocal and instrumental works, carefully selected for contrast and variety of character, mood, and texture. It includes 12 chorales followed by their chorale preludes, offering the opportunity to hear how Bach turned the simple melodies, sung in harmony a capella or in unison with organ accompaniment, into extremely elaborate, complex contrapuntal pieces for two organs. Indeed the first one is so convoluted that it sounds like two different pieces being played simultaneously. The reverberant acoustics of King's College Chapel, where the set was recorded, may contribute to this effect. The six Motets (like the six Brandenburg Concertos), were not meant to be performed as a group, but composed for very different occasions. Written for multiple-part choruses, they vary greatly in tempo, articulation, complexity and expression, and are overwhelmingly beautiful. The Cantata features four great vocal soloists: soprano Elly Ameling soars up high with the joyful ease of a bird, mezzo-soprano Janet Baker sounds warm and caressing; tenor Ian Partridge is wonderfully mellow and lyrical, and bass John Shirley-Quirk injects a dramatic element into the music. The principal string and winds players of the orchestra are splendid; the opening trumpet fanfare sets a bright, triumphant mood. The chorus is excellent, though the echo sometimes obscures the counterpoint, and the sopranos can be a bit shrill. The Motets, on CD 2, sound best. Unfortunately, the booklet does not include the texts, and instead refers listeners to the label's website, which may not be convenient to everyone and feels like an intrusion of modern technology into a more humanistic age. --Edith Eisler
Average customer rating:
- An Avant-Garde Must Get
- Crumb in poetic and eerilie beautiful mood
- Exceptional
- Just Listen
- What is the Opposite of Music? Listen to this and find out!
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Crumb: Ancient Voices Of Children
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
All Works by George Crumb
| Crumb, George
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Similar Items:
- Black Angels
- George Crumb: Songs, Drones, and Refrains of Death
- American String Quartets, 1950-1970
- Complete Crumb Edition, Vol. 6 - Echoes of Time and the River, Gnomic Variations, Four Nocturnes, Lux Aeterna
- The Ligeti Project IV: Hamburg Concerto (Horn Concerto) / Double Concerto / Ramifications / Requiem
ASIN: B000005IY6
Release Date: 1990-10-25 |
Tracks:
- Ancient Voices Of Children: El Nino Busca Su Voz
- Ancient Voices Of Children: Dances Of The Ancient Earth
- Ancient Voices Of Children: Me He Perdido Muchas Veces Por El Mar
- Ancient Voices Of Children: De Done Vienes, Amor, Mi Nino? (Dance Of The Sacred Life Cycle)
- Ancient Voices Of Children: Ghost Dance
- Ancient Voices Of Children: Se Ha Llenado De Luces Mi Corazon De Seda
- Music For A Summer Evening: Nocturnal Sounds (The Awakening)
- Music For A Summer Evening: Wanderer-Fantasy
- Music For A Summer Evening: The Advent
- Music For A Summer Evening: Myth
- Music For A Summer Evening: Music Of The Starry Night
Amazon.com
One of the most important and magical song cycles in contemporary music, Ancient Voices of Children, is the setting of a series of haunting texts by the Spanish poet Federico García Lorca for mezzo-soprano, boy soprano, and chamber orchestra. The piece made a huge impression on audiences at its initial performances. Indeed, this recording became something of a cult phenomenon, much like the Górecki Third Symphony today; and if you weren't around for the initial discovery, now's your chance. Music for a Summer Evening uses essentially the same forces as Bartók's Sonata for Two Pianos and Percussion, and creates an evocative, glittering nightscape. Great stuff.--David Hurwitz
Customer Reviews:
An Avant-Garde Must Get.......2003-05-07
I remember a time when I was at a flea market and was looking through some vinyl records (possibly about the time before I got my first CD player). One particular record got my attention. The cover sort of resembles a newspaper article with a picture insert of a nebula. What got my attention were "Makrokosmos" and that it was a Nonesuch record. I've heard a few Nonesuch records and notice how different the music tends to be. So I thought I buy it for $1 (if I recall correctly). When I listened to it at home, I knew I made a good choice. It had the strange 20th century music - rather atonal. It's a good thing the vinyl record was in good shape, especially when it came to the very quiet parts. I have that record today, still in good shape.
About a few years after buying the vinyl record, I was looking through some CDs in a store (after I got my first CD player). I've found the Nonesuch CD that had "Ancient Voices of Children" AND "Music for a Summer Evening (Makrokosmos III)." I didn't buy it because I wanted to get it on sale. Well, time passed. One day, I saw one up for bid on eBay. I think I was the only bidder on it. The jewel case may have a few scratches (which I wouldn't worry about) but the CD itself was like new.
I'm glad that I got it on CD. I could listen to the music without any clicks or pops you would hear from a vinyl LP (especially since the music gets very quiet at times). Although you wouldn't get the "warm analog sound" you get from the vinyl. Nevertheless, it does sound very good considering that it's AAD. Whoever likes avant-garde music may want to get this.
One thing I want to let you know. Whoever did the tracking on the CD must've misjudged about the beginnings of "Myth" and "Music of the Starry Night." "Myth" begins at index 8:02 on track 9. Tracks 10 and 11 are the last movement, "Music of the Starry Night." Take note of that when listening to this CD.
Crumb in poetic and eerilie beautiful mood.......2002-06-17
Those who know US composer George Crumb mainly from the terrifying musings of 'Black Angels' (made semi-famous by the Kronos Quartet) will probably be surprised by the haunting beauty of 'Ancient Voices'. Based on texts from Lorca, the rich but sparing instrumentation is complemented by evocative, floating soprano - sometimes sung into the piano to create an eerie, mystical ambient. My first exposure was at London's Roundhouse in 1976, where even the background rumbling of trains couldn't sublimate the extraordinary lure of Crumb's sound world. Truly gorgeous and thoughtfully composed.
Exceptional.......2002-06-15
This disc is flawless. The caliber of music making is extremely high, and the pieces themselves are among Crumb's absolute finest.
Music for a Summer Evening is, perhaps, the lesser signifigant work of the two presented here. Even so, it is an astounding presentation of of Crumb's effective use of extended tequniques, and the ability of his atmospheric writing to stir up strong emotions. Here, Crumb has significantly built on the two pianos/percussion format that Bartok made famous in his Sonata.
Ancient Voices of Children is an important song cycle in the post-WWII repertoire. His extended singing tecniques are used to great effect, and the haunting, mystical effects that he cojours within the limited instrumentation are amazing.
Crumb is one a handfull of composers that can write atmospheric music so well, and pull off these avant-garde tecniques so usefully. If you do not know his music, start with this disc; it's breathtaking.
Just Listen.......2002-06-08
I just recently reaquainted myself with this work after about thirty years. Ancient voice of Children retains all of the mystery and magic that I heard when I first encountered the piece at the age of 11. The work resembles not so much a conventional piece of music as a mystic ceremony. Set to fragments from the poetry of Frederico Garcia Lorca, the music captures the magical nature of the poet's verse. The unusual instrumental effects are haunting. Amoung my favorite is the quotation from Bist Du Bei Mir played on a toy piano as a haunting elegy for a dead child. The work builds in it's last section to a shattering climax.
The perfomance is quintessential. Jan DeGaetani was marvelous in this style of music and is sorely missed as a performer. The ensemble is spirited and very precise. The only thing that you miss on this CD is the visual choreography of a live performance, which is hypnotizing.
Macrocosmos III was a new piece to me and is every bit as haunting as other Crumb music. The ending is luminous...en eternal spinning out of music in the Lydian scale.
Be aware, this is avant garde music, though I feel it is quite assessible to those who listen without preconceptions. It is certainly more assessible than Elliot Carter or Boulez. It is not Part or Gorecki...but then not everything has to be. For me, this is not about style but about substance. Crumb moves me every bit as much as more assessible composers. You just have to listen with different ears, that's all.
What is the Opposite of Music? Listen to this and find out!.......2001-11-02
Here I am, the skeleton at the feast of 5* reviews proving again the old adage that "One man's meat is another man's poison". I hardly believe that even a small percentage of people (let's leave aside Professors of Avant-Garde Music for the time being) would be able to listen to, let alone enjoy, more than a few minutes of this music (I use that term in it's very loosest definition). It is ridiculous, therefore, that this should have a preponderance of 5* reviews. Consequently I believe that I am doing a service by standing up and pointing out "bad" music just as I do in applauding "good" music.
I came at this CD - which I bought thanks to some of the aforementioned 5* which I was foolish enough to believe - with the expectation that it would be modern, avant-garde and probably rather ineffable initially. I am prepared for this, believing that often the best music is not instantly grasped and needs careful auditioning. When I listened to it, however, I found that my expectations were not nearly extreme enough. This is music trying so hard to establish its originality that it appears to have progressed well beyond my definition of what music actually is. It is music as art, as a statement and not music to listen to - think about this a little! Hence my opening line - this is the opposite of music.
Instead, this production seems to be comprised of irrelevant and inconsequential noises, none of them musical. To save you the money, and more importantly the time, I will precis this CD for you:
A womans shriek followed by about 20 seconds of silence.
A sound rather like a large rodent being let loose inside a piano.
Some blocks of wood being banged together.
More shrieking.
More silence.
A voice making a strange sound as if copying a phone ringing.
More silence.
More wood being banged together.
More silence
Etcetera, etcetera, ad nauseam
At some point in this avant-garde nonsense somebody is going to blow the whistle and irreverently point out that the "Emperors New Clothes" do not actually exist. In the service of music, as opposed to "art", I am prepared to do the pointing! This production is nothing more that a deeply unmusical joke against those pseudo-intellectuals who completely miss the concepts of humanity and accessibility in music. "Composers" who write this stuff do so as to hide their lack of musical creativity behind an intellectual argument. Don't believe the hype, leave this one on the shelf!
For those aesthetes and enthusiasts who are intent on heading down a progressive route of "classical" music which yet retains any humanity and sympathy, Part and Gorecki appear to have been able to create music of originality and humanity, proving that it can be done.
Leave this production to those pseuds more interested in wallowing in their own misconceived esoteric intellectualism than in actually enjoying music.
Average customer rating:
- Ave Maria Gregorian Chant CD
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Ave Maria
Manufacturer: Jade Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Soul Of Chant
- Salve Regina: Gregorian Chant
- Gregorian Book of Silos
- Chant II
- Lost in Meditation: Meditative Gregorian Chants, Vol. 1
ASIN: B0000015JA
Release Date: 1995-10-10 |
Tracks:
- Ave Maria: Salve Regina
- Ave Maria: Ave Plena Gratiae
- Ave Maria: Ave Mater
- Ave Maria: Salve Mira Creatura
- Ave Maria: Salve Mater Misericordiae
- Ave Maria
- Ave Maria: Alleluia: Tota Pulchra Es
- Ave Maria: O Quam Glorifica
- Ave Maria: Gloriosa
- Ave Maria: Benedicta Es Tu, Virgo Maria
- Ave Maria: Sub Tuum Praesidium
- Ave Maria: Paradisi Portae - Eructavit
- Ave Maria: Virgo Dei Genitrix
- Ave Maria: Virgo Purdentissima
- Ave Maria: Ave Regina Caelorum
- Ave Maria: Concordi Laetitia
- Ave Maria: Tota Pulchra Es, O Maria
- Ave Maria: Solis, O Virgo
- Ave Maria: Gaudens Gaudebo
- Ave Maria: Ave Virgo Speciei
- Ave Maria: Regina Caeli
Customer Reviews:
Ave Maria Gregorian Chant CD.......2007-01-13
Great CD. My wife and I listen to it almost daily. We even use it for prayer sessions. Also the product was in perfect condition and and was as advertised. We're totaly satified.
Average customer rating:
- Hesperion XX and others
- This is the best classical music
- Great collection
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España: Anthology of Spanish Music
Manufacturer: Astree
ProductGroup: Music
Binding: Audio CD
All Works by Falla
| Falla, Manuel de
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All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
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| Morales, Cristóbal de
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ASIN: B000026DG2
Release Date: 1993-09-01 |
Tracks:
- Cant De La Sibil.La: Sybil.La Latine (Excs) - Montserrat Figueras
- Villancicos & Ensaladas: Mundus Et Musica Et Totus Concentus (Canon Perpetum) - La Capella Reial De Catalunya/Jordi Savall
- Cantigas De Santa Maria: Cantiga 384: A Que Por Muy Gran Fremosura - Esther Lamandier
- El Cancionero De La Colombina: Propinan De Melyor - Hesperion XX/Jordi Savall
- El Cancionero De Palacio: Tres Morillas - Hesperion XX/Jordi Savall
- I Musica De Vihuela: Pavane IV - Hopkinson Smith
- Romances & Villancicos: Si Habra En Este Baldres? - Hesperion XX/Jordi Savall
- Recercadas Del Trattado De Glosas: Recercada Segunda Sobre El Passamezzo Moderno - Jordi Savall/Tom Koopman/Rolf Lislevand
- Il Sonetos, Villancicos Y Romances: Quien Amores Ten (Villancicos En Portugues) - Montserrat Figueras/Hopkinson Smith
- El Organo Historico Espanol I: Fabordon Y Glosas Del Sexto Tono - Kimberly Marshall
- Missa Pro Defunctis, A 5: Pie Jesu Domine - Hesperion XX/Jordi Savall
- Tres Libros De Musica En Cifras Para Vihuela: Fant Que Contrahaze La Harpa - Hopkinson Smith
- Ensaladas: Mateu Fleccha L'Ancien La Bomba, Ensalada Studium Musicae Valencia - Hesperion XX/Jordi Savall
- El Cancionero De Medinaceli: La Perra Mora - Hesperion XX/Jordi Savall
- Poema Harmonico: Canario, Treze Diferencias De Canario - Hopkinson Smith
- Missa De Batalla: Gloria - La Capella Reial De Catalunya/Jordi Savall
- L'Oeuvre Pour Clavecin 1: Son in a No.118-Allegro - Bob Van Asperen
- Lope De Vega: Intermedios Del Barroco Hispanico: No Hay Que Decirle El Primor - Montserrat Figueras
- El Organo Historico Espanol 9: Toccata Del Sexto Tono - Francis Chapelet
- Cancons De La Catalunya Mil.Lenaria: Els Segadors (Excs) - Montserrat Figueras
- Ariette Italiane, Seguidillas & Vars: Las Mujeres Y Cuerdas - Monterrat Figueras/Jose Miguel Moreno
- Les Sept Dernieries Paroles, Cadix: Il Terremoto. Presto Con Tutta La Forza - Le Conc Des Nations/Jordi Savall
- Una Cosa Rara: Allegretto 'Viva Viva La Regina' - La Capella Reial De Catalunya/Le Conc Des Nations/Jordi Savall
- Iberia (Version Orch): El Puerto - Orquesta De Valencia/Manuel Galduf
- El Sombrero De Tres Picos: Danse Finale (Jota) - Joven Orquesta Nacional De Espana/Edmon Colomer
- Don Quijote, Albada,...: Danza - Orquesta Sinfonica De Tenerife/Victor Pablo Perez
Customer Reviews:
Hesperion XX and others.......2007-03-28
This is a truly inspirational disc that features several different artists. I came across this disc years ago because of my interest in time period music performed by Jordi Savall and the lovely voice of Monteserrat Figueras in the group Hesperion XX. Both are featured on this disc extensively. Listening to this music is almost like a religious experience, it elevates your senses beyond the mundane for a richly rewarding experience; it is an auditory time warp. Essentially this is a compilation of time period music with compositions mostly from the 1500's. Besides the fabulous work by Hesperion XX the disc also includes some interesting work by Hopkinson Smith on Vihuela while Figueras sings in her lovely soprano voice. There are also some nice orchestra pieces most notably by Issac Ibeniz on "Iberia, El Puerto" which is a lush theme that would sit well in a movie about Spain's Golden Age, Manuel de Falla's beautiful compostion of "El Sombrero De Tres Picos" as performed by Joven Orchestra Nacional de Espana and Roberto Gerhard's "Don Quijote Albada Danza" as performed by the Orchestra Sinfonica de Tenerife. Also of note is the work of Francisco Guerau and the magical baroque guitar of Hopkinson Smith as performed on "Treze diferencias de Canario." Listening to this music reminds one of the grandeur of Spains's past in the Age of Discovery. This is classical album for people like me, who really don't know that much about classical music but realizes good music when he hears it. Recommended for people who like to listen to time period music and the interpretations of Hesperion XX.
This is the best classical music.......2001-02-05
I did'nt really like classical music till i bought España - Anthology of Spanish Music CD. I really, really love this CD. If your an artist and sometimes lack inspiration, I recommend this CD! It will get you in the mood to paint!
Great collection.......2000-11-04
Two complaints: no liner notes so any potential educational value is lost (I have a number of reference books around the house and some of these composers don't show up anywhere in them) and there is at least one extremely jarring organ work that blasts out of nowhere. A more listener friendly compilation would've sequenced the disc differently or left it out alltogether. That said, this is a wonderful collection of music that I have (mostly) never heard before. I'm glad Naive Astree saw fit to put a lot of obscure and out-of-print recordings together to form this audio introduction to an underappreciated canon.
Highlights include:
Track 8 - Jordi Savall (gamba), Ton Koopman (harpsichord), and Rolf Lislevand (lute) turn in a brief but jaunty chamber performance of Ortiz. Left me wanting more.
Track 11 - Hesperion XX give a haunting vocal performance of Morales' Pie Jesu Domine. I'm not one to ususally appreciate this sort of music (so consider me uninformed) but I found this truly beautiful.
Track 15 - features Hopkinson Smith on the baroque guitar performing a fascinating Guerau work. Descending arpeggios like gentle, trickling waterfalls. Smith is a stunning performer. I wish he was better known in the U.S.
Track 22 - from Haydn's original orchestral version of "The Seven Last Words Of Christ On The Cross," this is the one tempestuous movement from a work of mostly subdued music. Deep, powerful string sound from Savall's Le Concert Des Nations. Very well recorded.
While I'd like to know more about the works and the composers behind them there is so much here to be enjoyed on a purely aesthetic level that I can't whine too much. If you have any interest, by all means pick up this bargain. You will be introduced to a number of great performers and works.
Average customer rating:
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Pitts: Seven Letters
TONUS PEREGRINUS , Antony Pitts , Francis Brett , Alexander L'Estrange , Joanna Forbes , Rebecca Hickey , Alexander Hickey , Benjamin Rayfield , and Kathryn Oswald
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
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ASIN: B0009JDYR8
Release Date: 2005-07-12 |
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Gregorian Chants for All Seasons
Manufacturer: Vox (Classical)
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ASIN: B000001K22
Release Date: 1992-11-04 |
Tracks:
- Introit For The 1st Sunday In Advent (Mode 8)
- Introit For The 4th Sunday In Advent (Mode 4)
- Communion 3rd Sunday In Advent (Mode 7)
- Introit For The 3rd Sunday In Advent (Mode 1)
- Offertory For The 4th Sunday In Advent (Mode 8)
- Hymn For Christmas Vespers (Mode 1)
- Introit For The 3rd Christmas Mass (Mode 7)
- Alleluia Of The 3rd Christmas Mass (Mode 8)
- Communion For The Feast Of The Holy Confessor (Mode 8)
- Gradual For The Feast Of The Holy Confessor (Mode 2)
- Offertory For The 2nd Sunday After Epiphany (Mode 6)
- Communion For The 2nd Sunday After Epiphany (Mode 6)
- Introit For Sexagesima Sunday (Mode 1)
- Tract Of Sexagesima Sunday (Mode 8)
- Communion For The 2nd Sunday In Lent (Mode 5)
- Offertory For Palm Sunday (Mode 8)
- Gradual For Maundy Thursday (Mode 5)
- Offertory For Maundy Thursday (Mode 2)
Tracks:
- Introit For Easter Sunday (Mode 4)
- Gradual For Easter Sunday (Mode 2)
- Alleleuia For Easter Sunday (Mode 7)
- Sequence For Easter Sunday (Mode 1)
- Offertory For Easter Sunday (Mode 4)
- Communion For Easter Sunday (Mode 6)
- Antiphon For Easter Sunday In Praise Of Mary (Mode 6)
- Introit For Ascension (Mode 7)
- Offertory For Ascension (Mode 1)
- Introit For Pentecost Sunday (Mode 8)
- Sequence For Pentecost Sunday (Mode 1)
- Communion For Corpus Christi Day (Mode 7)
- Introit For The Feast Of The Immaculate Conception (Mode 3)
- Introit For The Feast Of Christ The King (Mode 3)
- Communion For The Feast Of Christ The King (Mode 6)
- Introit For All Saints Day (Mode 1)
- Offertory For All Saints Day (Mode 1)
- Communion For All Saints Day (Mode 1)
- Introit For All Souls Day (Mode 6)
- Antiphon For Burial Service (Mode 7)
Music Track:
- Music for Love and Marriage
- Music for Self-Enhancement: The Body
- Music From Estonia 2
- Musica Sacra in Colonia
- Nikita Magaloff: Beethoven Sonate Op. 57; Mendelssohn Sonate Op. 106
- Nocturne Op 90 / Saxophone Cto / Cto Gross Op 5
- Oleg Kagan, Vol. 26
- Oleg Volkov Live From Moscow
- Oleg Volkov Plays Shostakovich & Schnittke
- Organ Concerto / Sinfonietta / Suite Francaise
Music Track
music track
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