Warlock Songs
On this CD:
1. The Wind from the West, for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
2. When As the Rye for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
3. My Ghostly Fader for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
4. Lullaby for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
5. As Ever I Saw for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
6. Take, O Take Those Lips Away for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
7. The Bayley Berith the Bell Away, for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
8. Sweet Content for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
9. Mourn No Moe for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
10. There is a Lady, for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
11. Play-Acting for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
12. Captain Stratton's Fancy for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
13. Mr. Belloc's Fancy for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
14. Late Summer for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
15. Hey, Troly Loly Lo for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
16. The Bachelor, for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
17. Rest Sweet Nymphs for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
18. Piggesnie for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
19. Sleep for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
20. Autumn Twilight for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
21. Milkmaids for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
22. Short Songs (2), for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
23. Yarmouth Fair for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
24. Belloc Songs (3), for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
25. Walking the Woods for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
26. The First Mercy, for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
27. The Jolly Shepherd, for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
28. Passing By, for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
29. The Fox, for voice & piano
Composed by Peter Warlock
Performed by Benjamin Luxon, David Willison
Warlock Songs, Music, Benjamin Luxon, Peter Warlock, David Willison, 20th/21st Century Music for Voice and Keyboard, Classical, Classical Composers, Classical Vocals, Vocal, Vocal Music
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- The Life and Works of Ludwig van Beethoven
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- The Very Best of Janet Baker is simply the very best!
- Grace Incarnate
- A Rare & Glorious Singer
|
The Very Best of Janet Baker
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Great Recordings Of The Century - Janet Baker Sings Mahler / Barbirolli, et al
- Philips and Decca Recordings, 1961-1979 (Limited Edition)
- Very Best of
- The Very Best of Lucia Popp
- The Very Best of Victoria de los Angeles
ASIN: B00005UUOW
Release Date: 2002-04-09 |
Tracks:
- Christmas Oratorio: Bereite Dich, Zion
- Messiah: He Was Despised
- Elijah: O Rest In The Lord
- Alto Rhapsody
- Ich Bin Der Welt Abhanden Gekommen
- L'Invitation Au Voyage
- Pie Jesu (From The Requieum Op.9)
- Sea Pictures Op.37: I. Sea Slumber-Song
- Sea Pictures Op.37: II. In Haven
- Sea Pictures Op.37: III. Sabbath Morning At Sea
- Sea Pictures Op.37: IV. Where Corals Lie
- Sea Pictures Op.37: V. The Swimmer
- The Angel's Farewell - Ambrosian Singers
Tracks:
- Linden Lea
- A Boy Was Born, Op.3: Corpus Christi Carol
- Pretty Ring Time
- Prison
- Soir
- Clair De Lune
- Ave Maria (Ellens Gesang III)
- Gretchen Am Spinnrade
- Wiegenlied (Schlafe, Schlafe)
- Die Forelle
- Auf Dem Wasser Zu Singen
- An Die Musik
- An Sylvia
- Nacht Und Traume
- Heidenroslein
- Du Bist Die Ruh'
- Auf Flugeln Des Gesanges
- Liederkreis, Op.39: Mondnacht
- Frauenliebe Und -Leben Op.42: Du Ring An Meinem Finger
- Geistliches Wiegenlied
- Befreit
- Morgen!
Amazon.com
While it is impossible to really squeeze The Very Best of Janet Baker onto just two CDs, this two and a half hour anthology is a fine portrait of the British mezzo-soprano. Central to CD 1 is Elgar's Sea Pictures, a definitive account with the London Symphony Orchestra conducted by Sir John Barbirolli. While other British music is represented by Vaughan Williams's "Linden Lea," Britten's "Corpus Christie Carol," and Warlock's "Pretty Ring Time," CD 2 balances the program with 10 Schubert songs accompanied at the piano by either Gerald Moore or Geoffrey Parsons, which range from "Ave Maria" to Shakespeare. The set lends equal weight to orchestral and more intimate song, as well as to works in English--a very moving reading of Handel's "He was despised" from Messiah--and European landmarks, including Mendelssohn's On Wings of Song and Brahms's Alto Rhapsody, the latter with a superlative London Philharmonic Orchestra under Sir Adrian Boult. In an age of technically dazzling but sometimes bland singers, this release is a reminder of emotionally intense musicianship that retains vocal clarity and commitment to the composer's intentions over superstar ego. The word great is often used all too easily, but it could not be more appropriate for this outstanding collection of a great singer. --Gary S. Dalkin
Customer Reviews:
The Very Best of Janet Baker is simply the very best!.......2005-02-09
This cd and this amazing musician are an absolute must have for any music lover or music snob alike! Her voice is amazing!
Grace Incarnate.......2002-09-02
If there is one singer who has ever truly been able to master the singer's art of interpretation, this is her. She is a gift to music, I truly believe this. A few words, or glowing adjectives could not accurately describe the singing of a woman who epitomizes art. And music. Grace and beauty.
Each track on this cd is a perfect union of poetry, melody and technicality. Dame Janet Baker fully immerses herself into each piece, and delivers highly commited, intelligent & emotional performances.
A Rare & Glorious Singer.......2002-06-10
This is a pretty good cross-section of Dame Janet's output from the prime of her career. There are few if any singers like her around today. There are many mezzos who can sing beautifully, with great articulation and finesse, but they lack the moral and musical integrity Dame Janet always brought to her singing. The voice is ardent, seeking, yearning, finding, exulting. Listen to the excerpt from "Dream of Gerontius" or the third of the "Sea Pictures" to see what I mean.
She does not sing to show off. She sings to enlighten, to illuminate, to reveal, to enter into. Her voice carries us off, near to Heaven.
Dame Janet has been neglected of late. This recording shows us why, in these perilous times, we need her more than ever.
Average customer rating:
|
The Curlew: Songs by Peter Warlock
Manufacturer: Landor Records
ProductGroup: Music
Binding: Audio CD
All Works by Warlock
| Warlock, Peter
| ( W )
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ASIN: B000JJ3R52
Release Date: 2007-01-09 |
Tracks:
- In an Arbour Green
- Autumn Twilight
- Late Summer
- Pretty Ring Time
- A Sad Song
- Mr. Belloc's Fancy
- Ha'nacker Mill
- The Night
- My Own Country
- Sleep
- He reproves the curlew (The Curlew)
- The lover mourns for the loss of love (The Curlew)
- The withering of the boughs
- He hears the cry of the sedge (The Curlew)
- The First Mercy
- Adam Lay Ybounden
- Bethlehem Down
- The Frostbound Wood
- Cradle Song
- My Lady is a Pretty One
- Music, Where Soft Voices Die
- Yarmouth Fair
- The Contented Lover
- And Wilt Thou?
- Mourn no Moe
- Jillian of Berry
- Captain Stratton's Fancy
Album Description
Described in The Evening Standard as 'the voice to watch in the opera world', Andrew Kennedy was the recipient of the prestigious 2006 Royal Philharmonic Society Young Artists' Award and the BBC Singer of the World Rosenblatt Recital Prize.
His debut recital disc showcases the work of Peter Warlock, one of the most intriguing and misunderstood composers of the early 20th century. His song cycle 'The Curlew' is an atmospheric setting of the W.B.Yeats poem and has become a favourite of the repertoire.
Average customer rating:
- A century of British art songs to delight those who love them
|
English Song
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B0002JEG6I
Release Date: 2005-03-22 |
Tracks:
- A Soft Day - Bernadette Greevy
- Irish Skies - Bernadette Greevy
- Cherry Ripe - Janice Watson
- Mustard And Cress - Neal Davies
- The Lily Of A Day - Janice Watson
- Henry King - Neal Davies
- Fain Would I Change That Note - Graham Johnson
- In Summer-Time On Bredon - Christopher Maltman
- The Lads In Their Hundreds - Christopher Maltman
- Among The Rocks - Graham Johnson
- It Was A Lover And His Lass - Anthony Rolfe Johnson
- The Water Mill - Anthony Rolfe Johnson
- On Wenlock Edge - Anthony Rolfe Johnson
- The Call - Graham Johnson
- Silent Noon - Graham Johnson
- Now In These Fairylands - Philip Langridge
- The Dream-City - Philip Langridge
- Margrete's Cradle Song - Susan Gritton
- The Heart Worships - Christopher Maltman
- Take, O Those Lips Away - Anthony Rolfe Johnson
- Now Sleeps The Crimson Petal - Graham Johnson
- Love Calls Through The Summer Night - Anthony Rolfe Johnson
- I Will Go With My Father A-Ploughing - Graham Johnson
- The Rio Grande (Capstan Shanty) - Ian Partridge
- Theodore, Or The Pirate King - Ian Partridge
- A Long Time Ago (Hilliard's Shanty) - Ian Partridge
- Oh Dear, What Can The Matter Be? - Bernadette Greevy
Tracks:
- The Grenadier - Richard Edgar-Wilson
- The Young Lover - Richard Edgar-Wilson
- Betty And Johnny - Richard Edgar-Wilson
- Rise Up And Reach The Stars - Richard Edgar-Wilson
- The Bells - Nik Hancock-Child
- Ann's Cradle Song - Nik Hancock-Child
- As I Lay In The Early Sun - Nik Hancock-Child
- The Cherry Tree - Nik Hancock-Child
- Dusk - Nik Hancock-Child
- Peter Warlock's Fancy - John Constable
- The Frostbound Wood - John Constable
- Chopcherry - John Constable
- A Sad Song - John Constable
- Rutterkin - John Constable
- Bethlehem Down - John Constable
- Wapping Old Stairs - Felicity Lott
- Long Steel Grass - Martyn Hill
- Tango-Pasodoble - Martyn Hill
- Popular Song - Martyn Hill
- Beatriz's Song - Felicity Lott
- Lay Your Sleeping Head, My Love - Philip Langridge
- Early One Morning - Felicity Lott
- The Foggy, Foggy View - Philip Langridge
- Now The Leaves Are Falling Fast - Philip Langridge
- Tell Me The Truth About Love - Della Jones
- The Choirmaster's Burial - Philip Langridge
Customer Reviews:
A century of British art songs to delight those who love them.......2006-06-26
These 53 songs have been collected by Naxos from their extensive acquisitions from Collins Classics, and perhaps other British sources now out of business. There's a steady cottage industry, year after year, producing the typical English art song, which is usually based on folk songs, but even in more modern idioms is profuondly conservative and nostaligic. Half these songs, not to mention half the composers, are totally unknown to American audiences, but the familiar names of Vaughan Williams and Britten represent high quality, and the lesser lights, such as Warlock and Quilter, are mainstays in this repertoire.
I'd challenge all but the most addicted listener to make it through more than ten songs at a sitting, and many of these pieces are tepid, offering comfort rather than inspiration. The singers are among the best, but Graham Johnson and Steuart Beford, who do most of the accompaniments, are lackluster. I know that won't be a popular comment, yet if you compare any of these songs with rendiitons done by Janet Baker, John Shirley-quirk, and most recently Bryn Terfel and Ian Bostridge, you immediately notice how much more intensity and drama is pesent than htis colleciton reveals.
Average customer rating:
|
The British Music Collection: Peter Warlock
Manufacturer: Decca
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Binding: Audio CD
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Similar Items:
- Songs by Peter Warlock
- A Warlock Centenary Album
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- English String Miniatures 5
ASIN: B00005QDYO
Release Date: 2004-03-09 |
Tracks:
- I. Basse Danse - Nicholas Kraemer
- II. Pavane - Nicholas Kraemer
- III. Tordion - Nicholas Kraemer
- IV. Bransles - Nicholas Kraemer
- V. Pieds-En-L'air - Nicholas Kraemer
- VI. Mattachins (Sword Dance) - Nicholas Kraemer
- Serenade For Strings - Nicholas Kraemer
- Lullaby My Jesus (Transfer. Carter) - David Hill
- Youth (Robert Weaver)
- As Ever I Saw
- There Is A Lady Sweet And Kind (Thomas Ford)
- Whenas The Rye Reach To The Chin (George Peele)
- Sigh No More, Ladies (William Shakespeare)
- Sleep (John Fletcher)
- Pretty Ring Time (William Shakespeare)
- Jillian Of Berry (Fletcher Beaumont)
- The Bayley Berith The Bell Away (Anon)
- Passing By (Anon)
- The Frostbound Wood (Bruce Blunt)
- Robin Goodfellow (Anon)
- Twelve Oxen (Anon)
- Yarmouth Fair (Hal Collins)
- Romance (Robert Louis Stevenson)
- To The Memory Of A Great Singer (Robert Louis Stevenson)
- After Two Years (Richard Aldington)
- The Droll Lover (Anon)
- Ha'nacker Mill (Hilaire Belloc)
- My Own Country (Hilare Belloc)
- The Birds (Hilaire Belloc)
- Elore Lo (Anon)
- The Fox (Bruce Blunt)
- Fair And True (Nicholas Breton)
- Roister Doister (N. Udall)
- The Criketers Of Hambledon (Bruce Blunt)
Average customer rating:
|
English String Music
Manufacturer: Naxos
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ASIN: B0000013YX
Release Date: 1994-10-04 |
Tracks:
- Vars on a Theme of Frank Bridge, Op.10: Introduction & Theme
- Vars on a Theme of Frank Bridge, Op.10: Adagio
- Vars on a Theme of Frank Bridge, Op.10: March
- Vars on a Theme of Frank Bridge, Op.10: Romance
- Vars on a Theme of Frank Bridge, Op.10: Aria Italiana
- Vars on a Theme of Frank Bridge, Op.10: Bourree Classique
- Vars on a Theme of Frank Bridge, Op.10: Wiener Walzer
- Vars on a Theme of Frank Bridge, Op.10: Moto Perpetuo
- Vars on a Theme of Frank Bridge, Op.10: Funeral March
- Vars on a Theme of Frank Bridge, Op.10: Chant
- Vars on a Theme of Frank Bridge, Op.10: Fugue and Finale
- St. Paul's Ste, Op.29, No.2: Jig
- St. Paul's Ste, Op.29, No.2: Ostinato
- St. Paul's Ste, Op.29, No.2: Intermezzo
- St. Paul's Ste, Op.29, No.2: Finale (The Dargason)
- Two Aquarellas No.1: Lento, ma non troppo
- Two Aquarellas No.2: Gaily, but not quick
- 5 Variants of Dives and Lazarus: Adagio/Variant 1/Variant 2-Allegro moderato/Variant 3/Variant 4...
- Capriol Ste: Basse-Danse
- Capriol Ste: Pavane
- Capriol Ste: Tordion
- Capriol Ste: Bransles
- Capriol Ste: Pieds-en-L' air
- Capriol Ste: Mattachins
Average customer rating:
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Christmas with King's Singers
Manufacturer: Signum UK
ProductGroup: Music
Binding: Audio CD
All Works by Michael Praetorius
| Praetorius, Michael
| ( P )
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| Part, Arvo
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| Rutter, John
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| Tchaikovsky, Peter Ilyich
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ASIN: B0000DDB84
Release Date: 2003-01-01 |
Tracks:
- Veni, Veni Emmanuel
- Angelus Ad Virginem
- This Is the Truth Sent from Above
- Wie Scheuchtet Der Morgenstern
- Es Ist Ein Ros' Entsprunger
- There Is No Rose
- Coventry Carol
- Nowell Sing We Now
- Remember, O Thou Man
- In Dulci Jubilo
- Lullay My Liking
- Bogoroditsye Dyevo
- Lamb
- Maria Durch Ein' Dornwald Ging
- O Little One Sweet
- Bethlehem Down
- Crown of Roses
- To Us in Bethlem City
- Szczo to Za Prediwo
- There Is a Flower
- Peregrinan
- Away in a Manger
- NoNouvelet
- Stille Nacht
- Born on a New Day
Customer Reviews:
the ingredients.......2006-12-23
This is a perfect King's Singers recording filled with Christmas music. The sustained success of this group of six English gentlemen is legendary, but not surprising. The ingredients for that success have remained the same for many years, through varying personnel, and across a very wide-ranging repertory of a capella music. First and foremost, these men are true musicians - musicians first, singers and interpreters second. Musicianship consisting of equal parts learning and attentive transmission, the King's Singers are immaculate musicians - attuned, commited, ready, and fortunately blessed with musical intelligence to guide their choices of material. Second, and as important in my view, these men are comrades. In their recently released DVD, one finds abundant evidence of a committment not only to their art, but to each other. A capella singing by nature revealing, you'll find no seams in the singing of this mastergroup. Everything is seen to, raised up, compelling - and ever beautiful. This is authentic art of the gods. As fond as I am of Chanticleer, and of Harry Christopher's The Sixteen, the work of those fine ensembles pales when compared to the lingering beauty of the King's Singers. Constant invention is one of the hallmarks of their recorded legacy, and is bountiful on this disc - voicings, approaches, and a magical communion of voices. Check out Ariel Ramirez' instantly amenable 'La peregrinacion' and you'll never turn back. Big recommendation.
Average customer rating:
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Christmas Echoes, Vol. 2
Manufacturer: Gothic Records
ProductGroup: Music
Binding: Audio CD
All Works by Britten
| Britten, Sir Benjamin
| ( B )
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| Holst, Gustav
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| Walton, Sir William
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| Warlock, Peter
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| Mendelssohn, Felix
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General
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ASIN: B000ARFPZ8
Release Date: 2005-09-13 |
Album Description
2003 Grammy nominee for Best Choral Performance! An assortment of carols from traditional to modern, in familiar and new arrangements, featuring America's preeminent choral ensemble, which retired in 2004 after a legendary 31 seasons. This album includes a cappella tunes as well as accompaniment for harp, guitar, organ, handbells, and other instruments.
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Vaughan Williams: Ten Blake Songs & Linten Lea
Manufacturer: Meridian
ProductGroup: Music
Binding: Audio CD
Howells, Herbert
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ASIN: B000003XAG
Release Date: 1993-09-18 |
Tracks:
- Linden Lea
- O My Deir Hert
- Epitaph For Amy
- Searching For Lambs
- The Lawyer
- The Prism Of Life
- Love For Love
- The Sky Above The Roof
- Three Sonnets Of Cecil Day Lewis: For Infants, Time Is Like A Humming Shell
- Three Sonnets Of Cecil Day Lewis: Our Youth-Time Passes Down A Colonnade
- Three Sonnets Of Cecil Day Lewis: To Travel Like A Bird
- How Can The Tree But Wither?
- Ten Blake Songs: Infant Joy
- Ten Blake Songs: A Poison Tree
- The Piper
- London
- The Lamb
- The Shepherd
- Ah! Sunflower
- Cruelty Has A Human Heart
- The Divine Image
- Eternity
- Full Moon
- Sleep
- Elegy On The Death Of Cock Robin
- My Own Country
Average customer rating:
- Almost angelic
- Great choir, but mostly recycled material
- Glittering Chrismas Music
- The Spirit of Christmas On CD
- Superb voices!
|
Cambridge Singers Christmas Album
Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD
All Works by Berlioz
| Berlioz, Hector
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| Britten, Sir Benjamin
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| Handel, George Frideric
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| Sweelinck, JanPieterszoon
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| Tavener, John Kenneth
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ASIN: B0000DJEOL
Release Date: 2003-10-07 |
Tracks:
- The holly and the ivy (arr. H. Walford Davies)*
- Blessed be that maid Mary (arr. David Willcocks)
- Somerset Wassail (arr. John Rutter)
- Shepherds, in the fields abiding (French, arr. Willcocks)*
- The Infant King (Basque, arr. Willcocks)
- What is this lovely fragrance? (French, arr. Healey Willan)
- Gabriel's message (Basque, arr. Willcocks)*
- Still, still, still (German, arr. Rutter)
- Quittez, pasteurs (French, arr. Rutter)
- Un flambeau, Jeannette, Isabelle (French, arr. Rutter)
- Personent hodie (German, arr. Rutter)
- The shepherds' farewell (Hector Berlioz)
- O holy night (Adolphe Adam)
- O magnum mysterium (T. L. de Victoria)
- Hodie Christus natus est (J. P. Sweelinck)
- For unto us a child is born (G. F. Handel)
- In dulci jubilo (Samuel Scheidt)
- Lully, lulla, thou little tiny child (Kenneth Leighton)*
- A New Year Carol (Benjamin Britten)
- Balulalow (Peter Warlock)
- I saw a fair maiden (Peter Warlock)
- The Lamb (John Tavener)
- Fantasia on Christmas Carols (Ralph Vaughan Williams)
Album Description
Christmas Never Sounded So Good!
For more than a decade, John Rutter and the Cambridge Singers have shared the Joy of Christmas with the world. The ethereal sound of perfectly blended voices, singing the most beautiful seasonal music ever composed never fails to touch the heart or lift the spirit. This year, John Rutter and the Cambridge Singers have assembled a NEW collection - compiled from the archives, including FOUR NEVER BEFORE RELEASED TRACKS! This is a holiday feast you will NOT want to miss!
Customer Reviews:
Almost angelic.......2007-01-18
Choral music by the Cambridge Singers is always top-notch. An older album that might have sounded better with newer technology but no complaints. Has great vocals and orchestral support.
Great choir, but mostly recycled material.......2005-12-16
I have the utmost respect for John Rutter and his Cambridge Singers, probably the best choir in the world (at least, the English-speaking world). I have almost all their CDs. Two of their Christmas CDs are "desert-island" class for this listener.
Unfortunately, I cannot give this otherwise excellent CD the same high marks. If they wanted to release a "best of Cambridge Christmas" CD, this would not be it. It does a few of the absolute best Christmas selections, including Sweelinck's "Hodie", Willcocks's breathtaking arrangement of "The Infant King", and Rutter's own quirky reading of "Personent Hodie". And it does contain a few tracks not previously released.
However, if you want the best of Cambridge and Christmas, start with "Christmas Night", which is always the first CD I pull out the day after Thanksgiving. The sound of the famliar Persall setting of "In Dulci Jubilo" sets my holiday in motion. And that CD also has Rutter's own magical "There is a flower". After that CD, get "Christmas with the Cambridge Singers", which has "The Infant King" and some other treasures.
So, you can't really go wrong with this CD, especially if you just want an introduction to how this fine ensemble addresses the most choir-friendly holiday of all. But if you're serious about getting all the good stuff, start with the other two mentioned above, then add "Christmas Day in the Morning" and the early "Christmas Star".
Glittering Chrismas Music.......2005-11-15
I own virtually all of the CD's of John Rutter (whom I greatly admire) and the Cambridge Singers, and I am a fan of English Choral music in general. If I were asked to recommend only one of the many Cambridge Singers Christmas albums, or indeed one of any English Christmas album, a hard choice, this would be it. As others have noted, this CD is a compilation of songs from previous cds with four new releases. It is, I believe, longer playing than the other Cambridge albums. In style, it is a mostly quiet sounding collection--in fact several carols are sung a cappella-- with pieces ranging from carols such as "The Holly and the Ivy" to the more robust "Fantasia on Christmas Carols". In sum, this is a sensitively arranged and performed collection of beautiful Christmas music.
The Spirit of Christmas On CD.......2005-06-02
I have never been disappointed by any Cambridge Singers release, so it isnt surprising that I thoroughly enjoyed this offering as well. This CD is a compilation of songs from previous cds with one or two new tracks, so check your library to make sure you arent duplicating your collection in the order to complete your collection. I purchased this disk to obtain a copy of the Fantasia On Christmas Carols by Ralph Vaughn Williams which was originally released on Christmas Day In The Morning. As usual, every song is performed in a precise yet heartfelt manner. If you dont own any cds by the Cambridge singers I would personally recommend Christmas Night as the first disk to own, but if you know and love the Cambridge Singers as I do, then you will enjoy having this wonderful addition to your library.
Superb voices!.......2003-12-22
This CD was beautifully sung by the Cambridge Singers, a boys/mens choir, mostly a' capela. It's the first Christmas CD I've bought that really tempts me to crank up the volume so I can revel in every note.
Music Track:
- 6 Concerti
- A Carnival of Songs
- An Evening with Montserrat Caballé
- André Marchal: 1956 Zodiac Recordings
- Andreas Klein, Piano/Klavier
- Arturo Toscanini: His Romantic Rarities
- Bach: Orchestersuiten Nos. 1-3 (Air)
- Barbara Strozzi: Primo Libro de' Madrigali (1644)
- Beethoven: Piano Trios Vol. 5
- Beethoven: The Complete Piano Sonatas Vol. 5
Music Track
music track
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