American Cello, 1
On this CD:
1. Cello Sonata, for cello & piano, Op. 6
Composed by Samuel Barber
Performed by John Jensen, Terry King
2. Duo for cello & piano
Composed by Roy Harris
Performed by John Jensen, Terry King
3. Meditations (3) for cello and piano
Composed by John Craig Cooper
Performed by John Jensen, Terry King
4. Sonata for cello & piano
Composed by Paul Reale
Performed by John Jensen, Terry King
American Cello, 1, Music, Terry King, Samuel Barber, John Craig Cooper, Roy Harris, Paul Reale, John Jensen, Cello with Keyboard, Chamber, Classical
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Classic Yo-Yo
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Similar Items:
- Vivaldi's Cello
- The Essential Yo-Yo Ma
- Obrigado Brazil
- Soul of the Tango: The Music of Astor Piazzolla
- Simply Baroque
ASIN: B00005OAY5
Release Date: 2001-09-18 |
Tracks:
- Unaccompanied Cello Suite No. 1 in G Major
- Prelude
- Fear Tango
- Butterfly's Day Out
- Was Gott tut, das ist wohlgetan
- Slavonic Dance No. 2 in E minor, Op.72
- Three Preludes
- Allegro ben ritmato e deciso
- American Collection Theme
- Sonata for Cello and Piano in F Major, Op. 99
- IV. Allegro molto
- The Eternal Vow from Crouching Tiger, Hidden Dragon
- Erbarme dich (Matthdus-Passion)
- Quartet for Piano & Strings No. 2 in G minor, Op. 45
- IV. Allegro molto
- Vocalise
- Libertango
- Simple Gifts
- Appalachia Waltz
Amazon.com
Except for one "previously unreleased" recording and two new ones, this is a compilation of segments taken from older Yo-Yo Ma CDs, perhaps to whet listeners' appetite to hear the entire records. The disc represents a triumph of performance over material. The program consists of short pieces and single movements of long ones and serves to display Yo-Yo Ma's extraordinary versatility, his spectacular instrumental and musical gifts, and his remarkable ability to invest everything he plays with the same commitment and emotional concentration. There is no logic to the sequence, except that it begins and ends with solo cello. Bach, whom Ma plays tuned normally when unaccompanied and tuned low with the Amsterdam Baroque Orchestra, may justify the CD's title but seems out of place. Moreover, juxtaposing him with O'Connor and Piazzolla is jarring, though the Tangos are beautiful. The transcription of Dvorák's lovely E-minor Slavonic Dance, despite the participation of violinist Itzhak Perlman and his golden tone, sounds like a movie soundtrack: all bravura and cheap effects. The playing's the thing, and it is stunning, not only Yo-Yo Ma's, but that of all his collaborators, from vocalists Bobby McFerrin and Alison Krauss to pianist Emanuel Ax, Ma's duo partner of 25 years. Ax joins Ma for the Finale of Brahms's second cello sonata; that is what you may find yourself humming at the end. --Edith Eisler
Customer Reviews:
New Yo-Yo Fan.......2006-07-09
I had never listened to Yo-Yo Ma before (that I knew of) and then I was at a dance recital a few months ago. Two little ballerinas danced to "Simple Gifts" with Alison Kraus, and I had to have that song. I really enjoy playing this album when my family is just hanging out reading or playing with the baby in the living room. Each piece is unique and beautiful in its own way. Simple Gifts is still my favorite piece on the album, I only wish it were longer!
Simply wonderful!.......2006-06-04
I recently got this CD as a birthday gift. I've been wanting this CD for a while. The first track is a wonderful song in all reality the entire CD is a wonderful experience. The prelude by Gershwin is unique sounding with the cello. The jazz quality is still there and has a bit of classical influence intertwined among it. Yo-Yo Ma's recording of Simple Gifts is a good song and when they had the lyrics sung by Alison Krauss it was a wonderful choice. Her vocals matched the cello incredibly well. Track 8 is a wonderful song that I love to hear being played on the cello. For any person who loves classical music or cello music this CD is a good choice to buy. It will be well worth your money.
Awesome.......2004-08-20
While most people on this site see the "classic" in the title of the album as referring to classical music only, they are mistaken. Classic Yo-Yo refers to his style, not the genre into which his music choices fall. The list of tracks alone should have been a big enough clue that the music isn't all classical. Judging this album, or any album for that matter, on just its title is simply foolish. And while this is technically a solo album, the way Yo-Yo brings in guest artists to perform with him shows his flexibility as an artist. His version of Simple Gifts is so much more than a school chorus; it is an amazing cellist playing the accompaniment on a song that is meant to be sung.
On a more positive note, I found every track beautiful, from the elegant solo cello in the Bach cello suite to the haunting vocal line in the Bobby McFerrin piece. Yo-Yo Ma gathered a wide range of intriguing pieces to make this fantastic album.
What is this?.......2004-02-10
This is a compilation of many different styles; look Yo-Yo can play bluegrass! Not really "Classic" Yo-Yo.
Great if you're not familiar with Yo-Yo Ma.......2002-12-27
This CD is a good sample of what yo-yo ma has acheived in his musical career, if you want a more in depth listening of his talents than I suggest getting the simply baroque CD. The only thing that I didn't like about this cd was that the compositions were to mixed up in the genres. There was a bit of classical, some movie works, a great song by John Williams, and some of The Tango series music. If you would rather listen to one genre, get a CD that just has Classical or Contemerary, don't get a jack of all trades cd.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Better than most
- Wonderful Music
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Ludwig van Beethoven , Eugene-Auguste Ysaye , Johann Sebastian Bach , Jean Sibelius , Sergey Prokofiev , Jules Massenet , Anonymous , Fryderyk Chopin , Giacomo Puccini , Robert Schumann , Pyotr Il'yich Tchaikovsky , Kazuo Yamada , Claude Debussy , Felix Mendelssohn , Carl Maria von Weber , Enrique Granados , Gustav Holst , and Various Artists
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Similar Items:
- The Most Relaxing Classical Music in the Universe
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ASIN: B0000AINLR
Release Date: 2003-08-12 |
Tracks:
- RACHMANINOFF Piano Concerto #2, Adagio
- VERDI Preludio
- PAGANINI "Introduzione e tema con variazioni"
- BRAHMS Sonata for two pianos, Andante
- MOZART Adagio in E Major
- BEETHOVEN "Pathetique" Sonata, Adagio
- YSAYE Sonate #2, "Malinconia"
- BACH Prelude #22, Well-Tempered Clavier, Book I
- VERDI "Quando le sere al placido" (When the Evening Becomes Peaceful)
- BACH Orchestral Suite #2
- SIBELIUS The Swan of Tuonela
- PROKOFIEV Romeo and Juliet
- MASSENET Meditation from "Tha
- RACHMANINOFF Prelude
Tracks:
- TRADITIONAL Catalonian Folk Song
- CHOPIN Piano Concerto #1, Larghetto
- PUCCINI "Crisantemi" (Chrysanthemums)
- SCHUMANN "Traumerei" (Dreaming)
- TCHAIKOVSKY Swan Lake (excerpt)
- K. YAMADA ''Chugoku-Chiho No Komoriuta" Lullaby
- DEBUSSY "En Bateau" (By Boat)
- BEETHOVEN Symphony #6 "Pastoral", Andante
- MENDELSSOHN Songs Without Words
- WEBER Introduction, theme and variations
- GRANADOS "Goyescas" (Sketches on the works of Goya)
- TCHAIKOVSKY Nocturne in F
- HOLST The Planets, "Neptune"
Customer Reviews:
Better than most.......2007-02-08
This is a good mixture of elevator music, and some soft relaxing melodies.
Wonderful Music.......2007-01-18
Wonderful music for your listening pleasure. Very relaxing and soothing. Nothing beats classical music.
Average customer rating:
- The Best
- Buy This Now!!!!
|
Rachmaninoff for Relaxation
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005KCGZ
Release Date: 2001-06-19 |
Tracks:
- Rhap On A Theme Of Paganini, Op.43: Var 18 - Dmitri Alexeev
- Sym No.2 in e, Op.27: III. Adagio - The Philadelphia Orch/Eugene Ormandy
- Prld in G, Op.32 No.5 - Alexis Weissenberg
- Vocalise, Op.34 No.14 - Anna Moffo
- Prld in F - Mikhail Kazakevich
- Prld in D, Op.23 No.4 - Barry Douglas
- Prld in E-flat, Op.23 No.6 - Barry Douglas
- Vc Con in g, Op.19: III. Andante - Janos Starker/Shigeo Neriki
- It's Peaceful Here, Op.21 No.7 - Vladimir Spivakov/Sergei Bezrodny
- Pno On No.1 in f#, Op.1: II. Andante - Byron Janis
- Pno Con No.2 in c, Op.18: II. Adagio Sostenuto - Barry Douglas
Customer Reviews:
The Best.......2002-08-31
I thought this was so good, especially tracks 8 thru 11 that I bought copies for my six siblings.
Buy This Now!!!!.......2001-09-07
This is a beautiful work by the master composer Rachmaninoff. I have been a fan of his work, but when I heard this recording it nearly blew me away. Listen to Vocalise - the beauty of this track is what sold me on the rest of the album.
Average customer rating:
- Sheer Beauty for the Ears
- Authenticity can sound great as well!
- a little world of baroque sound
- Wonderful relaxing music.
- -
|
Casanova
Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD
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- Casanova
- Memoirs of a Geisha
- Pride & Prejudice
- Mrs. Henderson Presents
- Match Point
ASIN: B000BYR9YK
Release Date: 2005-12-20 |
Tracks:
- An Untold Story: Assaggio No.1 In G Minor - Johann Helmich Roman
- The Legend Of Casanova: Tambourins I/II From Daro - Jean-Philippe Rameau
- I Yield To Love: Cello Concerto No.3 In D Minor - Leonardo Leo
- Eternal Damnation: Overture From Les Fetes De Polymnie/Overture From Platee/Overture From Zoroastre - Jean-Philippe Rameau
- The Doge's Decree: Concerto In C Major - Antonio Vivaldi
- A Venetian Virgin - Alexandre Desplat
- San Cremori At Dawn: Concerto In C Major For Harpsicord And Strings - Giovanni Paisiello
- A Lover's Duel: Overture From La Madrilena - Vicente Martin Y Soler
- A Terrible Mistake: Concerto A 5, Op.9, No.4 - Tomaso Albinoni
- A Secret Lover?: Sinfonia From The Opera Farnace - Antonio Vivaldi
- Marriage Is A Safe Haven: Concerto A 5, Op.9 No.4 - Tomaso Albinoni
- Trailing Guardi: Sonata For Violin And Bassocontinuo, Op.5 No.11 In E Minor - Arcangelo Corelli
- The Noble Pig: Concerto Per Quartetto No.8 - Francesco Durante
- Paprizzio's Arrival: Concerto A 5, Op.9 No.2 In D Minor - Tomaso Albinoni
- Inquisitor Pucci - Alexandre Desplat
- : Concerto A 5, Op.9 No.4 - Tomaso Albinoni
- A Big Idea: Harpsicord Concerto In B Flat Major - Francesco Durante
- A Nom De Plume/Carnivale!: Concerto A 5, Op.9 No.6 In G Major/Bouree From Les Plaisirs Champetres - Tomaso Albinoni
- The Plume's Nom Is Casanova! - Sonny Kompanek
- Dancing At The Doge's Ball: Riguadon From Water Music Suite, No.3 In G Major/Bouree From Music For Royal Fireworks/Loure From Tafelmusik1 - George Frideric Handel
- One Step Closer To Heaven: Concerto A 5, Op.9 No.4 In A Major - Tomaso Albinoni
- Casanova's Confession: Sonata Op.5 No.7 In D Minor - Arcangelo Corelli
- The Hanging: Violin Concerto 'Il Cimento Dell'Armonia E Dell'INvenzione' Op.8 No.11 In D Major - Antonio Vivaldi
- A Great Escape: Overture From Zais/Overture From Nais/Overture From Achante Et Cephise Ou La Sympathie - Jean-Philippe Rameau
- My Place Is With Casanova: Overture From Le Temple De La Gloire/Overture From Zais/Sonata For Violin And Bassocontinuo, Op.5 No.7 In D Minor - Arcangelo Corelli
- All's Well...:Concerto A 5, Op.9 No.4 In A Major - Tomaso Albinoni
Amazon.com
The action in this tale about the 18th century adventurer and (at least in popular lore) seducer is set in Cassanova's native Venice in the mid-1700s, so it makes sense that the soundtrack would be loaded with Baroque pieces. The Venice-based Tomaso Albinoni is featured prominentaly, along with heavyweights such as Antonio Vivaldi, Jean-Baptiste Rameau, and George Frideric Handel, and lesser-known composers such as Arcangelo Corelli, Francesco Durante, and Alexandre Desplat. Er, actually Desplat is a contemporary French film composer who also released his score for the couldn't-be-more-different Syriana shortly after Casanova came out. Of the two pieces he penned here, "A Venetian Virgin" is in pure Baroque style, while "Inquisitor Pucci" betrays a more modern film-music vibe. Meanwhile, orchestrator Sonny Kompanek rearranged a couple of the tracks and authored the tense "The Plume's Nom Is Casanova," which doesn't sound embarrassing sandwiched between pieces by Albinoni and Handel. Overall, it would have been nice to get longer excerpts from the pieces--many feel chopped into too-small fragments--but the music's innate grace and elegance can't be beat for a period film. Or for any film, really: Vivaldi's Concerto in C Major ("The Doge's Decree") will be familiar to buffs, who will remember it featuring prominently in the Dustin Hoffman-¬Meryl Streep showdown Kramer vs. Kramer back in 1979. --Elisabeth Vincentelli
Customer Reviews:
Sheer Beauty for the Ears.......2006-07-25
For those that purchased this CD, I need not get into how masterfully infectious the movie was. After the first viewing, I found it charming, but after the second, I was hooked by the witty, clever story holding fun twists all along the way. So while I could go on and on about the movie and all of its wonderful aspects, the score was simply priceless. Apt in every scene, and all done with incredible baroque music that I had never had the opportunity of hearing before the film.
The disc walks you through the movie with no changes that I could tell from the original score. The only omission I found was that the song dubbed "Casanova's Theme" is played in much greater length in the closing credits, and that didn't seem to make it to the CD. Not a terrible loss.
Authenticity can sound great as well!.......2006-07-11
As an avid baroque music listener and performer, I can attest to the delightfully pleasing performances on the soundtrack as well as the painstakingly accurate performance practices utilized in the recording of this soundtrack.
The producers of this film fortunately went to the trouble of hiring some of the top period performance musician-specialists in the country (perhaps in the entire world) to record the soundtrack to Casanova. I know, because several of them were faculty members of the Oberlin Conservatory Baroque Performance Institute who went AWOL to Hollywood in June 2005 for the recording sessions. We all forgave them, and were actually quite excited that period music performance was having its day on the silver screen.
Do not miss this exquisite potpourri of wonderful baroque composers' works performed as closely as humanly possible to the way that they heard their works during their lifetimes! The film may not have been intended to be historically accurate (part of the fun), but the music certainly ended up that way. Not only that, but it sounds heavenly (unlike Casanova's antics) and up-to-date, not musty and old as if it were sealed in a museum case.
a little world of baroque sound.......2006-02-26
Lots of interesting baroque music unknown to me and
put together in dramatic sequences that add zest and
class to the listening experience. Also wonderful to
play in auto while driving thru boring country or in
slow moving traffic!
This CD will get a lot of play from me.
5 Stars!
Wonderful relaxing music........2006-02-25
Saw the movie and had to have the soundtrack. Great music to relax by. When you need to get away from the cares of the day the classics can't be beat. The producers of this movie certainly chose wonderful music to accompany it.
-.......2006-02-18
Good music but each is too short.
The original version of each may be better.
Average customer rating:
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Story Of Dvorák In Words And Music
Manufacturer: Vox (Classical)
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Similar Items:
- Story Of Verdi In Words And Music
- Stories Of Schumann And Grieg
- The Story Of Brahms
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- The Story of Schubert
ASIN: B000001KD7
Release Date: 1995-04-16 |
Tracks:
- Furiant
- Allegro Grazioso
- Allegro Grazioso
- Scherzo
- Opening
- Serbian Dance
- You Ask Why My Songs
- Kolo
- Nature, Life And Love Motive
- Kolo
- Allegro Non Troppo
- Kolo
- Allegro Assai
- Eja, Mater Fons Amoris
- Kolo
- Allegro Molto
- Dumka
- Scherzo Caprccioso, Op. 66
- Allegro Moderato
- Allegro Moderato
- Largo
- Vivace Non Troppo
- Humoresque In G Flat Major, Op. 108 No. 7
- Allegro
- Allegro
- Polka
- Slavonic Dances
- Slavonic Dances
- Slavonic Dances
- Slavonic Dances
Customer Reviews:
Narration with music.......2006-01-07
I ordered this CD because of the price, and quickly found out why it is a cheap one. The narration is fine, but it is spoken over the music, and the music is just excerpts except for the featured selections at the end of the CD, which is all of four pieces. This is a great CD for the car - a little audio learning lesson, and does give a good intro into some of Dvoraks most famous pieces. But, it is no Carl Haas rendition.
Average customer rating:
- breakdown by cd.
- I'm not a music expert
|
Dvorák: The Masterworks [Box Set]
Manufacturer: Brilliant Classics
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Similar Items:
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ASIN: B00062FLJW
Release Date: 2004-11-30 |
Customer Reviews:
breakdown by cd........2007-01-14
CD1-7:SYMPHONIES 1-9
CD8:PIANO CONCERTO
CD9:VIOLIN CONCERTO & CELLO CONCERTO
CD10-11:REQUIEM
CD12-13:STABAT MATER
CD14:PIANO TRIOS OP.90 "DUMKY" & 21
CD15:PIANO TRIOS OP.65 & 26
CD16:PIANO QUARTETS
CD17:PIANO QUINTETS
CD18:STRING QUINTETS
CD19-20:MUSIC FOR VIOLIN AND PIANO
C21:SERENADE/HAUSMUSIK
CD22-31:THE COMPLETE STRING QUARTETS
CD32:SLAVONIC DANCES OP.46 & 72
CD33:PIANO DUET SLAVONIC DANCES
CD34:PIANO DUET LEGENDS FROM THE BOHEMIAN FOREST
CD35:PIANO WORKS
CD36-37:RUSALKA
CD38-40:SYMPHONIC POEMS
I'm not a music expert.......2005-08-25
I don't know too much about music. I own over 700 cds, but I don't play music and I don't have much experience with this music. My only point of reference was the ninth symphony, seeing as every other piece in this box set was new to me. It sounds fine, nothing wrong with it as far as I can see.
Now, here's what you'll get in this box set, seeing as Amazon does not give it a description. 40 cds! no joke, you get 40 cds in this box set. It features:
1. Complete symphonies
2. Complete symphonic poems
3. Cello concerto
4. Piano concerto
5. Violin concerto
6. Requiem
7. Stabat Mater
8. Slavonic Dances
9. Complete String quartets
10. Chamber music
11. Piano Works (solo and duet)
12. Rusalka
As far as I can tell, the only things missing are The Spectre's Bride and Jacobin. Seeing as it is 40 cds, i have not had an opportunity to listen to it, however what i have heard i have been quite satisfied with.
Average customer rating:
- Some Dvorák Rarities and Old Friends, Nicely Played
- A Great Mix of Dvorak Favorites and Rarities
|
Dvorák: American Suite; Silent Woods; Prague Waltzes; Mazurka
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B0006IGQ72
Release Date: 2005-01-18 |
Tracks:
- Mazurka For Violin & Orchestra, Op. 49 (B90)
- Rondo For Cello & Orchestra, Op. 94 (B181)
- I Capriccio: Allegro Risoluto
- II Andante Sostenuto
- III Con Molta Espressione
- IV Allegro Con Brio
- V Allegro Assai
- VI Serenata: Andantino Con Moto
- VII Allegro: Animato
- Silent Woods (Klid) For Cello And Orchestra, Op. 68, No. 5 (B182)
- Polonaise In E Flat Major, B100
- Nocturne In B Major, Op. 40 (B48)
- Andante Con Moto
- Allegro
- Moderato: All Polacca
- Andante
- Allegro
- Five Prague Waltzes, B99
- Polka In B Flat Major, Op. 53A/1 (B114)
Customer Reviews:
Some Dvorák Rarities and Old Friends, Nicely Played.......2005-02-20
Although I have a number of CDs conducted by Dmitry Yablonsky, and though I knew he was a cellist, I don't recall hearing him play that instrument. On the basis of this CD I'd have to say that he is one of the better cellists around these days (Side note: in an upcoming review, I'll have more raves about the marvelous German cellist Maria Kliegel, whose Bach Solo Suites has lately been causing some compulsive listening on my part.) He gets a chance here to play and conduct two Dvorák cello and orchestra pieces: the semi-familiar 'Silent Woods' and the less-well-known 'Rondo.' 'Silent Woods' ('Klid' in Czech, sometimes known as 'Waldesruhe' in German) is occasionally heard in concert. It is a contemplative pastorale originally part of a solo piano suite. It sounds as if it couldn't have been composed for anything other than cello and orchestra; it's hard to imagine a pianist being able to maintain the slowly moving legato melodic line with anything comparable to the cello's ability to sing it ecstatically. Yablonsky's cello sings like a great baritone. His performance of 'Rondo,' a six-minute minor-key work is equally well-played but the piece itself is relatively trivial, if pretty enough.
The glory of this set is the first track, a six-minute wonder, 'Mazurka for Violin and Orchestra,' Op. 49 (B90), played full-out in Oistrakhian fashion by a violinist I am only vaguely familiar with, Alexander Trostianski. Both the piece and the performance are barnburners, full of exciting rhythms, virtuosic double-stops and other violinistic sparkle. This is not deep music, but it assuredly is exciting. Too bad violinists don't ordinarily play encores in orchestral concerts after they've played the obligatory concerto. This would send the crowd out dancing. Superb!
The 'American' Suite is beautiful and reasonably well-known, and has had a number of fine recordings, among them those by Neumann, Dorati and Tilson Thomas, as well as older ones by Ancerl and Talich. It is given a competitive performance with delicacy and point by Yablonsky and his increasingly impressive Russian Philharmonic.
The rest of the disk comprises works that are not from Dvorák's top drawer. 'Seven Interludes' for small orchestra, although with some fine moments, seem pretty slight to me, although the third movement, 'Con molta espressione,' a slow 3/4 meditation, is extraordinarily lovely and played rapturously here. The 'Five Prague Waltzes' are a cut above the Interludes as music per se, and the performance is exhilarating. One wants to get up and dance around the room. But, that said, I slightly prefer a recording by the Hungarian conductor Iván Fischer and the Budapest Festival Orchestra. 'Polonaise in E Flat Minor,' 'Nocturne in B Major' and 'Polka in B Flat Minor'--the latter an old friend that I fondly remember being played in a wind band arrangement in my own hometown with its large Bohemian population-- are all given fine performances here.
This would, I think, be a perfect budget recommendation for someone who wants to slightly broaden their knowledge of Dvorák's always tuneful and accessible orchestral music.
TT=78:42
Scott Morrison
A Great Mix of Dvorak Favorites and Rarities.......2005-01-26
One of the reasons I love the music of Dvorak is that it is both predictable and varied. In all of his music, his distinct Czech national sound, as well as his flair for orchestration is easy to detect. Yet he is able to write some of the most creative pieces ever composed. The Naxos label has released a great catalogue of Dvorak's work. Most of the releases have some of his well known pieces as well as some of his lesser known works and this new release AMERICAN SUITE follows suite.
The best known works of the compilation include "American Suite," "The Polonaise in F Flat Major" and "Five Prague Waltzes." While all of the pieces are played beautifully by Russian Philharmonic Orchestra under the direction Dmitry Yablonsky, I found the works for soloist and orchestra most enjoyable. The "Mazurka for Violin and Orchestra" which opens the CD is a work that I am surprised is not a familiar concert showpiece and the same can be said for cello pieces "Rondo" and "Silent Woods."
Once again, Naxos has released a wonderful compilation at a reasonable price with excellent liner notes.
Average customer rating:
- I love it and I give it as a gift
- MarMSED
- Diverse range but the songs are butchered...
|
The Best Choral Album in the World...Ever!
Manufacturer: EMI Classics
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Similar Items:
- The #1 Choral Album
- Choral Masterpieces
- Gloria: Music of Praise & Inspiration
- The Only Choral CD You'll Ever Need
- The Power & The Majesty: Essential Choral Classics
ASIN: B00002ZZH6
Release Date: 2005-06-07 |
Tracks:
- Gloria In Excelsis Deo - Academy And Chorus Of St Martin In The Fields
- Jesu, Joy Of Man's Desiring - Choir Of King's College, Cambridge
- Zadok The Priest - Ambrosian Singers
- Miserere Mei, Deus - Gerald Finley
- Veni Creator Spiritus - Choir Of The Monks Of The Benedictine Monastery Of Santo Domingo De Silos
- Lacrimosa - London Philharmonic Choir
- For Unto Us A Child Is Born - Ambrosian Singers
- The Heavens Are Telling - John Shirley-Quirk
- Panis Angelicus - Halle Choir
- Ave Maria - Groupe Vocal De France
- Ode To Joy - The Westminster Choir
- Va, Pensiero - Chorus Of the Royal Opera House
- Chorus Of Slave Girls - Chorus Of The National Theatre Of Sophia
- Coro De Romanticos - Coro Cantores De Madrid
- In Paradisum - Choir Of Kings College, Cambridge
- Totus Tuus - Choir Of King's College, Cambridge
- Song For Athene - Winchester Cathedral Choir
- Celebration - London Symphony Chorus
- Jerusalem - Royal Choral Society
Tracks:
- Zion Hort Die Wachter - South German Madrigal Choir
- Pleni Sunt Coeli Et Terra - Charles Brett
- Hallelujah Chorus - Ambrosian Singers
- Thou Knowest, Lord - Choir Of King's College, Cambridge
- Veni Sancte Spiritus - Choir Of The Monks Of The Benedictine Monastery Of Santo Domingo De Silos
- Awake The Harp - City Of Birmingham Symphony Chorus
- And Then Shall Your Light Break Forth - New Philharmonia Chorus
- L'Adieu Des Bergers - Choeurs Rene Duclos
- Agnus Dei - Peter Barley
- Cantique De Jean Racine - MONKS AND CHOIRBOYS OF DOWNSIDE ABBEY
- Ave Verum Corpus - Schutz Consort
- Begluckt Darf Nun Dich, O Heimat - Bavarian State Opera Chorus, Munich
- Vedi! Le Fosche Notturne Spoglie - Chorus Of the Royal Opera House
- Laudamus Te - Radio France Chorus
- Chichester Psalms - Rachel Masters
- The Lamb - Vasari Singers
- Agnus Dei - Winchester Cathedral Choir
- Requiem Aeternam - Choir Of Kings College, Cambridge
- Dies Irae - Philharmonia Chorus
- O Fortuna - London Philharmonic Choir
- Pomp And Circumstance March No. 1 (Land Of Hope Glory) - Royal Choral Society
Customer Reviews:
I love it and I give it as a gift.......2006-12-11
This is the first collection of choral music that I've purchased and I love it. I own copies of operas and requiems and masses, but if you attend choral concerts, as I have been recently, you learn there is a huge colletion of choral music appart from the forms I've been listening to. I appreciate the producers selecting "Song for Athene" by Tavener and "Celebration (Standing Stone)" by McCartney. They are new to me and I love them. Disk 1 ends with "Jerusalem" and Disk 2 ends with "Land of Hope and Glory." As an American I rarely hear these and I am so glad they were included. I believe this album was intended to help popularize choral music and I believe the selections do fine job towards that end.
I know snobs rage against popularizing classical music, but everyone deserves exposure to the beauty of song. I will also mention here "The East Village Opera Company" because they work to popularize opera by setting it to a rock beat. They do a fine job but also get criticized for attempting to popularize classical music.
"The Best Choral Album in the World...Ever" was so popular with my teen-age daughter that it was hard to get it back from her. I give the album as a gift to nephews and nieces.
MarMSED.......2005-08-27
The music selections are extraordinary. The only problem has to do with the balance of sound. There are some parts that are very loud, and some that are so very soft. You have to continually adjust the volume.
Diverse range but the songs are butchered..........2005-07-24
Well, this CD isn't horrible by any stretch, but it is irritating to someone who's more than a casual listener of choral music. I'm by no means as musically "literate" as many reviewers out there, but I have a collection of probably twenty-five or thirty choral CD's and this is one that will probably be gathering dust in the back of the CD book.
The peices are well-performed for the most part, but they are hopelessly edited. Beethoven's Ode to Joy is somewhere around twenty four minutes, but this CD only includes an arrangement of about five minutes. The beautiful Miserere is, uncut, almost eleven minutes but is cut down to five and a half minutes here.
Looking back, I should have realized the major editing that would be involved, just by the sheer number of peices on it. I'm familiar with a great many of them and I know they're too long to fit onto a seventy minute disc without some major cutting going on. I just didn't reason that out before I shelled out the money for it.
Bottom line. This CD has decent singing, but is nothing special. If you're a newcomer to this genre, you might get this as a quick overview of the different types of choral music out there, but if you're any kind of an avid listener, this CD will drive you insane with the severity of the cuts. Beginners, if you're looking for a great collection CD, you'd do better to look at "Choral Moods". It doesn't have the diversity in styles of this one, but it will introduce you to incredibly talented composers. To the old hats out there, steer clear of this one and look to CD's by your preferred individual composers themselves. It's more money, but much less frustration in the long run. The old sayings are sometimes the best: You get what you pay for.
Average customer rating:
- "cinema's main stay themes prevail ~ City of Prague"
|
Reel Chill: The Cinematic Chillout Album
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
All Works by Albinoni
| Albinoni, Tomaso
| ( A )
| Featured Composers, A-Z
| Classical
| Styles
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All Works by Barber
| Barber, Samuel
| ( B )
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| Classical
| Styles
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All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mahler
| Mahler, Gustav
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mascagni
| Mascagni, Pietro
| ( M )
| Featured Composers, A-Z
| Classical
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Morricone, Ennio
| ( M )
| Featured Composers, A-Z
| Classical
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All Works by Nyman
| Nyman, Michael
| ( N )
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Rota, Nino
| ( R )
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Sakamoto, Ryuichi
| ( S )
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Vangelis
| ( V )
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Similar Items:
- Reel Love: The Cinematic Romance Album
- Classical Chillout
- Classic Chillout, Vol. 2
- Ultimate Movie Album
- Cinema Choral Classics
ASIN: B0002IQGT4
Release Date: 2004-08-10 |
Tracks:
- Sarabande [From Barry Lyndon]
- Main Theme [From Midnight Cowboy]
- Promenade Sentimentale [From Dive] - Mark Ayres
- May It Be [From the Lord of the Rings: The Fellowship of the]
- Women of Ireland [From Barry Lyndon]
- Adagio for Strings & Organ [From Gallipoli [
- Romeo/Love Theme [From Romeo & Juliet)
- Balcony Scene [From Romeo + Juliet]
- Main Theme [From Chariots of Fire] - Mark Ayres
- Main Theme [From Bilitis] - Mark Ayres
- Main Theme [From Merry Christmas Mr. Lawrence] - Mark Ayres
- Main Theme [From Cinema Paradiso]
- Main Theme [From Once Upon A Time in the West]
- Deborah's Theme [From Once Upon A Time in America]
- Suite: The Mission/Gabriel's Oboe/On Earth as It Is in Heaven ... - City of Prague Philharmonic Orchestra, Crouch End Festival Chorus
Tracks:
- Suite: Mountains and Sunsets/The Wedding/You Only Live Twice [From You
- Heart Asks Pleasure First [From The Piano]
- Agnus Dei [From Platoon] - Crouch End Festival Chorus
- Vide Cor Meum [From Hannibal]
- Adagietto from Symphony No. 5 [From DeAth in Venice]
- Any Other Name/Dead Already [from American Beauty] - Rick Clark,
- Into the West [From the Lord of the Rings: Return of the King]
- Where Dreams Are Made [From Artificial Intelligence]
- Main Theme [From Somewhere in Time]
- We Have All the Time in the World [From on Her Majesty's Secret ...]
- Electronic Battlefield [From Patriot Games]
- Now We Are Free [From Gladiator]
- Intermezzo from Cavalleria Rusticana [From Raging Bull]
- Cavatina [From the DeErhunter]
- Main Theme [From Out of Africa]
Customer Reviews:
"cinema's main stay themes prevail ~ City of Prague".......2004-08-15
What a crowning achievement to bring "Reel Chill:Cinematic Chillout Album", released by Silva America and featuring The City of Prague Philharmonic Orchestra and the Crouch End Festival Chorus ~ conductors are Mark Ayres, Paul Bateman, Rick Clark, James Fitzpatrick, Nic Raine and David Temple director of the chorus ~ one can only expect the highest quality of performances and quench the thirst of all "film-score-buffs".
Sit back and unleash the first disc with composers ~ Albinoni, Craig Armstrong, John Barry, Vladimir Cosma, Enya & Nicky Ryan, Handel, Francis Lai, Ennio Morricone, Sean O'Riorda, Nino Rota, Ryvichi Sakamoto and Vangelis ~ taking each film score cue "BILITIS", "CHARIOTS OF FIRE", "CINEMA PARADISO", "DIVA", "GALLIPOLI", "THE LORD OF THE RINGS:THE FELLOWSHIP OF THE RING", "BARRY LYNDON", "MERRY CHRISTMAS MR. LAWRENCE", "MIDNIGHT COWBOY", "THE MISSION", "ONCE UPON A TIME IN AMERICA", "ONCE UPON A TIME IN THE WEST", "ROMEO & JULIET" and "ROMEO + JULIET", with arrangements that soar and then simmer into pure meditation of grandeur ~ classic film music prevails, as orchestration comes to the surface with pure originality ~ one masterpiece after another is long last presented as it should have been, is cause for celebration ~ each cue is a distinctive gift for striking modernism, touching on the transition of the period in this planets history.
Second disc is waiting in the wings are composers ~ Samuel Barber, John Barry, Patrick Cassidy, James Horner, Mahler, Mascagni, Stanley Myers, Thomas Newman, Michael Nyman, Howard Shore, John Williams and Hans Zimmer/Lisa Gerrard ~ take a musical ride with "AMERICAN BEAUTY", "A.I. ARTIFICAL INTELLIGENCE", "DEATH IN VENICE", "DEER HUNTER", "GLADIATOR", "HANNIBAL", "THE LORD OF THE RINGS:RETURN OF THE KING", "ON HER MAJESTY'S SECRET SERVICE", "OUT OF AFRICA", "PATRIOT GAMES", "THE PIANO", "PLATOON", "RAGING BULL", "SOMEWHERE IN TIME" and "YOU ONLY LIVE TWICE" ~ our composers with passion and skill for exploring human emotions, coupled with a unique gift for striking exotic orchestral colors, make this with all it's splendor unforgettable ~ themes that ring with familiarity as each film comes to mind through music.
Silva America gives the collector a treasure of thirty film cues that any "film-score-buff" would die for ~ in the past James Fitzpatrick (producer), Reynold da Silva (executive producer), mastered by Rick Clark and David Stoner (release co-ordinator) have given us compilation with such expertise and this one is no exception ~ keep up the outstanding limited editions and deluxe package releases, with your signature tidbits for all film music fans that's in all of us...gotta love it!
Total Time: 2-CD-Set ~ Silva America 1161 ~ (8/10/2004)
Music Track:
- Amor Roma / Suzie Le Blanc · Tragicomedia
- An American Mosaic
- Anton Reicha: Quintet in B flat major; Octet, Op. 96
- Artur Schnabel Plays Works by Wolfgang Amadeus Mozart
- Bach: Harpsichord Concertos, Vol.2
- Bach: Orchestral Suites BWV 1006- 1069 for piano duo
- Bach: Well Tempered Clavier, Book 1
- Beecham Collection: Operatic & Orchestral Excerpts
- Beecham performs Beethoven, Mendelssohn and Delius
- Beethoven: Piano Concertos No. 5 "Emperor"; Mozart: Fantasia, K. 397; Schumann: Arabesque, Op. 18
Music Track
music track
Recommended Music:
Bare (Limited Edition w/ Bonus DVD)
Handel: Royal Fireworks Music; The Water Music [SACD] [SACD]
Haydn: Sinfonia concertante in Bf; Pleyel: Sinfonia Concertante No5
Music: Disco Infiltrator [CD-single] [Import]
The Agony And The Ecstasy
Gonna Let It Shine
electronicspartner.com Music: 40 Great Songs [Import]
Holewa: Concertino for soprano, guitar, & instrumental ense; Duettino II
Into The Cool Blue
Get the Message
If I Should Fall from Grace With God [Import]
Finding the Way
Heaven's Earth, Pt. 2 [CD-single] [Import]
Primero En Mojarme
Knowing You