Baroque Music for Trombone & Organ

On this CD:

1. Violin Concerto ("La Primavera", The Four Seasons) for violin, strings & continuo in E ("Il cimento" No. 1), Op.8/1, RV 269
Composed by Antonio Vivaldi
Performed by Thomas Horch

2. Sonata in D
Composed by Johann Christoph Pepusch
Performed by Thomas Horch

3. Sonate in C minor, after motifs of Pergolesi
Composed by Hannes Meyer
Performed by Thomas Horch

4. Sonate for trombone & organ in A minor
Composed by Joseph Bodin de Boismortier
Performed by Thomas Horch

5. Sonata in D
Composed by Jean-Baptiste (of London) Loeillet
Performed by Thomas Horch

6. Suite für Posaune und Orgel, "Das Liebesspiel"
Composed by Hannes Meyer
Performed by Thomas Horch

Baroque Music for Trombone & Organ, Music, Vivaldi, Pepusch, Meyer, Horch, Vollert, Chamber Music & Recitals, Classical, Classical Collections-Composer Desc., Classical Music
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Pachelbel: Greatest Hits
Average customer rating: 5 out of 5 stars
  • Much better than typical compilations.
 Pachelbel: Greatest Hits

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

QuartetsQuartets | Chamber Music | Classical | Styles | Music
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All Works by AlbinoniAll Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Bach: Greatest Hits
  2. Vivaldi: Greatest Hits
  3. Mozart: Greatest Hits
  4. Mozart: Greatest Hits, Vol. 2

ASIN: B000088E4F
Release Date: 2003-02-11

Tracks:

  1. Canon In D - Stuttgart Chamber Orchestra
  2. Sonatine - Musica Antiqua Koln
  3. Allemande - Musica Antiqua Koln
  4. Gavotte - Musica Antiqua Koln
  5. Courante - Musica Antiqua Koln
  6. Aria - Musica Antiqua Koln
  7. Sarabande - Musica Antiqua Koln
  8. Gigue - Musica Antiqua Koln
  9. Finale. Adagio - Musica Antiqua Koln
  10. Adagio In G Minor For Strings And Organ - I Musici
  11. Rondeau (Masterpiece Theatre Theme) - Simon Preston
  12. The Trumpet Voluntary (The Prince Of Denmark's March) - Peter Hurford
  13. La Volta - Rafael Puyana
  14. I. Grave - Reinhold Friedrich
  15. II. Allegro - Reinhold Friedrich
  16. III. Adagio - Reinhold Friedrich
  17. Prelude (Rondeau) - Marc Minkowski
  18. Passacaille - George Malcolm
  19. Overture In C 'Hamburger Ebb Und Flut' - Musica Antiqua Koln
  20. Keyboard Sonata In G, Kk2 - Clara Haskil
  21. Adagio - Staatskapelle Dresden
  22. Trumpet Tune And Air - Philip Jones
  23. La Poule - Cristophe Rousset
  24. Largo (Pastorale Ad Libitum) - I Musici
  25. Canon And Gigue In D For 3 Violins And Continuo - Musica Antiqua Koln

Customer Reviews:

5 out of 5 stars Much better than typical compilations........2007-04-02

This and the other compilations in this DECCA series are excellent. Much thought went into the choices of recordings, with high caliber artists performing the selections. If only all compilations were this good . . .
Dialogues With Double Bass
Average customer rating: 4.5 out of 5 stars
  • Entertaining Dialogues
  • Dialogues With Double Bass
  • Jeremy McCoy: Dialogues With Double Bass
Dialogues With Double Bass

Manufacturer: Bridge
ProductGroup: Music
Binding: Audio CD

DuetsDuets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by ElgarAll Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
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Telemann, Georg PhilippTelemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Bach Unaccompanied Cello Suites: Performed on Double Bass
  2. Tarantella
  3. London Double Bass Sound
  4. Giovanni Bottesini: Double Bass Concerto
  5. Bottesini;Music for Double Bass & Piano Vol.1

ASIN: B0007MSUMQ
Release Date: 2005-02-22

Tracks:

  1. Gioacchino Rossini: Duetto
  2. Gioacchino Rossini: Duetto
  3. Gioacchino Rossini: Duetto
  4. John Patitucci: The Root
  5. Georg Philipp Telemann: Sonata No. 2
  6. Georg Philipp Telemann: Sonata No. 2
  7. Georg Philipp Telemann: Sonata No. 2
  8. Giovanni Bottesini: Gran Duetto No. 3
  9. Giovanni Bottesini: Gran Duetto No. 3
  10. Martin Dalby: MacPherson's Rant
  11. Reinhold Gliere: Cradle Song
  12. Edward Elgar: Duetto
  13. John Patitucci: Grateful
  14. Jean Francaix: Duo Baroque
  15. Jean Francaix: Duo Baroque
  16. Jean Francaix: Duo Baroque
  17. Jean Francaix: Duo Baroque

Amazon.com

Destined by sheer size to hold up a whole orchestra, the double bass is rarely encountered in solo or chamber music. But on this record, Jeremy McCoy, Assistant Principal bassist of the Metropolitan Opera Orchestra, proves that this mighty monster will let a great player perform fascinating technical feats and elicit sounds of astonishing beauty and variety. Collaborating with equally brilliant partners, he displays his instrument's infinite resources, as well as his own stunning virtuosity and stylistic versatility; the program--partly original, partly transcribed--ranges from Baroque, real and faux, to the present. Two charming Italian "Duettos" sound like parodies of grand opera: Bottesini's, himself a great bassist, for two basses, and Rossini's, for cello and, incredibly, a three-stringed bass. Both include singing slow movements, bouncy finales and dazzling pyrotechnics. Jazz bassist and composer John Patitucci contributes two pieces: one rhythmically spicy, one lyrical. A Telemann Canonic Sonata, familiar on flutes or violins, growls on bassoon and bass; Martin Dalby's Scottish-influenced "Rant" features sound effects for flute and bass. Duets by Gliére and Elgar, with viola and trombone respectively, are lovely. In Jean Francaix's brilliant "Duo Baroque," the bass and harp make fun of themselves and each other, but the joke goes on too long. This record will leave you smiling with admiration and delight. --Edith Eisler

Album Description

Jeremy McCoy's new album, "Dialogues with Double Bass" presents a wide-ranging look at the double bass repertoire. The album highlights two particular themes. The primary notion is highlighting the bass as an equal voice in instrumental duos that are diverse and interesting conversations. A second theme is found in the vocal quality of much of the music. Like Bottesini, one of history's most famous bass players, who earned his living playing in an opera orchestra, Jeremy McCoy is a seasoned member of New York City's Metropolitan Opera Orchestra (the orchestra's assistant principal bassist). The influence of great singing can be heard in McCoy's playing, in the way he shapes a phrase and in the varied tonal colors of his sound. McCoy's wide experience as a soloist, chamber player and orchestral musician, and the expressive range of his instrument, finds him right at home in this engaging collection of eloquent dialogues with the double bass.

Customer Reviews:

5 out of 5 stars Entertaining Dialogues.......2007-01-08

I enjoyed listening to "Dialogues with Double Bass" from beginning to end. I would recommend this excellent disk without any reservations!

The range of instrumental colors makes this a varied and interesting listening experience. This recording captures the fine details of the instruments without losing any warmth.

Communication between the players is excellent. McCoy's bass playing is superb, with great feel and great timing.

I have heard other fine recordings of the Rossini, but this one is my favorite. Kudos to Jeremy McCoy for showing the potential of the double bass in duet settings!

3 out of 5 stars Dialogues With Double Bass.......2007-01-03

I bought this CD primarily for the recording of Elgar's Duet for Double bass and trombone. It contains a very wide variety of music, all of it good: however, because of the variety it is not often I feel like sitting down and listening to it in one sitting. It is more of a "dip into" CD.

Overall, tho, a very fine CD which shows off some of the textures available to the double bass.


5 out of 5 stars Jeremy McCoy: Dialogues With Double Bass .......2006-10-25

This is a CD of duets with double bass in a classical music format. It is so refreshing that it does not sound confining like classical music can at times. I put it right up there with Yo-Yo Ma's Bach: The Cello Suites Inspired by Bach! Recording of instruments is clean, dynamic, yet highs and low in volumes are not so great that you are turning the volume up and down all the time. Five star on mi iPod!
The Criminal Trombone
Average customer rating: 5 out of 5 stars
  • Christian Lindberg Rules The Trombone
  • Trombone Triumph
  • A lovely musical gift
  • An all-around GREAT CD
  • wonderful trombone CD
 The Criminal Trombone

Manufacturer: Bis
ProductGroup: Music
Binding: Audio CD

All Works by AlbinoniAll Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SchubertAll Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Robert SchumannAll Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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SuitesSuites | Forms & Genres | Classical | Styles | Music
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Similar Items:
  1. The Virtuoso Trombone
  2. Trombonastics
  3. Four of a Kind, Music for Trombone Quartet
  4. Christian Lindberg: Songs for Sunset
  5. Romantic Trombone Concertos

ASIN: B0000016CO
Release Date: 1992-09-03

Tracks:

  1. Overture
  2. Romance
  3. Romance
  4. Variations
  5. Adagio
  6. Sonata, First Movement
  7. Badinerie
  8. Air

Customer Reviews:

5 out of 5 stars Christian Lindberg Rules The Trombone.......2003-12-31

After listening to "The Virtuoso Trombone," also by Christian Lindberg, and playing "Air" by Bach (track 8) as a solo, I bought this CD. As a trombonist, I can tell how great Christian Lindberg really is. But even my friends who hear his work are amazed at his talents. My favorite on this CD is "Overture to The Barber of Seville," but I honestly listen to all of the songs on the album and enjoy them all. Even a casual listener of classical music would love this CD and I hightly recommend it.

5 out of 5 stars Trombone Triumph.......2001-04-18

This is a very interesting and very well-done CD, arranging a number of familiar compositions for trombone with piano accompaniment. It works quite well, giving an altogether new sound to these works, old wine in new bottles, which is very enjoyable.

5 out of 5 stars A lovely musical gift.......2001-03-16

I am truly delighted with this CD. Lindberg has created a great tribute to his instrument and to much of the music he has chosen to "steal". I think that there were a couple of choices that, while fun, to be sure, were less than ideal ones. The Mozart, in particular suffered somewhat, especially in articulation, not least as a result of the unfortunate fact that there a few things quite as awkward as a "turn" on a trombone, even in the hands of a master -- it was a bit disappointing, despite being interesting. But I quibble. The Rossini was a tour-de-force, and the "Albinoni" and Schubert were beautifully done. The real glory, however, occurs when Lindberg chooses to sing, as occurs in the Schumann Romances (especially No. 2) and in the Bach air (the last track on the CD). These are perhaps two of the most "stolen" pieces of their types, especially the Schumann set, written originally for oboe, but which every string and wind (and now trombone) player adores for their achingly beautiful melodic lines. Lindberg lets his heart fly in the Schumann without getting schmaltzy, and I can listen to these over and over and love them more each time. I play a different instrument, but I can now love the trombone for what Lindberg has given us here. As for the Bach air, from its first sustained note, one already feels Lindberg's reverence for this music, this limpid epitome of baroque melodic genius. There were moments when I just closed my eyes and held my breath and felt grateful to something greater than myself. This CD is a gift to trombonists everywhere, and to us all. Buy one for yourself and another one for a trombonist you love.

5 out of 5 stars An all-around GREAT CD.......2000-05-21

This CD is one that even non-classical music lovers can enjoy. It is a fun cd, especially when Lindberg shows of his skill in Overture to the Barber of Seville. I myself play trombone and Lindberg is in my mind, the premier trombonist in the world. I highly recommend this CD!

5 out of 5 stars wonderful trombone CD.......1999-03-06

Trombone players of the world should really like this. (Other folks should, too.) His "theft" of works for other instruments is beautiful, fun, moving, and just plain great. The variety of selections is good. Who needs a violin for Albinoni when you have a trombone around? Get this one!
The Italian Trumpet
Average customer rating: 5 out of 5 stars
  • A great 2 CD set from start to finish.
 The Italian Trumpet

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

All Works by AlbinoniAll Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
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CDs $7 - $10CDs $7 - $10 | Choruses | Opera & Vocal | Today's Deals in Music | Formats | Music
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Similar Items:
  1. The Art of the Baroque Trumpet, Vol. 1
  2. Bach: Works for Trumpet

ASIN: B000001K54
Release Date: 1996-03-12

Tracks:

  1. Sonata No. 1 In F: Allegro
  2. Sonata No. 1 In F: Grave
  3. Sonata No. 1 In F: Allegro
  4. Concerto In B-Flat, Op. 7, No.3: Allegro
  5. Concerto In B-Flat, Op. 7, No.3: Adagio
  6. Concerto In B-Flat, Op. 7, No.3: Allegro
  7. Sonata In D: Grave
  8. Sonata In D: Allegro
  9. Sonata In D: Adagio
  10. Sonata In D: Allegro
  11. Cantata: 'All'armi, pensieri'
  12. Concerto In D ('Ettiene Roger'): Allegro
  13. Concerto In D ('Ettiene Roger'): Adagio-Presto-Adagio
  14. Concerto In D ('Ettiene Roger'): Allegro
  15. Concerto In C, PV 44: Allegro molto
  16. Concerto In C, PV 44: Largo
  17. Concerto In C, PV 44: Allegro
  18. Concerto In C, PV 75: Allegro
  19. Concerto In C, PV 75: Largo
  20. Concerto In C, PV 75: Allegro

Tracks:

  1. L'Imp eriale, Sonata 'detta del Colloreto': L'Imperiale, Sonata 'detta del Colloreto'
  2. Canzon septimi toni, No. 2
  3. Sonata pian e forte
  4. Canzon septimi toni, No. 1
  5. Sonata, No. 21
  6. Canzon per sonare, No. 2
  7. Canzon a due canti No. 3
  8. Toccata L'Orfeo
  9. Sonata prima per trombetta sola - Andante, Allegro, Presto, Allegro, Adagio
  10. Sonata secunda per trombetta sola - Allegro, Allegro, Allegro, Aria, Presto
  11. Aria: 'Mio tesoro, per te moro' - Aria: 'In Terra la guerra'
  12. Cantata: 'Su le sponde del tebro'
  13. Cantata: 'Su le sponde del tebro'

Customer Reviews:

5 out of 5 stars A great 2 CD set from start to finish........1999-07-30

Carroll puts on a real star performance
Trumpet Concertos of the Early Baroque
Average customer rating: Not rated
    		Trumpet Concertos of the Early Baroque
    Arcangelo Corelli , Petronio Franceschini , Domenico Gabrielli , Francesco Onofrio Manfredini , Alessandro Stradella , Giuseppe Torelli , Giovanni Buonaventura Viviani , Concerto Köln , Friedemann Immer , and Graham Nicholson
    Manufacturer: MD&G Records
    ProductGroup: Music
    Binding: Audio CD

    QuartetsQuartets | Chamber Music | Classical | Styles | Music
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    All Works by CorelliAll Works by Corelli | Corelli, Arcangelo | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
    Gabrielli, DomenicoGabrielli, Domenico | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by StradellaAll Works by Stradella | Stradella, Alessandro | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Sonatas | Forms & Genres | Classical | Styles | Music
    Trio SonatasTrio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
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    TrumpetTrumpet | Brass | Instruments | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    ASIN: B00005B46B
    Release Date: 2001-06-26
    Visions of the Renaissance
    Average customer rating: Not rated
      		Visions of the Renaissance

      Manufacturer: Channel Classics
      ProductGroup: Music
      Binding: Audio CD

      TriosTrios | Chamber Music | Classical | Styles | Music
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      All Works by AlbinoniAll Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
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      All Works by GesualdoAll Works by Gesualdo | Gesualdo, Carlo | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
      Gibbons, OrlandoGibbons, Orlando | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by Domenico ScarlattiAll Works by Domenico Scarlatti | Scarlatti, Domenico | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
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      GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
      GeneralGeneral | Sacred & Religious | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      CantatasCantatas | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
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      GeneralGeneral | Soundtracks | Styles | Music
      ClassicalClassical | Imports | Stores | Music
      ASIN: B000003UYP
      Release Date: 1994-11-29
      The London Trombone Sound
      Average customer rating: 5 out of 5 stars
      • This is a must for any trombone player
      • this is my FAVOURITE trombone cd...
      • Umm, WOW!
      • way cool
      • Like trombones?
      		 The London Trombone Sound

      Manufacturer: Cala Records
      ProductGroup: Music
      Binding: Audio CD

      All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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      Gabrieli, GiovanniGabrieli, Giovanni | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
      Josephs, WilfredJosephs, Wilfred | ( J ) | Featured Composers, A-Z | Classical | Styles | Music
      All Works by MonteverdiAll Works by Monteverdi | Monteverdi, Claudio | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
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      CDs $7 - $10CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music
      All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
      CDs $7 - $10CDs $7 - $10 | Choruses | Opera & Vocal | Today's Deals in Music | Formats | Music
      All Bargain TitlesAll Bargain Titles | Choruses | Opera & Vocal | Today's Deals in Music | Formats | Music
      Similar Items:
      1. Trombonastics
      2. Four of a Kind, Music for Trombone Quartet
      3. Cream of the Crop
      4. The Virtuoso Trombone
      5. London Horn Sound

      ASIN: B00000FDDB
      Release Date: 1995-10-24

      Tracks:

      1. Fanfare For CALA
      2. Theme From 'The Pink Panther'
      3. Someone To Watch Over Me
      4. Domine Ad Adinuandum From Vespers
      5. Intermezzo
      6. Galop From Eight Aphorisms
      7. Sonata Pian e Forte
      8. Adagio
      9. Layla
      10. 76 Trombones

      Customer Reviews:

      5 out of 5 stars This is a must for any trombone player.......2005-06-24

      I listened to just a couple of the clips that were presented on this page and...wow...these guys are hard-core-bad-to-the-bone. I am an avid trombone player and I love this CD. To me it shows off just how capable and versatile the instrument that we all love is.

      5 out of 5 stars this is my FAVOURITE trombone cd..........2004-04-14

      ...and I've got 'em all!

      you just can't beat those smooth solos in 'the pink panther' and 'someone to watch over me' and you'll be humming the bass trombone lines from 'layla' for a long while to come.

      fantastic.

      5 out of 5 stars Umm, WOW!.......2004-01-10

      Wow is the only way to describe this CD. 76 trombones playing 76 trombones in a big cathedral, doesn't get any better than that. It also has a ton of really great arrangements of great songs. Trombones doing Claptons Layla, oh yeah!

      5 out of 5 stars way cool.......2003-10-03

      This is one of the most exciting, most musical brass recordings you will find. These bone players obviously had a terrific time making the recording - just wait until you hear their version of Clapton's Layla!

      5 out of 5 stars Like trombones?.......2002-04-08

      If the sound of trombones stirs your heart, here is just the CD for you. 16 trombonists from various British orchestras ban together in this compilation. The result? Wow! That's all I can say!

      The music chosen is a great mix of classical / chorale pieces as well as some more jazzy tunes. Composers such as Gershwin, Brahms, Mancini and Monteverdi are all represented. My favorite track is Gabrieli's SONATA PIAN e FORTE. Performed by a trombone ensemble, the effect is truly captivating.

      One of the most innovative pieces is an arrangement of Barber's Adagio for Strings. Yup, that's right: it's performed by trombonists & the results are very impressive. Something I would have never thought of, but the gracefull & brassy sounds of the trombone add a dimension to the brooding Adagio that most people would not have imagined possible.

      For diversity, the album also contains the theme from the PINK PANTHER as well as an Eric Clapton tune (LAYLA) jazzed up for maximum entertainment. Then, to top off the album, an additonal 60 trombones are brought in to perform (of course) 76 TROMBONES.

      I would highly recommend this CD to all persons who can't help but smile @ the sound of a well played trombone. I would even surmise the people who have never thought much of the instrument would get hours & hours of enjoyment from listening to this album. It's that good. Trust me.
      Baroque and Contemporary Trumpet
      Average customer rating: Not rated
        		Baroque and Contemporary Trumpet

        Manufacturer: Angel Records
        ProductGroup: Music
        Binding: Audio CD

        TriosTrios | Chamber Music | Classical | Styles | Music
        GeneralGeneral | Chamber Music | Classical | Styles | Music
        All Works by AlbinoniAll Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
        Berio, LucianoBerio, Luciano | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by CorelliAll Works by Corelli | Corelli, Arcangelo | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by HenzeAll Works by Henze | Henze, Hans Werner | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
        Jolivet, AndréJolivet, André | ( J ) | Featured Composers, A-Z | Classical | Styles | Music
        Maxwell Davies, PeterMaxwell Davies, Peter | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by NymanAll Works by Nyman | Nyman, Michael | ( N ) | Featured Composers, A-Z | Classical | Styles | Music
        Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by StradellaAll Works by Stradella | Stradella, Alessandro | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
        Telemann, Georg PhilippTelemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
        All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
        ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
        GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
        GeneralGeneral | Sonatas | Forms & Genres | Classical | Styles | Music
        Trio SonatasTrio Sonatas | Sonatas | Forms & Genres | Classical | Styles | Music
        SuitesSuites | Forms & Genres | Classical | Styles | Music
        GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
        Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
        TrumpetTrumpet | Brass | Instruments | Classical | Styles | Music
        ViolinViolin | Strings | Instruments | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        ASIN: B00005UV9E
        Release Date: 2002-11-05

        Tracks:

        1. I. Allegro - Graham Ashton
        2. II. Adagio - Graham Ashton
        3. III. Allegro - Graham Ashton
        4. I Grave - Allegro - Graham Ashton
        5. II. Grave - Graham Ashton
        6. III. Allegro - Graham Ashton
        7. IV Allegro - Graham Ashton
        8. I Allegro - Graham Ashton
        9. II Grave - Graham Ashton
        10. III. Alegro - Graham Ashton
        11. I Adagio - Graham Ashton
        12. II Allegro - Graham Ashton
        13. III Grave - Graham Ashton
        14. IV Allegro - Graham Ashton
        15. I Allegro - Graham Ashton
        16. II Grave - Presto - Adagio - Graham Ashton
        17. III Presto - Graham Ashton
        18. I Spiritoso - Graham Ashton
        19. II. Allegretto - Graham Ashton
        20. III. Canzona - Graham Ashton
        21. IV Allegro - Graham Ashton
        22. I Allegro - Graham Ashton
        23. II Grave - Graham Ashton
        24. III Allegro - Graham Ashton
        25. I Grave - Graham Ashton
        26. II Allegro - Graham Ashton
        27. III Grave - Graham Ashton
        28. IV Allegro - Graham Ashton
        29. I Grave - Allegro - Graham Ashton
        30. II Allegretto - Graham Ashton
        31. III Grave - Graham Ashton
        32. IV Allegro - Graham Ashton
        33. I Ouverture - Graham Ashton
        34. II Gigue - Graham Ashton
        35. III Aire - Graham Ashton
        36. IV March - Graham Ashton
        37. V Bourree - Graham Ashton

        Tracks:

        1. I Allegro Moderato - John Lenehan
        2. II Lento - John Lenehan
        3. III Allegro Vivo - John Lenehan
        4. I Allegro - John Lenehan
        5. II Vivo - John Lenehan
        6. III Cantante - John Lenehan
        7. IV Vehemente - John Lenehan
        8. V Maestoso - John Lenehan
        9. VI Sempre Stringendo - John Lenehan
        10. VIII Vivo E Ritmico - John Lenehan
        11. Flugal Horn And Piano - John Lenehan
        12. I Toccata (Allegro Con Brio) - John Lenehan
        13. II Canzone - John Lenehan
        14. III Segnali - John Lenehan
        15. Sequenza X For Solo Trumpet - John Lenehan
        16. Introduction - John Lenehan
        17. I. - John Lenehan
        18. II. - John Lenehan
        19. III. - John Lenehan
        20. IV. - John Lenehan
        21. V. - John Lenehan
        Ovation 1
        Average customer rating: Not rated
          		Ovation 1
          Lawrence Cherney , and James Campbell
          Manufacturer: Cbc
          ProductGroup: Music
          Binding: Audio CD

          Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Classical | Styles | Music
          GeneralGeneral | Chamber Music | Classical | Styles | Music
          CompilationsCompilations | Classical | Styles | Music
          ASIN: B0000667RY
          Release Date: 2002-05-21

          Music Track:

          1. Beethoven: Concertos Nos. 3 & 5
          2. Beethoven: Symphony No. 6; Leonore Overture
          3. Brahms: Symphony No. 4; R. Strauss: Tod und Verklärung
          4. Carl Nielsen: Symphony No. 1, Op. 7 / Symphony No. 6 "Sinfonia Semplice" - Danish National Radio Symphony Orchestra / Michael Schonwandt
          5. Chamber Music for Piano & Winds
          6. Charles Wuorinen: Music of Two Decades, Vol. 1
          7. Claudio Monteverdi: Vespro Della Beata Vergine, 1610
          8. Cum Jubilo: Masses By Certon, Wuorinen & Durufle
          9. Debussy: 12 Etudes Pour Le Piano [Import]
          10. Denisov: Musiques de films

          Music Track

          music track

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