Austrian Church Music

On this CD:

1. Sonata for 2 violins, viola & continuo in B flat major
Composed by Johannes Henrici Hoffmann
Performed by Vienna Concilium Musicum

2. Harmonia Caelestis for soprano, chorus & orchestra Veni veni o Sancte Spiritus for soprano, contralto, 02 violins and basso continuo
Composed by Pal Esterhazy
Performed by Vienna Concilium Musicum, Sylvia Khittl-Muhr

3. Harmonia Caelestis for soprano, chorus & orchestra Dic Beatae Virgini for soprano, 03 violas and basso continuo
Composed by Pal Esterhazy
Performed by Vienna Concilium Musicum, Sylvia Khittl-Muhr

4. Harmonia Caelestis for soprano, chorus & orchestra O Maria Mater pia for contralto, violin 02 violas and basso continuo
Composed by Pal Esterhazy
Performed by Vienna Concilium Musicum

5. Harmonia Caelestis for soprano, chorus & orchestra Maria fons aquae vivae for soprano, 03 violas and basso continuo
Composed by Pal Esterhazy
Performed by Vienna Concilium Musicum, Sylvia Khittl-Muhr

6. Harmonia Caelestis for soprano, chorus & orchestra Tota dulcis esMmaria for contralto, 02 violas and basso continuo
Composed by Pal Esterhazy
Performed by Vienna Concilium Musicum

7. Harmonia Caelestis for soprano, chorus & orchestra O Nitida Stella Maria for soprano, violin, 02 violas and basso continuo
Composed by Pal Esterhazy
Performed by Vienna Concilium Musicum, Sylvia Khittl-Muhr

8. Harmonia Caelestis for soprano, chorus & orchestra Jesus hortum ingreditur for soprano, contralto, 03 violas and basso continuo
Composed by Pal Esterhazy
Performed by Vienna Concilium Musicum, Sylvia Khittl-Muhr

9. Harmonia Caelestis for soprano, chorus & orchestra Ubi ubi commoraris for soprano, violin, 02 violas and basso continuo
Composed by Pal Esterhazy
Performed by Vienna Concilium Musicum, Sylvia Khittl-Muhr

10. Salve Pater Salvatoris, motet for soprano, 2 violins & continuo
Composed by Antonio Caldara
Performed by Vienna Concilium Musicum, Sylvia Khittl-Muhr

11. Isti, qui amicti sunt, motet for tenor, 2 violins & continuo
Composed by Johann Joseph Fux
Performed by Vienna Concilium Musicum, Kurt Equiluz

12. Introduction & Fugue No 4 in C minor for 2 violins, viola & continuo
Composed by Gregor Joseph Werner
Performed by Vienna Concilium Musicum

13. Wir beten Dich unendlich Wesen, Aria in Festis B V Mariae, for soprano, contralto, 2 violins, viola & continuo
Composed by Michael Haydn
Performed by Vienna Concilium Musicum, Sylvia Khittl-Muhr

14. Maria starke Sonnen, for contralto, violin & contino
Composed by Georg Matthias Monn
Performed by Vienna Concilium Musicum

15. Mutter Gottes, mir erlaube, aria for soprano, alto, 2 violins & keyboard in G major, H. 23d/2
Composed by Franz Joseph Haydn
Performed by Vienna Concilium Musicum, Sylvia Khittl-Muhr

16. Salve Regina, for soprano, chorus, 2 violins, & organ, in E major, H. 23b/1
Composed by Franz Joseph Haydn
Performed by Vienna Concilium Musicum, Sylvia Khittl-Muhr

Tracks:

Pie Jesu
Panis Angelicus
In Trutina
The Lord's Prayer
Jerusalem
Ave Maria
Psalm 23
I Vow To Thee, My Country
Danny Boy
My Lagan Love
Suo-Gan
A Lullaby
Amazing Grace
Three Welsh Bird Songs: Y Gylfinir/The Curlew
Three Welsh Bird Songs: Tylluanod/Owls
Three Welsh Bird Songs: Mae Hiraeth Yn Y Mor/There's Longing In The Sea
When At Night I Go To Sleep

Amazon.com

Those leery and weary of tasteless crossover need not shudder at the sight of this disc, which has sold over half a million copies in Europe. There's none of the softcore kiddie porn that came with Vanessa-Mae or the heavily packaged faux romanticism of Andrea Bocelli. (That of course doesn't necessarily mean that you'll want Voice of an Angel.) This 12-year-old Welsh soprano is so uncloyingly cute and has such an appealing personality (with just enough touch of cheek) that you'd almost rather have her as a dinner guest than on your CD player. Her small, attractive, sometimes unstable but always sincere soprano perhaps went to the top of the British charts because it clicks into the boy-soprano choir tradition so prevalent there, especially since many of the selections are sacred items such as "The Lord's Prayer" and "Ave Maria." And Church may pick up some fans thanks to the tail end of Celtic chic, with the Welsh folk songs and the rendition of "Danny Boy." But this promises to be yet another short-lived media phenomenon, rather than the beginning of a lengthy career. --David Patrick Stearns

Customer Reviews:

STILL THE BEST OF HER ALBUMS.......2007-05-03

This is the first of Charlotte Church's recordings, recorded back when she was still a normal, unspoiled 12-year-old Welsh girl. I first fell in love with her voice when I heard her singing "I Vow Thee My Country" on the radio about 8 years ago, and was blown away to find out that she was only 12 years of age!

I bought the CD shortly after that and have listened to it a bazillion times. Just recently, I decided to pull it out again and found myself enjoying it just as much now as I did then. She was probably in her best vocal form in this CD, before her voice became "overtrained," and eventually, ruined by her "Crazy Chick" habits.

Among the standouts -- besides "I Vow Thee My Country" -- are "Amazing Grace," "Ave Maria," "3 Welsh Bird Songs," "My Lagan Love," "Suo-Gan," "A Lullaby" and, of course, her signature song, "Pie Jesu." At the time, I thought she had the potential of becoming one of the greatest sopranos of all time once she reached adulthood. Sadly, this has not been the case, and her latest album, "Tissues and Issues," is a reflection of how far she has fallen both vocally and in her personal life.

If you buy only one Charlotte Church album, this would definitely be it.

We are reviewing his talent, not his toughts.......2007-04-25

This CD is excellent, I can't believe N Arey put one star because of this issue.
What a shame.

Charlotte's Debut.......2007-04-03

This is just a beautiful album -- beautiful, beautiful music. The first time I listened to it, I didn't like it very much. I was coming off a coffee rush with a splitting headache and it made me wince every time she hit a high note, but over the past few days it's really grown on me, and I like most of the songs on the CD. I was suprised by which songs really touched me the most. I'm a Christian, so I expected to like sacred songs such as The Lord's Prayer and Amazing Grace the best, but I find that I Vow To Thee My Country and Jerusalem stand out to me the most. (I'm moved to all but tears by the former). Danny Boy and Panis Angelicus are also remarkably well done. The Welsh Bird Songs are boring -- but at least the album has a strong finish with "When at Night I Go to Sleep". Charlotte did a great job. Beautiful music from a gifted little girl.

The Best from Charlotte Church that You Will Ever Hear!.......2006-11-28

This CD is simply amazing! I can honestly tell you that this is the best from Charlotte Church that you will ever hear! Her voice in this stage in her career is so mezmerizing and well-trained! Soon after her second album, which was self-titled, her voice began to deteriorate, probably because of her constant smoking and drinking. Now, we've reached a low point in Charlotte's career, in which she has now been donned the "Crazy Chick", and her latest CD, entitled TISSUES and ISSUES, is a major flop. More recently, Charlote mocked the Catholic Church, calling the Pope a "Nazi". She currently has her own television show, and in one episode, Church pretended to be a nun, and got "high" on Communion Waffers that were stamped with a smiley face, which resembles the drug ecstacy. She also broke open a statue to find Communion Wine, and placed her gum on a model of the baby Jesus. Honestly, you cannot find blame with the 12-year old Charlotte, for I'm sure that she never would do such an offensive thing! (My best advice for getting back at her is not buying her new album).

Anyways, back to the album. Charlotte's first four tracks are amazing! "Pie Jesu" was written by Andrew Lloyd Webber, originally for his wife, Sarah Brightman. I prefer Charlotte's version of Sarah's because Charlotte's voice does not show too much vibrato. If you listen to Sarah's version with Paul Miles Kingston, the boy soprano, from THE ANDREW LLOYD WEBBER COLLECTION VOL.1, you'll hear the difference! "Panis Angelicus" is amazing, and Church even sang it to the Pope! (Not the recent Pope, but the Late Pope John Paul the II). The third track, "In Trutina" - which means "In Balance", is from Bizet's Carmen, which is beautiful. Compared to Brightman's version, Charlotte has much less vibrato. "The Lord's Prayer" is simply beautiful! Jerusalem is also a magnificent work. "Ave Maria" is amazing, with soaring vocals. I don't prefer this version of "Ave Maria" because it's "Ave Maria, Ave Maria, Ave Maria" over and over again. I much prefer the "Ave Maria" by Schubert, which Brightman sings very well. However, this version is still in my favorites. "Psalm 23" is beautiful! "I Vow to Thee, My Country" is a sort of dragged-out piece, but I still enjoy listening to it. I don't prefer it because the song stays in the same key and the same notes are sung all the time! The next piece is "Danny Boy", which is OK. To me, it seems as though Charlotte and the orchestra are always out of sync, but I'm not sure. Plus, this piece is in minor! I'm not too happy about that. "My Lagan Love" is a beautiful piece, with clear vocals and lyrics. "Suo-Gan" is an awesome piece. In fact, a choir that I was once enrolled in sang this song, although it was in English. "Amazing Grace" speeks its title, which is AMAZING! The next three tracks are from "Three Welsh Bird Songs". They're in a foreign language, and I have no clue what they say, but they are wonderful all the same. The last piece, "When At Night I Go to Sleep" is beautiful, but I find it too short!

Overall, this album is great. Besides a few tracks that aren't my favorite, I'm sure that any loyal Charlotte Church fan will buy this CD and will stick it in his/her collection. Please - boycott against TISSUES and ISSUES - It isn't the greatest album anyways, with drawn-out yuckie ballads and too-hyped up pop tunes.

Charlotte, I hope you can read this! I loved you when you were a Classical singer, but now, I can't stand to look at your music! God gave you a gift, Charlotte, and you kicked Him in the face! Just remember this when your record sales for TISSUES and ISSUES flop!

Charlotte church is the best.......2006-08-14

This is the beginning of Charlotte Church. It came out like in '99. I was so amazed by her voice that I had to go and get the cd. Wow, her voice is amazing and always will be in my opinion. Even, though she has a pop album out I still like it. Also plan on buying it too. There are so many good songs on the cd. It's hard to choose because her voice is angelic. For some people who think she has a kind of boy/girl voice- don't know what their talking about. Listen closely the next time you play it. I'm starting out in singing opera and Charlotte is my role model. There is no voice like her yet, even Hayley Westerna, who also has a beautiful voice...can't be in Charlotte Church's shoes. Hopefully, she'll go back to her classical music or just do both.

Average customer rating:

Bleck!
Voice of an Angel!!
fun cd
Good? Yes. Great? No. Over-rated? HECK YES!
Enchantment Indeed!

Enchantment
Richard Rodgers , Michel Legrand , Leo Delibes , American Traditional , Erik Satie , British Isles Traditional , Jerome Kern , Johann II Strauss , Lucy Simon , David Foster , Sian Edwards , John Clark , Eric Rigler , Frank Ricotti , John Parricelli , Mark Hammond , Paul Keogh , and Michael Thompson
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Prelude: The Best of Charlotte Church
Voice of an Angel
Charlotte Church
Dream a Dream
Tissues and Issues

ASIN: B00005OWEJ
Release Date: 2001-10-09

Tracks:

Tonight
Carrickfergus
Habanera
Bali Ha'i
Papa Can You Hear Me?
The Flower Duet
The Little Horses
From My First Moment
The Water Is Wide
Can't Help Lovin' Dat Man
The Laughing Song
If I Loved You
A Bit Of Earth
Somewhere
The Prayer

Amazon.com

Of course, we couldn't expect time to freeze its relentless path and forever preserve the Welsh sensation Charlotte Church in a chrysalis of precocious youth. And yet, at 15 and now taking bolder steps into expanding her repertory on Enchantment, the soprano remains a marvel of a prodigy. Here, she scours a wider range of sources than on her previous albums. Church moves with breathtaking ease from classic Broadway (West Side Story, Show Boat, South Pacific) to traditional Celtic, film ballads, and even a couple of high-operatic numbers. Church's straightforward approach to the melody of "La Habanera" may not exactly be what Bizet had in mind for his Carmen, but fans will get double pleasure out of the singer's exquisite duet with herself on the haunting "Flower Duet" from Delibes's Lakmé. What's more, there's a greater freedom of expression and sense of how to shape a phrase in many of these tracks--notice how much there is to savor, for instance, in "The Water Is Wide" and "Carrickfergus." It all adds up to a widely varied course, demonstrating the continued growth of a singularly gifted young artist. --Sarah Chin

Customer Reviews:

Bleck!.......2007-05-30

Charlotte has a producing voice, not quite mature, but it's bearable. I don't really appreciate opera unless your name is Sarah Brightman, Hayley Westenra or Holly Stell. Carrickfergus and Somewhere are decent for her voice, but "The Prayer" and "The Water is Wide" is very damaging to my ears due to the fact, her Italian sucks, her range is not wide enough in "Water".

Voice of an Angel!!.......2007-02-05

I enjoy listening to this cd by Charlotte Church! She has such a lovely voice. I especially love listening to Habañera and The Flower Duet as both are sung beautifully by Ms. Church!!

fun cd.......2006-12-29

I love this cd and have had it quite a while. I was just enjoying it again today and thought I'd write a review because I do enjoy it so much. It's just a fun, enjoyable album. Pretty orchestration, a lovely voice, nice to sing along with. Especially at the top of my lungs in the car (alone when no one can hear me!)
I really don't know why one would NOT enjoy this cd.

Good? Yes. Great? No. Over-rated? HECK YES!.......2006-12-15

I bought this CD when I was still in high school, singing soprano I & II in choir. It's not bad but she does much better than even some older kids attempting soprano. I think due to the popularity she gained this poor girl has endured much harsh criticism. True, we can't cut her slack JUST because she is a little girl but on the other hand for someone to sing opera at that age her work IS superb. Whether she's a prodigy or victim of over-ambitious parents & media, she deserves credit where it's due. At least she DID break out as some-what of a mainstream artist & exposed this type of music to those who stereotyped it as fat ladies w/powder-white make-up belting out notes that would shatter glass. Some say the same for Josh Groban who broke into the scene as a mainstream tenor/baritone vocalist. As far as skills & talent, he not the greatest either but many people adore his music. The same credit should go to Charlotte Church.

As far as feedback on the quality...
It's VERY hard to believe the deliverance of her performance. A 15-year-old (even younger on her debut cd) singing songs about love & being able to see the world seems silly. Cracking voice? Yeah, you can really tell she had a difficult time hitting the high note in The Laughing Song because it got all air-y. Honestly, some trained sopranos over-shoot their high notes too & get extremely SHARP so I didn't mind her air-i-ness. I think she did a great job on The Flower Duet though. It still has the same relaxing quality as some other versions I've heard from various movie soundtracks. But compare this to the likes of professionals - real professionals - she's merely tolerable. Try Sarah Brightman if you want to listen to some nice musical sopranos. She even has some pretty remakes of modern songs.

Enchantment Indeed!.......2006-08-20

This CD is simply amazing! However, I am sick and tired of people pressuring her to be someone that she's not! Trying to fit into today's popular music scene, Charlotte has turned to pop, and her career isn't flying well because of it! Her voice is simply amazing for opera, and I will not hear another insulting word about her!

Anyways, the CD is genius! Tonight from "West Side Story" is beautifully sung. Carrickfergus, Habanera, and Bali Ha'i are sung with a hypnotizing beauty. Papa, Can you Hear Me and The Flower Duet are amazing as well!

However, on The Flower Duet, Church's vocals seem strained a bit. The Little Horses is a decent piece, a remake of the standard English folk song. I prefer it straight instead of a varied beat, so that Church's voice could soar on and on.

From my First Moment is a fairly nice song, but The Water is Wide is simply amazing! Her vocals are soaring and mezmerizing!

Can't Help Lovin' Dat Man is NOT the song for her, because she puts a weird accent on the song, like she's trying to sound like a hoodlum! The Laughing Song is something that SHOULD NOT be tried by children, because the vocals are so strained! If I Loved You is a simple yet wonderful piece!

A Bit of Earth and Somewhere are both beautiful pieces, with excellent work from the orchestra.

Overall, this CD is very beautiful! BUY IT!

Average customer rating:

One of Parkening's Finest
Music that perfectly touches the soul ...
The end of a Search
Simple, yet delightful, Gifts!
Exquisite & Divine

Simple Gifts: Christopher Parkening
Christopher Parkening , Johann Sebastian Bach , Wolfgang Amadeus Mozart , Engelbert Humperdinck , traditional , Gordon Young , John Rowland , Ronald Ravenscroft , and John Hughes
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso
Grace Like A River - Christopher Parkening
Jubilation

ASIN: B000002SJJ
Release Date: 1990-10-25

Tracks:

Cantata No. 29: Praludium
Our Great Savior
God of Grace and God of Glory
Bretheren, We Have Met To Worship
Deep River
Jesus, We Want To Meet
Hanel & Gretel: Evening Prayer
Hymn of Christian Joy
Simple Gifts
Fairest Lord Jesus
Stir Thy Church, O God Our Father
All Creatures of Our God and King
Quartet, Op. 79 No. 3: Variations On 'Glorious Things Of Thee Are Spoken'
Solemn Vespers, K. 339: Praise Ye The Lord

Customer Reviews:

One of Parkening's Finest.......2007-01-16

A beautiful and contemplative solo guitar recording of hymns, spirituals and other sacred works such as Mozart's Laudate Dominum and Humperdinck's Evening Prayer. Parkening is in exceptional form, the transcriptions are superb, and the recording itself is of the highest quality. Little wonder this has been an enduring classic since its release in the early 1980s.

Music that perfectly touches the soul ..........2005-10-24

Christopher Parkening is the most musically inventive person playing the classical guitar today; you must purchase this CD if you haven't already. It contains exquisitely beautiful hymns & sacred music (arranged perfectly for guitar, I might add) along with Mr. Parkenings masterful transcriptions of works by Bach, Haydn, Mozart and Humperdinck.

Above all, this is music that glorifies God and that was the ultimate purpose of creating this CD.

The end of a Search.......2005-09-23

Classsical guitar is among the top forms of music and Christopher Parkeniong is one of the greatestartists in this genre, if not the best. I had despaired at ever findinding the CD "Simple Pleasures" and was so very pleased to locate it . I am so enjoying it now. I will be back for more as funds permit.

Simple, yet delightful, Gifts!.......2005-02-21

This was one of the first CD's I purchased back in 1988, and I bought it on a whim. Of the hundreds of CD's I now own, including many genres, this one remains in my list of top 10 favorites for a number of reasons.

1. Mr. Parkening plays every song on it with remarkable technical excellence and clearly discernible passion.
2. It includes classical, folksy, and reflective material, which could create a rough flow, but Mr. Parkening moves deftly from mood to mood leaving the listener with a sense of seamless transitions.
3. Although the songs on it are all religious classics they are played without pretense, which makes it accessible to any listener and uplifting for those seeking spiritual refreshment.

In closing, the is one thing "wrong" with this CD is it's too short!

Exquisite & Divine.......2001-02-17

This treasure chest holds such jewels! The cd rushes in with the joyous energy of Bach's Praludium, allows you to reflect and catch your breath on Pritchard's Hyfrydol and Variation, and flows forward with the grace and underlying passion that makes this a precious favorite.

Average customer rating:

A Great Affordable Collection
Getting Past the Cover Art!
Great Music for a Long Drive

Mad About Mad About

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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Mad about The Classics
Mad about Piano
Mad About Violins
Mad About Bach
Mad About Guitars

ASIN: B000001GPA
Release Date: 1994-09-20

Tracks:

Thus Spake Zarathustra: Mad About The Classics: Sunrise
William Tell Overture: Mad About Cartoons: Finale ('The Band Concert')
Eine kleine Nachtmusik: Mad About Mozart: 1. Allegro
Symphony No. 5 In C Minor: Mad About Beethoven: 1. Allegro con brio
The Four Seasons - 'Spring': Mad About Vivaldi: 1. Allegro
Adagio In G Minor: Mad About Baroque: Adagio In G Minor
Turandot: Mad About Tenors: Nessun dorma
La Traviata: Mad About Sopranos: Sempre libera
The Ride Of The Valkyries (Die Walkure): Mad About Wagner: The Ride Of The Valkyries (Die Walkure)
Mad About Violins: Zigeunerweisen (Gypsy Airs)
Symphonic Dances From 'West Side Story': Mad About American Music: Prologue
The Blue Danube - Excerpt: Mad About The Waltz: The Blue Danube - Excerpt
Intermezzo (Cavalleria Rusticana): Mad About Romance: Intermezzo (Cavalleria rusticana)
Una furtiva lagrima (The Elixir Of Love): Mad About Opera: Una furtiva lagrima (The Elixir Of Love)
Madama Butterfly: Mad About Puccini: Un bel di

Tracks:

Really Mad About The Classics: A Midsummer Night's Dream (Wedding March)
Brandenburg Concerto No. 2 In F Major: Mad About Bach: 3. Allegro assai
Mad About Movies: Canon (Father Of The Bride)
Dedication Of A Church-Chants For The Mass: Mad About The Monks: Sanctus XII
Mad About Guitars: Cavatina
'Moonlight' Sonata: Mad About Piano: Adagio sostenuto
Rhapsody In Blue: Mad About Gershwin: Andante And Finale
The Nutcracker: Mad About Tchaikovsky: Waltz Of The Flowers
Mad About Christmas: Carol Of The Bells
Grande Valse Brillante: Mad About Chopin: Grande Valse brillante
Mad About Romantic Piano: Clair de Lune
Horn Concerto No. 4 In E Flat: More Mad About Mozart: 3. Rondo
The Barber Of Seville: Mad About Movies (The Sequel): Largo al factotum
Il Trovatore: Mad About Italian Opera: Anvil Chorus
1812 Overture: Mad About The Orchestra: Finale
Peter And The Wolf: Mad About Kids' Classics: Finale

Customer Reviews:

A Great Affordable Collection.......2006-12-12

I played some selections from this CD at a meeting of some music fans. They were amazed at the quality of the selections. Classical music can be intimidating, but it can be a lot of fun, too.

Getting Past the Cover Art!.......2001-08-28

Well I'm not sure who's responsible for the CD cover art, but once you get past that, the music included on this CD is a wonderful intro to opera and classical music in general, and a wonderful reward to those who are already aficionados (hope I speeled tht write). All kidding aside, you're getting about two hours of highlights from great masters and great performers. Put this on the player and relish the sound and the glory. Relax and enjoy!! I'd have given this 5 stars, but oh my, that "mad" cover art! Sorry...just not my cup of tea. Nor coffee. But ah, the music....

Great Music for a Long Drive.......2000-08-12

This compilation of the Mad About series is a good representation of all the fine music compiled for the series. Many of the tracks selected for this "Best of Mad About" set are the more well-known ones -- tunes you'll recognize but never knew who wrote them. I recommend it for anyone who likes to listen to classical music but has a short attention span! The varied mix of styles will keep you entertained. Plus, it will give the new listener many paths to pursue in developing an interest in the classics.

Average customer rating:

Merry Christmas

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Christmas Album: Original Masters
A Christmas Carol/Mr. Pickwick's Christmas
Weihnachten - A German Christmas
The Baroque Christmas Album
Christmas In Vienna: Vienna Boys' Choir

ASIN: B000B8I8S2
Release Date: 2005-10-11

Tracks:

Chor: 'Magnificat' - Karl Richter
Maria Durch Ein' Dornwald Ging - Hermann Prey
Es Ist Ein Ros' Entsprungen - Hermann Prey
Still, STill, Still, Weil's Kindlein Schlafen Will - Hermann Prey
In Dulci Jubilo - Hermann Prey
Fuga Sopra Il Magnificat BWV 733 - Helmut Walcha
Nun Freut Euch, Lieben Christen G'Mein BWV 734 - Helmut Walcha
Fuga Sopra: Vom Himmel Hoch Da Komm Ich Her BWV 769 - Helmut Walcha
Hirten, Wachet Auf - The Trapp Family Singers
Zu Bethlehem Geboren - The Trapp Family Singers
Lobt Gott, Ihr Christen Alle Gleich - The Trapp Family Singers
Ihr Kinderlein Kommet - The Trapp Family Singers
Es Wird Scho Glei Dumpa - The Trapp Family Singers
Weihnachtslied - Jorg Demus
Der Hirtenlied Am Krippelein, Op.22 H.1 No.3 - Jorg Demus
An Das Christkind - Jorg Demus
Christleins Wiegenlied Op.137 No.10 - Jorg Demus
Maria Am Rosenstrauch Op.142 No.3 - Jorg Demus
Marien Kind - Jorg Demus
Cantique De Noel - Jorg Demus
O Du Frohliche, O Du Selige - Grosses Orchester Mit Chor Und Glocken
Es Ist Ein Ros' Entsprungen - Grosses Orchester Mit Chor Und Glocken
Am Weihnachtsbaum Die Lichter Brennen - Grosses Orchester Mit Chor Und Glocken
Alle Jahre Wieder - Grosses Orchester Mit Chor Und Glocken
Kling, Glockchen, Kling - Grosses Orchester Mit Chor Und Glocken
Ihr Kinderlein, Kommet - Grosses Orchester Mit Chor Und Glocken

Tracks:

Sinfonia - Berliner Philharmoniker
Arie: 'Frohe Hirten, Eilt, Ach Eilet' - Berliner Philharmoniker
Chor: 'Ehre Sei Gott In Der Hohe' - Berliner Philharmoniker
Rezitativ: 'So Recht, Ihr Engel, Jauchzt Und Singet' - Berliner Philharmoniker
Choral: 'Wir Singen Dir In Deinem Heer' - Berliner Philharmoniker
Pastorale BWV 590 - Helmut Walcha
Es Kommt Ein Schiff Geladen - Singgemeinde Eschwege
Macht Hoch Die Tur - Singgemeinde Eschwege
Als Ich Bei Meinen Schafen Wacht - Singgemeinde Eschwege
Ich Steh An Deiner Krippen Hier - Singgemeinde Eschwege
Bruder, Ich Geh Auch Mit Dir - Singgemeinde Eschwege
Das Neugeborne Kindelein - Norddeutscher Singkreis
In Dulci Jubilo - Norddeutscher Singkreis
O Tannenbaum - Frauenchor Und Jugendchor
Leise Rieselt Der Schnee - Frauenchor Und Jugendchor
Alle Jahre Wieder - Frauenchor Und Jugendchor
Adeste Fideles - Hellmut Wormsbacher
Stille Nacht - Hellmut Wormsbacher
Lieber Guter Weihnachtsmann - Hellmut Wormsbacher
Morgan Kommt Der Weihnachtsmann - Hellmut Wormsbacher
Eine Muh, Eine Mah - Hellmut Wormsbacher
O Tannenbaum - Hellmut Wormsbacher
Cantate Domino (Antiphon)-Magnificat - P. Corbinian Gindele
Bells Of St. Martin's Abbey, Beuron - St. Martin Beuron

Average customer rating:

Back Off Johnathan Flanders!!! This girl has done wonders!!!!
Back Off Johnathan Flanders!!! This girl has done wonders!!!!
You are always my true inspiration and it be wonderful to here you go back to opera,but whatever you do,I will always like you
You Are my True Inspiration Charlotte Church No matter what happens
I am A catholic, I was a huge charlotte church fan, but since her recent disrepect for the church,is it best to boycott!!!

Charlotte Church

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Voice of an Angel
Enchantment
Dream a Dream
Prelude: The Best of Charlotte Church
Tissues and Issues

ASIN: B00004RJ75
Release Date: 2000-02-08

Tracks:

Just Wave Hello (Ford Global Anthem)
Pastorella
Barcarolle (Night of Stars)
O Mio Babbino Caro
Lascia Ch'io Pianga
Guide Me, Oh Thou Great Redeemer
Holy City
Plaisir d'Amour - Charlotte Church, London Promenade Orchestra,
Summertime [From Porgy and Bess] - Charlotte Church, The London Symphony Orchestra, London Welsh Male Choir
Jewel Song
Voi Che Sapete (Tell Me What Love Is)
She Moved Through the Fair
Songs My Mother Taught Me
If Thou Art Near
Last Rose of Summer
Men of Harlech
Lullaby

Amazon.com

To judge by the impassioned responses to her debut album Voice of an Angel, Charlotte Church has already set extraordinary expectations for any follow-up. After all, the vocal phenomenon from Cardiff, Wales, took up a place in The Guinness Book of Records as the youngest artist ever--at the tender age of 12--to have an album attaining No. 1 status on the classical charts. This self-titled second release will continue to delight the highly gifted singer's legions of fans, and also contains some surprises for them. Church here tries out classical repertory with Puccini's "O mio babbino caro" and the "Jewel Song"--her pure and high-flying voice showing an amazing agility. There is great warmth in a couple of sacred songs, as well as the traditional Irish "She Moved Through the Fair." Church's vocal color--almost like a boy soprano at times--brings something unique to Gershwin's "Summertime," while the first track--Danny Beckerman's Hallmark-ish "Just Wave Hello"--seems destined to become part of the music you can't avoid associating with the turn of the millennium. --Sarah Chin

Customer Reviews:

Back Off Johnathan Flanders!!! This girl has done wonders!!!!.......2007-04-24

Charlotte church is truely a remarkable success in the press,for her wonderful voice as a child of 12-14 years old, I give her credit and i would love to meet this girl one day, i think the world of her, it would be wonderful if she could sing those songs when she was a child, because she has got such a beautiful voice, which I think is just amazing,i think the reason why she doesnt like this new pope is becayse she had religion shoved down her throat and she prberly had a gutful of religion,but she still sys that she is quite religious,if she deicdes to go back and doing opera that would be really wonderful because people would rcongise her once again, I wish the press would back off and stop all this harsh critism because when you come to think of it she is a true star in the making, and nobody should she make you feel that you should shun her music, good luck Charlotte my true friend and long time lost romeo

Back Off Johnathan Flanders!!! This girl has done wonders!!!!.......2007-04-24

You are always my true inspiration and it be wonderful to here you go back to opera,but whatever you do,I will always like you .......2007-03-02

I had heard that Charlotte church might consider to go back to her classical roots, but give her time, I mean I dont like it when the press say you must do this and that, the poor girl has been through alot, I will give her 100% in all that she does,she is an inspiration to me, and she had a voice that had potential and was very beautiful,it she does decide to go back to doing opera, it would be good to hear hard rock music in the background while she sings sweetly,and always it would be wonderful if she could do something a bit unusual, for example with the song that she sang at 13 which is "Just wave hello, and if she sings it now with an opera voice it would be wonderful,while rock music is in the song, but it would be good if the msic of the song could be reversed, i mean to have rock in the beining and then opera at the end, its just my suggestion, I wish her all the best in the future, and she tells me that she wants to be a opera singer in the near future which is a long long way away, good luck my dear, your no top 1 fan Jamie Cox

You Are my True Inspiration Charlotte Church No matter what happens.......2007-02-26

you are definetly my number one top fan,I love your voice, so full, sweet and bright, you are a wonderful person, I dont care what people think of you, proberly they dont like you, but I feel very bad and very sad when people talk bad about you, you are defintely my dream come true, I know that so much harsh critism has been made about you, because it all amounts to them being jelous of you,I would defintely would like to meet you one day, i will always admire you,you do indeed make a good rock singer, and your music has given me potential in my voice and singing, you are my inspiration and your music has released out alot of tension in my body,and it has made me a better person, i wish people would stop judging you, and leave you alone, if you sing opera one day,that would be wonderful too! (I wish the press would back off)but i still remember a little welsh girl of 13 who sang sweetly and had showed respect to God, I am a catholic, it would be wonderful to meet you one day Charlotte, my best friend, if you are reading this,my dear, good luck to you.

I am A catholic, I was a huge charlotte church fan, but since her recent disrepect for the church,is it best to boycott!!!.......2007-02-04

Where,has charlotte church gone,very downhill i would imagine, I was a huge charlotte church fan, i always thought the world of her, her voice was so sweet,full and bright, and the image that she represented was about a young lady in a cathedral who loved her God and never questioned anyone even the Priests, she has gone down the river of no return, for someone who had such wonderful talent, when you come to think of it, what a waste she recorded it on junk,and I hope she will make peace with pope bendict because I think he is just wonderful, there be must be something to clear up her name,I used to love her, but after reading one revierwer which said to boycott her music, i was very shoscked, because i always thought she was brought up properly, anyway I feel to boycott and let prayer back into my life for the comming years ahead.

Average customer rating:

Magical Music

Everybody's Mozart

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

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ASIN: B000294RNK
Release Date: 2004-06-15

Tracks:

Overture [From The Magic Flute] - Academy of St. Martin in the Fields, Sir Neville Marriner
Che Soave Zeffiretto [From the Marriage of Figaro] - Academy of St. Martin in the Fields, Barbara Hendricks, Sir Neville Marriner, Lucia Popp
Tema (Andante Grazioso) Con Variazioni from Piano Sonata No. 11 in ... - Mitsuka Uchida,
Andantino Con Variazioni [From Sinfonia Concertante in E-Flat Major, K] - Academy of St. Martin in the Fields, Neil Black, Jack Brymer, , Alan Civil, Sir Neville Marriner
Andante from Piano Concerto No. 21 in C Major, K. 467 - English Chamber Orchestra, , Mitsuka Uchida,
Allegro from Serenade in G Major, K. 525 "Eine Kleine Nachtmusik" - Academy of St. Martin in the Fields, Sir Neville Marriner
Romance (Andante) From Serenade in G Major, K. 525 "Eine Kleine ..." - Academy of St. Martin in the Fields, Sir Neville Marriner
Der H Rache Kocht in Meinem Herze [From The Magic Flute] - Academy of St. Martin in the Fields, Sir Neville Marriner, Cheryl Studer
Adagio from Violin Concerto No. 3 in G Major, K. 216 - New Philharmonia Orchestra, Henryk Szeryng
Menuetto (Temo Con Variazioni) From Divertimento No. 11 in D Major, K. - Academy of St. Martin in the Fields
Molto Allegro from Symphony No. 40 in G Minor, K. 550 - Academy of St. Martin in the Fields, Sir Neville Marriner

Tracks:

Romanze (Larghetto) From Horn Concerto No. 3 in E-Flat Major, K. 447 - Academy of St. Martin in the Fields, Peter Damm, Sir Neville Marriner
Allegretto from Piano Concerto No. 17 in G Major, K. 453 - English Chamber Orchestra, , Mitsuka Uchida,
Der Vogelfer Bin Ich Ja [From The Magic Flute] - Sir Colin Davis, , , Staatskapelle Dresden
German Dance No. 3 in C Major "Sleigh Ride" [From Three German Dances] - Academy of St. Martin in the Fields, Sir Neville Marriner
Adagio from Cassation (Final-Musik) In G Major, K. 63 - Academy of St. Martin in the Fields, Sir Neville Marriner, Kenneth Sillito
Andante from Symphony No. 25 in G Minor, K. 183 - Academy of St. Martin in the Fields, Sir Neville Marriner
Adagio Non Troppo from Flute Concerto No. 1 in G Major, K. 313 - Academy of St. Martin in the Fields, Nicolas Chville, Sir Neville Marriner
Andante from Divertimento in D Major, K. 136 - Academy of Ancient Music, Academy of St. Martin in the Fields
Church Sonata No. 1 in E-Flat Major, K. 67 - Helmut Winschermann
Adagio from Clarinet Concerto in a Major, K. 622 - Academy of St. Martin in the Fields, , Sir Neville Marriner
Deh Vieni Alla Finestra [From Don Giovanni] - Sir Colin Davis, , Royal Opera House Orchestra & Choir, Ingvar Wixell
Menuetto (Allegretto) From Symphony No. 41 in C Major, K. 551 "Jupiter" - Academy of St. Martin in the Fields, Sir Neville Marriner
Finale (Molto Allegro) From Serenade in B-Flat Major, K. 361 "Gran ..." - Edo de Waart, Netherlands Wind Ensemble
Alleluia from Exsultate, Jubilate, K. 165 - Sir Neville Marriner, Margaret Marshall,

Customer Reviews:

Magical Music.......2004-08-13

I was wanting some Classical Music to listen to when I read or surf the web. To be honest I dont know much about it, but Ive always liked it. When my daughter was born a few years ago they gave her a Mozart CD for babies, and I enjoyed listening to it.

So I recently purchased "Everybody's Mozart" for myself. Its two CD's, combining for about two and a half hours of music. The back cover of the CD case says "Everybody loves Mozart! His greatest hits are at your fingertips on two long playing compact discs. Heard in film, televison, advertising and of course, concert halls- Mozart is as popular today as ever. From the first sublime moments to the final joyful chord- everyone will instantly recognize these treasured works."

Im real happy with the purchase. This music relaxes me and puts me in a good mood. I do recognize alot of the music as things Ive heard in movies. Since this is my first Classical Music CD Im not real informed on how it stacks up to other collections. But I will say that the sound quality is great. Beautiful music! Most of it is without singing, but a few of the tracks have some opera. I also like to play these CD's while I sleep so Im not bothered by traffic noises(I work nightshift). I sleep real peaceful with them as background music. Most of the music is performed by the Academy of St Martin-in the fields. If your wanting to add some Mozart to your music collection give these two CD's a shot.

Average customer rating:

An English Silver Rose

R. Strauss: Rosenkavalier (Highlights)

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Johann Strauss II: Die Fledermaus [Highlights]
Mozart - Don Giovanni / Garry Magee · Cullagh · Banks · Plazas · Shore · Tierny · PO · David Parry

ASIN: B00000J8QR
Release Date: 1999-06-22

Tracks:

Der Rosenkavalier: Act I. Opening - Introduction
Der Rosenkavalier: Act I. Opening - How You Were! How You Are! (Octavian, Marschallin)
Der Rosenkavalier: Act I. Conclusion - Ah, There He Goes... (Marschallin, Octavian)
Der Rosenkavalier: Act I. Conclusion - Ah! You Are Back Again? (Marschallin, Octavian)
Der Rosenkavalier: Act I. Conclusion - For Time Is A Mysterious Thing (Marschallin, Octavian)
Der Rosenkavalier: Act I. Conclusion - My Dearest Love, Why Do You Torture Yourself... (Marschallin, Octavian)
Der Rosenkavalier: Act I. Conclusion - I'll Go Now, Go To Church, And Pray (Marschallin, Octavian)
Der Rosenkavalier: Act II Opening - Introduction: A Solemn Day, A Wondrous Day
Der Rosenkavalier: Act II Opening - In This Most Wonderful And Serious Moment (Sophie)
Der Rosenkavalier: Act II Opening - It Is An Honor, An Enchantment (Octavian, Sophie)
Der Rosenkavalier: Act II Conclusion - Here I Am
Der Rosenkavalier: Act II Conclusion - Here (Ochs)
Der Rosenkavalier: Act III (Conclusion) - Leupold, Let's Go (Ochs)
Der Rosenkavalier: Act III (Conclusion) - Oh God! The Story Was A Masquerade And No More (Sophie, Octavian, Marschellin)
Der Rosenkavalier: Act III (Conclusion) - Now Or Tomorrow; If Not Tomorrow, Very Soon (Marschallin, Sophie, Octavian)
Der Rosenkavalier: Act III (Conclusion) - Marie Theres', How Good You Are (Marschallin, Sophie, Octavian)
Der Rosenkavalier: Act III (Conclusion) - Bliss Is Too Deep To Understand (Marschallin, Sophie, Octavian)
Der Rosenkavalier: Act III (Conclusion) - Bliss Is Too Deep To Understand (Octavian, Sophie)

Amazon.com

Not exactly a highlights disc, this, but a judiciously pruned and fully coherent presentation of a masterpiece that's arguably too verbose for its own good. All the hits are intact: Baron Ochs's rantings, the slithering presentation of the Rose, the velveteen final trio, and, of course, those indestructible waltzes. A little less of the drawn-out opening scene plus the inclusion of the extraordinary Act 3 Prelude would have made this splendid disc utterly perfect. Perhaps one loses the guttural edge and local color of Hugo von Hofmannsthal's German when rendered in the King's English, but the wonderful cast projects every word without sacrificing Strauss's liquid legato. David Parry plays up the composer's frothy textures, keeping his strings away from the unlimited schlag bar. Chandos supplies an excellent synopsis together with full English texts. In sum, the ultimate Rosenkavalier starter's kit, after which you'll want to try the legendary Karajan recording or Erich Kleiber's incandescent account. --Jed Distler

Customer Reviews:

An English Silver Rose.......2000-06-10

This "highlights" recording, one of the most recent of the Chandos "Opera in English" series, is a superlative issue that must be heard by all lovers of Richard Strauss and fine singing. Indeed, the singing is truly exceptional; mention must be made immediately of the silken voiced Octavian of Diana Montague - from start to finish she maintains a scrupulous control of legato and beauty of tone (similar to, but in my view surpassing, Susan Graham). Rosemary Joshua's Sophie surpassess most other more famous singers of this taxing role; she is truly a match for the likes of Lucia Popp and Elisabeth Schumann. Listen to the ravishing floated pianissimos in the presentation of the silver rose scene, and the final trio and duet, and I am sure you will agree. Yvonne Kenny is a Marschallin sensitive to the nuances of both text and music; vocally she is not in the class of a Schwarzkopf, Janowitz or Fleming, but this is a moving portrayal. And Tomlinson, the great Wotan and Hans Sachs of our age, is an amusing, cavernous voiced, (slightly too) boorish Ochs. The success of this performance is also due to the excellent musical support given by the London Philharmonic and conductor David Parry. Those concerned by the fact that this recording is given in English translation need not be; the translation is singer friendly (though not all the words are audible), and the standard of performance is such as to almost make no difference. If only the work were given complete - but this is still a "must buy"!

Average customer rating:

A Long Time Coming...
Her Best Album
Price At Her Peak
of course world class
the greatest american soprano of the 20th century

The Essential Leontyne Price

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003FWD
Release Date: 1996-08-13

Tracks:

Aida: Act I: Ritorna vincitor!
Aida: Act I: E l'amor mio?
Aida: Act I: I sacri nomi di padre, d'amante
Aida: Act III: Qui Radames verra!
Aida: Act III: O patria mia
Un Ballo in Maschera: Act II: (Prelude)
Un Ballo in Maschera: Act II: Ecco l'orrido campo
Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
Un Ballo in Maschera: Act III: Morro, ma prima in grazia
Il Trovatore: Act I: Che piu t'arresti?
Il Trovatore: Act I: Tacea la notte placida
Il Trovatore: Act I: Di tale amor che dirsi
Il Trovatore: Act IV: Siam giunti
Il Trovatore: Act IV: D'amor sull'ali rosee
Ernani: Act I: Surta e la notte
Ernani: Act I: Ernani! Ernani, involami
Ernani: Act I: Tutto sprezzo che d'Ernani
La forza del destino: Act II: Son giunta! Grazie, o Dio!
La forza del destino: Act II: Madre, madre, pietosa Vergine
La forza del destino: Act II: La Vergine degli angeli
La forza del destino: Act IV: Pace, pace, mio Dio

Tracks:

Cosi fan tutte: Act I: Come scoglio immoto resta
Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
TOSCA: Act II: Vissi d'arte
Manon Lescaut: Act II: In quelle trine morbide
Manon Lescaut: Act IV: Sola, perduta, abbandonata
Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
Don Giovanni: Act I: Don Ottavio, son morta!
Don Giovanni: Act I: Or sai chi l'onore
Don Giovanni: Act II: Crudele? Ah, no, mio bene!
Don Giovanni: Act II: Non mi dir
Turandot: Act I: Signore, ascolta!
Turandot: Act III: Tu che di gel sei cinta
Ariadne auf Naxos: Es gibt ein Reich
Antony And Cleopatra: Act III: Give me my robe

Tracks:

Otello: Era piu calmo?
Otello: Mia madre aveva una povera ancella (Willow Song)
Otello: Ave Maria
Fidelio: Act I: Abscheulicher! Wo eilst du hin?
Suor Angelica: Senza mamma, o bimbo, tu sei morto!
Carmen: L'amour est un oiseau rebelle (Habanera)
La Traviata: Act I: E strano, e strano !
La Traviata: Act I: Ah, fors' e lui
La Traviata: Act I: Sempre libera
Le nozze di Figaro: Act III: E Susanna non vien!
Le nozze di Figaro: Act III: Dove sono
Die Agyptische Helena: Act II: Awakening Scene
La rondine: Ore dolci e divine
Salome: Finale

Tracks:

Eugene Onegin: Act II: Puskai pogibnu ya
Eugene Onegin: Act II: Ya k vam pishu
Eugene Onegin: Act II: Net, nikomu na svete
Eugene Onegin: Act II: No tak i byt'!
La rondine: Act I: Chi il bel sogno di Doretta
VANESSA: Act I: He Has Come, He Has Come!
VANESSA: Act I: Do Not Utter A Word
Carmen: Act I: Pres des remparts de Seville (Seguidilla)
Manon: Act II: Allons! il le faut!
Manon: Act II: Adieu, notre petite table
Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
Die Frau ohne Schatten: Act II: Empress's Awakening Scene
Dido and Aeneas: Act III: Thy Hand, Belinda!
Dido and Aeneas: Act III: When I Am Laid In Earth
Don Carlo: Act V: Tu che le vanita conoscesti del mondo

Tracks:

Otello: Act I: Gia nella notte
Otello: Act I: Quando narravi
Otello: Act I: Venga la morte!
Cosi fan tutte: Act I: Ah, guarda, sorella
Madama Butterfly: Act I: Bimba, bimba, non piangere
Madama Butterfly: Act I: Bimba dagli occhi
Madama Butterfly: Act I: Vogliatemi bene
Requiem: Recordare
Porgy And Bess: Act II: Bess, You Is My Woman
Norma: Act III: Me chiami, o Norma
Norma: Act III: Mira, o Norma
Ernani: Act II: Tu, perfida!
Ernani: Act II: Ah, morir, potessi adesso
Cosi fan tutte: Act II: Sorella, cosa dici?
Cosi fan tutte: Act II: Prendero quel brunettino
Aida: Act IV: La fatal pietra sovra me si chiuse
Aida: Act IV: Presago il core della tua condanna
Aida: Act IV: Vedi? Di morte l'angelo
Aida: Act IV: O terra, addio

Tracks:

Un Ballo in Maschera: Act II: Teco io sto!
Aida: Act III: Ciel! mio padre!
Aida: Act III: Rivedrai le forest imbalsamate
Aida: Act III: In armi ora si desta il popol nostro
Aida: Act III: Padre! a costoro schiava non sono
Requiem: Angus Dei
Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
Cosi fan tutte: Act I: Soave sia il vento
Porgy And Bess: Act II: I Loves You, Porgy
Aida: Act II: Silenzio! Aida verso noi s'avanza
Aida: Act II: Fu la sorte dell'armi
Aida: Act II: Pieta ti prenda del mio dolor
Aida: Act II: Alla prompa che s'appresta
Il Trovatore: Act IV: Udiste?
Il Trovatore: Act IV: Mira, di acerbe lagrime
Il Trovatore: Act IV: Vivra! Contende il giubilo
Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
Carmen: Act IV: C'est toi! - C'est moi!
Carmen: Act IV: Ou vas-tu? - Laisse-moi!

Tracks:

Les nuits d'ete, Op.7: Villanelle
Les nuits d'ete, Op.7: Le spectre de la rose
Les nuits d'ete, Op.7: Sur les lagunes
Les nuits d'ete, Op.7: Absence
Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
Les nuits d'ete, Op.7: L'ile inconnue
Four Last Songs: Fruhling
Four Last Songs: September
Four Last Songs: Beim Schlafengehen
Four Last Songs: Im Abendrot
Clair de lune, Op.46, No.2: Clair de lune
Notre amour, Op.23, No.2: Notre amour
Au cimetiere, Op.51, No.2: Au cimetiere
Au bord de l'eau, Op.8, No.1: Au bord de l'eau
No.1, Cinq melodies de Venise, Op.58: Mandoline
Main dominee par le coeur
Miroirs brulants No.2: Je nommerai ton front
Miroirs brulants No.1: Tu vois le feu du soir
Ce doux petit visage

Tracks:

Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
Frauenliebe und -leben, op.42: Seit ich ihn gesehen
Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
Frauenliebe und -leben, op.42: Ich kann's nicht fassen
Frauenliebe und -leben, op.42: Du Ring an meinem Finger
Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
Frauenliebe und -leben, op.42: Susser Freund, du blickest
Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
Widmung (No.1, Myrthen, Op.25): Widmung
Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
Volksliedchen, Op.51, No.2: Volksliedchen
Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
Allerseelen, Op.10, No.8: Allerseelen
Schlagende Herzen
Freundliche Vision, Op.48, No.1: Freundliche Vision
Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
Der Gartner (Morike-Lieder No.17)
Lebe wohl (Morike-Lieder No.36)
Morgentau (From An Old Songbook)
Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About De Mountain - Various Artists
Swing Low, Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy
Lead, Kindly Light
Blessed Assurance
Ave Maria
What A Friend We Have In Jesus
Amazing Grace
The Lord's Prayer
Pass Me Not, O Gentle Saviour
The Church's One Foundation
Bless This House
I Need Thee Every Hour
Fairest Lord Jesus
I Wonder As I Wander
Ave Maria
Porgy And Bess: Summertime
America The Beautiful
Lift Ev'ry Voice And Sing
A Mighty Fortress Is Our God
Battle Hymn Of The Republic

Tracks:

Chants tziganes, Op. 103: He Zigeuner
Chants tziganes, Op. 103: Hochgeturmte Rimaflut
Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
Chants tziganes, Op. 103: Lieber Gott, du weisst
Chants tziganes, Op. 103: Brauner Bursche
Chants tziganes, Op. 103: Roselein dreie in der Reihe
Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
Chants tziganes, Op. 103: Rote Abendwolken
Adriana Lecouvreur: Act I: Io son l'umile ancella
This Little Light O'Mine
Interview With Leontyne Price By John Pfeiffer

Amazon.com

This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

Customer Reviews:

A Long Time Coming..........2006-03-30

This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!

Her Best Album.......2006-01-01

Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

Price At Her Peak.......2005-05-02

Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

of course world class.......2000-08-14

Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

the greatest american soprano of the 20th century.......1999-12-12

This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.

Average customer rating:

The superior vision!

Bruckner: Symphony No. 5

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music
ASIN: B00000428K
Release Date: 1996-09-17

Tracks:

Symphony No. 5: Adagio - Allegro
Symphony No. 5: Adagio
Symphony No. 5: Scherzo: Molto vivace
Symphony No. 5: Finale: Adagio - Allegro molto
Dawn & Siegfried's Rhine Journey

Customer Reviews:

The superior vision!.......2007-04-13

Hans Knappertsbusch inscribed with golden letters his name into the reduced pantheon of hard Brucknerian conductors. His approach breathes that cosmic grandness, where the extensive melodic phrases are hovered by a supeior vision.

Don't hesitate just for a second and acquire all what you find around this talented conductor in which Bruckner's music concerns.

Music Track:

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