Stay Well
On this CD:
1. Berlin im Licht, song for voice & piano
Composed by Kurt Weill
Performed by Urs Affolter
2. Klops-Lied (Meatball Song, "Ich sitze da un' esse Klops"), for soprano or tenor, 2 piccolos & bassoon
Composed by Kurt Weill
Performed by Urs Affolter
3. Die Moritat von Mackie Messer (The Ballad of Mack the Knife), song for voice & piano (from "Die Dreigroschenoper")
Composed by Kurt Weill
Performed by Urs Affolter
4. Das Lied von der harten Nuß (Song of the Big Shot), song for voice & piano (from "Happy End")
Composed by Kurt Weill
Performed by Urs Affolter
5. Bilbao-Song, for voice & piano (from "Happy End")
Composed by Kurt Weill
Performed by Urs Affolter
6. Wie Lange Noch? song for voice & piano
Composed by Kurt Weill
Performed by Urs Affolter
7. Es Regnet, song for voice & piano (partly lost)
Composed by Kurt Weill
Performed by Urs Affolter
8. Street Scene, opera Lonely House
Composed by Kurt Weill
Performed by Urs Affolter
9. Ulysses Africanus, musical play (unfinished) Lost in the Stars
Composed by Kurt Weill
Performed by Urs Affolter
10. My Ship, song for voice & piano (from "Lady in the Dark")
Composed by Kurt Weill
Performed by Urs Affolter
11. Oh Captain! My Captain!, song for voice & piano (or orchestra) (Walt Whitman Songs No. 1)
Composed by Kurt Weill
Performed by Urs Affolter
12. Youkali, tango habañera for voice & piano
Composed by Kurt Weill
Performed by Urs Affolter
13. Street Scene, opera What good would the Moon be?
Composed by Kurt Weill
Performed by Urs Affolter
14. Speak Low, song for voice & piano (from "One Touch of Venus")
Composed by Kurt Weill
Performed by Urs Affolter
15. Here I'll Stay, song for voice & piano (from "Love Life")
Composed by Kurt Weill
Performed by Urs Affolter
16. Ulysses Africanus, musical play (unfinished) Stay Well
Composed by Kurt Weill
Performed by Urs Affolter
17. September Song, song for voice & piano (from "Knickerbocker Holiday")
Composed by Kurt Weill
Performed by Urs Affolter
Stay Well, Music, Kurt Weill, Urs Affolter, 20th/21st Century Music for Voice and Keyboard, American 20th/21st Century Opera, Classical, Classical Composers, Classical Music, Classical Vocals, Music Theater, Musical Theater, Opera, Solo Voice(s) and Small Ensemble, Vocal
Average customer rating:
- Crossover at Its Best
- If Dawn Upshaw had made only one album...
- Great songs by a better than average singer. Buy It.
- A must album for all musical theatre lovers.
- Timeless recording
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I Wish It So
soprano Dawn Upshaw , Marc Blitzstein , Eric Stern , Stephen Sondheim , Kurt Weill , Leslie Stifelman , Leonard Bernstein , and Matthias Naegele
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Dawn Upshaw Sings Rodgers & Hart
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ASIN: B000005J2V
Release Date: 1994-08-02 |
Tracks:
- I Wish It So
- There Won't Be Trumpets - Sondheim
- What More Do I Need? - Sondheim
- That's Him
- The Girls Of Summer - Sondheim
- The Saga Of Jenny
- Like It Was
- Stay Well
- I Feel Pretty
- Glitter And Be Gay
- My Ship
- In The Clear
- Never Get Lost - Take Me To The World
- My New Friends - Bernstein
Amazon.com essential recording
With a spirit of innocence and excitement, no audible breaks of register, and perfect diction, Dawn Upshaw graces us with a satisfying crossover recording in which each song is a fully realized musical monologue. The eclectic and infrequently performed repertoire, from Bernstein, Blitzstein, Sondheim, and Weill, compliments her charm and interpretive acuity. There's her humorous "Saga of Jenny," her adorable "That's Him," her poignant "Like It Was," and her freshly vibrant "I Feel Pretty." Conductor Eric Stern is divine in his arrangements and accompaniment. This is one of the best musical theater albums available. --Barbara Eisner Bayer
Customer Reviews:
Crossover at Its Best.......2006-11-15
"I Wish It So" is the CD that first introduced the exceptional "crossover" talents of soprano Dawn Upshaw. The album, which comprises (mostly) little-heard songs by Kurt Weill, Marc Blitzstein, Leonard Bernstein, and Stephen Sondheim, opens with the title number, a lyrical gem from Blitzstein's JUNO, and continues with Sondheim's vibrant "There Won't Be Trumpets," in which Upshaw, rather than belting, lets her voice ring. She then slam-dunks Sondheim's "What More Do I Need," a truly raucous number. Other highlights include the two songs from Weill's LADY IN THE DARK: the haunting ballad "My Ship" and the witty "The Saga of Jenny," presented here in a superb jazz arrangement. The sound of Upshaw's lower middle voice in this number is thrilling. Her combining of Blizstein's "Never Get Lost" and Sondheim's soaring, life-affirming "Take Me to the World" is perfect, as is her musical yet emotional rendition of "Like It Was" from Sondheim's MERRILY WE ROLL ALONG. The album climaxes with the mock-coloratura aria "Glitter and Be Gay" from Bernstein's CANDIDE, in which Upshaw scales the heights with consistently pure and beautiful tone. In a day when many great opera singers attempt, unsuccessfully, to sing "popular" song, "I Wish It So" is an example of crossover at its very best. It is a CD that no one who loves both opera and musicals should miss.
If Dawn Upshaw had made only one album..........2006-08-24
I have a weak spot for crossover albums by opera stars, which can often be train wrecks or embarrissing self-parodies. There's not a cringe-worthy note in this one, however. Dawn Upshaw has never been as vibrant on disc, and her style in pop music (albeit serious pop music) surpasses expectations. She is a master at touching vulnerability and stars-in-her-eyes vulnerability. There's no current Broadway star who can match her in any of these songs form Sondheim, Weill, and Bernstein, certainly not for sheer beauty of voice and charm. Upshaw went on to make an excellent album of Rodgers and Hart songs, but nothing else quite matches this first effort.
Great songs by a better than average singer. Buy It........2006-04-24
'I Wish It So' sung by popular / classical switch hitter, Dawn Upshaw is a very, very good interpretation of classical American musical theatre pieces by four masters of the genre, Leonard Bernstein (music), Marc Blitzstein (lyrics), Stephen Sondheim (lyrics) and Kurt Weill (music). As I am most familiar with female interpretations of Kurt Weill's songs, especially by the likes of his widow, Lotte Lenya and Weill interpreter extraordinare, Ute Lemper, I have to say that while Upshaw does them justice, she does ont outshine the very best Weill interpretations. Primarily, I believe she suffers from never actually performing the works on stage, as Lenya has.
And, since Ute Lemper did an album with a similar collection of songs (Illusions) from Sondheim and others, I thing Lemper still has the edge on interpreting other composers as well.
On the positive side, I find Upshaw's interpretation as good or better than almost everyone else who makes a career out of these songs, such as, dare I say it, Barbra Streisand. This is a good thing, because I believe Upshaw is not up to the very best mezzos who share her classical works. She can't hold a candle, for example, to Renee Fleming or Anne Sofie von Otter, although her interpretations of Weill are as good as von Otter, just not as good as Lenya and Lemper.
A very, very nice album if you like female vocalists.
A must album for all musical theatre lovers........2005-04-21
Dawn Upshaw once again disproves the adage that opera singers can't sing showtunes properly. Her diction, her ability to act out the lyrics and her crystal clear angel-like voice are just heavenly. Miss Upshaw could teach quite a few Broadway and Cabaret singers a thing or two about interpretation and she would have her hands full teaching opera singers like Te Kanawa or Fleming how to put over a showtune properly. Simply divine!
Timeless recording.......2004-07-20
This is an endlessly rewarding album by an operatic soprano who demonstrates an expressiveness and range rare in crossover albums of this sort. Upshaw modifies her classical technique without compromising it, narrating with a conversational tone and youthful ebullience well-suited to musical theater. She continues her tradition of championing obscure American art songs with three gorgeous Blitzstein pieces, and wisely avoids the standard, overdone Sondheim showpieces in favor of several gorgeous lesser-known songs. "I Feel Pretty" is given a refreshing makeover, while "Glitter and Be Gay" demonstrates both her impressive vocal control and comedic prowess. Despite the odd choice of "There Won't Be Trumpets", which demands a belter to properly execute the climax, this album is a well-conceived and cohesive collection that becomes more enjoyable on each subsequent listen.
Average customer rating:
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Lost in the Stars: The Music of Kurt Weill
Manufacturer: Music Masters Jazz
ProductGroup: Music
Binding: Audio CD
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ASIN: B000000FRC
Release Date: 1993-05-11 |
Tracks:
- Act I: The Hills of Ixopo - Hopkins/Concert Chor of NY
- Act I: Thousands of Miles - Arthur Woodley
- Act I: Train to Johannesburg - Hopkins/Concert Chor of NY
- Act I: Little Tin God - Reginald Pindell
- Act I: The Search - Hopkins/Concert Chor of NY
- Act I: Intro: Little Gray House - Woodley/Concert Chor of NY
- Act I: Little Gray House - Woodley/Concert Chor of NY
- Act I: Who'll Buy - Carol Woods
- Act I: Trouble Man - Cynthia Clarey
- Act I: Murder in Parkwold - Concert Chor of NY
- Act I: Fear - Concert Chor of NY
- Act I: Lost in the Stars - Woodley/Concert Chor of NY
- Act I: Entr'acte - Orch. of St. Luke's
- Act II: The Wild Justice - Hopkins/Concert Chor of NY
- Act II: Soliloquy: O Tixo, Tixo, Help Me! - Arthur Woodley
- Act II: Stay Well - Cynthia Clarey
- Act II: The Wild Justice - Concert Chor of NY
- Act II: Cry, the Beloved Country - Hopkins/Concert Chor of NY
- Act II: Big Mole - Jamal Howard
- Act II: A Bird of Passage - Pindell/Concert Chor of NY
- Act II: Four O'clock - Hopkins/Concert Chor of NY
- Act II: Finale - Hopkins/Woodlwy/Clarey/Woods/Pindell/Howard/Vogt
Average customer rating:
- One of Weill's best American scores!
- I love it!!
- Can we get someone to put this label back in stock?
- Powerful performance,historically significant
- "THE MOST MOVING MUSIC AND SACRIFICE OF A NATION
|
Lost In The Stars (1949 Original Broadway Cast)
Maxwell Anderson , and Alan Paton
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD
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ASIN: B000002OGX
Release Date: 2001-05-15 |
Tracks:
- Hills Of Ixopo
- Thousands Of Miles
- The Train To Johannesburg/Reprise: Thousands Of Miles/The Search
- The Little Gray House
- Who'll Buy/Trouble Man
- Murder In Parkwold/Fear
- Lost In The Stars
- O Tixo, Tixo, Help Me
- Stay Well
- Cry, The Beloved Country
- Big Mole/Chapel Scene
- A Bird Of Passage/Reprise: Thousands Of Miles
Customer Reviews:
One of Weill's best American scores!.......2005-10-16
`Lost in the Stars' and `Johnny Johnson' are two Broadway shows scored by Kurt Weill in collaboration with Maxwell Anderson and Paul Green respectively for the librettos, both in English. Both are distinguished works and both were, I believe, fairly popular when they were first performed. What these two works have in common is that they are both works aimed at our social conscience.
`Johnny Johnson' is a mildly anti-war play dealing with America's entering the First World War, written in the mid 1930s, when Germany was already uncomfortable for Jews, but not yet on the brink of precipitating World War II. What is most interesting to me about the libretto is the reluctance of the principle character, Johnny, to enlist in the army, while his fiancée (contrary to many famous antiwar works of the past), is all in favor of his enlisting and threatens to break their engagement if he does not enlist. As a work of art, I believe the work is more interesting as a milepost in American antiwar sentiments than as an important artistic work for either the composer or the lyricist. To my ear, there is not a single song from this work that finds its way into the repertoire of balladeers. This is from a composer who has given us `September Song', `Speak Low', `Lost in the Stars', `Saga of Jenny', and `Lonely House', not to mention all the great songs from his German works such as `Mack the Knife' and `Pirate Jenny'. On top of this, there is my feeling that much of the instrumental music sounds very similar to earlier German works, especially `Mahagonny'.
`Lost in the Stars' is based on Alan Paton's novel, `Cry, the Beloved Country' and was written after World War II, in 1948-1949, and has much of the musical interest of what is missing from `Johnny Johnson'. Throughout the play, the instrumental music is much less similar to earlier Weill works and all songs seem stronger. At least two of these songs, `Lost in the Stars', `Trouble Man' and `Stay Well' are often performed by Lotte Lenya and other vocalists. While it may be pushing it a bit, this work seems almost as strong as Gershwin's `Porgy and Bess'.
I bought both because I am a big fan of Kurt Weill's music, and I would recommend both recordings to any and all Weill enthusiasts, especially as both have extensive notes and complete librettos. But, to the person mostly interested in Broadway in general, I would recommend only `Lost in the Stars'.
I will say that the performances of both vocalists and orchestra are excellent on both; however the vocalists on `Lost in the Stars' seem to give just a little extra, possibly because their material is just a bit more substantial.
I love it!!.......2002-07-12
It is so easy to get some of these songs in your head...I love this soundtrack..
Can we get someone to put this label back in stock?.......1999-12-28
With great hope in the powerful amazon.com's Jeff Bezos, the person of the year by Time magazine, we wish you can urge someone to put this title back into circulation! I have sung the piece "Lost in the Stars" and was drawn by the wonderful music and intriguing lyrics. Is there a way to locate the music score of the soundtrack?
Powerful performance,historically significant.......1999-06-04
After 50 years the little snippet heard on this site brings back the original emotions.I would love to purchase this recording in any format. The original performance, a life-changing event for me as a young girl, is recaptured.
"THE MOST MOVING MUSIC AND SACRIFICE OF A NATION.......1999-06-01
I saw the oringinal Musical "Lost in the Stars", and have the 33 album. Would love to have a CD to play on my "modern" equipment. When Todd Duncan was asked to do the part of the "Efunsdi", he read the part and broke an existing contract to go into rehearsal. He said "I have to do this for my people." I was enthralled at the libretto and zest of the choreography. So when I hear the music I am taken right back to the Opera stage and see and hear the glorious presentation. Please put it back into circulation, or if someone out there has a copy (cd) I would love to talk to you about it. CT
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Early Music Recital
Manufacturer: Bridge
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000I9A1
Release Date: 1999-03-23 |
Tracks:
- Dear, If You Change
- All Ye, Whom Love Or Fortune
- Whoever Thinks Or Hopes Of Love
- Can She Excuse My Wrongs?
- Sorrow, Stay
- A Shepherd In A Shade
- Sovran Uccello Se'Fra Tutti Gli Altri
- De Tous Bien Plaine
- Amors Amors
- Filles A Marier
- Aura Soave
- Amarilli, Mia Bella
- Belle Rose Porporine
- Stand Auff Maredel! Liebes Gredel
- Der Mai Mit Lieber Zal
- Ach, Senleiches Leiden
- Du, Auserweltes Schons Mein Herz
- Wer Die Augen Wil Verschuren
- Froleich Geschrai So Well Wir Machen
Album Description
Released for the first time ever, this concert recording of Jan DeGaetani showcases the legendary mezzo's work in the felid of early music- recorded in 1977, and the peak of her powers. It is a little known fact the DeGaetani's career started as a performer of early music, so that this disc is a revelatory addition to her discography. The spectacular flexibility and purity of intonation that DeGaetani brought to so many contemporary scores serve her beautifully in this well-recorded document. Accompanied by the great lutenist Paul O'Dette, as well as viola da gamba player Judith Davidoff and a shawm player Philip West, this recital ranges from the Medieval music through the Renaissance, and includes music by John Dowland, Donato de Cascia, Hayne van Ghizeghem, Giulio Caccini, and Oswald von Wolkenstein.
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Handel: The Masterworks (Box Set)
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ASIN: B00062FLI8
Release Date: 2004-11-30 |
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Puccini: Il Trittico
Manufacturer: Bella Voce Records
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Binding: Audio CD
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ASIN: B00003A9QR
Release Date: 1999-12-01 |
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Broadway's Greatest Gifts: Carols for a Cure, Vol. 5
Manufacturer: Rock-it Science
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| Gounod, Charles
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ASIN: B0006Q3MUS
Release Date: 2003-11-18 |
Tracks:
- Holiday Hop [It's a Wonderful Life]
- O Holy Night - Gary Adler, John Tartaglia
- Peces en el Rio (The Fish in the River)
- Dreidel, Dreidel, Dreidel
- This Christmas Day
- Christmas Lullaby
- Coming of Christmastime
- Rod's Christmas
- Silent Night
- Wrapped Up Nice - Idina Menzel
Tracks:
- I Saw Three Ships
- Sing Out - Liz McCartney
- Too Fat to Fit
- I'll Stay Strong - Michael Lavine,
- Ave Maria
- Jingle Bells, Chicago Style
- Angelo Rosenbaum
- How Great Our Joy/Joy to the World - Steve Lavner, Denny Paschall, Glenn Rainey
- Christmastime on Highway 13
- O Tannenbaum
Product Description
This perennial favorite brings Broadways best wishing you their holiday best! Hairspray, Gypsy, Nine and Avenue Q are just of few of the shows raising their voices for the cause. Also lending their voices are Antonio Banderas, Hugh Jackman and Harvey Fierstein. Songs Include: 42nd Street The Holiday Hop Aida I'll Stay Strong Avenue Q Rod's Christmas Beauty & the Beast This Christmas Day Big River Silent Night Boy From Oz Wrapped up Nice Cabaret O Tannenbaum Chicago Jingle Bells, Chicago Style Gypsy Sing Out Hairspray Dreidel, Dreidel, Dreidel The Lion King Angelo Rosenbaum Mamma Mia A Christmas Lullaby Nine Los Peces en El Rio (The Fish in the River) Phantom of the Opera Joy to the World/ How Great our Joy The Producers Too Fat to Fit Rent O Holy Night Taboo Ave Maria Thoroughly Modern Millie The Coming of Christmastime Urinetown Christmastime on Highway 13 Wicked I Saw Three Ships
Customer Reviews:
Fun and Refreshing.......2006-03-05
I purchased this CD on a whim, and I was absolutely shocked when I got to track #4- "Dreidel, Dreidel, Dreidel," by the cast of "Hairspray." I loved the upbeat humor, and as the song progressed, I realized I'd heard this version before- it was on South Park! I could not BELIEVE what I was hearing, but I completely adored it. As I listened through the rest of the 2-CD set, I concluded it would undoubtedly be one of my favorite holiday albums. It was a wonderful combination of traditional renditions, such as a beautiful "O Holy Night" performed by the cast of "Rent" and new, humorous songs, including "Too Fat to Fit" by the cast of "The Producers" which was had a personality reminiscent of "Queer Eye for the Straight Guy," "Angelo Rosenbaum," sung by Thom Christopher Warren of "Lion King," and "Sing Out" by the cast of "Gypsy."
Overall, the CD set was a wonderful surprise; I had expected a 2 CD set filled with well-sung music, but I was rewarded with a compilation as diverse as peoples' view of the holidays, ranging from the somber expression of religious value to the whimsical, with a jab at the commercial attitude in the middle!
Average customer rating:
- SAIL ON, KURT!
- Not at All Vile Weill
- ELEVATOR MUSIC
|
Kurt Weill: Life, Love, & Laughter--Dance Arrangements, 1927-50
H.K. Gruber , and Palast Orchestra
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Ein Freund ein Guter Freu
- Krokodile und Andere Hausfreunde
- Wochenend und Sonnenschein
- Superhits Präsentiert Vom Palast Orchester
- Threepenny Opera
ASIN: B000055YBR
Release Date: 2001-02-12 |
Tracks:
- Mile After Mile
- Bilbao Song
- Stay Well
- Life, Love And Laughter
- My Ship
- Green-up Time
- The Little Gray House
- Blues Potpourri
- September Song
- All At Once
- Le Roi d'Aquitaine (Waltz)
- Foxtrot Potporri
- Alabama Song
- Lied Der Jenny
- Speak Low
- It Never Was You
- What Good Would the Moon Be
- Tango Ballade
- Kanonen-Song
Amazon.com
Here's a disc of 19 familiar and unfamiliar Kurt Weill songs arranged for dance band and played by an expert group of specialists in Roaring Twenties band music. They're led by singer-conductor-composer H.K. Gruber, whose previous recordings include Weill's Die Dreigroschenoper. The result is a start-to-finish delight. From the first notes, you're beamed back in time to one of those sleek transatlantic passenger liners, sitting in an art deco ballroom watching elegant couples in tuxedos and ball-gowns swirl by while the band plays hits from Weill's German and Broadway triumphs. Sure, the venom is leached from the originals, but who needs agitprop when you're on a dance floor? The arrangements are by a variety of hands, hired by Weill's European and American publishers with his approval to get more mileage from his musical theater works. They're delightfully square rhythmically and formulaic in transferring Weill's music to conventional dance bands, but the music still holds up and is fun to hear in its new clothes. A special treat is the eight tracks with Max Raabe, whose light tenor and falsetto singing preserve the spirit of Weill's songs, as well as perfectly mimic the boy band singers of times gone by. --Dan Davis
Customer Reviews:
SAIL ON, KURT!.......2006-04-23
I wouldn't take offence here oh, Weill purists! These reconstructions are charming and harmonically reverent to their originals, more than could be said for many versions of the Weill Songbook through the decades, including Lou Reed's friendly `adaptation' of the September Song's chord progression and melodic line!
Shoenberg and Webern expressed their disdain of Weill's music; curiously, Arnold had also disclosed a secret wish of having his own audiences walk back home "whistling his tunes", oh, don't ask why... You can certainly whistle, hum and sway your partner now, as the transatlantic's bouncy dancehall sails on just as Kurt, Lotte and the lot of them did when escaping the lethal hounds of early 30s Berlin.... the-next-little-dollar bound.
Not at All Vile Weill.......2001-08-13
The ever versatile HK Gruber has done it again digging up these gorgeous dance arrangements for Weill's music--proving, if anything, Weill's versatility. Anyone familiar with the Capriccio historical Weill recordings will be aware of the long tradition of dance bands taking Weill's music as the lead for dance music or pop music incarnations (all the way up through the more obvious appropriations familiar to Americans: Mack the Knife and September Song). Hardly MUZAK arrangements (listen to the delicate violin in track 17's "What Good Would the Moon Be" to hear what I mean), this generous helping of 19 songs offers a chance to see Weill through a delightfully different but entirely compatible lens. Max Raabe provides the ideal vocal compliment on 8 of the tracks, his tenor floating effortlessly into his head voice suggesting a "period" sound reminiscent of Bing Crosby. The import title for this disc is "Charming Weill," and that modest adjective expresses the least of its virtues.
ELEVATOR MUSIC.......2001-05-23
This is a very strange CD: why would anyone want to take the quirky rhythms and melodies of the great Kurt Weill and "tame" them into dance arrangements? Certainly one has listened to (& even perhaps admired) dance arrangements of composers from Victor Herbert to Cole Porter to Jerry Herman, but these are all, if you will, main stream composers-- men whose music sounds good in original Broadway or Hollywood arrangements and just as good (or almost as good) as played by a dance band...think "Begin The Beguine" as done by Fred Astaire on film or "Begin The Beguine" done by Jo Stafford with the Paul Weston Orchestra.
But Weill was an innovator: a man who can still be listened to experiencing the thrill of something fresh and new. One immediately thinks of his collaborations with Bertolt Brecht in Germany: "Threepenny Opera" and "The Rise & Fall Of The City of Mahagonny" or "The Seven Deadly Sins", etc. his American opera, "Street Scene" with Langston Hughes or his American musical plays: "One Touch of Venus" with Ogden Nash or "Love Life" with Alan Jay Lerner, etc. The songs on this CD all deserve great recordings from the "Alabama Song" to "September Song" but they turn into a kind of flattened elevator music instead of having fresh interpretations or even more traditional ones. What happens is that the longing in "What Good Would the Moon Be" and the romance of "Speak Low" and the raucousness of "Bilbao Song" are all much too similar and much too easy.
It's a little weird to think of husbands whispering to their wives," Listen, honey, they're playing 'As You Make Your Bed' from "Mahagonny".........let's fox trot!"
Average customer rating:
- Great Potential
- Gem under a rock
|
Jaws of Life
Manufacturer: Common Wall Media
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
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New Wave
| New Wave & Post-Punk
| Alternative Rock
| Styles
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Pop Rock
| Pop
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Similar Items:
- You Make Me Hate Music
- When the World Sings
- Bridges
- Writer's Block
ASIN: B000BT8XFE
Release Date: 2005-04-19 |
Product Description
By analyzing the scientific process capable of determining ethnic origin based upon a mostly arbitrary set of criteria, Fine China are obviously a British pop band. Science can often wrongly diagnose, as is the case here. Fine China are actually from (drum roll, please) Phoenix, Arizona. England is also an arid land consistently reaching upwards of 100 degrees Fahrenheit, right? I thought so. Science and art fuse flawlessly once again.
Customer Reviews:
Great Potential.......2006-05-16
This band has enormous potential. They need to market themselves better, I have only heard their music occasionally on XMU-43, and not Sirius 26 (L.O.C.). A person cannot even purchase one of the the other 2 CD's (2002 release "You Make Me Hate Music") except from their website. Although the singer(Rob Withem) sounds like he is on drugs half the time (slurred speach), the lyrics and the music overall are very good. The singer's voice is almost irritating at times and his droning can be annoying on few songs (press skip button). They have flashes of brilliance on several songs. Here are the best songs 1. Prosecute Electocute #11 (excellent!), R-Rated Movie #1, 3. Cells Divide #4, 4. My Worst Nightmare #10. In addition tracks #2,3 and 6 are decent. These guys have been together for 9 years and have 3 full lenghth CD's. I own hundreds of discs from this genre and this band is definetely one to keep an eye on. They are similar to Pilate, Stabilo, sproll, 16mm, The Ghost is Dancing and Jets Overhead. All of which I highly recommend! Overall 4 Stars and worth the price.
Gem under a rock.......2005-12-15
There's often two categories of indie these days - 'mainstream indie' and 'indie indie' and maybe there's even 'indie indie indie'. I don't know if Fine China is in the last category of indie, but this Jaws of Life CD is definitely one of the best new records I've heard in 2005. I caught 'My Worst Nightmare' one night listening to XMU (indie radio) and I bought the entire CD to check it out -- I was not disappointed - they have taken a step up from 'When the World Sings' and bettered their production value, their lyrics, and their variety. This album is yet another this year that is flying under the radar and is well worth checking out.
Average customer rating:
|
The Ultimate Lotte Lenya Collection
Manufacturer: Bear Family
ProductGroup: Music
Binding: Audio CD
Ballets
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Eisler, Hanns
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ASIN: B0000251AF
Release Date: 1999-03-22 |
Tracks:
- 'Happy End': Surabaya-Johnny (1929)
- 'Happy End': Bilbao-Song (1929)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1930) - Lotte Lenya/The Three Admirals
- 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1930) - Lotte Lenya/The Three Admirals
- 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1930)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1930)
- 'Die Dreigoschenoper': Ouverture/Moritat/Ballade Vom Angenehmen Leben (1931) - Kurt Gerron/Willy Trenk-Trebitsch
- 'Die Dreigoschenoper': Liebeslied/Kanonensong (1931) - Kurt Gerron/Erika Helmke/Willy Trenk-Trebitsch/Chorus
- 'Die Dreigoschenoper': Die Seerauberjenny (1931) - Kurt Gerron/Lotte Lenya
- 'Die Dreigoschenoper': Erstes Dreigroschen-Finale (1931) - Kurt Gerron/Lotte Lenya/Erika Helmke/Erich Ponto
- 'Die Dreigoschenoper': Barbarasong/Eifersuchtsduett (1931) - Kurt Gerron/Lotte Lenya/Erika Helmke
- 'Die Dreigoschenoper': Abschied/Zweites Dreigroschen-Finale (1931) - Kurt Gerron/Erika Helmke/Willy Trenk-Trebitsch/Chorus
- 'Die Dreigoschenoper': Zuhalter-Ballade/Lied Von Der Unzulanglichkeit Menschlichen Strebens (1931) - Kurt Gerron/Willy Trenk-Trebitsch/Lotte Lenya/Erich Ponto
- 'Die Dreigoschenoper': Moritat/Schlusschoral (1931) - Kurt Gerron/Lotte Lenya/Chorus
- Querschnitt, 1. Tiel: 'Aufstieg Und Fall Der Stadt Mahagonny' (1932)
- Querschnitt, 2. Tiel: 'Aufstieg Und Fall Der Stadt Mahagonny' (1932)
- 'Happy End': Surabaya-Johnny (1943) - Lotte Lenya/Kurt Weill
- 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1943) - Lotte Lenya/Kurt Weill
- Complainte De La Seine (1943) - Lotte Lenya/Kurt Weill
- J'Attends Un Navire (1943) - Lotte Lenya/Kurt Weill
- 'Lost In The Stars': Lover Man (1943) - Lotte Lenya/Kurt Weill
- 'Lost In The Stars': Lost In The Stars (1943) - Lotte Lenya/Kurt Weill
- 'I've Got The Tune': And So The Last Thing, Too (1937 Interview) - Lotte Lenya/Marc Blitzstein/Shirley Booth
Tracks:
- 'Die Dreigoschenoper': Moritat (1955)
- 'Die Dreigoschenoper': Barbara-Song (1955)
- 'Die Dreigoschenoper': Seerauberjenny (1955)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Lied (1955)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1955)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1955)
- 'Happy End': Bilbao-Song (1955)
- 'Happy End': Surabaya-Johnny (1955)
- 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1955)
- 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1955)
- 'Der Silbersee': Ich Bin Eine Arme Verwandte (1955)
- 'Der Silbersee': Casar-Ballade (1955)
- 'Die Sieben Todsunden': Prolog/Introduktion (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Faulheit (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Stolz (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Zorn (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Vollerei (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Unzucht (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Habsucht (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Neid (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
- 'Die Sieben Todsunden': Epilog (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
Tracks:
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 1 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 2 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 3 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 4 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 5 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 6 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 7 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 8 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 9 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 10 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 11 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 12 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 13 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
Tracks:
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 14 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 15a (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 15b (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 16 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 17 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Szene 18 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Szene 19 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
- 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Finale (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
Tracks:
- 'Knickerbocker Holiday': September Song (1957)
- 'Knickerbocker Holiday': It Never Was You (1957)
- 'Lady In The Dark': Saga Of Jenny (1957)
- 'One Touch Of Venus': Foolish Heart (1957)
- 'One Touch Of Venus': Speak Low (1957)
- 'The Firebrand Of Florence': Sing Me Not A Ballad (1957)
- 'The Eternal Road': Song Of Ruth (July Version) (1957)
- 'Street Scene': Lonely House (1957)
- 'Street Scene': A Boy Like You (1957) - Lotte Lenya/Darryl Richard
- 'Love Life': Green-Up Time (1957)
- 'Lost In The Stars': Trouble Man (1957)
- 'Lost In The Stars': Stay Well (1957)
- 'Lost In The Stars': Lost In The Stars (1957)
- 'The Eternal Road': Song Of Ruth (August Version) (1957)
- 'The Threepenny Opera': Pirate Jenny (1954)
- 'The Threepenny Opera': Solomon-Song (1954)
- 'The Threepenny Opera': Tango-Ballad (1954) - Lotte Lenya/Scott Merrill
- 'The Threepenny Opera': Lenya & Blitzstein TV Interview (1954) - Lotte Lenya/Marc Blitzstein
- 'Johnny Johnson': Mon Ami, My Friend (1956)
- Young Blood (1969)
- Welcome Home (1969)
Tracks:
- 'Die Dreigoschenoper': Ouverture (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Moritat (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Morgenchoral Des Peachum (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Anstatt-Dass-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Hochzeitslied Fur Armere Leute (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Kanonensong (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Liebeslied (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Barbara-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Erstes Dreigroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Der Pferdestall (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Abschiedslied Der Polly (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Zwischenlied (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Ballade Von Der Sexuellen Horigkeit (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Die Seerauberjenny (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Zuhalter-Ballade (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Ballade Vom Angenehmen Leben (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Eifersuchtsduett (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Arie Der Lucy (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Zweites Dreigroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Lied Von Der Unzulanglichkeit Menschlichen Strebens (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Solomon-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Ruf Aus Der Gruft (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Ballade In Der MacHeath Jedermann Abbitte Leistet (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Der Reitende Bote (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Drittes Driegroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
- 'Die Dreigoschenoper': Schlusstrophen Der Moritat (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
Tracks:
- 'Happy End': Introduktion (Hosiannah) (1960)
- 'Happy End': Bilbao-Song (1960)
- 'Happy End': Der Kleine Leutnant Des Lieben Gottes (1960)
- 'Happy End': Geht Hinein In Die Schlacht (Heilsarmee-Lied 1) (1960)
- 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1960)
- 'Happy End': Bruder, Gib Dir Einen Stoss (Heilsarmee-Lied 2) (1960)
- 'Happy End': Das Lied Vom Branntweinhandler (1960)
- 'Happy End': Der Song Von Mandelay (1960)
- 'Happy End': Furchte Dich Nicht (Heilsarmee-Lied 3) (1960)
- 'Happy End': Surabaya-Johnny (1960)
- 'Happy End': Das Lied Von Der Harten Nuss (1960)
- 'Happy End': In Der Jugend Gold'Nem Schimmer (Heilsarmee-Lied 4) (1960)
- 'Happy End': Die Ballade Von Der Hollen-Lili (1960)
- 'Happy End': Der Kleine Leutnant Des Lieben Gottes (1960)
- 'Cabaret': So What? (1966)
- 'Cabaret': It Couldn't Please Me More (1966) - Lotte Lenya/Jack Gilford
- 'Cabaret': Married (1966) - Lotte Lenya/Jack Gilford
- 'Cabaret': What Would You Do (1966)
- 'Cabaret': Finale (1966) - Lotte Lenya/Bert Convy/Jill Haworth/Jack Gilford/Joel Grey
Tracks:
- Unter Der Linde (1958)
- Menschlich Elende (1958)
- Das Rosenband (1958)
- Der Tod Und Das Madchen (1958)
- Abendlied (1958)
- Der Bauer (1958)
- Lebenspflichten (1958)
- Gesang Der Geister Uber Den Wassern (1958)
- Aus 'Romische Elegein' (1958)
- Gefunden (1958)
- Wo Bist Du Itzt (1958)
- Der Handschuh (1958)
- Hyperions Schicksalied/Aus 'Hymnen Der Nacht' (1958)
- Mondnacht (1958)
- Das Schloss Boncourt (1958)
- Kommen Und Scheiden (1958)
- Auf Geheimem Waldespfade (1958)
- Der Weiher (1958)
- Das Verlassene Magdlein (1958)
- Der Wirtin Tochterlein (1958)
- Mit Dummen Madchen (1958)
- Im Wunderschonen Monat Mai (1958)
- Ich Wollte Meine Lieder (1958)
- Nachtlich Am Busento (1958)
- Kehr Ein Bei Mir! (1958)
- Altassyrisch (1958)
- Die Musik Kommt (1958)
- Wer Weiss Wo (1958)
- Der Romische Brunnen (1958)
- Vereinsamt (1958)
- Der Werwolf (1958)
- Der Arbeitsmann (1958)
- Die Bieden (1958)
- Du Schlank Und Rein Wie Eine Flamme (1958)
- Spanische Tanzerin (1958)
- Ich Liebe Frauen (1958)
- An Den Leser (1958)
- Die Entwicklung Der Menschheit (1958)
- Der Vater (1958)
- Erinnerung An Die Marie A (1958)
- Von Der Freundlichkeit Der Welt (1958)
- Kinderkreuzzug (1958)
Tracks:
- A Hunger Artist (1959)
- An Imperial Message (1959)
- A Fratricide (1959)
- The Care Of A Family Man (1959)
- Up In The Gallery (1959)
- A Dream (1959)
- The Bucket Rider (1959)
- Vergnugungen: What I Enjoy (Last Song) (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Inscription On A China Lion (The Lion) (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- 'Die Dreigroscheneroper': The Solomon Song (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- 'Buckower Elegien': Changing Wheels (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Burning Books (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Written On The Wall (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Lied Der Courage (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Song Of A German Mother (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- 'Buckower Elegien': The Dog (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- To The Next Generation (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Bad Times For Poetry (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
- Und Was Bekam Des Soldaten Weib (1943) - Lotte Lenya/Kurt Weill
- Wie Lange Noch (1943) - Lotte Lenya/Kurt Weill
- Lied Einer Deutschen Mutter (1943) - Lotte Lenya/Kurt Weill
Tracks:
- 'Die Dreigroscheneroper': Moritat Von Mackie Messer (1960)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Leid (1960)
- 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1960)
- 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1960)
- 'Das Berliner Requiem': Zu Potsdam Unter Den Eichen (1960)
- 'Die Dreigroscheneroper': Die Seerauberjenny (1960)
- 'Happy End': Bilbao-Song (1960)
- Carnegie Hall Introduction (1965)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1965)
- 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Song (1965)
- 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1965)
- 'Das Berliner Requiem': Zu Potsdam Unter Den Eichen (1965)
- 'One Touch Of Venus': Speak Low (1965)
- 'One Touch Of Venus': Foolish Heart (1965)
- 'One Touch Of Venus': Bilbao-Song (1965)
- 'One Touch Of Venus': Surabaya-Johnny (1965)
- 'Love Life': Love-Song (1965)
- 'Love Life': Susan's Dream (1965)
- 'Happy End': Was Die Matrosen Sagen (Matrosen-Tango) (1965)
- 'Happy End': Der Song Von Mandelay (1965)
- 'Happy End': Das Lied Von Der Harten Nuss (1965)
- 'Happy End': Lilli Of Hell (1965)
- 'Knickerbocker Holiday': September Song (1965)
- 'Die Dreigroscheneroper': Barbara Song (1965)
Tracks:
- Moritat (1965)
- Moritat (German Version) (1965) - Lotte Lenya/Turk Murphy
- Mack The Knife (1965) - Lotte Lenya/Louis Armstrong
- Mack The Knife (1965) - Lotte Lenya/Louis Armstrong
- Lied Der Courage I (1965) - Lotte Lenya/Harry Buckwitz
- Das Lied Vom Weib Und Soldaten (1965)
- Lied Von Der Grossen Kapitulation (1965)
- Lied Der Courage II (1965)
- Lied Der Courage III (1965)
- Eia Popeia, Was Ras Im Stroh (1965)
- Lied Der Courage IV (1965)
- The Dick Cavett Show (1975) - Lotte Lenya/Dick Cavett
- Start (1975) - Lotte Lenya/Dick Cavett
- American Films (1975) - Lotte Lenya/Dick Cavett
- The Opening Night Ot The Rise And Fall Of The City Of Mahagonny (1975) - Lotte Lenya/Dick Cavett
- 'One Touch Of Venus': I'm A Stranger Here Myself (1975) - Lotte Lenya/Dick Cavett
- Anita Berber (1975) - Lotte Lenya/Dick Cavett
- The Great Inflation (1975) - Lotte Lenya/Dick Cavett
- Thoughts On 'Oh, Calcutta' (1975) - Lotte Lenya/Dick Cavett
- Berlin Visit 1955 (1975) - Lotte Lenya/Dick Cavett
- Introduction To 'Bilbao-Song' (1975) - Lotte Lenya/Dick Cavett
- Bilbao-Song (1975) - Lotte Lenya/Dick Cavett
- Introduction (1966)
- 'Knickerbocker Holiday': How Can You Tell An American (1966)
- 'Knickerbocker Holiday': September Song (1966)
Music Track:
- Symphony 4 E Minor Op 98 / Variations Op 56a
- Tchaikovsky: Eugen Onegin
- Tchaikovsky: Piano
- The Chaliapin Edition, Vol. 1, 1902 - 1908
- The Flute Experience
- The Holy Lady of Chartres
- The Legendary Voice of Maestro Giuseppe Di Stefano
- The Peaceful Western Wind
- Torroba: Music for Guitar
- Verdi: Requiem, Te Deum, Preludes & Overtures
Music Track
music track
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Classics for All Seasons: Autumn
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