Piano Music Of Spain

On this CD:

1. Sonata for keyboard, No 45 in C major
Composed by Antonio Soler
Performed by Maria Garzon

2. Sonata for keyboard, No 84 in D major
Composed by Antonio Soler
Performed by Maria Garzon

3. Sonata for keyboard, No 90 in F sharp major
Composed by Antonio Soler
Performed by Maria Garzon

4. Suite española No.1, for piano, Op. 47, B. 7 No. 1-Granada
Composed by Isaac Albeniz
Performed by Maria Garzon

5. Suite española No.1, for piano, Op. 47, B. 7 No. 4-Cádiz
Composed by Isaac Albeniz
Performed by Maria Garzon

6. Suite española No.1, for piano, Op. 47, B. 7 No. 5-Asturias
Composed by Isaac Albeniz
Performed by Maria Garzon

7. Suite española No.1, for piano, Op. 47, B. 7 No. 7-Castilla
Composed by Isaac Albeniz
Performed by Maria Garzon

8. Goyescas (Guys in Love), 6 pieces in 2 books for piano, H. 64 No. 1-Los requiebros
Composed by Enrique Granados
Performed by Maria Garzon

9. Spanish Dances (12), in 4 volumes for piano (also arrangements), Op.37, H. 142 No. 5-Andaluza
Composed by Enrique Granados
Performed by Maria Garzon

10. Fantasía Baetica, for piano (orchestrated by Halffter), G. 55
Composed by Manuel de Falla
Performed by Maria Garzon

11. Cançones i dansas for piano: No. 6, Cantábile espressivo
Composed by Federico Mompou
Performed by Maria Garzon

12. Halley for piano
Composed by Alejandro Yague
Performed by Maria Garzon

Piano Music Of Spain, Music, Isaac Albeniz, Manuel de Falla, Enrique Granados, Federico Mompou, Antonio Soler, Alejandro Yague, Maria Garzon, Classical, Classical Music, Classical Sonata/Sonatina for Keyboard, Coll. of Character/Single-Movement/Misc. Works for Keyb., Collection of Dance-Based Music for Keyboard, Fantasy/Fantasia for Keyboard, Keyboard, Music for Keyboard, Suite/Partita for Keyboard

Essential Guitar: 33 Guitar Masterpieces
Average customer rating:

Two-and-a-half hours of bliss

not what i expected

excellent guitar performances

Essential Guitar...

Lives up to its Name!

Essential Guitar: 33 Guitar Masterpieces

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Reflections of Spain: Spanish Favorites for Guitar

ASIN: B000069KIT
Release Date: 2002-08-13

Customer Reviews:

Two-and-a-half hours of bliss.......2007-04-04

This may be the best money I've ever spent. I got 2-1/2 hours of bliss for less than what I'd usually pay for one CD -- and you know how it is with music. You buy an album because of a song or two that you love, and you find that you like maybe half the songs on it. There's not a single selection in this one that I would've left out. It includes Joaquin Rodrigo's Concierto de Aranjuez, performed by Pepe Romero on the guitar with the Acadamy of St. Martin in the Fields. I needed to replace my old LP recording of that. But I also get 30 other classical compositions and traditional Spanish pieces, each special in its own way.

Have you ever heard music that you wanted to last forever, maybe even to dive inside and live there for a while, immersing yourself in sound? That's how I feel about this collection. The only problem I have with it is that I bought it thinking it might be nice to listen to while I write. Not so. It's terrible for that. I'll sit with my hands poised above the laptop keyboard, assuring myself I'll get some work done while I listen. The music takes hold and carries me away.

I'm not expert at describing this or any type of music. I just know what I love. You might too, if you enjoy classical or Spanish guitar -- unless you have absurd expectations about combining listening with work.

not what i expected.......2007-03-26

This CD for me was a waste of money. Its just not what i thought it would be. Others may enjoy it but for me..it wasnt what i was hoping to hear.

excellent guitar performances.......2006-07-27

Outstanding guitar performances. I gave it only 4 stars because I do not personally like some of the compositions.

Essential Guitar..........2005-07-26

Up until this collection, I'd never heard the "Cavatina" played in the Deer Hunter movie. After hearing it, I could play it all day and not tire of it! It moves me that much, considering that it's almost "not" a classical guitar selection. The rest of the music is first rate! Excellent playing, but the "Cavatina..."
Buy it and enjoy!!!!

Lives up to its Name!.......2005-06-10

If you only bought this double CD set, you'd have a good starter collection of classical guitar music. It includes most of the standards, as well as rarer pieces. In addition to the many solo pieces, there are several excerpts from orchestral works, with Rodrigo's indispensible Adagio from "Concierto de Aranjuez" topping the list. There are also several flamenco numbers included, complete with heel taps and castanets.

The recording quality is uniformly good, even on the tracks by Segovia. I don't know if they were remastered or recorded late in his career, but they're free of the surface noise present in so many of his recordings. The set clocks in at a generous 2 1/2 hours - one of the greatest deals in instrumental music; this is not a "bargain" quality set. Listen to the samples online - great stuff.

My only mild criticism is in the marketing. The advertising features John Williams and Julian Bream. Each contributes exactly one track. I would have enjoyed more pieces by them for stylistic comparison. But the less well-known (at least to guitar music neophytes like me) artists are every bit as good, and I intend to obtain more of their work.

Reflections of Spain: Spanish Favorites for Guitar

Average customer rating:

Exquisite music
beautiful reflections
The Best
Yet another Spanish guitar music....
Simple beauty

Reflections of Spain: Spanish Favorites for Guitar
David Russell , Isaac Albeniz , Enrique Granados , Joaquin Malats , Francisco Tarrega , and Antonio Ruiz-Pipo
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Flamenco | Latin Music | Styles | Music

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ASIN: B00005V0WV
Release Date: 2002-01-22

Tracks:

Serenata espanola (Joaquin Malats)
Capricho Arabe (Francisco Tarrega)
Recuerdos de la Alhambra (Francisco Tarrega)
Andaluza (Spanish Dance No. 5) (Enrique Granados)
Danza melancolica (Spanish Dance No. 10) (Enrique Granados)
La Maja de Goya (from Tonadillas al estila antiguo) (Enrique Granados)
Valses poeticos - Vivace, poeticos, Tempo de vals noble, Tempo de vals lento, Allegro humoristico, Allegretto, Sentimental, Vivo, Presto (Enrique Granados)
Sevilla (from Suite espanola, Op. 47) (Isaac Albeniz)
Mallorca, Op. 202 (Isaac Albeniz)
Asturias (from Suite espanola, Op. 47) (Isaac Albeniz)
Cancion y Danza No. 1 (Antonio Ruiz-Pipo)

Amazon.com

David Russell was born in Glasgow, Scotland, but his family moved to Spain while he was still a young boy so he could study music in the birthplace of classical guitar. On Reflections of Spain, Russell plays the music of his childhood home with all the joy you would expect from someone revisiting a beloved place. Russell's formidable technique is powered by a keen intelligence and tempered by an emotional delivery. He plays chestnuts like Tarrega's "Recuerdos de la Alhambra" and Albeinez's "Austurias" with a fond intimacy that rescues them from cliché. Perhaps the finest moments on the CD are Russell's guitar arrangements of four of Granados's compositions. Although Granados wrote pieces like "Danza Melancolia" and "Andaluza" for piano, Russell's thoughtful versions remind us that the folk dances that inspired them were originally accompanied by the guitar. David Russell is one the finest classical guitarists to emerge in recent years, and his playing on Reflections of Spain is a near perfect wedding of technique and temperament. --Michael Simmons

Customer Reviews:

Exquisite music.......2007-06-09

This is my most favorite CD. David Russell has exquisite taste and exquisite execution. He is an absolute master of the classic Spanish guitar, and he shows off this mastery in this beautiful CD. Each piece is a joy to savor. His crystalline technique makes this a superb addition to anyone's collection. You will smell the lemon blossoms in the courtyard of the Mezquita in Cordoba when you listen to this marvelous recording.

beautiful reflections.......2006-07-07

Having just returned to England after a long spell living in Spain I was searching for an evocative suite of Spanish guitar music to accompany my extensive array of photographic studies. Being familiar with the work 'Recuerdos de la Alhambra' I was immediately attracted to this compilation: 'Reflections of Spain'. The music was a revelation. David Russel made the guitar sing lyrically, recalling many bitter sweet moments of life in Iberia. The light and shade of the choices included covered such a broad scope as to fit my purpose exactly and give enjoyment better than I could have hoped for.

The Best.......2006-04-16

This is the best Spanish guitar CDs that I have found. Even with "Essential Guitar: 33 Guitar Masterpieces" having more tracks and two CDs, this is better material. I am not saying that "33 Guitar Masterpiece" was bad, I actually rate it second. No need to skip through "Reflections" like many other compilations of this mixed type CD. The quaility is crisp but lower overall peak (loudness) sound compared to some of my other CDs. Read reviews of other CDs of this type because there is many that have substandard recording measures. I believe this is a must for the any guitar lover!!!

Yet another Spanish guitar music...........2006-03-09

Like every one else I have probably heard all other worthy versions of most of these tunes....I happened to find out about David Russell via reading a bio of Barrios and recommended recordings....it said...Dave Russell is the man...I had not heard of him before that...I got the CD...and WOW...!!then I got interested in his music so I bought anything I could from him including the Aire latino , plays Bach and this one....this guy was born to play the classical guitar...

This is the first artist that I hear uses proper dynamics in his performance...the rest of the pack do not nearly use the guitar as a guitar they use it just another vehicle to play a composition....David's strumming...pulling pushing the music and his singing tone is above all others...not as controled as other classical players....if people played the guitar as a guitar not as a lute..or harpsicored or a piano...then this is what it should sound like...acoustic guitar's range is very limited ...but in the hands of a master...there are no limits....

Simple beauty.......2005-09-05

The combination of scottish genes and Spanish environment upbringing, and so much unseen work and talent comes out as simple beauty. The guitar is played as if effortlessly on all these wonderful famous classical guitar pieces. I happened to listen to the same pieces played live by a great guitarist in Spain this summer. Of course this CD is registered in a studio, but still the style and sounds coming from David Russell's guitar are incomparable. The CD is a beautiful gift. I tried it with different people and they all loved it and couldn't help listening to it right away. You won't wait to see David Russel on stage playing these live!

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

On A Clear Day
A Cock-Eyed Optimist
Hello, Young Lovers
Here I'll Stay
My Fair Lady Shuffle: Overture/Wouldn't It Be Loverly/Let A Woman/Just You Wait/Poor Professional...
Getting To Know You
Living In The Shadows
Bewitched
I Have Dreamed
My Funny Valentine
Camelot Suite: Camelot/The Simple Joys Of Maidenhood/How To Handle A Woman/If Ever I Would...
Crazy World
If I Loved You
Edelweiss
The Sound Of Music

Customer Reviews:

5 STARS AND THEN SOME !!.......2006-02-10

Oh Julie, the songs you sang on this CD are superb. I wish you could still give us that joy. If you can only sing in the low registers, give us jazz!! You can do it I just know you can!!

Pretty Sad, .......2005-10-27

Hollywood veteran Julie Andrews has had a glorious career, but not without its downsides. Her legend is built on "The Sound of Music" and "Mary Poppins" and other glorious roles. Her abilities as a singer were never impressive or great, her voice often sounded weak, but she always knew how to sing around her very limited vocal range. On this collection she performs some of the greatest Broadway tunes ever written and even though she does a good job, her voice just doesn't hold up against many of these tunes. Her warmth is felt all over the album, in "Here I'll Stay" she wraps her gentle, but narrow, voice around it and in "My Funny Valentine" she sticks to the lower register of her voice. However, in the re-recording of her classic "Sound of Music" and in "On a Clear Day You Can See Forever" her voice fails her, it often sounds thin and airy and it's actually quite sad to listen to. When all is said and done Julie Andrews remains a great talent, and most of that talent is largely due to her amazing capability as a performer and her genuine warmth.

I FELL IN LOVE WITH JULIE ALL OVER AGAIN.......2005-06-25

As a young kid growing up in the Philippines I remember my Dad playing his state-of-the-art Aiwa tape recorder back in the 60s and hearing Julie Andrews' voice - truly the voice of an angel! Now, hearing these songs again with adult ears I fell in love with her voice all over again !

A Great Julie Andrews CD.......2002-01-27

If you are a fan of Dame Julie's and musicals, this is the cd for you. It is a compilation of songs from prevously released albums; The King and I, The Music of Richard Rodgers, Here I'll Stay, and Victor/Victoria, Original Broadway Cast Recording.
I found the material to be very well put together giving the listener selections from My Fair Lady, Camelot, The Sound of Music, Victor/Victoria and others. What more could you want?
As for Ms. Andrews, she is superb. There is simply no one like her. I have heard comments that prior to the infamous throat surgery she was unable to handle the difficult material and hit those high notes. This is just not true. All you have to do is listen to these songs recorded in the early 90's to know that she still had a marvelous voice. Lets hope that one day she will be able to sing and record again. If not, these may be her last recordings so treasure them.

The My Fair Lady suite is wonderful and Ms. Andrews definitely hit the high note at the end of "I Could Have Danced All Night".
Her version of "Edelweiss" and "The Sound of Music" are lovely.
Also worth listening to is "Living in the Shadows" written for the Broadway production of Victor/Victoria so you won't find it on the movie soundtrack. The lyrics are by Leslie Bricusse who also penned "Crazy World", which is another great selection on this cd.

Overall this is a cd worth having in your collection, so buy it today. Otherwise you are missing out.

Climbing Every Mountain with Mary Poppins.......2002-01-22

Julie Andrews and her music have been an inspiration to me
every since I stepped into a theater and watched Mary Poppins
(many years ago). I admire her talent and her voice on this CD. I know it is not as clear a voice as she used to have but I still enjoy listening to her. I listen to this CD when I want a "pick me up" and am proud to have it as part of my collection.

Average customer rating:

relation through beautiful music
A Great Find!

Guitar Adagios

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Pavanes | Ballets & Dances | Classical | Styles | Music

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Cello Adagios
Baroque Adagios
Violin Adagios
Movie Adagios
Piano Adagios

ASIN: B00028DNCW
Release Date: 2004-07-13

Tracks:

Adagio In G Minor - Dominic Miller
The Deer Hunter - Goran Sollscher
Largo - Eduardo Fernandez
Prelude - John Williams
Apres Un Reve - Steve Erquiaga
Pavane Pour Une Infante Defunte - Steve Erquiaga
Courante - Pepe Romero
Torija (Elegia) - Segovia
Andantino - Piu Mosso - Primo Tempo - Julian Bream
Andaluza - Pepe Romero
Granada (Serenata) - Pepe Romero
Bachians Brasileiras No.1 - Alexandre Lagoya
Andante Cantabile - Segovia
Cancion De Cuna - Eduardo Fernandez
Arioso - Steve Erquiaga
Romance D'Amour - Goran Sollscher
Adagio - Christine Pendrill
Qui Tollis - Dominic Miller

Tracks:

Air On A G String - Dominic Miller
Largo - Alexandre Lagoya
Andante Sostenuto - Alexandre Lagoya
La Maja De Goya - Pepe Romero
Romance De Los Pinos - Pepe Romero
Sarabande - John Williams
Sonata, Op.16 - Pepe Romero
Recuerdos De La Alhambra - Eduardo Fernandez
Barcarolle - John Williams
Bourees I & II - John Williams
Sarabande - John Williams
Andante - Alexandre Lagoya
Oriental - Alexandre Lagoya
Cantabile - Alexandre Lagoya
Adagio Ma Non Troppo - Alexandre Lagoya
Andante - Alexandre Lagoya
Canzone In E Minor - Alexandre Lagoya
Sicilienne - Steve Erquiaga
Clair De Lune - Alexandre Lagoya

Customer Reviews:

relation through beautiful music.......2005-10-02

This is arguably the most relaxing music anywhere. It is lovely to take a nap to, fall asleep to..... use your imagination to......

A Great Find!.......2004-08-02

These are wonderful cds. They include Andres Segovia,Julian Bream, John Williams, Presti/Lagoya and Pepe Romero among other guitarist's. This two cd set has a rare performance of Segovia with the "Symphony Of The Air"performing Boccherini's "Cello Concerto in D". John Williams performing Bach's "Cello Suite In D" at seventeen years old. Also Ida Presti and Alexandre Lagoya performing Debussy's "Clair de Lune" and Granado's "Spanish Dance No.2 The Oriental". Presti/Lagoya's music has long been out of print and to the best of my knowledge this is the first time their music has been available on cd.These cd's have over 2 and a half hours of music and are well worth the money.

Average customer rating:

Bream's greatest accomplishment
Simply the Best!
Best-ever classical guitar recording?!!
Like an evening in Spain

Music of Spain

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

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Villa-Lobos: Guitar Concerto; Preludes; Etudes
Julian Bream: The Ultimate Guitar Collection-Volume 2
Ultimate Guitar Collection
Bach Guitar Recital
Together Again/ Julian Bream & John Williams

ASIN: B000003FG6
Release Date: 1994-04-12

Tracks:

Dedicatoria (from Cuentos para la juventud)
La Maja De Goya (Tonadilla)
Danza espa No. 4 (Villanesca)
Valses Pocos
Danza espa No. 5
Mallorca, Op. 202
Suite Espa, Op. 47: Catalu
Suite Espa, Op. 47: Granada.
Suite Espa, Op. 47: Sevilla.
Suite Espa, Op. 47: Cz.
Cba (Cantos De EspaOp.232, No. 4)

Customer Reviews:

Bream's greatest accomplishment.......2003-04-18

This is Bream's greatest record, in my opinion. Everyone should own this album

Simply the Best!.......2001-08-30

The previous reviewer is right on the money. Bream's own transcriptions of these works are marvellous, and I doubt there is a better recording of these works as played on the guitar. This is an awesome classical guitar recording made by the man who I think is the greatest classical guitarist...ever! Bream is at his peak here; listen to the sound he coaxes from his instrument. Amazing playing of very beautiful music, aided by an exceptional recording, the music "intimately explodes" from the speakers. A few years after this, Bream seriously injured his right arm in a freak accident, and literally had to teach himself to play again. I don't think, for all his resolve and brilliance, that he has come close to matching the magic he conjured on this very special recording. This is a disc for all music lovers...even classical guitar naysayers.

Best-ever classical guitar recording?!!.......2001-05-09

Recorded in 1981, this was the first-ever digital recording by a major classical guitarist, and Julian Bream didn't let the opportunity go to waste. Firstly, Bream's transcriptions of the piano scores are absolutely outstanding - the voicings in Albeniz's Mallorca, to name just one example, are far more logical and musically satisfying than any previous published edition, including Segovia's. Secondly, Bream's playing is so compelling that even though this recording must have had hundreds of edits, not once does one consider the technical difficulties that underlay its production, surely the sign of a master artist at work. Thirdly, its stereo image (captured in a small stone chapel in Wiltshire) is as miraculous as it is glorious - Bream's sitting right there in front of you playing his heart out! This album inspired a generation of classical guitarists the world over, and gave the guitar a whole new audience when the CD format first appeared. As the previous reviewer mentioned, the Navigator edition has extra tracks for less cost, but I prefer the original running order. A true masterpiece that stands the test of time!

Like an evening in Spain.......2000-08-14

With his sheer variety of tone, Bream illustrates Beethoven's contention that the guitar is the instrument most like a full orchestra. In this recital of Albeniz and Granados piano works transcribed for guitar, we hear everything from a sharp cutting twang to a softer, mellifluous strum. The sounds are sometimes unexpected but always colorful and individual. Bream conveys great affection for this music in these warmly spontaneous performances. The overall result is like being at a recital in an intimate setting. This is highly recommended although if you can find the "Classical Navigator" reissue with its added selections by Rodrigo, that represents even better value.

Average customer rating:

The classical heritage

Music of Spain

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Grieg: Complete Solo Piano Music

ASIN: B0009U55QA
Release Date: 2005-09-06

Customer Reviews:

The classical heritage .......2006-04-16

The visible embellishment of this noble instrument was enriched still more by the Spanish composers, who following the traces of his contemporaries. In the case of Fernando Sor, Haydn was his musical guide, where as Aguado, could establish himself with major vehemence, due its particular style, based in the notable right-hand articulation, eschewed the classical patterns, being able to print his own music a flamboyant and refined character.

In the particular case of Fernando Sor, we have a wisdom blending of the counterpoint technique, an evocative mood from his own that, added the well known influence of the Italian composers (Domenico Cimarrosa and Giovanni Batista Pergolesi) and his beloved love for the Operatic genre, allowed him to enrich still more the lyrical possibilities of the guitar. Besides, unlike Nicolo Paganini, for instance fortunately did not transform the guitar in a simple device to show his overwhelming gifts. He used the guitar to play music, on the opposite approach of Paganini who used the music as mere device to play his instrument.

In the guitar genre there has not been most deserved and superb tribute to Mozart that this Variations Op. 9 based on a motive of The most famous Mozart ?s Magic Flute. Loaded of such imaginative freshness and enraptured inspiration you may notice that one of the Variations conserves an undeniable Italian flavor; this is one of the most beloved hidden treasures the guitar can offers us, which raise with special charm in the hands of this formidable soloist.

Aguado on the contrary acquired due his personal state of things, a notable adroitness who excelled by far, to Sor, so his musical approaches rode in opposite directions, trying to exploit at maximum levels the technical possibilities of the instrument.

Julian Bream makes a colossal tribute to both composers in this egregious and golden album.

Seville to Sante Fe: A Spanish Guitar Anthology

Average customer rating:

A Review of Classical Guitar- Terry Muska
excellent music

Seville to Sante Fe: A Spanish Guitar Anthology

Manufacturer: Talking Taco/Iago Records
ProductGroup: Music
Binding: Audio CD

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Spanish Guitar: Timeless Collection
Mesa Sunrise: Best of John Huling
Christmas in Santa Fe
Reflections of Spain: Spanish Favorites for Guitar
Masters of Flamenco Guitar

ASIN: B000001D3K
Release Date: 1999-05-18

Tracks:

Cancion Mixtteca (Frank Corrales)
Camino A Santa Fe (Ruben Romero)
Adelita (Frank Corrales)
Recuerdos De La Alhambra (Terry Muska)
La LLorona (Frank Corrales)
Romance Antiquo (Ben Tavera King)
Valentina (Frank Corrales)
Adelita (Terry Muska)
Delgadina (Frank Corrales)
El Testament d'Amelia (Terry Muska)
Seis Cuerdas y Seis Cervezas (Frank Corrales)
Amanacer En Nuevo Mexico (Ruben Romero)
Canarios (Ben Tavera King)
Las Golondrinas (Frank Corrales)
Romance Anonimo (Terry Muska)
Leyenda (Terry Muska)
Cielito Linda (Frank Corrales)
Lagrima (Terry Muska)
El Abandonado (Frank Corrales)
FaLai Mina Amor (Ben Tavera King)

Product Description

The solo and duo guitar arrangements on "SEville to Santa Fe" cover over 500 years of guitar music starting withthe royal courts of Spain and continuing through today with performances of the best-loved selections from the Spanish and Mexican guitar reperoire and flamenco improvisations.

Customer Reviews:

A Review of Classical Guitar- Terry Muska.......2000-04-15

One of my favorite instruments to listen to is the classical guitar. I currently have all of Terry Muska's CDs in my collection. These CDs are relaxing and inspiring and I often listen to them when I am drawing or webdesigning.

Beautiful work, Terry!

excellent music.......1999-01-28

This music is traditional and will last from generation to generation as it has. It gathers people from all ages. The spanish guitar is made for the soothing and comfort of the soul with this CD. You will want to listen to this CD forever, you will never out grow it.

Average customer rating:

Above All Others
The Great Master, of Masters
THIS GORGEOUS GUITAR MUSIC BEGS FOR LISTENING. . .
beautiful selection of the decca segovia
There's Only One Segovia

The Segovia Collection

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Art of Segovia
Ultimate Guitar Collection
Andres Segovia: In Portrait
300 Years of Guitar Masterpieces
Julian Bream: The Ultimate Guitar Collection-Volume 2

ASIN: B000060O5J
Release Date: 2002-06-11

Amazon.com

The vastly improved sonics which the Deutsche Grammophon production team achieves with its 24/96 remastering of the guitarist's 1952-1969 mono and stereo performances for Decca allow listeners to finally experience the rich tonal palette and intimate nature of Segovia's performance art in a manner commensurate with the fidelity of the original LP releases (minus the edgy digital glare and graininess of the MCA reissues). What emerges is a portrait of the artist as a lightning rod for great composers, such as Manuel Ponce, Federico Torroba, Mario Castelnuovo-Tedesco, Isaac Albéniz, and Enrique Granados, all of whom enriched the 20th-century repertoire of solo and chamber works by custom-crafting works for this innovative guitarist (Segovia's interpretation of Joaquín Rodrigo's "Fandango" is a paradigm for his role in popularizing the modern Spanish idiom). Likewise, Segovias's work as an arranger in recasting baroque and medieval works for modern guitar, as well as his deep affection for 19th-century masters of the instrument such as Dionisio Aguado and Fernando Sor, shines forth on discs two and three. However, it is Segovia's romantic touch in transposing Bach's Partitas for Solo Violin--as on his virtuoso turns on the "Chaconne in D Minor"--that best illustrate his poetic conception of the instrument. --Chip Stern

Customer Reviews:

Above All Others.......2006-10-16

John Williams, David Russell, Christopher Parkening, Julian Bream, et. al. all owe a great deal to this now departed giant. If you own ANY classical guitar recordings, you should purchase this collection. It's not only the finest remastering available, but an equisitely fine selection of Segovia's contribution to the genre and the art.

The Great Master, of Masters.......2005-06-28

Andrés Segovia was the great master of classical guitar. This set show us 400 years of music taken for the guitar, he was the first in give the guitar place like a cult instrument in 20th century through his works invaluable transcriptions of several instruments (cello, lute, etc.) of composers like Bach, Dowland, Manuel M. Ponce, Fernando Sor, Tárrega, etc.

The scope from Segovia has leaved footsteps in the great world of classical music, for his research and investigations about it. In this set we can listen pieces like "six pavanas" from the ending Age Middle of Luis Milán, and begginig of Rennasaince like Dowland's songs togheter Roncali Ludovico between others on CD 3.
Also show us the great spanish composer Enrique Granados, Torroba, Sor, icons of guitar music. I Basically bought this cd for "Pavane" 1-6 and that better found it in this GREAT SET. If you're a lover of Classical Music, or classical guitar this one of the greatest set box ever made in any genre!!!.

Andrés Segovia, Marquis of Salobreia, was born near Jaen, Granada, Spain. He became a guitarist against the double opposition of his parents. First, they opposed his learning the guitar and got him cello and piano teachers instead. When he persisted in teaching himself guitar, they opposed his becoming a musician. He sought a guitar teacher at the Granada Institute of Music when he studied there, but found none, so continued learning the instrument on his own. He made his debut at the Centro Artística in Granada at the age of 15. He played so skillfully that he was urged to become a professional soloist. He played in Madrid in 1912, at the Paris Conservatory in 1915, and in Barcelona in 1916, and made a wildly successful tour of South America in 1919. He made his formal debut in Paris on April 7, 1924, in a program which included a new work written for him by Albert Roussel, named Segovia. It was the first of many works which were written for him by distinguished composers, enriching the instrument's repertory as Segovia had elevated its artistic potential. His U.S. debut was at Town Hall, New York, on January 8, 1928.

Being self-taught, his technique was unique. It was, in fact, superior to that which was being taught at the time, and extended the flexibility and expressive possibilities of the instrument. The main difference was in the method of using the right hand for strumming and picking the strings: Segovia's method paid much attention to the means of attack: whether hard parts of the fingers, fleshy parts, or the nails were used; other subtleties that affected the dynamics of the instrument; and an economy of motion that allowed longer and more sustained playing. There were classical guitarists before him, and distinguished ones even when he appeared, but it was not an instrument that was regarded as a serious vehicle for classical music. Segovia personally changed that, and not by accident. No doubt affected by his parents' attitude toward his chosen career, he had a driving desire to make it so. He wrote numerous transcriptions of older music for lute and for the Spanish vihuela. He transcribed music of Bach, Haydn, Mozart, Chopin, Handel, and others. He commissioned works by Castelnuovo-Tedesco (notably the great suite Platero and I), Falla, Turina, Tansman, Villa-Lobos, Torroba, Ponce, and Rodrigo, whose Fantasia para un gentilhombre was written for him. His reinstatement of the guitar as a solo instrument was sealed by his becoming one of the great teachers of music history. He established guitar schools or courses at the Accademia Musicale Chigiana, Siena, Santiago de Compostela, and the University of California in Berkeley. His students included Alirio Diaz, Oscar Ghilia, and John Williams.

Segovia become one of the great names in classical music, whose mere name was enough to sell out houses worldwide. He received numerous awards and honors during his lifetime, including the Grand Cross of Isabela and Alfonso, the Gold Medal of the Royal Philharmonic Society of London, and many honorary degrees. The house where he was born had a commemorative plaque attached to it in 1969 proclaiming him the "leading son of the city." King Juan Carlos of Spain ennobled him as the Marquis of Salobreia in 1981, and in the same year a Segovia International Guitar Competition was established in his honor. He continued to give recitals and concerts until an advanced age, and had the rare opportunity, in 1984, of playing at a gala concert honoring the 75th anniversary of professional debut.

THIS GORGEOUS GUITAR MUSIC BEGS FOR LISTENING. . ........2004-02-24

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. . . and I literally begged for this boxed set as a gift a while back and got lucky. The technical quality of the remastering is exquisite - the first 2 CD's especially sound as if you're in a recording studio with the master himself. (disc one includes "Fantasia Para Un Gentilhombre" & "Concierto Del Sur" and disc two "Castillos De Espana")

I've found they are now selling the individual CD's separately in the same packaging, so if you're on a limited budget you can collect them at your own speed or limit yourself to those selections you most want. I sincerely recommend them all however and if you buy the boxed set you get the added bonus of an excellent booklet.

There are very few CD's in my collection that I derive as much sheer pleasure listening to. This is indeed a 5 star Segovia collection!

beautiful selection of the decca segovia.......2003-10-02

there probably wasn't a classical guitarist alive in the 1950's and 60's who didn't know by heart all of segovia's decca albums and julian bream's spectacular recordings for rca and westminster. this set will be a stroll down memory lane for everyone with segovia schott editions in the attic, and essential listening for anyone interested in the classical guitar or in discovering a genuine musical genius -- the equal on his instrument of casals, rubenstein or heifitz on theirs.

segovia literally created the 20th century classical guitar out of an instrument with a cachet not far above the banjo. the booklet to the boxed set gives a fine overview of segovia's career and recording practice, though omitting many key details. (segovia innovated guitar concerts in large concert halls because he was among the first to use his fingernails, rather than bare fingertips, to pluck the strings, and pushed guitar makers to build larger, brighter and more sonorous instruments.)

each of the 4 separately cased cds generously samples (up to 80 minutes each) from (1) the guitar concerto; (2) 20th century compositions dedicated to segovia; (3) pieces for lute, vihuela and 19th century guitar, with some albeniz transcriptions thrown in; and (4) segovia's transcriptions of pieces by j.s. bach.

the digital sound in these recordings (almost all from the 1950's) is really superb, giving contour to every detail of the master tapes. it also reveals the changing recording standards of the early lp: though the sound is consistently vivid and balanced, the guitar is sometimes distant and echoy (a "tile bathroom" sound characteristic of the earliest lp's), or intimate but slightly muffled, or bright and contrasty with a hint of added reverb at the top. i was a little taken aback by the uneven dynamics and nail clatter that i hadn't noticed years ago in segovia's playing: modern recording and performance practice have changed expectations toward a more homogenous and finished sound. but there is a spontaneity, fire, grace, color, imagination and wit in segovia's playing that you won't find anywhere else ... well, excepting julian bream.

it's picky to second guess editorial decisions in a set as generous as this ... but what the heck: i really missed tansman's lovely suite of polish dances ("cavatina"), regretted the absence of a complete sonata or suite by manuel ponce, and would trade the boccherini "guitar" (transcribed cello) concerto for the castelnuovo-tedesco guitar concerto. that said, the performances here of rodrigo's "fantasia para un gentilhombre" and ponce's "concerto del sur" are among the best available, and the generous sampling sor etudes will remind all us graying guitarists of the many happy hours we spent practicing these pieces from the only edition then available -- segovia's own.

deutsche grammaphon has also released a 2-cd set of segovia recordings ("the art of andres segovia"), which duplicates only four pieces from this 4-cd boxed set, and veers more toward colorful transcriptions and single movement selections from longer works. together they make a 6 cd collection of many of the finest recordings by the man who started it all, spawned thousands of heirs and imitators -- and set the bar for them very, very high.

There's Only One Segovia.......2002-07-19

This is the PERFECT retrospective boxed set. DG has outdone itself with this career retrospective of Spanish classical guitar legend Andres Segovia. The set was released on the 15th anniversary of Segovia's death in 1987. From the famous "Fantasia para un gentilhombre" to transcriptions of J.S. Bach for the guitar, all four CDs showcase nothing but the genius of Segovia. The remastered DG recordings sound terrific and the accompanying booklet, complete with photographs from throughout the master's life in Spain, is excellent. If you love Spanish classical guitar and adore the 19th-Century romantic style of playing championed by Segovia, buy this set. You won't be disappointed. VERY HIGHLY RECOMMENDED.

Average customer rating:

An exquisite gem of a desert island CD
Sweeping, seductive, and superlative!
Mesmerizing music for the heart
La Ninna Nanna
"Stunningly beautiful" is an understatement

Ninna Nanna: Lullabies (1500-2002)
William Byrd , Jordi Savall , and Hesperion XXI
Manufacturer: Alia Vox Spain
ProductGroup: Music
Binding: Audio CD

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Lux Feminae
Du temps & de l'instant
Villancicos y Danzas Criollas
Diáspora Sefardí
Bella Terra

ASIN: B000071XAC
Release Date: 2003-02-11

Tracks:

Anon. (Purtugal): Cancao de embalar: Jose embala o menino
Anon. (England): Lullaby: My little sweet darling
Anon. (Greece): Berceuse: Dors mon bebe
Anon. (Sefarade): Berceuse Ladino: Nani, nani
Anon. Berbere: Berceuse Amazigh
William Byrd: Lullaby: Come, pretty babe
Tarquino Merula: Canzonetta spirituale sopra la nanna: Hor ch'e tempo di dormire
Anon. (Alicante): Mareta, mareta no'm faces plorar
Johann Friedrich Reichardt (1752-1814): Chanson d'une maleureuse mere: Dorsmon enfant
Modest Mussorgsky: La Chambre des enfants (1870): Avec la poupee
Anon (Israel): Berceuse hebraique: Noumi, noumi yaldati
Arvo Part: Berceuse de Noel (2002)
Max Reger (1873-1916): Maria Wiegenlied: Maria sitzt am Rosenhag
Manual de Falla (1876-1946): Nana: Duermete, nino, duerme. Canciones populares (1914)
Darius Milhaud: Berceuse hebraique: Dors, dors (1925)
Federico Garcia Lorca: Nana de Sevilla: Este galapaguito (1930)
Arvo Part: Berceuse Estonienne: Kuus, kuus kallike (2002)
Anon. Catalogne: Cancao de Bressol: La mare d e Deu

Amazon.com

This is a formidable collection of lullabies, spanning 500 years, 18 of them (from almost as many countries) in Greek, Latin, Hebrew, Catalan, English, and more, each one lovely, each one in its own idiom. Some are anonymous; others are by composers as different as Byrd, Mussorgsky, Milhaud, and Arvo Pärt. The disc shouldn't be listened to in one setting--no matter how interesting they are, they're still lullabies and can mellow the listener into torpor--but in three-or-so chunks, the contents are fascinating. Figueras can make her sound move from folk to classical, from a mother who is passionate about her child's safety to one who merely wants to entertain into slumber. The anonymous Greek lullaby (track 3) contains the oddest little vocal quirk--a whipping up of the tone at the close of some phrases--which only an artist like Figueras could pull off. And Savall and soloists accompany on various instruments--flute, harp, viols, etc.--with pianist Paul Badura-Skoda playing on three of the lullabies. The CD is a wonderful tour of the world through the centuries with only one subject in mind: sleep. And sleep is something, after all, that takes up a third of our lives. This CD keeps getting sweeter the more you listen. Recommended. --Robert Levine

Customer Reviews:

An exquisite gem of a desert island CD.......2005-06-09

Every time I catch sight of a Vox Alia CD with its distinctive packaging I find resistance is futile and I end up buying it. This gorgeous collection of lullabies delivered much more than I had ever dreamt possible.

What gives this CD its magic is the fact that this is music making amongst friends and family. In fact the record label is Jordi Savall's own, Monserat Figueras is his wife, and Arianna Savall his daughter - so it really is an all family affair. The whole of Hesperion XXI play like they know each other intimately and we are just privileged eavesdroppers who were lucky enough to have overheard them. If some of the major record labels are increasingly marketing their music like MacDonalds hamburgers then this is like being invited to dine at a lovely family run Spanish restaurant. There is a heartwarming homeliness here the majors could never emulate in a hundred years. So it is entirely appropriate that this should be a collection of lullabies, for this is a celebration of family intimacy of the most deeply poetic and affectionate kind.

The selection of music might strike a casual listener as being unusual - exotic is a better term - yet they are all so instantly attractive that I think this would make a lovely gift (especially given the beautiful booklet that comes with it) to a child, a mother, a partner, a friend, a music lover; even people who know nothing about the composers here would surely be enchanted. I was particularly delighted by the reviewer who wrote that her daughter listened to this at night - oh, how fortunate it would be to grow up with music like this with its imaginatively chosen collection of music from so many countries and centuries - you would carry this music in your heart for the rest of your life! Amongst the songs is a Greek song, a Catalan song, a 16th century English song, a song by William Byrd, Max Reger, Moussorgsky as well as two by Arvo Part, both of which carry dedications to Monserat Figueras, Arianna and Jordi Savall (in the photograph reproductions of the first pages of the handwritten score Arvo Part has written in German 'gewidmet an...' if you were wondering where this info comes from).

Typical of the CD is how difficult it is to hold back a tear listening to Reger of all composers - I would have never thought it possible, especially when it would have been simply all too easy to choose some all to well known Schubert Lied, but here it is, they have picked Reger and it is PERFECT. Yet that is only one gem amongst so many more here. I am speechless, for this CD is indeed a rare treasure made for people who truly love beautiful music making - a CD to cherish and to weep for joy over.

I should add that as usual from Vox Alia the recorded sound is audiophile quality, and a notch above what you get from about 95% of record labels. In my opinion they even surpass some boutique audiophile labels like Linn, which is really saying something. So if you love to luxuriate in rich sound this will fit like a glove.

If you fall in love with this recording please, please may I suggest you BUY it for someone you love, rather than burning it, just as a way of saying 'thank you' to this family of musicians. This is a family run label rather than some huge impersonal coorporation and I have seen too many private boutique record firms go bust over the years, so please help ensure that these artists continue to make lovely recordings such as this one.

I am addin