Haydn: Trio for keyboard & violin No25; Trio for keyboard & violin No27

On this CD:

1. Keyboard Trio in D major, H. 15/16
Composed by Franz Joseph Haydn
Performed by Arden Trio with Timothy Martijn, Suzanne Ornstein, Clay Ruede, Thomas Schmidt

2. Keyboard Trio in A major, H. 15/18
Composed by Franz Joseph Haydn
Performed by Suzanne Ornstein, Clay Ruede, Thomas Schmidt

3. Keyboard Trio in G major ("Gypsy Trio") H. 15/25
Composed by Franz Joseph Haydn
Performed by Suzanne Ornstein, Clay Ruede, Thomas Schmidt

4. Keyboard Trio in C major, H. 15/27
Composed by Franz Joseph Haydn
Performed by Suzanne Ornstein, Clay Ruede, Thomas Schmidt

Tracks:

Cello Concerto In B Minor Op. 104: I. Allegro - Dvorak
Cello Concerto No.2 In D: I. Allegro moderato
Cello Concerto No.2 In D: II. Adagio
Cello Concerto No.2 In D: III. Allegro
Cello Concerto In E Minor: I. Adagio - Moderato
Cello Concerto In E Minor: II. Lento - Allegro molto
Cello Concerto In E Minor: III. Adagio
Cello Concerto In E Minor: IV. Allegro, Moderato, Allegro ma non troppo

Tracks:

Sicilienne
Three Fantasy Pieces: I. Zart mit Audruck
Three Fantasy Pieces: II. Lebhaft
Three Fantasy Pieces: III. Rasch und mit Feuer
Sing Without Words in D, Op.109
Elegie In C Minor, Op. 24
The Toccata: Adagio
The Carnival Of The Animals: The Swan
Suite populaire espagnole: Jota
Kol nidrei, Op. 47
Piano Trio In B-flat 'Archduke', Op.97
Cello Sonata No.2 In F, Op.99
Sonata in A

Customer Reviews:

cello lover.......2007-05-31

Absoluty the best. It is no wonder she was the world premier cello artist!! Can't say enough. If you love cello, and classical music, this is a must have. Her whole collection is worth every penny!!!

99% perspiration.......2006-11-08

(4.5/5 stars) This is a two-disc collection of musical works, in which the great cellist Jacqueline du Pre plays. The first disc consists of three cello concerti by three different composers: Dvorak (Romantic), Haydn (Classical) and Elgar (Romantic). Very good music, though it might leave you wondering what all the fuss is about. Not to worry: just pop in Disc Two to find out. The second disc contains shorter works by a wider variety of composers. It also might just leave you breathless by its beauty. Saint-Säens' "The Swan" (from "Carnival of the Animals") is nearly indescribable in its elegance, with du Pre's cello dancing with a harp. This haunting recording should not be missed. Bruch's "Kol Nidrei" is magnificently gorgeous as well. Three fantasy pieces from Schumann, one of Mendelssohn's "Lieder Ohne Wörter" and a stunning Brahms sonata infuse this collection with genuine grace. Since these were recorded prior to the advent of digital recordings, you might hear a very slight hiss on some of the recordings. This is barely audible and really does not detract from the pleasure of listening to it. Each disc runs 75 minutes, making this inspiration last long indeed.

Immortal Legend.......2006-10-07

As a cellist, I grew up listening to Jacqueline Du Pre's recordings. Even now as a 35 year old, I'm still enthralled by her amazing talent. This is a great cd if one is looking for a wonderful introduction to this superb cellist or simply wants to savor her most well known recordings. Du Pre owned the "Elgar" concerto. No other words can summarize this fact. Other beautiful and moving pieces are here on this disc: Bruch "Kol Nidrei", Haydn "Concerto No.2", Faure "Elegie", Brahms "Concerto No.2". The cello is a difficult instrument to play due to the strength required in both hands. Du Pre's playing touches the heartstrings with both emotion and depth. The tone that she coaxes from her cello is amazing. Jacqueline Du Pre is a legend.

Epitome of Cello.......2006-06-23

As a cellist, I absolutely love du Pré's work. I actually found this CD when I was looking for a modern recording of "A Jacqueline du Pré Recital", a record compiled of pieces done between July 15, 1962 and April 1, 1969. The second CD in this set contains the same songs as that record.

The concertos on the first CD are spectacular, especially her rendition of the Elgar concerto which has defined the piece since she first performed it. The second CD, however, is just as wonderful as a collection of some of the most loved cello pieces. No cello recording complete without Saint Saen's "The Swan" and du Pré's version is the only one I've ever heard that I actually like. "Elégie in C minor" (composed by Gabriel Fauré) is one of my personal favorites especially since her rapport with the pianist is obvious and the two instruments blend in a way that makes the piece even more poignant.

Overall, this CD is a must-have for anyone who loves cello as a perfect sample of Jacqueline du Pré's work.

Ooo! Samples!.......2005-11-29

As far as the romantic period goes, Jacqueline Du Pre is my personal favorite 'cellist. Her sensitivity to put expression of the musical idea always outweighed the desire to appear impressive. There is a difference in being just a virtuoso and being a musician. A virtuoso has the capability to dazzle and amaze, but music is more than just being impressive, and Du Pre succeeds in becoming, in every sense, a musician first and foremost. The only complaint I have of this album is the fact that you only get one movement of each piece! Even so, this a wonderful "sample dish" of Du Pre's extraordinary playing, mainly meant to get you hooked so you can get more.

Average customer rating:

Wonderful and delightful evenings
Great Music
excellent compile
Pleasant backdrop
Musical soothing of the soul

Musical Evenings With The Captain

Manufacturer: Essay
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music
Similar Items:

Musical Evenings With The Captain, Vol. 2
Musical Evenings in the Captain's Cabin
Master and Commander
A Sea of Words, Third Edition: A Lexicon and Companion to the Complete Seafaring Tales of Patrick O'Brian
Harbors and High Seas, 3rd Edition : An Atlas and Geographical Guide to the Complete Aubrey-Maturin Novels of Patrick O'Brian, Third Edition

ASIN: B00000083U
Release Date: 1996-06-18

Tracks:

Sonata In G Major, Op. 5 No. 1 For 2 Violins & Basso Continuo: Andante
Sonata In G Major, Op. 5 No. 1 For 2 Violins & Basso Continuo: Largo Andante
Sonata In G Major, Op. 5 No. 1 For 2 Violins & Basso Continuo: Allegro
Sonata In G Major, Op. 5 No. 1 For 2 Violins & Basso Continuo: Menuetto & Trio: Vivace
Duet For Violin & Cello In D Major: Poco Adagio
Duet For Violin & Cello In D Major: Tempo di Menuetto
Duet For Violin & Cello In D Major: Allegro (non troppo)
Eight Pieces For Violin And Cello: Tuning & Gavotte
Eight Pieces For Violin And Cello: Two Menuets
Eight Pieces For Violin And Cello: Air
Eight Pieces For Violin And Cello: Menuet With 2 Variations
Eight Pieces For Violin And Cello: Impertinence
Eight Pieces For Violin And Cello: Sarabande
Eight Pieces For Violin And Cello: Menuet With 2 Variations
Eight Pieces For Violin And Cello: Air
Sonata In C Minor, Op. 6 No. 5 For Violin & Basso Continuo: Andante
Sonata In C Minor, Op. 6 No. 5 For Violin & Basso Continuo: Allegro
Sonata In C Minor, Op. 6 No. 5 For Violin & Basso Continuo: Aria with 3 Variations
Sonata For Violin & Cello In D Major: Allegretto Spiritoso
Sonata For Violin & Cello In D Major: Vivace
Sonata For Violin & Cello In D Major: Grave
Sonata For Violin & Cello In D Major: Allegro Assai
Sonata In D Minor For 2 Violins & Basso Continuo: Andante Molto Cantabile
Sonata In D Minor For 2 Violins & Basso Continuo: Allegro
Sonata In D Minor For 2 Violins & Basso Continuo: Andante Pastorale
Sonata In D Minor For 2 Violins & Basso Continuo: Allegro

Customer Reviews:

Wonderful and delightful evenings.......2007-06-27

If you are a really follower of Jack Aubrey adventures you must have the 2 Volumes. The best companion for you reading every evenings. A must have.
Enjoy it.

Great Music.......2007-04-05

I bought this as an accompaniment while I read Patrick O'Brian's Aubrey-Maturin series of books, and it goes very well. I've enjoyed every piece on this album, and recommend it for music lovers and readers alike.

excellent compile.......2007-01-16

It is dead-on excellent. Perfectly in tune with the entire series and spirit of Patrick's work. A simply joy to listen to time after time. You grasp the character of the age in crisply performed versions of various collection.

Pleasant backdrop .......2006-01-10

As a child growing up in the city of Salem, known for it's working class backbone, I was the only kid I knew who had been to Symphony Hall more than Fenway Park. Going in to Boston for the symphony's open practices was what I lived for. It gave me a true appreciative, although untrained ear. The one lasting lesson is that while you may not notice good classical music, EVERYONE notices bad classical music. And this is NOT bad classical.

I have been a reader of the Aubrey Maturin Novels for 8 years (only two a year for dramatic suspense) and while I am a huge fan of Patrick O'Brian's writing, I find that with the addition of the music he scored his work to, I stand in awe. The music is well grounded to the situations and feelings in the book. Either Mr. O'Brian was a very well rounded, or he did his homework.

The CD is a wonderful insight to the author, and the characters he created. Pour a glass of claret, listen to the cd, read the books...

but pay no heed to Killick's "scrape, scrape , scrape..never a song you could dance to.."

Musical soothing of the soul.......2002-06-11

I have been a fan of Baroque music since childhood (and I'm not all that old either). But I've only started reading the Patrick O'Brian books in the last few months, since it was announced that my favorite actor, Russell Crowe, was about to star as Captain Jack Aubrey in the Peter Weir movie. I am reading the books in order, and am currently on "HMS Surprise," so what else could be a more perfect accompaniment than this CD? Aubrey is such a multi-layered character, filled with imperfections and bad puns, however he has a great love for music and he plays the violin quite well. Often paired with ship's surgeon Dr. Stephen Maturin on the cello, music is a great release for this sea captain, and the pieces on this CD are fine representations of what Aubrey might have played while on assignment or heard when on land. The selections by Hadyn, Locatelli, Handel, Boccherini and Leclair are pleasant, soothing compositions that are complex and varied enough that they are not redundant, and range from peaceful to nimble. While listening to the CD, I could vividly imagine Jack Aubrey below decks in his cabin and asking Maturin to strike up a tune with him. And then they begin an Andante or an Allegro, allowing Aubrey to set aside his absolutely awful puns and jokes so he can clear his mind and relax. Considering some of the battles he's involved himself in so far in the series, he definitely needs it. Reading his adventures while listening to these charming pieces will relax you as well, and definitely take your imagination to some wondrous places in an era of great change.

Musical Evenings With The Captain, Vol. 2

Average customer rating:

second good as the first
Jack's Music
Musical Evenings
The saga continues on a high note
Exquisite

Musical Evenings With The Captain, Vol. 2

Manufacturer: Essay
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music
Similar Items:

Musical Evenings With The Captain
Musical Evenings in the Captain's Cabin
Master and Commander
A Sea of Words, Third Edition: A Lexicon and Companion to the Complete Seafaring Tales of Patrick O'Brian
Harbors and High Seas, 3rd Edition : An Atlas and Geographical Guide to the Complete Aubrey-Maturin Novels of Patrick O'Brian, Third Edition

ASIN: B000000841
Release Date: 1997-11-18

Tracks:

Oboe Quarter In F Major, K. 370 (368B): Allegro
Oboe Quarter In F Major, K. 370 (368B): Adagio
Oboe Quarter In F Major, K. 370 (368B): Rondeau: Allegro
Partita No. 2 In D Minor, BWV 1004: Allemenda
Partita No. 2 In D Minor, BWV 1004: Corrente
Partita No. 2 In D Minor, BWV 1004: Sarabanda
Partita No. 2 In D Minor, BWV 1004: Giga
Partita No. 2 In D Minor, BWV 1004: Ciaconna
Trio In G Major, (Hob.XV:25): Andante
Trio In G Major, (Hob.XV:25): Poco Adagio
Trio In G Major, (Hob.XV:25): Finale - Rondo, In The Gipsies' Style - Presto
Sonata In D Major Opus 16, No. 1 For Violin & Keyboard: Allegro assai
Sonata In D Major Opus 16, No. 1 For Violin & Keyboard: Andante grazioso

Customer Reviews:

second good as the first.......2007-01-16

Once more...
It is dead-on excellent. Perfectly in tune with the entire series and spirit of Patrick's work. A simply joy to listen to time after time. You grasp the character of the age in crisply performed versions of various collection.
Good good stuff. Come on Killick you might just learn to like it.

Jack's Music.......2006-03-03

True fans of the Aubrey-Maturin series will enjoy this CD. It lets the listener complete the picture of what life was like on board Jack's ship. However, anyone who is not familiar with this series will still enjoy the CD for its taut, well paced performances of some highly distinguished, yet less often performed pieces.

Musical Evenings.......2006-03-03

I did not enjoy this as much as Vol I. This contained more instrumets which I had not envisioned as being part of the book.

The saga continues on a high note.......2006-01-27

This is a wonderful CD that takes up where Volume One left off. The amazing thing about this music is the insight which it gives us into the world of Aubrey-Maturin. My only small complaint is that both volumes feel as if they were pasted together from exsisting recordings, although it is my understanding they were not. I would have liked to see the music scored as it is in the book for 1 violin, 1 cello. Of course that is a minor gripe.Buy the CDs...they are a great addition to any collection and the perfect backdrop to a winter's night, curled up in chair by the fire. Turn up the music, pour the claret, toast the cheese.

Exquisite.......2002-01-22

There was a young girl of Darjeeling
Who could dance with such exquisite feeling
There was never a sound
For miles around
Save of fly-buttons hitting the ceiling.

The music on this CD is along the same lines. Exquisite.

As with volume 1, this is not music that thunders or trumpets. No, it is relaxing, perfect for listening to whilst reading a book by Patrick O'Brian or for just contemplating the way of the world.

Or in my case, for background music at a dinner party. It does not intrude, but floats the mind on its currents, gently wafting thoughts and conversations along.

The liner notes are long, comprehensive, and a positive delight for afficionados of Aubrey and Maturin.

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Concerto No. 1 in E Major RV 269 Spring: Allegro - Budapest Strings
Concerto No. 1 in E Major RV 269 Spring: Largo (E Pianissimo Sempre) - Budapest Festival Orchestra, Miklos Perenyi
Concerto No. 1 in E Major RV 269 Spring: Allegro - Budapest Strings,
Concerto No. 2 in G Minor RV 315 Summer: Allegro Non Molto - ... - The Berlin Chamber Orchestra
Concerto No. 2 in G Minor RV 315 Summer: Adagio E Piano - Presto E ... - The Berlin Chamber Orchestra
Concerto No. 2 in G Minor RV 315 Summer: Presto - German Bach Soloists
Concerto No. 3 in F Major RV 293 Autumn: Allegro - New Leipzig Bach Collegium Musicum
Concerto No. 3 in F Major RV 293 Autumn: Largo - New Leipzig Bach Collegium Musicum
Concerto No. 3 in F Major RV 293 Autumn: Allegro - New Leipzig Bach Collegium Musicum
Concerto No. 4 in F Minor RV 297 Winter: Allegro Non Molto - Budapest Strings
Concerto No. 4 in F Minor RV 297 Winter: Largo - Budapest Strings
Concerto No. 4 in F Minor RV 297 Winter: Allegro - Budapest Strings
Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Dresdner Philharmonic, Sebastian Weigle
Concerto in C Major RV 425 for Mandolin, Strings and Basso ... - Dresdner Philharmonic, Sebastian Weigle
Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: ... - Franz Liszt Chamber Orchestra, Miklos Perenyi
Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: Largo - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Concerto in D Minor RV 454 for Oboe, String and Basso Continuo: ... - Budapest Symphony Orchestra, Emmy Verhey
Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Budapest Symphony Orchestra, Emmy Verhey
Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Budapest Festival Orchestra, Miklos Perenyi
Concerto in C Major RV 537 for Two Trumpets, Strings and Basso ... - Bulgarian National Choir, Stoika Milanova

Tracks:

Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Allegro - Monika Rost
Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Largo - Budapest Strings,
Flute Concerto in F, Op.10, No. 1, La Tempesta Di Mare: Presto - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Presto (Fantasmi) - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Presto - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Largo (Il Sonno) - Budapest Strings,
Flute Concerto in G Minor, Op.10, No. 2, La Notte: Allegro - Budapest Strings
Flute Concerto in D, Op.10, No. 3, Il Gardellino: Allegro - Budapest Strings,
Flute Concerto in D, Op.10, No. 3, Il Gardellino: [Without Indication] - Budapest Strings,
Flute Concerto in D, Op.10, No. 3, Il Gardellino: Allegro - Budapest Strings,
Flute Concerto in F, Op.10, No. 5: Allegro Ma Non Tanto - The Berlin Chamber Orchestra
Flute Concerto in F, Op.10, No. 5: Allegro Cantabile - The Berlin Chamber Orchestra
Flute Concerto in F, Op.10, No. 5: Allegro - The Berlin Chamber Orchestra
Flute Concerto in C, RV 443: (Allegro) - The Berlin Chamber Orchestra
Flute Concerto in C, RV 443: Largo - The Berlin Chamber Orchestra
Flute Concerto in C, RV 443: Allegro Molto - The Berlin Chamber Orchestra
Flute Concerto in C, RV 444: Allegro Non Molto - Budapest Strings
Flute Concerto in C, RV 444: Largo - The Berlin Chamber Orchestra
Flute Concerto in C, RV 444: Allegro Molto - The Berlin Chamber Orchestra

Tracks:

Brandenburg Concerto No. 1 in F Major BWV 1046: Allegro - The Berlin Chamber Orchestra
Brandenburg Concerto No. 1 in F Major BWV 1046: Adagio - The Berlin Chamber Orchestra
Brandenburg Concerto No. 1 in F Major BWV 1046: Allegro - The Berlin Chamber Orchestra
Brandenburg Concerto No. 1 in F Major BWV 1046: Menuet-Trio-Menuet ... - The Berlin Chamber Orchestra
Brandenburg Concerto No. 2 in F Major BWV 1047: Allegro - The Berlin Chamber Orchestra
Brandenburg Concerto No. 2 in F Major BWV 1047: Andante - The Berlin Chamber Orchestra
Brandenburg Concerto No. 2 in F Major BWV 1047: Allegro Assai - The Berlin Chamber Orchestra
Brandenburg Concerto No. 3 in G Major BWV 1048: Allegro - Budapest Strings
Brandenburg Concerto No. 3 in G Major BWV 1048: Adagio (Cadenza) - The Berlin Chamber Orchestra
Brandenburg Concerto No. 3 in G Major BWV 1048: Allegro - The Berlin Chamber Orchestra
Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra
Concerto for Harpsichord, Strings and Continuo in D Major BWV ... - The Berlin Chamber Orchestra

Tracks:

Brandenburg Concerto No. 4 in G Major BWV 1049: Allegro - Daniel Gerard
Brandenburg Concerto No. 4 in G Major BWV 1049: Andante - German Bach Soloists
Brandenburg Concerto No. 4 in G Major BWV 1049: Presto - German Bach Soloists
Brandenburg Concerto No. 5 in D Major BWV 1050: Allegro - German Bach Soloists
Brandenburg Concerto No. 5 in D Major BWV 1050: Affettuoso - Budapest Strings
Brandenburg Concerto No. 5 in D Major BWV 1050: Allegro - German Bach Soloists
Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Allegro - German Bach Soloists
Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Adagio Ma Non ... - German Bach Soloists
Brandenburg Concerto No. 6 in B Flat Major BWV 1051: Allegro - German Bach Soloists

Tracks:

Violin Concerto in E, BWV 1042: Allegro - German Bach Soloists
Violin Concerto in E, BWV 1042: Adagio - German Bach Soloists
Violin Concerto in E, BWV 1042: Allegro Assai - German Bach Soloists
Violin Concerto in a Minor, BWV 1041: Allegro - New Leipzig Bach Collegium Musicum
Violin Concerto in a Minor, BWV 1041: Andante - New Leipzig Bach Collegium Musicum
Violin Concerto in a Minor, BWV 1041: Allegro Assai - Budapest Strings
Concerto for Two Violins in D Minor, BWV 1043: Vivace - New Leipzig Bach Collegium Musicum
Concerto for Two Violins in D Minor, BWV 1043: Largo Ma Non Tanto - New Leipzig Bach Collegium Musicum
Concerto for Two Violins in D Minor, BWV 1043: Allegro - New Leipzig Bach Collegium Musicum
Concerto for Three Violins in D Minor, BWV 1063: Allegro - New Leipzig Bach Collegium Musicum
Concerto for Three Violins in D Minor, BWV 1063: Alla Siciliana - New Leipzig Bach Collegium Musicum
Concerto for Three Violins in D Minor, BWV 1063: Allegro - New Leipzig Bach Collegium Musicum

Tracks:

Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 1 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - Budapest Strings
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in B Flat Major Op. 3, No. 2 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 [Contin] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in G Major Op. 3, No. 3 [Contin] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Minor Op. 3, No. 5 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6
Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in D Major Op. 3, No. 6 [Contin]
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum
Concerti Grossi Op. 3: Concerto Grosso in F Major Op. 3, No. 4a [Conti] - New Leipzig Bach Collegium Musicum

Tracks:

Organ Concerto No. 6 in B Flat Major - Erzst Achim, Budapest Strings
Organ Concerto No. 6 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 6 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 1 in G Minor - Erzst Achim, Budapest Strings
Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 1 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 3 in G Minor - Erzst Achim, Budapest Strings
Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 3 in G Minor (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 2 in B Flat Major - Erzst Achim, Budapest Strings
Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 2 in B Flat Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 4 in F Major - Erzst Achim, Budapest Strings
Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 4 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 5 in F Major - Erzst Achim, Budapest Strings
Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings
Organ Concerto No. 5 in F Major (Continued) - Erzst Achim, Budapest Strings

Tracks:

Concerto in D Major No.116 for Flute, Strings and Continuo QV ...
Concerto in D Major No.116 for Flute, Strings and Continuo QV ... - Budapest Strings
Concerto in D Major No.116 for Flute, Strings and Continuo QV ...
Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Budapest Strings
Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in D Major for Flute, Oboe, Violin, Violoncello, Theorbe, ... - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in E Minor for Flute, Strings and Continuo [Original Version] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger
Concerto in B Minor for Flute, Two Violins and Continuo [Dresden Versi] - Mozarteum Orchester Salzburg, Benjamin Schmidinger

Tracks:

Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: ... - Dresdner Philharmonic, Sebastian Weigle
Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: Adagio - Budapest Strings
Concerto for Violin and Orchestra No. 1 in B Flat Major, K.207: Presto - Dresdner Philharmonic, Sebastian Weigle
Concerto for Violin and Orchestra No. 2 in D Major, K.211: Allegro ... - Dresdner Philharmonic, Sebastian Weigle
Concerto for Violin and Orchestra No. 2 in D Major, K.211: Andante - Dresdner Philharmonic, Sebastian Weigle
Concerto for Violin and Orchestra No. 2 in D Major, K.211: ... - Dresdner Philharmonic, Sebastian Weigle
Adagio in E Major for Violin and Orchestra, K.261 - Dresdner Philharmonic, Sebastian Weigle
Rondo in B Flat Major for Violin and Orchestra, K.269 - Dresdner Philharmonic, Sebastian Weigle
Rondo in C Major for Violin and Orchestra, K.373 - Dresdner Philharmonic, Sebastian Weigle

Tracks:

Concerto for Horn and Orchestra in E Flat, K.495: Allegro Maestoso - Dresdner Philharmonic, Sebastian Weigle
Concerto for Horn and Orchestra in E Flat, K.495: Romance. Andante ... - Dresdner Philharmonic, Sebastian Weigle
Concerto for Horn and Orchestra in E Flat, K.495: Rondo. Allegro ... - New Bach Collegium Musicum
Concerto for Horn and Orchestra in E Flat, K.447: Allegro - Dresdner Philharmonic, Sebastian Weigle
Concerto for Horn and Orchestra in E Flat, K.447: Romance. Larghetto - Dresdner Philharmonic, Sebastian Weigle
Concerto for Horn and Orchestra in E Flat, K.447: Allegro - Dresdner Philharmonic, Sebastian Weigle
Rondo in D Horn and Orchestra [Horn Concerto, K.412, Second Movement] - Daniel Gerard, Vienna Mozart Ensemble
Concerto for Horn and Orchestra in E Flat, K.417: Allegro - Daniel Gerard, Vienna Mozart Ensemble
Concerto for Horn and Orchestra in E Flat, K.417: Andante - Daniel Gerard, Vienna Mozart Ensemble
Concerto for Horn and Orchestra in E Flat, K.417: Rondo. Allegro - Daniel Gerard, Vienna Mozart Ensemble
Concerto in E for Horn and Orchestra K.494a (First Movement; Fragment) - Daniel Gerard, Vienna Mozart Ensemble
Concerto in D for Horn and Orchestra, K.412/514 (386b) [Traditional Ve] - Daniel Gerard, Vienna Mozart Ensemble
Concerto in D for Horn and Orchestra, K.412/514 (386b) [Traditional Ve] - New Bach Collegium Musicum
Rondo in E Flat for Horn and Orchestra, K.371 - Franz Liszt Chamber Orchestra, Miklos Perenyi
Concerto Movement in E Flat for Horn and Orchestra - Franz Liszt Chamber Orchestra, Miklos Perenyi

Tracks:

Piano Concerto No.23 in a Major, K.488: Allegro - Franz Liszt Chamber Orchestra, Miklos Perenyi
Piano Concerto No.23 in a Major, K.488: Andante - Franz Liszt Chamber Orchestra, Miklos Perenyi
Piano Concerto No.23 in a Major, K.488: Presto - Franz Liszt Chamber Orchestra, Miklos Perenyi
Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Allegro - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Andante - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Piano Concerto No. 9 in E Flat Major, K.271, Jeune Homme: Rondo. ... - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart

Tracks:

Cello Concerto No. 1 in C Major: Moderato - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Cello Concerto No. 1 in C Major: Adagio - New Bach Collegium Musicum
Cello Concerto No. 1 in C Major: Allegro Molto - Rudolf Gleissner, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Cello Concerto No. 2 in D Major: Allegro Moderato - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Cello Concerto No. 2 in D Major: Adagio - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart
Cello Concerto No. 2 in D Major: Allegro - Rudolf Gleissner, Hermann Herder, Hans Kalafusz, Lajos Lencses, Radio Symphony Orchestra of Stuttgart

Tracks:

Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: Allegro - Budapest Philharmonic Orchestra, Jennd
Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: Adagio - Budapest Philharmonic Orchestra, Jennd
Concerto for Violin and Orchestra in C Major, Hob. Viia: 1: ... - Budapest Philharmonic Orchestra, Jennd
Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - Budapest Symphony Orchestra, Emmy Verhey
Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - Budapest Symphony Orchestra, Emmy Verhey
Concerto for Violin and Orchestra in a Major, Hob. Viia: 3, "Melk ..." - New Bach Collegium Musicum
Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana
Sinfonia in B Flat Major, Hob. I: 105 for Violin, Cello, Oboe, Bassoon - Maria Balint, Radio Symphony Orchestra Ljubljana

Tracks:

Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: Allegro - Gary Karr, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: ... - Maria Balint, Radio Symphony Orchestra Ljubljana
Concerto for Piano and Orchestra No. 1 in B Flat Minor, Op.23: Allegro - Budapest Philharmonic Orchestra, Miklos Szenthelyi
Concerto for Violin and Orchestra in D Major, Op.35: Allegro Moderato - Budapest Philharmonic Orchestra, Miklos Szenthelyi
Concerto for Violin and Orchestra in D Major, Op.35: Andante - Budapest Philharmonic Orchestra, Miklos Szenthelyi
Concerto for Violin and Orchestra in D Major, Op.35: Allegro ... - Budapest Symphony Orchestra, Emmy Verhey

Tracks:

Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Allegro ... - Budapest Strings
Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Adagio ... - New Bach Collegium Musicum
Concerto for Violin and Orchestra No. 1 in D Major Op. 6: Rondo. ... - Budapest Symphony Orchestra, Emmy Verhey
Introduction and Variations on a Theme by Rossini - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
Po, Op. 25 - Vesselin Eshkenasi, Sofia Philharmonic Orchestra

Tracks:

Violin Concerto No. 1 in G Minor, Op.26: Vorspiel. Allegro Moderato - Vesselin Eshkenasi, Sofia Philharmonic Orchestra
Violin Concerto No. 1 in G Minor, Op.26: Adagio - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
Violin Concerto No. 1 in G Minor, Op.26: Finale. Allegro Energico - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
Violin Concerto in E Minor, Op.64: Allegro Molto Appassionato - Wolfgang Boettcher, Ulf Hoelscher, Radio Symphony Orchestra of Stuttgart
Violin Concerto in E Minor, Op.64: Andante - Budapest Festival Orchestra, Miklos Perenyi
Violin Concerto in E Minor, Op.64: Allegretto Non Troppo - Allegro ... - New Bach Collegium Musicum

Tracks:

Concerto for Violin and Orchestra in D Major, Op.77: Allegro Non ... - Budapest Festival Orchestra, Miklos Perenyi
Concerto for Violin and Orchestra in D Major, Op.77: Adagio - Budapest Festival Orchestra, Miklos Perenyi
Concerto for Violin and Orchestra in D Major, Op.77: Allegro Giocoso - - Budapest Festival Orchestra, Miklos Perenyi
Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova
Concerto for Violin, Cello and Orchestra in a Minor, Op.102 Double ... - Bulgarian National Choir, Stoika Milanova

Tracks:

Cello Concerto in B Minor, Op.104: Allegro - Bulgarian National Choir, Stoika Milanova
Cello Concerto in B Minor, Op.104: Adagio Ma Non Troppo - Bulgarian National Choir, Stoika Milanova
Cello Concerto in B Minor, Op.104: Finale. Allegro Moderato - Bulgarian National Choir, Stoika Milanova
Cello Concerto: Allegro Moderato - Budapest Strings,
Cello Concerto: Andante Con Moto - Bulgarian National Choir, Stoika Milanova
Cello Concerto: Allegro Marciale - Bulgarian National Choir, Stoika Milanova

Tracks:

Concerto for Violin and Orchestra No. 1 in D Major Op.19 - Bulgarian National Choir, Stoika Milanova
Concerto for Violin and Orchestra in a Minor Op.82 - Budapest Strings, Zoltan Tokos
Concerto for Violin and Orchestra No. 1 in a Minor Op.77 - Budapest Strings, Zoltan Tokos

Tracks:

Concierto de Aranjuez: Allegro Con Spirito - Monika Rost
Concierto de Aranjuez: Adagio - Monika Rost
Concierto de Aranjuez: Allegro Gentile - Budapest Strings,
Sonata Op.22: Allegro - Budapest Strings,
Sonata Op.22: Adagio - Budapest Strings,
Sonata Op.22: Menuetto - Budapest Strings,
Sonata Op.22: Rondo. Allegretto - Budapest Strings,
Spanish Dance No. 2 - Budapest Strings
Castilla No. 7 - Budapest Strings,
Hommage Debussy - Budapest Strings,
Spanish Dance - Budapest Strings,

Album Description

This heavenly 20-CD set brings together the most beautiful music of all time...it must be what angels listen to! Float in the clouds as you listen to Vivaldi's Four Seasons, Bach's Brandenburg Concertos and Rodrigo's Concierto de Aranjuez... to name just a few. This Concert Collection will take a winning position in anyone's music library.

Customer Reviews:

Heavenly.......2007-06-06

A collection of masters that insist that you relax as you listen. An exquisit addition to any music cd collection.

What a value!.......2005-07-26

A wonderful collection of music spanning from the Baroque to the Modern and so Affordable. Each CD is in a full size jewel-case with beautiful cover art - paintings of Renaissance-era angels in muted, slightly reflective, metal-tone inks - all within a box that ties them all together. There are no liner notes in the booklet, just track listings, but the music speaks for itself. It's not completely apparent from the track listing who the composers are, so here's the breakdown: Disc 1 - Vivaldi's "Four Seasons"; Disc 2 - Vivaldi flute concertos; Disc 3 and 4 - Bach Brandonburg concertos; Disc 5 - Bach violin concertos; Disc 6 - Handel concerto grossi; Disc 7 - Handel organ concertos; Disc 8 - Flute concertos by Quantz, Heinchen, Buffardin, Adolph-Hasse; Disc 9 - Mozartt violin concertos; Disc 10 - Mozart horn concertos; Disc 11 - Mozart piano concertos; Disc 12 - Haydn cello concertos; Disc 13 - Haydn violin concertos; Disc 14 - Tchaikovsky violin concerto and piano concerto; Disc 15 - Paganini and Chausson violin concertos; Disc 16 - Bruch and Mendelssohn violin concertos; Disc 17 - Brahms concertos; Disc 18 - Dvorak and Hindesmith cello concertos; Disc 19 - Russian composers Prokofiev, Galzanov and Shoshakovich violin concertos; Disc 20 - Spanish guitar concertos of Rodrigo, Sor, Granados, Albeniz and de Falla.

Average customer rating:

The Story Of Haydn

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Children's Music | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

The Story of Beethoven
The Story Of Handel
The Story of Bach
The Story of Mozart
The Story of Schubert

ASIN: B000001KD1
Release Date: 1995-04-16

Tracks:

Symphony No. 104 In D Major 'London': Menuetto - Allegro
Harpsicord Concerto In D Major: Vivace
Symphony No. 100 In G Major 'Miltary': Allegretto
Mass No. 2 In E- Flat Major: Great Organ Mass
Symphony No. 82 In C Major 'The Bear': Vivace assai
Keyboard Sonata No. 48 In C Major: Allegro con brio
Symphony No. 45 In F-Sharp Minor 'Farewell': Allegro assai
Violin Concerto No. 1 In C Major: Allegro moderato
Allegro con spirito
Symphony No. 96 In D Major 'Miracle': Allegro
Symphony No. 96 In D Major 'Miracle': Andante
Baryton Divertimento No. 107 In D Major: Minuet and Trio
Music Clock
Trumpet Concerto In E-Flat Major: Adagio
Symphony No. 45 In F-Sharp Minor 'Farewell': Adagio
Symphony No. 82 In C Major 'The Bear': Vivace
Symphony No.11 In G Major 'Miltary': Excerpts
Philemon And Baucis: Tenor Aria 'Nemo'
Symphony No. 104 In D Major 'London': Allegro spiritoso
Horn Concerto No. 2 In D Major: Allegro
Symphony No. 101 In D Major 'Clock': Presto; Menuetto (Allegretto)
Symphony No. 94 In G Major 'Surprise': Andante
Symphony No. 96 In D Major 'Miracle': Vivace assai
Symphony No. 101 In D Major 'Clock': Andante
Symphony No. 104 In D Major 'London': Andante
Mass in D-flat Major: Gloria
String Quartet in C Major, Op. 76 No. 3 Emperor
The Creation: Chrous: 'The Heavens are Telling'
Austrian National Anthem
Cello Concerto In D Major, Hob. VIIb, No. 2: Moderato
Cello Concerto In D Major, Hob. VIIb, No. 2: Adagio
Cello Concerto In D Major, Hob. VIIb, No. 2: Allegro molto

Average customer rating:

Delightful Music
Too Bland for Haydn!!!
Haydn: Complete Piano Trios
Gramophone "Top 100 " Recording
Pick of the Litter

Haydn: Complete Piano Trios

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

Beethoven: The Piano Trios
Mozart: The Complete Piano Trios
Haydn: The Complete Piano Sonatas
Schumann: Complete Piano Trios
Franz Schubert: Complete Trios

ASIN: B0000041LO
Release Date: 1997-09-16

Tracks:

Hob. XV:30 In E Flat: Allegro moderato
Hob. XV:30 In E Flat: Andante con moto
Hob. XV:30 In E Flat: Presto
Hob. XV:27 In C: Allegro
Hob. XV:27 In C: Andante
Hob. XV:27 In C: Finale (Presto)
Hob. XV:28 In E: Allegro moderato
Hob. XV:28 In E: Allegretto
Hob. XV:28 In E: Finale (Allegro)
Hob. XV:29 In E Flat: Poco allegretto
Hob. XV:29 In E Flat: Andantino ed innocentemente
Hob. XV:29 In E Flat: Finale: Allemande (Presto assai)

Tracks:

Hob. XV:24 In D: Allegro
Hob. XV:24 In D: Andante
Hob. XV:24 In D: Allegro, ma dolce
Hob. XV:25 In G: Andante
Hob. XV:25 In G: Poco adagio. Cantabile
Hob. XV:25 In G: Rondo all'Ongarese (Presto)
Hob. XV:26 In F Sharp Minor: Allegro
Hob. XV:26 In F Sharp Minor: Adagio cantabile
Hob. XV:26 In F Sharp Minor: Tempo di menuetto
Hob. XV:31 In E Flat: Andante cantabile
Hob. XV:31 In E Flat: Allegro

Tracks:

Hob. XV:20 In B Flat: Allegro
Hob. XV:20 In B Flat: Andante cantabile
Hob. XV:20 In B Flat: Finale (Allegro)
Hob. XV:21 In C: Adagio pastorale - Vivace assai
Hob. XV:21 In C: Molto andante
Hob. XV:21 In C: Finale (Presto)
Hob. XV:22 In E Flat: Allegro moderato
Hob. XV:22 In E Flat: Poco adagio
Hob. XV:22 In E Flat: Finale (Allegro)
Hob. XV:23 In D Minor: Molto andante
Hob. XV:23 In D Minor: Adagio ma non troppo
Hob. XV:23 In D Minor: Finale (Vivace)

Tracks:

Hob. XV:15 In G: Allegro
Hob. XV:15 In G: Andante
Hob. XV:15 In G: Finale (Allegro moderato)
Hob. XV:17 In F: Allegro
Hob. XV:17 In F: Finale (Tempo di menuetto)
Hob. XV:32 In G: Andante
Hob. XV:32 In G: Allegro
Hob.XV:18 In A: Allegro moderato
Hob.XV:18 In A: Andante
Hob.XV:18 In A: Allegro
Hob. XV:19 In G Minor: Andante - Presto
Hob. XV:19 In G Minor: Adagio, ma non troppo
Hob. XV:19 In G Minor: Presto

Tracks:

Hob. XV:12 In E Minor: Allegro moderato
Hob. XV:12 In E Minor: Andante
Hob. XV:12 In E Minor: Rondo (Presto)
Hob. XV:13 In C Minor: Andante
Hob. XV:13 In C Minor: Allegro spiritoso
Hob. XV:14 In A Flat: Allegro moderato
Hob. XV:14 In A Flat: Adagio
Hob. XV:14 In A Flat: Rondo (Vivace)
Hob.XV:16 In D: Allegro
Hob.XV:16 In D: Andantino pito allegretto
Hob.XV:16 In D: Vivace assai

Tracks:

Hob. XV:7 In D: Andante con variazioni
Hob. XV:7 In D: Andante
Hob. XV:7 In D: Allegro assai
Hob. XV:8 In B Flat: Allegro moderato
Hob. XV:8 In B Flat: Tempo di menuetto
Hob. XV:9 In A: Adagio
Hob. XV:9 In A: Vivace
Hob. XV:10 In E Flat: Allegro moderato
Hob. XV:10 In E Flat: Presto
Hob. XV:10 In E Flat: Allegro moderato
Hob. XV:10 In E Flat: Tempo di menuetto

Tracks:

Hob. XV:f1 In F Minor: Allegro moderato
Hob. XV:f1 In F Minor: Menuet
Hob. XV:f1 In F Minor: Finale (Allegro)
Hob. deest in D: Allegro molto - Andante
Hob. XIV:C1 In C: Adagio - Presto
Hob. XIV:C1 In C: Menuet
Hob. XIV:C1 In C: Hob. XIV:C1 in C: Finale
Hob. XV:2 In F: Allegro moderato
Hob. XV:2 In F: Menuetto. Allegretto
Hob. XV:2 In F: Finale (Adagio con variazioni)
Hob. XV:5 In G: Adagio non tanto
Hob. XV:5 In G: Allegro
Hob. XV:5 In G: Allegro
Hob. XV:6 In F: Vivace
Hob. XV:6 In F: Tempo di menuetto

Tracks:

Hob. XV:40 in F: Moderato
Hob. XV:40 in F: Menuet
Hob. XV:40 in F: Finale (Allegro molto)
Hob. XV:41 in G: Allegro
Hob. XV:41 in G: Menuet
Hob. XV:41 in G: Adagio
Hob. XV:41 in G: Finale (Presto)
Hob. XV:35 in A: Capriccio (Allegretto)
Hob. XV:35 in A: Menuet
Hob. XV:35 in A: Finale (Allegro)
Hob. XV:34 in E: Allegro moderato
Hob. XV:34 in E: Menuet
Hob. XV:34 in E: Finale (Presto)
Hob. XV:36 In E Flat: Allegro moderato
Hob. XV:36 In E Flat: Polones
Hob. XV:36 In E Flat: Finale (Allegro molto)
Hob. XV:38 In B Flat: Allegro moderato
Hob. XV:38 In B Flat: Menuet
Hob. XV:38 In B Flat: Finale (Presto)

Tracks:

Hob. XV37 in F: Adagio
Hob. XV37 in F: Allegro molto
Hob. XV37 in F: Menuet
Hob XV:C1 in C: Allegro Moderato
Hob XV:C1 in C: Menuet
Hob XV:C1 in C: Andante con variazioni
Hob. XIV:6-XVI:6 in G: Allegro
Hob. XIV:6-XVI:6 in G: Adagio
Hob. XIV:6-XVI:6 in G: Menuetto
Hob.XV:39 in F: Allegro
Hob.XV:39 in F: Andante
Hob.XV:39 in F: Allegro
Hob.XV:39 in F: Menuetto
Hob.XV:39 in F: Scherzo
Hob. XV:1 in G minor: Moderato
Hob. XV:1 in G minor: Menuet
Hob. XV:1 in G minor: Presto

Amazon.com

Haydn's piano trios deserve far more attention than they receive. As music lovers know, they are every bit as rewarding as his symphonies and string quartets, and also very numerous. They are not, however, true trios as we understand the term now. Essentially, Haydn took the sonata for violin and piano and added a cello part to strengthen the weak bass of contemporary pianos. This doesn't inhibit the quality of the music in any way, but it has prevented modern piano trios from taking them up since the cellist usually wants something more exciting to do. All praise, then, to the Beaux Arts Trio for understanding that musical quality is more important than instrumental display. --David Hurwitz

Amazon.com

This set, recorded during the 1970s, is still the only complete recording of Haydn's trios. (Imagine if there were only one recording of Mozart's or Beethoven's trios!) In this low-priced, space-saving format, it is one of the greatest chamber music bargains of all time. The great Beaux Arts Trio took its time recording the music, so every piece was thoroughly studied and absorbed before it was recorded. Some period instrument groups might be more stylish or authentic in a given trio, but this is still a splendid series of performances and your only chance to hear all of the music. Take the box on vacation; it doesn't use up much space! --Leslie Gerber

Customer Reviews:

Delightful Music.......2006-03-04

The Beaux Arts Trio, as always, performs well enough to win an award with these trios. The works are so tuneful that I frequently found myself walking around the house humming the tunes after hearing a quartet for the first time.

This music is also wonderful to listen to while doing desk work or reading. You'll not be disappointed.

Too Bland for Haydn!!!.......2006-01-17

No doubt that Haydn is one of the greatest composers of all times both in terms of quality and quantity of his diverse compositions.I have always found his piano sonatas very witty and enjoyable having listened to Jando and Richter.I was completely floored by one of the Haydn's Piano trios featured in the Stern,Rose and Istomin recording of the Schubert Piano Trios-Perky,springy,Bouncy playing keeping the listener constantly guessing.It is with great expectation that I bought this complete set of Haydn Piano Trios by the REPUTED Beaux Arts Trio.Listening to the First 2 CDs of this set was a bit of a let down.I find their playing totally bland and Lifeless-Yes,they are pretty but lacking in perky,quirky humour that Haydn is justly known for.They sound like Rameau's compositions!I find that the individuality and personality of Haydn is totally absent.
I know that the Beaux Arts Trio has a Big Reputation but I need to say this.I found their Beethoven Trios a Trifle Bland as well.The Stern Rose Istomin Excel in that recording as well!Ditto for their Schubert Piano Trios.Just what is the Difference?I find the Stern Rose Istomin Trio play with Fresh Abandon whereas the Beaux Arts Trio seem to be too Studious,a little too serious!This robs a little bit of spontaneity and LIVING IN THE MOMENT vitality.(More so for Franz Joseph Haydn!)
Yes,This may be the only complete recording of the wonderful Haydn Piano Trios,but I would strongly advise that you collect th