Sibelius: Finlandia

On this CD:

1. Finlandia, tone poem for orchestra, Op. 26
Composed by Jean Sibelius

Conducted by Vladimir Ashkenazy

2. Karelia Suite, for orchestra, Op. 11 Suite, Op 11
Composed by Jean Sibelius

Conducted by Vladimir Ashkenazy

3. Tapiola, tone poem for orchestra, Op. 112
Composed by Jean Sibelius

Conducted by Vladimir Ashkenazy

4. En Saga, tone poem for orchestra, Op. 9
Composed by Jean Sibelius

Conducted by Vladimir Ashkenazy

Sibelius: Finlandia, Music, Jean Sibelius, Vladimir Ashkenazy, Philharmonia Orchestra of London, 20th/21st Century Tone Poem/Symphonic Poem, Classical, Classical Music, Orchestral, Romantic Tone Poem/Symphonic Poem for Orchestra, Suite for Orchestra

Free
Average customer rating:

HEAVENLY

Sweetest voices ever!

Awesome

Soothing and thought provoking

Pure Crystal

Free
Chris Dodd , Fiona Pears , Anthony Chadney , Ben Crawley , Christopher Robson , and Raoul Platt
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Luminosa

Visions

Libera

Angel Voices

Angel Voices 3

ASIN: B0002RUAAQ
Release Date: 2004-10-05

Tracks:

I Am The Day
Stay With Me
Voca Me
A Song Of Enchantment
Ave Verum
Do Not Stand At My Grave
When A Knight
A New Heaven
I Vow To Thee My Country
Lament
Twilight
Be Still My Soul
Adoramus

Amazon.com

English composer Robert Prizeman has taken a conventional English boy's choir--usually a haven for sweet songs and ecclesiastical renderings--and made them contemporary without selling out any of their intrinsic charm. Their stacked choral voices and lead sopranos, dressed up with electronica rhythms, synthesizers, and strings still sound like they could be coming from the church balcony, even while they exude an Enya-like appeal. While there are adaptations of Gregorian chants and Sibelius hymns, most of the songs are Prizeman originals based on those styles, with texts often drawn from Latin Liturgy. Except for the chilled romanticism of "Stay With Me," and the rhythm driven "Adoramus," whose chorus sounds like a Harry Potter incantation, few of the songs on Free have the anthemic pop appeal of "Salva Me" or "Vespera" from previous albums. Instead, Prizeman has opted for a more serene sound on Free, even with their first video from the disc, the yearning "I Am the Day." Some of it, like Prizeman's setting of a Walter de la Mare poem on "A Song of Enchantment," gets lugubrious. But most of Free floats on gentle soprano breezes, intrinsically innocent, even if the boys might be smoking cigarettes behind the altar. --John Diliberto

Customer Reviews:

HEAVENLY.......2007-06-19

This cd is like listening to a heavenly choir. "Free" is an awesome audio experience. It can turn a stressful day into a calm evening.

Sweetest voices ever!.......2007-06-16

I happened across this CD at Borders and was able to listen to it! One of the sweetest and heavenly CDs ever! I bought two: one for myself and one as a gift.

Awesome.......2007-01-04

I never knew that young boys could have such wonderful voices, almost angelic. The music is very relaxing and haunting at times, but that's what makes it a good album to hear to. The harmonies were so beautiful. To all choir fans, this is a must-have album.

Soothing and thought provoking.......2006-02-23

Libera is an amazing group of boys and Robert Prizeman really knows how to put everything together. My favorite songs on "Free" are Voca Me, Stay With Me, Adoramus, I Am the Day and Twilight. Each time I listen to this disc, another song seems to start growing on me. This was my first Libera CD (I have since bought Luminosa, Libera and Visions) and at first I liked the faster more upbeat songs but as time went on I started to really love the softer ones like Do Not Stand at my Grave and Weep (beautifully done by Ben Crawley and Joseph Platt). The soloists are lovely with clear and pure voices, and the chorus just swells with harmonies. This is choir music for people who hate choir music.

Pure Crystal.......2006-02-20

Like Luminosa, this is incredible. I can only compare it to the beautiful, pristine, classical pieces of antiquity, such as Vivaldi's Spring and Bach's many ethereal melodies. It's beautiful.

Average customer rating:

Beautiful
A few bright spots, but also some disappointments
This CD Deserves SIX Stars!
every good adjective
Fabulous!

Peace Like a River
James Lucas , Janice Kapp Perry , John Rutter , Jean Sibelius , John Tavener , American Traditional , English Traditional , Spiritual Traditional , Mack Wilberg , Craig D. Jessop , Clay Christiansen , John Longhurst , Richard L. Elliott , Daron Bradford , and Meredith Campbell
Manufacturer: Mormon Tabernacle
ProductGroup: Music
Binding: Audio CD

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Consider the Lilies
Love Is Spoken Here
America's Choir
Choose Something Like a Star
Mormon Tabernacle Choir: The Sound of Glory-Battle Hymn of the Republic

ASIN: B00020H9W0
Release Date: 2004-06-22

Tracks:

Sweet Peace
Be Still, My Soul
Peace Like a River
All Things Bright and Beautiful
Lord Is My Shepherd
This Is My Father's World
Wayfarin' Stranger
Lord, Make Me an Instrument of Thy Peace
Swing Low, Sweet Chariot
Deep River
Lamb
Child's Prayer
It Is Well With My Soul
Count Your Blessings Instead of Sheep
Gaelic Blessing
Thou Gracious God, Whose Mercy Lends
Come, Let Us Anew

Customer Reviews:

Beautiful.......2007-06-14

This CD is a must have for any Mormon Tabernacle Choir fans. The music is very reverent and gentle, and should also appeal to those not from the LDS church, seeing as how most of the music is common to the wider Christian community. This CD is a fantastic addition to any music collection.

A few bright spots, but also some disappointments.......2007-01-19

It Is Well With My Soul is one of my favorite-favorites and that is the main reason why I bought the CD; it turned out to be a huge let down on this album, they rearranged it so much that I almost didn't recognize it. Be Still My Soul is another reason why I bought it and it's good, but not great. Swing Low Sweet Chariot is where it starts to get good. The last two songs "Thou Gracious God, Whose Mercy Lends"
and "Come, Let Us Anew" are very good reasons to buy this CD, they each have truely powerful passages and make the CD worth having. The Mormon Tabernacle Choirs 2006 release entitled Then Sings My Soul is by far the best that I've heard from them.

This CD Deserves SIX Stars!.......2005-11-05

However, the rating scale has a limit of five. I own over 700 CDs of virtually every type of music. Peace Like A River belongs in a class by itself! I've never written a review before but, after listening to this STUNNING performance by the Mormon Tabernacle Choir, I feel compelled to share my praise with that of the five other reviewers. If I were limited to one word, I would use the word "SUPERB" to describe this beautiful and moving CD. SIX stars for Peace Like a River! BRAVO!!!

every good adjective .......2005-08-06

This album is all beauty and solace. The singing is pristine, the arrangements lush and often stirring--never saccharine. As with the previous reviewer, my first listing of "Peace Like a River" brought me to tears (especially "Peace Like a River," the sopranos in "Swing Low," and the bagpipes in "Thou Gracious God"). Buy this one.

Fabulous!.......2005-05-29

The perfect recording to help you recover from a long, hard day. Showcasing the MTC's "new" sound in contemporary choral arrangements with its own orchestra and conductor, "Peace Like a River" brought tears to my eyes in selection after selection during my first listen -- and I'm not normally an emotional person! The title song together with "Deep River," "Swing Low" and "Be Still My Soul" are alone worth the cost of the recording. Get this one!

Average customer rating:

A Fine Bargain!
life is beautiful. loud. multifaceted,nuanced and cheap.
My first classical music

Sibelius: Finlandia/Tone Poems.

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Chopin: Preludes & Nocturnes

ASIN: B00004TV9I
Release Date: 2000-06-27

Tracks:

Finlandia, Op. 26
The Swan of Tuonela, Op.22 No. 2
Lemminkainen's Return, Op. 22 No. 4
Valse Triste, Op. 44
The Oceanides, Op. 73 - Helenski Philharmonia Orchestra
Tapiola, Op.112

Customer Reviews:

A Fine Bargain!.......2007-03-27

A marvelously performed and warmly recorded compilation of favorite Sibelius tone poems from one of the late 20th Century's foremost conductors of Sibelius...and it's dirt cheap! I can no more adequately describe the Romantic "chilly warmth" of this dramatic music than I could live above the Arctic Circle; there's no other music quite like it. It took me until I lived over twenty years in Northern Michigan to warm up to it, then its appeal became obvious -- go figure.

life is beautiful. loud. multifaceted,nuanced and cheap........2001-10-09

its the last thing to consider in buying music, really but look at how much sellers want for this CD. Then consider the conductor Paavo Berglund, a man with an ear for detail. His almost consistently perfect sense of timing and balance bring you the best tapiola I've heard, compared with Karajan, Davis, Jaarvi, Beecham, et al. phantasmagorical. crank your bass up for the swan (track 2), you'll find the neighborhood flora leaning towards the house in a reverie of past-life deja vu. Its full-on romanticism, no worries about period shmeriod, proper this or that.just SOUND. If passion and tumult are the hallmarks of these craggy pieces, we are incredibly well served by the Philharmonia (mostly here) upon pressing play. modern life has its quirks.

My first classical music.......2000-08-03

This is probaly the first real introduction to classical music I've had outside the usual Beethoven, Tchaikovsky, and Bach. I've fallen in love with the drama that plays through the tracks on this album. The music moves through countless moods. Definately worth your time!

Average customer rating:

Movie Themes CD
"three decades of film composers ~ Simply The Best"

Simply the Best Movie Themes

Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001CNRL6
Release Date: 2004-02-24

Tracks:

Theme From Mission Impossible - Schifrin
Theme From Gladiator - Zimmer
Hedwig's Theme - Williams
Harry's Wondrous World - Williams
Allegro Moderato - Symphony No. 8 'Unfinished' - Schubert
Suite From Shakespeare In Love - Warbeck
Out Of Africa - Barry
Requiem, Rex Tremendae - Mozart
Prelude In E Minor, Op. 28, No. 4 - Chopin
Suite No. 3 In D, Air On The G String - J.S. Bach
I Will Always Love You - Parton
Symphony No. 40, Molto Allegro - Mozart
Finlandia - Sibelius
My Heart Will Go On - Horner

Tracks:

Theme From Lord Of The Rings - Shore
Overture To All That Jazz - Kander & Ebb
'Trout' Quintet, Theme, Andantino And Variations - Schubert
Prelude No. 15 In D-Flat - Chopin
Windmills Of Your Mind - LeGrand
(Everything I Do) I Do It For You - KAMEN
Theme From Schindler's List - Williams
Also Sprach Zarathustra, Excerpt - Strauss
Symphony No. 3, Lento Cantabile - Semplice - Gorecki
Die Walkure, Ride Of The Valkyries - Wagner
Goldberg Variations, Aria Da Capo - J.S. Bach
Theme From License To Kill - KAMEN
Sonata No. 8, Op. 13, 'Pathetique,' Andante Cantabile - Beethoven
Die Another Day - Arnold
Symphony No. 9, Ode To Joy, Excerpt - Beethoven

Customer Reviews:

Movie Themes CD.......2007-03-10

Very nice CD with beautiful music from past movies. Very relaxing music to listen to.

"three decades of film composers ~ Simply The Best".......2004-03-06

Rhino Movie Music presents "Simply The Best Movie Themes", featuring the Royal Philharmonic Orchestra and other various artists ~ within the realm of the following composers David Arnold, John Barry, Alan Bergman, Marilyn Bergman, Wendy Carlos, Fred Ebb, James Horner, James Newton Howard, Michael Kamen, John Kander, Michel Legrand, Alex North, Basil Poledouris, Howard Shore, Wladyslaw Szpilman, Stephen Warbeck, John Williams and Hans Zimmer ~ each composer has created one or more of the scores in this twenty nine classic line up.

Film scores covering over three decades with "2001:SPACE ODYSSEY", "A CLOCKWORK ORANGE", "APOCALYPSE NOW", "THE BODYGUARD(I Will Always Love You)", "CHICAGO(Overture to All That Jazz), "DIE ANOTHER DAY", "EYES WIDE SHUT", "FEARLESS", "GLADIATOR(Theme)", "HANNIBAL", "HARRY POTTER AND THE SORCERER'S STONE(Hedwig's Theme)", "HARRY POTTER AND THE SORCERER'S STONE(Harry's Wondrous World)", "THE HUNT FOR RED OCTOBER", "JURASSIC PARK:THE LOST WORLD", "LICENSE TO KILL, "LIVING DAYLIGHTS", "THE LORD OF THE RINGS(Theme)", "MINORITY REPORT", "MISSION IMPOSSIBLE (Theme)", "OUT OF AFRICA", "THE PIANIST", "ROBIN HOOD, PRINCE OF THIEVES", "SCHINDLER'S LIST", "SE7EN", "SHADOWLANDS", "SHAKESPEARE IN LOVE", "THE SIXTH SENSE", "THE THOMAS CROWN AFFAIR"and "TITANIC(My Heart Will Go On)" ~ a mixture of original compositions and classics of the old masters. Loaded with not just themes, but full of orchestral arrangements that are fresh and rewarding ~ sure to bring back those special moments from the film.

The presentation is superb with every cue inclusive with spectacular performances from suspense, romance and adventure all rolled into a two disc package. Rhino must be commended on doing such a great job and doing it well. Most serious "film-score-buffs" will welcome this compilation, has many cues available all under one banner ~ Rhino Records...gotta love it!

Customer Reviews:

Must buy.......2006-05-16

Superlative seven-CDS hyper-bargain bid from BMG can't never beat that!!Over-all an allround best buy If you snooze you lose

Simply great Sibelius.......2006-05-15

At less than 20GBP, this set offers a most excellent initiation to the world of Johan Sibelius s'masterly work. A nice collection, that includes the symphonies (1--7) with important compositions such as the ever fascinating Kulervo and myriads of "TonePoems". The L.S.O play together with dedication, the sound and direction by sir Colin Davis increase the impression of greatness in the music. I was a little skeptical of the new Davis Kulervo "live", of which I prefer this one on rca, but been of course amazed by the L.S.O.Live powerful versions of symphonies 3 & 7. Otherwise, I generally love this uniformly excellent set, even more so than the earlier cycle in Boston of which I still like, above all, symphonies 5&6. Here, with this rca set, the "highlights" are to be found in symphonies 1, 3, 4, 5 and 6, as well as in a bracing and quite dramatic Kulervo. Among the poems, En Saga and Pohjola really shine along with a wonderful Suite Karelia. Of course everything is not perfection, but who will pretend to be anyway? I recommend highly this important box set, even more than the competitive 5CD Naxos however very good it is. Davis is a master Sibelian, no doubt about that. Kind regards. m.vuriling

Splendid Performances from LSO and Sir Colin Davis.......2004-12-31

This 7 CD set includes all of Sir Colin Davis' second Sibelius symphony cycle recorded with the London Symphony Orchestra in the 1990's, along with almost all of Sibelius' other major orchestral works, most notably his tone poems (Some of these were recorded as recently as 2000 or 2001.). These are impressive, vibrant performances replete with exquisite playing by the London Symphony Orchestra. Critics have praised Davis' first Sibelius symphony cycle with the Boston Symphony Orchestra as among the best; without question, his second symphony cycle is not only just as fine, but comes with better quality digital sound (However, with respect to sound, the best Sibelius symphony cycle that he's recorded may be the recent one with the LSO Live CD label.). I especially enjoyed the recordings of Sibelius' 2nd, 5th and 7th symphonies, and the tone poem En Saga, but all of Sibelius' works in this CD set are quite fine. Those interested in hearing music made by Sir Colin Davis, widely regarded as our foremost interpreter of Sibelius, with one of the world's greatest orchestras, the London Symphony Orchestra, will not be disappointed with this CD set.

Average customer rating:

THE Sibelius set...
Outstanding performances
An Introduction to Sibelius
WONDERFUL SOUND!
Hype and reality

Sibelius: The Complete Symphonies 2

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Release Date: 1995-06-13

Tracks:

Symphony No. 3 In C, Opus 52: 1. Allegro moderato
Symphony No. 3 In C, Opus 52: 2. Andantino con moto, quasi allegretto
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Symphony No. 6 In D Minor, Opus 104: 1. Allegro molto moderato
Symphony No. 6 In D Minor, Opus 104: 2. Allegretto moderato
Symphony No. 6 In D Minor, Opus 104: 3. Poco vivace
Symphony No. 6 In D Minor, Opus 104: 4. Allegro molto
Symphony No. 7 In C, Opus 105: Adagio -
Symphony No. 7 In C, Opus 105: Vivacissimo - Adagio -
Symphony No. 7 In C, Opus 105: Allegro molto moderato - Allegro moderato -
Symphony No. 7 In C, Opus 105: Vivace - Presto - Adagio - Largamente molto -
Symphony No. 7 In C, Opus 105: Affettuoso

Tracks:

Violin Concerto In D Minor, Opus 47: 1. Allegro moderato
Violin Concerto In D Minor, Opus 47: 2. Adagio di molto
Violin Concerto In D Minor, Opus 47: 3. Allegro, ma non tanto
Finlandia, Opus 26
Tapiola, Opus 112: Tone Poem
The Swan of Tuonela, Opus 22 No. 2: Legend

Amazon.com essential recording

It was clever of Philips to couple Sibelius's least popular symphonies with the extremely popular Violin Concerto and tone poems. Don't let the words "least popular" scare you off, however. If you like Sibelius, you'll love the Third and Sixth Symphonies. The latter, in particular, is one of the most purely beautiful pieces of music in the history of sound; its only flaw is a quiet ending that makes conductors unwilling to play it at live concerts. Sir Colin Davis and the Boston Symphony perform all of this music with idiomatic flair and unflagging enthusiasm. These versions are far superior to Davis's recent remakes on RCA, and a lot cheaper too. So go ahead, indulge. --David Hurwitz

Customer Reviews:

THE Sibelius set..........2006-12-05

Sir Colin Davis has been known as a supreme Sibelius conductor for over 30 years now and this(his first complete cycle with the Boston Symphony Orchestra)is a perfect example of why. Davis gets into the heart of these works and shows why I consider Sibelius to be my favorite overall symphonist. These pieces all have an icy, lonely, quality that I've never heard from any other composer. No doubt part of this sound was highly influenced by the desolate landscape of his native Finland and one can almost feel the mountains and fjords when listening.

The symphonies on this set are basically perfect. Not to discredit his awesome first two, but Symphony no. 3 was his first truly innovative work and an unbelievably memorable and enjoyable piece. The 6th and 7th were his last two symphonies and perhaps his greatest. The richly melodic and inventive 6th is my personal favorite Sibelius work. The 7th is another standout for its unusual single movement structure and epic sound despite its sort length.

I'm usually not a huge fan of concertos in general, and the violin has never been my favorite instrument(I vastly prefer cello or piano), but Sibelius' violin concerto is an unbelievable work. There's no fancy showing off just for the sake of virtuosity here, although this piece does require a top-notch player. It's a bleak and chilling concerto and the orchestra shimmers right along side of the voilin. Admittedly this is the only version of this work I've head, but I was very very impressed. The second disc concludes impressively with 'Findlandia', 'Tapiola', and 'The Swan of Tuonela'- The three most popular Sibelius tone poems.

Philips deserves much credit here for pairing the least popular Sibelius symphonies with a second disc that includes some of his most popular works. Not only does this work perfectly to fill up each disc, but it should hopefully also introduce some hesitant fans to three awesome and neglected symphonies.

Outstanding performances.......2006-11-21

In the 1970s Colin Davis and the Boston Symphony Orchestra recorded a complete cycle of Sibelius symphonies, as well as the violin concerto and a few of the tone poems. A number of the live performances before the recording sessions were broadcast on PBS. The Davis cycle was generally regarded as one of the best available at that time, although the recorded sound was considered below Philips' usual high standard.

As it happens, the performances collected in Vol. 2 are among the stronger in the series. The two weakest performances--the Second and the Fourth--are in Vol. 1. If you're just getting to know Symphonies 3, 6, and 7, these are thoughtful, well-shaped, well-played performances with a strong feeling for the Sibelius sound world. Tempo relationships are reasonable. Davis doesn't rush the (apparently) faster music after the slow opening of the Sixth Symphony, a key point for those of us who love this symphony. A big plus is the violin concerto with Salvatore Accardo. There may be fierier or more virtuosic performances, but Davis makes the orchestra an equal partner. If you like the violin concerto treated as an additional Sibelius symphony, and I do, you'll like this interpretation.

Considering Vols. 1 and 2 of the Davis cycle together, I'd rate them superior to the Maazel/Vienna, but below the Berglund cycle, simply because none of Berglund's performances is as misconceived as the Davis Fourth. If you're looking for the specific works in Vol. 2, I wouldn't hesitate to get the Davis.

An Introduction to Sibelius.......2005-11-22

The music of Jean Sibelius (1865 --1957) has enjoyed a varied reputation over the years, but it today is held in deservedly high regard. His seven symphonies, in their varied forms, are classics of the Twentieth Century.

I have lived for several years with Sir Colin Davis' recordings of Sibelius with the Boston Symphony Orchestra. Davis is an acknowledged master of this music. The recordings date from 1975 -- 1979 and are currently available on two "duo" CD sets from Phillips. Davis later recorded the cycle again and a third version is in process. But the Boston Symphony compilation is highly accessible and modestly priced. If you are looking for an introduction to the essential works of Sibelius, this set is for you.

I supplemented my recent listening to this music by reading the accounts of each of Sibelius' symphonies in Michael Steinberg's excellent reference book : "The Symphony a Listener's Guide" (1995). I also have read the account of the violin concerto in Steinberg's parallel guide to the standard concerto repertory. Listeners wanting a more detailed discussion of the symphonies and concerto than that found in most liner notes, including the notes for this set, will greatly benefit from reading Steinberg.

This CD opens with Sibelius' symphony no. 3 in C major composed in 1904. This is a three-movement work in which the composer finds fully his own voice. The work is spare and neoclassical in style, written with both energy and restraint. The first movement opens with a brisk, characteristic theme for cello and bass. The second movement is intermezzo-like, with rhythmic ambiguity and a lovely singing theme as it progresses. The finale is in two parts with ever-changing tempos and moods leading to a final climax at the end.

The symphony no. 6 in D, opus 104 dates from 1923 and has always been my favorite of the Sibelius symphonies. As Steinberg points out, much of this symphony is written in the Dorian mode (on the piano this consists of playing all the white keys beginning on D) giving the music an etherial and remote character. The scoring of this work is also unusual with Sibelius using a harp and a bass clarinet, both of which add a great deal of color to the orchestration. Although this symphony is in the standard four-movements it is far from traditional, as the music is weightless, enigmatic, and mysterious. It is restrained in tone and ends very softly after a remarkably beautiful theme in the strings. The sixth is a highly idiosyncratic work.

Sibelius' completed his final symphony, no. 7 in C in 1924. This is a work of only about 21 minutes in what is nominally a single movement. But in its short space, the symphony moves through a variety of tempos and moods, all tightly unified and flowing from one section to the next. Some hear the work in five sections while others hear it in three. Many critics have noted that "The Seventh Symphony consummates the nineteenth-century search for symphonic unity". (Steinberg, page 607, quoting Robert Layton.) The work opens with a long slow section based upon a drum-tap and an ascending scale and concludes with a loud, triumphant chord in the brass on C major. This is tightly-written yet romantic and passionate music that will repay many listenings. Even though Sibelius lived more than 30 years after completing this work, he composed no more symphonies.

This CD also includes Sibelius' violin concerto in D minor opus 47 which the composer wrote in 1903 and revised in 1905. This work has at least found its place in the standard concert repertory. (It was recently programmed a few weeks apart in my area by the National Symphony Orchestra in Washington D.C. and by the Fairfax Symphony Orchestra in suburban Virginia.) The work is performed here by Salvatore Accardo with Colin Davis conducting the London Symphony Orchestra. The violin concerto differs from Sibelius' symphonic writing in that it is unabashedly and passionately romantic in character and a crushingly difficult, virtuoso piece for the soloist. The first movement includes a long, famous and showy cadenza followed by a long meditative slow movement and a lively, icy finale. This is one of the finest twentieth-century violin concertos and worthy to stand with its great nineteenth century predecessors.

The CD closes with three of Sibelius' shorter works for orchestra including his most familiar work, "Finlandia" , composed in 1899, which for some years was the only work of the composer to get a hearing. It also includes the long tone-poem "Tapiola", one of the composer's last important works and written after the seventh symphony. But the highlight of these last three works is "The Swan of Tuneola" opus 22, which includes an inimitable solo for the English Horn performed here by Laurence Thorstenborg.

This CD and its companion are ideal ways to get to know the music of Sibelius.

Robin Friedman

WONDERFUL SOUND!.......2005-09-15

The orchestra here sounds so vast and powerful--but also it carries a mellowness, a smoothness. Fantastic listening!
It's a bit like the gutsy sound of Beethoven melded with the easy sound of Faure's choral stuff. Can't say enough about this!

Hype and reality.......2005-07-03

I recently bought the Sibelius Volumes 1 and 2 in 2-in-1 sets. I wont comment on the artistic content as they are covered in others reviews of this page. The sound quality of Vol 2 is decidedly degraded - almost unlistenable - compared to the much much higher quality of Volume 1 (with magnificient artistry). The transfers are AAD on the Phillips label which, like DGG, of the 1970's are not meant for better quality music systems (even of that period) and unless remastered disappoint the listener. It is possible that reissues for this particular packaging could be faulty or may be that the repackaging is so cleverly done that all the goodies are on Volume 1 and the second-best on the second. Davis is redoing the Sibelius Synphonies with LSO and that may account for the rush to get this set out of the way!

Average customer rating:

Wide Dynamic Range
Very satisfied with Karajan's interpretation of "Peer Gynt" Suites 1&2
POWERFUL WORKS; GREAT PERFORMANCES
Like you are in the concert hall!
HERBERT von KARAJAN PULLS IT OFF AGAIN, AS USUAL!

Grieg: Peer Gynt Suites/ Holberg Suite

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Deutsche Grammophon: Music | Specialty Stores | Music
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ASIN: B000001GJV
Release Date: 1993-10-12

Tracks:

Peer Gynt Suite No. 1 Op. 46: Morning Mood
Peer Gynt Suite No. 1 Op. 46: Aase's Death
Peer Gynt Suite No. 1 Op. 46: Anitra's Dance
Peer Gynt Suite No. 1 Op. 46: In the Hall of the Mountain King
Peer Gynt Suite No. 2 op. 55: The Abduction of the Bride
Peer Gynt Suite No. 2 op. 55: Arabian Dance
Peer Gynt Suite No. 2 op. 55: Peer Gynt's Return Home
Peer Gynt Suite No. 2 op. 55: ibid. Solveig's Song
From Holberg's Time, Op. 40: Praludium: Allegro Vivace
From Holberg's Time, Op. 40: Sarabande: Andante
From Holberg's Time, Op. 40: Gavotte: Allegretto, Musette: Un poco mosso- Gavotte
From Holberg's Time, Op. 40: Air: Andante religioso
From Holberg's Time, Op. 40: Rigaudon: Allegro con brio
Valse Triste: Lento
The Swan of Tuonela
Finlandia

Customer Reviews:

Wide Dynamic Range.......2007-07-02

I'm no music expert but, to be positive, this CD has very dramatic and rich sound. While the performance is outstanding (more expressive than a tape that I'm replacing) I ventured to write this review to say that the dynamic range seems very wide. I have a difficult time adjusting the volume to a comfortable level, I'm either turning it up for the pianissimo sections or down for forte. Too bad CD players don't come with a compressor-limiter dial. I have this problem on a few other classical CDs and it makes it hard to enjoy the music unless I'm in front of the stereo in a quiet room. For some reason, when you're in the concert hall it's easy to hear that lone flute, for example, but not necessarily so on a CD. I have a similar problem on the Mendelssohn: A Midsummer Night's Dream / Branagh, McNair, Kirchschlager; Abbado, on Sony but this one isn't that bad by comparison. However, I find this particular CD hard to listen to in the car or at work.

Very satisfied with Karajan's interpretation of "Peer Gynt" Suites 1&2.......2007-05-31

I had heard, through Classical 102.1 (KDFC-FM), one part of the entire "Peer Gynt" Suites, namely "In The Hall of The Moutain King". I was curious about the entire Suites to consider buying the entire album. I enjoy listening to Karajan's interpretation of both "Peer Gynt" Suites. He paid very good attention to tempi, and the playing sounds superb.

POWERFUL WORKS; GREAT PERFORMANCES.......2007-03-16

I have long been fond of both composers, but have not always been pleased with the performances of their works available on CD. I have an old London Phase Four on vinyl that I enjoyed a great deal. Other offerings of Peer Gynt just do not provide the same level of satisfaction.

This CD however, offers wonderful performances by the Berliner Philharmonic, led by Herbert von Karajan. The audio quality is wonderful and is, in my opinion, superior to more recent recordings. One of my favorite selections is the performance of "Finlandia," which evokes the emotion inherent in the piece. I must say that Deutsche Grammophon has rarely disappointed me; even if one does not like a particular composer or performance, the presentations are always top-notch and the accompanying notes are always informative.

Like you are in the concert hall!.......2007-01-16

The CD takes me back to the days I used to watch the live concert on PBS. Couldn't ask for better!!!

HERBERT von KARAJAN PULLS IT OFF AGAIN, AS USUAL!.......2005-12-25

What makes this CD so great is how the Berlin Philharmonic performs Sibelius's Finlandia. Karajan is suscessful in making every single member of that orchestra (with extra gredit given to the woodwinds and brass) perform that piece in such a spellbinding fashion.
The Peer Gynt and Holdberg suites are also excellent sounding in this CD, but it is Finlandia that is the highlight.

Sibelius: Complete Symphonies; Violin Concerto; Finlandia

Average customer rating:

5 Stars for the Symphonies and Finlandia!
As usual, it's mainly a matter of taste.

Sibelius: Complete Symphonies; Violin Concerto; Finlandia

Manufacturer: Ondine
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
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Sibelius: Symphony No. 2

ASIN: B000CQNVSU
Release Date: 2006-03-21

Tracks:

Andante, Ma Non Troppo - Allegro Energico
Andante (Ma Non Troppo Lento)
Scherzo. Allegro
Finale (Quasi Una Fantasia). Andante - Allegro Molto
Symphony No.7 In C Major, Op.105
Finlandia, Op.26 No.7

Tracks:

Allegretto
Tempo Andante, Ma Rubato
Vivacissimo
Finale. Allegro Moderato
Allegro Molto Moderato
Allegretto Moderato
Poco Vivace
Allegro Molto

Tracks:

Allegro Moderato
Andantino Con Moto, Quasi Allegretto
Moderato-Allegro (Ma Non Tanto)
Tempo Molto Moderato-Allegro Moderato (Ma Poco A Poco Stretto)
Andante Mosso, Quasi Allegretto
Allegro Molto

Tracks:

Tempo Molto Moderato, Quasi Adagio
Allegro Molto Vivace
Il Tempo Largo
Allegro
Allegro Moderato
Adagio Di Molto
Allegro, Ma Non Tanto

Customer Reviews:

5 Stars for the Symphonies and Finlandia!.......2007-06-12

If you have loved the Sibelius Symphonies as I have and have been searching for the one set to buy, this is that set. A Finnish conductor and orchestra make it all the better. The recorded sound is amazingingly clear and deep. The performances are rich, detailed and have a great urgency to them. There is I would say a tension to the performaces and excitement and more warmth than so much of the "icy" Sibelius that is out there on CD. The second is taken at a slower pace than some, but at no expense of structure. The first is my personal favorite in the set. Many conductors I think treat this as an early "romantic" Sibelius work (as though it is not "real" Sibelius) and it often comes off rather Tchaikovsky-ish. Not so here as here it definately sounds like Sibelius. I was also very impressed with the 7th, which despite its short length comes off as having great size and breadth, feeling more like a symphony at the length of a tone poem. My only gripe is the recording of the Sibelius violin concerto, which is simply not worthy of the rest of the set. Fortunately there are many good recordings of that concerto available.

The version of Finlandia in this set features chorus with it and it is sublime. A great bonus with the 7 symphonies.

As usual, it's mainly a matter of taste........2006-07-06

Segerstam's Sibelius will probably appeal more to those who appreciate a somewhat rounded, relatively slower paced, more richly textured quality. The possible downside to this may include tendencies toward woolliness or congestion, languidness and atmospheric humidity. In other words, if you like tauter, cleaner lines, a more vivid and energetic pace and a cooler interpretive style, then Segerstam may not be your man. There's no doubt he can be quite musically expressive, but the issue is in what way[s] ? One of the chief considerations with Sibelius is atmosphere. Aside from nature's colors playing a vital role, grandeur or an epic quality frequently demands representation. While Segerstam is capable of projecting a swelling sense of intensity when called for, I feel he doesn't reveal enough in the way of that Sibelian attribute of loftiness. However, the Sixth Symphony's recipe calls for a somewhat different set of ingredients. Though there are still aspects of the usual mystery and grandness, more flowing textures and some lighter considerations significantly come into play. Segerstam deals with these things in a most disarming way by bringing warmly expressive detail to what is often referred to as a wintry toned work. I do not rate him as highly however in the other symphonies...In the First, my main criticisms are along aesthetic grounds---his characterization of particular phrases, the prominence given to certain instrumental sections over others and some pauses that are too long...The popular Second Symphony is the kind of piece that runs the risk of being twisted and pulled excessively by some conductors. The worst case I'm familiar with is Thomas Schippers' New York Philharmonic account from the 1960s. Segerstam does not go that far, though I'm still not especially enamoured with his reading. Moreover, he does not entirely avoid some congestion. I also do not respond well to some of his heavier accents. My disappointment with his conception of the Fifth Symphony is based on similar grounds...I rate Segerstam's Third Symphony performance as being next best after his Sixth. It is nicely tuneful, although the final minutes of the last movement would have benefitted from a little more textural clarification...The conductor's perspective on the Seventh Symphony misses a taut, vivid quality. Musical lines could be cleaner. There's not much of that epic presence either...Finally, in the Fourth Symphony, Segerstam is appropriately dark and moody, but there has to be more evidence of life's vital signs. I find his pace too slow and his musical outline a bit spongy. Among other Fourths I have heard, Collins and Maazel are the best at grabbing my attention and keeping it throughout...As for Finlandia, it begins in fairly routine fashion though near the close there is a nice contribution from the Male Polytech Choir; however, they and Segerstam never really bring the piece to inspired heights...In the Violin Concerto the conductor's mostly plodding pace carries all the way to the end. Though technically fine, violinist Pekka Kuusisto doesn't project much personality. There seems to be little range or depth of feeling in his rendition.

Here are my favorite choices for these pieces, not necessarily in order of preference: Sym.1--Maazel/Vienna Philharmonic, Collins/London Symphony ( All of Collins' Sibelius readings are in mono.) and Stokowski/National Philharmonic; Sym.2--Ormandy/Philadelphia Orchestra ( Columbia/Sony ), Collins and Ashkenazy/Philharmonia Orchestra ; Sym.3--Kamu/Helsinki Radio Symphony, Collins and Segerstam/Helsinki Philharmonic; Sym.4--Maazel/Vienna and Collins; Sym.5--Bernstein/New York Philharmonic, Barbirolli/Halle Orchestra, Collins and Ashkenazy; Sym.6--Vanska, Collins, Saraste/Finnish Radio, Karajan/BerlinPhiharmonic on EMI, Ashkenazy and Segerstam/Helsinki Phil.; Sym.7--Maazel/Vienna, Collins and Vanska; It is quite obvious that I think very highly of Anthony Collins' interpretations. His commanding dynamics, emotional sensitivity and attention to color and detail affirm a level of quality that is consistently excellent. Finlandia--Ormandy/Philadelphia ( with Mormon Tabernacle Choir ), Collins and Ashkenazy; Violin Concerto--Oistrakh/Ormandy and Heifetz/Hendl. Incidentally, the recorded sound on Segerstam's Ondine set is very fine.

Average customer rating:

Good job
Masterful!
Great CD of Classical music's power pieces!

Time Life Presents: Classical Thunder

Manufacturer: Time Life Records
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

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ASIN: B00081U6XC
Release Date: 2005-04-26

Tracks:

Introduction
Ride Of The Valkyries
Mars, The Bringer Of War
Montagues And Capulets
Sabre Dance
William Tell Overture (Conclusion)
In The Hall Of The Mountain King
The Hut On Fowl's Legs
The Great Gate At Kiev
Fanfare For The Common Man
Allegro Con Brio
Marche Au Supplice (March To The Scaffold)
Sacrificial Dance (The Chosen One)
Circus Maximus
Les Toreadors
Finlandia, Op.26
1812 Overture, Op.49 (Conclusion)

Tracks:

Procession Of The Nobles
Rakoczy March
Ritual Fire Dance
The Hero's Battlefield
Pines Of The Appian Way
Dies Irae
Allegro Con Brio
Allegretto
Air Et Danse Bacchanale
Farandole
Infernal Dance Of King Kastchei
O Fortuna
The Wedding Of Kije
Hurricane
Marche Slave, Op.31

Customer Reviews:

Good job.......2005-08-26

I remember when I was little, I had this cd, but i lost it. I bought a similiar type of one through TIme Life and decided to try the Classical Thunder one. I have like it so far.

Masterful!.......2005-06-15

This two CD set is magnificent. I got the set in the early 1990's when it was advertised on television, along with other releases in Time Life's set. I was struck by the interpretations of the conductors. Whenever I hear these pieces now, I judge them against this recording. Amazing selection as well. There are staples of orchestra repetoire, like Beethoven symphonies, but also gems that are not heard very often, like the Rimsky-Korsakov "Procession of the Nobles." A very impressive recording.

Great CD of Classical music's power pieces!.......2005-06-07

I got this CD when I was around 16 because I loved a lot of the music on this double CD set. As a student pursuing a Music Education major, it has been a great asset for my musically, and just great for listening to. I will drive on short trips and take this with me and blast it louder than the guy in the next car blasting rap music. I also take it skiing as it sets a great tempo down the mountain. This is a great CD for anyone that loves music.

Bernstein Century - Grieg: Peer Gynt Suites, Norwegian Dance, March of Dwarfs/ Sibelius: Valse Triste, Swan of Tuonela, Finlandia

Average customer rating:

The Grieg is ordinary, but the Sibelius items are unforgettable
Solid
Turn it up!
Rather Bland for my taste.............
Bernstein adds flavor, not power, proves even better

Bernstein Century - Grieg: Peer Gynt Suites, Norwegian Dance, March of Dwarfs/ Sibelius: Valse Triste, Swan of Tuonela, Finlandia

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
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ASIN: B00000C29D
Release Date: 1998-09-29

Tracks:

Peer Gynt Suite No. 1, Op. 46: I. Morning Mood - Allegretto Pastorale
Peer Gynt Suite No. 1, Op. 46: II. e's Death- Andante doloroso
Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance- Tempo di Mazurka
Peer Gynt Suite No. 1, Op. 46: IV. In The Hall Of The Mountain King - Alla marcia e molto marcato
Peer Gynt Suite No. 2, Op. 55: I. The Abduction Of The Bride. Ingrid's Lament - Allegro furioso- Andante doloroso
Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance- Allegretto vivace
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return Home- Allegro agitato
Peer Gynt Suite No. 2, Op. 55: IV. Solvejg's Song- Andante - Allegretto tranquillamente
Norwegian Dance, Op. 35, No. 2: Allegretto tranquillo e grazioso
Lyric Suite, Op. 54, No. 4: March Of The Trolls
Valse Triste, Op. 44: Lento
The Swan of Tuonela, Op. 22, No. 3: Andante molto sostenuto
Finlandia, Op. 26 (Tone Poem): Andante sostenuto - Allegro moderato - Allegro

Amazon.com

By the time Leonard Bernstein and the New York Philharmonic made the recordings featured here, they had been together for more than a decade. There is a lustiness and power to the playing throughout the orchestra. From the lilt and swagger of Grieg's Peer Gynt Suite No. 1 to the sensuous humor of Grieg's Norwegian Dance--made memorable for oboist Ralph Gomberg's solo playing--Bernstein brought out the best from this strong and virtuosic orchestra. Here, Sibelius's Valse Triste is all grace and elegance. The Swan of Tuonela is superb for it's dreamlike pacing and the marvelous English horn playing. Finlandia makes a perfect finale. All this music is evocative and it remains in motion every moment, however subtly. --Gwendolyn Freed

Customer Reviews:

The Grieg is ordinary, but the Sibelius items are unforgettable.......2007-02-20

Bernstein was a great and devoted Sibelian, on a par with Karajan and Beecham among international maestros. I don't think the reviewers below have much of an idea how exquisite this Swan of Tuonela is, played with total freedom and naturalness; the English horn soloist plays with moving expressivity. Even better is Finlandia, so often a throw away but here performed as if the entire nation of Finland were listening. It's a huge, bravura performance that brings out the brash side of the NY Phil. Bernstein's Valse triste, however, lacks mystery and rpoceeds a bit flat-footedly.

You can find the Finlandia and Swan in other pairings, which might be just as well since Bernstein's Peer Gynt Suite #1 is just a run-through, despite a rousing In the Hall of the Mountain King. It's not in as good sound as the Sibelius items, either.

Solid.......2007-01-17

Why did they have to add Sibelius compositions to this CD? How about more
Grieg??? I like the 20 bit sound on these Bernstein Century CDs. Recommended.

Turn it up!.......2006-02-16

This is a great CD but I can't hear it unless I turn it way WAY up on my car CD or portable CD player. I'm not sure why. I wanted to hear Morning Mood on my morning commute but can't seem to get it loud enough.

Rather Bland for my taste....................2005-01-22

If you enjoy these works of Grieg and Sibelius you might find it helpful to know that the Karajan recording is much better than this one.

Bernstein adds flavor, not power, proves even better.......2001-05-20

We've all heard Grieg's classic Morning or In the Hall of the Mountain King time and again. Bernstein, however, does an incredible job at making the music come alive. Although it does like power at times, I think Bernstein added much more emotion, clearly evident in Ase's Death and Sibelius' Finlandia. And although the recording was made in th 40s, the older recording technique adds a unique flavor, especially to the violins, which seem to scream in Peer Gynt. Although these pieces are by no means masterpieces of human expression, Bernstein has done an incredible job, and I find myself listening to these short little tunes over and over.

Music Track:

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