Choir Concerto / Requiem
On this CD:
1. Concerto for choir (Concerto for soprano & chorus)
Composed by Alfred Schnittke
Performed by Carina Goransson, Mariette Gustafsson, Helene Jonsson, Magnus Sjodin
2. Requiem, music to Schiller's drama "Don Carlos", for soloists, mixed chorus & instrumental ensemble
Composed by Alfred Schnittke
Performed by Anders Nilsson, Jan Borjesson, Monica Danilesson, Carina Goransson, Hans Christian Green, Helene Jonsson, Lena Karlsson, Magnus Kjellson, Lars Lindberg, Magnus Nystrom, Marika Scheele, Malin Silbo, Fredrik Tiger, Jan Utbult, Pia Yngwe
Choir Concerto / Requiem, Music, Schnittke, Yngwe, Pro Musica Chamber Choir, Chamber Music & Recitals, Classical, Classical Composers, Classical Music
Average customer rating:
- Old World Sound to Calm the Senses
- NOT OF THIS WORLD
- Spare brilliance
- Magnificat: Magnificent!
- If you only buy one Pärt CD, buy this one
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Arvo Pärt Sanctuary
Manufacturer: EMI Classics
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Similar Items:
- Alina - Arvo Part
- Lamentate
- Silencio
- Tabula Rasa
- Arvo Pärt: De Profundis
ASIN: B000002SRI
Release Date: 1998-02-17 |
Tracks:
- Cantus In Memory Of Benjamin Britten
- Summa
- The Beatitudes - Stephen Cleobury
- Fratres (Version VI) - The London Philharmonic
- Festina Lente
- Magnificat - Stephen Cleobury
- De profundis - Estonian Philharmonic Chamber Choir
- Tabula Rasa: Silentium
Customer Reviews:
Old World Sound to Calm the Senses.......2007-01-03
Beautiful, pure, and often heavenly are my select words to describe this CD.
NOT OF THIS WORLD.......2004-08-31
Tabula Rasa: Silentium : This music is not of this world. I worship/pray in silence while driving with this music on with a palm facing the windshield. The haunting, surreal background...the two main violins mournfully cries out aloud...yet so beautiful...my heart cries with them.
Spare brilliance.......2003-01-08
Spending a lot of words describing Pärt's music seems like defeating the purpose. It is transcendent, haunting, solemn, quiet, and all the other things the other reviewers say. I view it, stylistically, as somewhere between the minimalism of Glass et al, and the ambient textures of Steve Roach -- if that description makes any sense. I find myself a little more at home with his instrumental pieces than his choral work, but that's just personal preference.
This is a good first Pärt CD -- then you can move on to other works, especially his Te Deum.
Magnificat: Magnificent!.......2002-08-05
I realize the title of this review is pretty silly, but I had to think of something.
I have always enjoyed classical music, but not nearly as much as other genres... that is until a friend of mine gave me SANCTUARY. I listen to it all the time now. The genius of Arvo Part's music is that although it is quite somber, it is very beautiful. I think that if you don't like classical music now, you will once you listen to Arvo Part. My favourite piece is Magnificat, hence the title.
If you only buy one Pärt CD, buy this one.......2002-02-21
This exquisite recording is an "Arvo Pärt Sampler" that provides a great introduction to this wonderful composer. I bought it because it contains his two best-known short choral works, the Beatitudes and the Magnificat. The performances by the choir of King's College Cambridge are transcendent, as usual; it is very difficult to achieve the serenity of sound needed to communicate Pärt's music, but King's is perfect for it. The instrumental works are samples of Pärt's greatest hits including an especially heart-rending performance of the Cantus in Memory of Benjamin Britten.
Whether or not you enjoy the music of Arvo Pärt is partially a matter of temperament. Pärt is to music what contemplative spirituality is to prayer. To most of us, prayer involves talking to God; but to the contemplative, prayer means listening in receptive silence. Pärt is deeply contemplative, and his music speaks from this inner stillness, suspended in time. If you long for this inner stillness and peace, you will love Pärt; if not, his music will probably bore you. Silence plays an important part in his music. In the words of Arvo Pärt, "The most important things that happen between people who are very close to each other are not stated, are not even possible to express. One doesn't need to and shouldn't say anything." When you listen to Pärt, don't expect action, don't expect something to "happen." Just give yourself to the music and don't "do" anything - let God do it.
Average customer rating:
- Requiem/Great work/great performance.
- Five for the Requiem
- Great music, great performance
- Polyansky great again. Khudolei dismal, unimaginative
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Schnittke: Piano Concerto/Requiem
Manufacturer: Chandos
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Binding: Audio CD
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Similar Items:
- Schnittke: Choir Concerto
- Schnittke-Concerto Grosso No. 2/Viola Concerto
- Schnittke: Chamber Music
- Alfred Schnittke: Concerto Grosso No. 4 - Symphony No. 5 / Pianissimo for Large Orchestra
- Kremer Plays Schnittke
ASIN: B000000B1R
Release Date: 1997-11-18 |
Tracks:
- Concerto For Piano And Strings
- Requiem From The Music To Schiller's Drama Don Carlos: Requiem
- Requiem From The Music To Schiller's Drama Don Carlos: Kyrie
- Requiem From The Music To Schiller's Drama Don Carlos: Dies Irae
- Requiem From The Music To Schiller's Drama Don Carlos: Tuba Mirum
- Requiem From The Music To Schiller's Drama Don Carlos: Rex tremendae
- Requiem From The Music To Schiller's Drama Don Carlos: Recordare
- Requiem From The Music To Schiller's Drama Don Carlos: Lacrymosa
- Requiem From The Music To Schiller's Drama Don Carlos: Domine Jesu
- Requiem From The Music To Schiller's Drama Don Carlos: Hositias
- Requiem From The Music To Schiller's Drama Don Carlos: Sanctus
- Requiem From The Music To Schiller's Drama Don Carlos: Benedictus
- Requiem From The Music To Schiller's Drama Don Carlos: Agnus Dei
- Requiem From The Music To Schiller's Drama Don Carlos: Credo
- Requiem From The Music To Schiller's Drama Don Carlos: Requiem
Customer Reviews:
Requiem/Great work/great performance........2007-03-21
Polyansky is one of the best conductors in Schnittke, though obviously there's not much competition, so few multipile recordings. No matter how few, as long as we get one outstanding as this one.
The Requiem is dark and ominious, which is typical of Schnittke, 'the depths" is what he is after. Profiund genius of a man and composer, shows clearly in this Requiem. The words selected by Schnittke are ancient prayers from old sources, and deal with end times of God's dealings with man. Its so apt for todays times. Which confirm my opinion that both Schnittke and Pettersson were convicted in the conscience by the "warp and woof' of this spinning earth and its tragic consequences if continued at such a pace.
Of course the humanists/atheists call such ideas 'fluff and snuff". Which is why Schnittke's music strikes much greater at those with soul.
Five for the Requiem.......2005-12-29
I also have the BIS recording, and have heard one other. This is by a moderate margin the best as far as interpretation (though it feels just a tad slow in spots) and is definitely the best in sound quality.
(The BIS one seems somewhat flat on the sound recording/engineering, even more so than seems to be somewhat regular with that label.)
Great music, great performance.......2004-10-15
These are some of my favourite pieces by Schnittke, and they are treated well in this recording. It is difficult to imagine a better performance of the Requiem, and the Concerto is also nicely handled (though the recorded sound gets a tad muddled in places).
These are some rigorous, but relatively approachable, late 20th century pieces that are very moving, deeply expressive.
Highly recommended.
Polyansky great again. Khudolei dismal, unimaginative.......2003-02-22
Great interpretation of the Requiem by Polyansky! That alone is worth owning this CD.
However the fantastic concerto for piano & strings is a write off! Khudolei is an unimaginative pianist, did not even bother to follow Schnittke's precise score. His heavyhanded playing went against the grain of this piece and he managed to make the orchestra and Polyansky become a bad accompanist!
One would think Chandos could afford a good pianist!
The best recording of this piece is pianist Victoria Postnikova on Erato if you can find it!
Average customer rating:
- The ultimate collection
- A Treasure Trove
- Magnificent Achievement
- Truly historical
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Igor Stravinsky: The Recorded Legacy
Igor Stravinsky , Columbia Symphony Orchestra , C. B. C. Symphony Orchestra , American Concert Choir , Columbia Percussion Ensemble , Mildred Allen , Samuel Barber , Aaron Copland , Loren Driscoll , Robert Craft , Gregg Smith , and Irene Jordan
Manufacturer: Sony
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Binding: Audio CD
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ASIN: B000002767
Release Date: 1991-08-19 |
Tracks:
- Ballets Vol.I: The Firebird: Intro - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: Kashchei's Enchanted Garden - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: The Firebird Appears, Pursued By Ivan Tsarevitch - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: Dance Of The Firebird - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: Ivan Tsarevitch Captures The Firebird - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: The Firebird's Entreaty - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: The Appearance Of The Thirteen Enchanted Princesses - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: The Princesses' Game With Apples Of Gold (Scherzo) - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: The Sudden Appearance Of Ivan Tsarevitch - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: The Princesses' Round - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: Dawn (Ivan Tsarevitch Enters Kashchei's Palace) - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: The Sound Of Enchanted Bells; Monsters Appear, Kashchei's... - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: The Arrival Of Kashchei The Immortal - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: Kashchei's Dialogue With Ivan Tsarevitch - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: The Princesses' Intercede - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: The Appearance Of The Firebird - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: Kashchei's Followers Dance Under The Firebird's Spell - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: Infernal Dance Of Kashchei's Subjects - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: Lullaby (The Firebird) - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: Kashchei Awakes - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 1: Death Of Kashchei-Profound Darkness - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Firebird: Scene 2: Kashchei's Spells Are Broken; His Palace Disappears, The... - Columbia SO/Igor Stravinsky
- Ballets Vol.I: Scherzo A La Russe - Columbia SO/Igor Stravinsky
- Ballets Vol.I: Scherzo Fantastique - CBC SO/Igor Stravinsky
- Ballets Vol.I: Fireworks - Columbia SO/Igor Stravinsky
Tracks:
- Ballets Vol.I: Petrushka: Burlesque In Four Scenes: Scene 1: I. The Shrove-Tide Fair - Columbia SO/Igor Stravinsky
- Ballets Vol.I: Petrushka: Burlesque In Four Scenes: Scene 1: II. The Crowds - Columbia SO/Igor Stravinsky
- Ballets Vol.I: Petrushka: Burlesque In Four Scenes: Scene 1: III. The Charlatan's Booth - Columbia SO/Igor Stravinsky
- Ballets Vol.I: Petrushka: Burlesque In Four Scenes: Scene 1: IV. Russian Dance - Columbia SO/Igor Stravinsky
- Ballets Vol.I: Petrushka: Burlesque In Four Scenes: Scene 2: Petrushka's Room - Columbia SO/Igor Stravinsky
- Ballets Vol.I: Petrushka: Burlesque In Four Scenes: Scene 3: I. The Moor's Room - Columbia SO/Igor Stravinsky
- Ballets Vol.I: Petrushka: Burlesque In Four Scenes: Scene 3: II. Dance Of The Ballerina - Columbia SO/Igor Stravinsky
- Ballets Vol.I: Petrushka: Burlesque In Four Scenes: Scene 3: III. Waltz (Ballerina And Moor) - Columbia SO/Igor Stravinsky
- Ballets Vol.I: Petrushka: Burlesque In Four Scenes: Scene 4: I. The Shrove-Tide Fair (Near Evening) - Columbia SO/Igor Stravinsky
- Ballets Vol.I: Petrushka: Burlesque In Four Scenes: Scene 4: II. Dance Of The Wet Nurses - Columbia SO/Igor Stravinsky
- Ballets Vol.I: Petrushka: Burlesque In Four Scenes: Scene 4: III. Dance Of The Peasant And The Bear - Columbia SO/Igor Stravinsky
- Ballets Vol.I: Petrushka: Burlesque In Four Scenes: Scene 4: IV. Dance Of The Gipsy Girls - Columbia SO/Igor Stravinsky
- Ballets Vol.I: Petrushka: Burlesque In Four Scenes: Scene 4: V. Dance Of The Coachmen And Grooms - Columbia SO/Igor Stravinsky
- Ballets Vol.I: Petrushka: Burlesque In Four Scenes: Scene 4: VI. The Masqueraders - Columbia SO/Igor Stravinsky
- Ballets Vol.I: Petrushka: Burlesque In Four Scenes: Scene 4: VII. Conclusion (Petrushka's Death)... - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Rite Of Spring: Part One: The Adoration Of The Earth: Intro - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Rite Of Spring: Part One: The Adoration Of The Earth: The Augurs Of Spring... - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Rite Of Spring: Part One: The Adoration Of The Earth: Mock Abduction - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Rite Of Spring: Part One: The Adoration Of The Earth: Spring Round Dances - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Rite Of Spring: Part One: The Adoration Of The Earth: Games Of The Rival Tribes - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Rite Of Spring: Part One: The Adoration Of The Earth: Procession Of The Wise... - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Rite Of Spring: Part One: The Adoration Of The Earth: Adoration Of The Earth... - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Rite Of Spring: Part One: The Adoration Of The Earth: Dance Of The Earth - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Rite Of Spring: Part Two: The Sacrifice: Intro (Largo) - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Rite Of Spring: Part Two: The Sacrifice: Mystical Circles Of The Young Girls - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Rite Of Spring: Part Two: The Sacrifice: Glorification Of The Chosen Victim - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Rite Of Spring: Part Two: The Sacrifice: Summoning Of The Ancestors - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Rite Of Spring: Part Two: The Sacrifice: Ritual Of The Ancestors - Columbia SO/Igor Stravinsky
- Ballets Vol.I: The Rite Of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen Victim) - Columbia SO/Igor Stravinsky
Tracks:
- Ballets Vol.I: The Wedding: Part One: Scene 1: The Bride's Chamber - Mildred Allen/Regina Sarfaty/Loren Driscoll/Robert Oliver/Samuel Barber/Aaron Copland/Lukas Foss...
- Ballets Vol.I: The Wedding: Part One: Scene 2: At The Bridegroom's - Mildred Allen/Regina Sarfaty/Loren Driscoll/Robert Oliver/Samuel Barber/Aaron Copland/Lukas Foss...
- Ballets Vol.I: The Wedding: Part One: Scene 3: The Bride's Departure - Mildred Allen/Regina Sarfaty/Loren Driscoll/Robert Oliver/Samuel Barber/Aaron Copland/Lukas Foss...
- Ballets Vol.I: The Wedding: Part Two: Scene 4: The Wedding Feast - Mildred Allen/Regina Sarfaty/Loren Driscoll/Robert Oliver/Samuel Barber/Aaron Copland/Lukas Foss...
- Ballets Vol.I: Renard The Fox: A Burlesque Tale In Song And Dance - George Shirley/Loren Driscoll/William Murphy/Donald Gramm/Toni Koves
- Ballets Vol.I: The Soldier's Tale: Ste: The Soldier's March - Israel Baker/Charles Brady/Richard Kelly/Roy D'Antonio/Don Christlieb/Robert Marsteller...
- Ballets Vol.I: The Soldier's Tale: Ste: Scene 1: Airs By A Stream - Israel Baker/Charles Brady/Richard Kelly/Roy D'Antonio/Don Christlieb/Robert Marsteller...
- Ballets Vol.I: The Soldier's Tale: Ste: Scene 2: Pastorale - Israel Baker/Charles Brady/Richard Kelly/Roy D'Antonio/Don Christlieb/Robert Marsteller...
- Ballets Vol.I: The Soldier's Tale: Ste: Scene 2: The Royal March - Israel Baker/Charles Brady/Richard Kelly/Roy D'Antonio/Don Christlieb/Robert Marsteller...
- Ballets Vol.I: The Soldier's Tale: Ste: Scene 2: The Little Conc - Israel Baker/Charles Brady/Richard Kelly/Roy D'Antonio/Don Christlieb/Robert Marsteller...
- Ballets Vol.I: The Soldier's Tale: Ste: Scene 2: Three Dances (Tango, Waltz , Ragtime) - Israel Baker/Charles Brady/Richard Kelly/Roy D'Antonio/Don Christlieb/Robert Marsteller...
- Ballets Vol.I: The Soldier's Tale: Ste: Scene 2: The Devil's Dance - Israel Baker/Charles Brady/Richard Kelly/Roy D'Antonio/Don Christlieb/Robert Marsteller...
- Ballets Vol.I: The Soldier's Tale: Ste: Scene 2: The Great Choral - Israel Baker/Charles Brady/Richard Kelly/Roy D'Antonio/Don Christlieb/Robert Marsteller...
- Ballets Vol.I: The Soldier's Tale: Ste: Scene 2: Triumphal March Of The Devil - Israel Baker/Charles Brady/Richard Kelly/Roy D'Antonio/Don Christlieb/Robert Marsteller...
Tracks:
- Ballets Vol.II: Apollo: Ballet In Two Scenes: Scene 1: The Birth Of Apollo - Columbia SO/Igor Stravinsky
- Ballets Vol.II: Apollo: Ballet In Two Scenes: Scene 2: Var D'Apollon (Apollon Et Les Muses) - Columbia SO/Igor Stravinsky
- Ballets Vol.II: Apollo: Ballet In Two Scenes: Scene 2: Pas D'Action (Apollon Et Les Trois Muses... - Columbia SO/Igor Stravinsky
- Ballets Vol.II: Apollo: Ballet In Two Scenes: Scene 2: Var De Calliope (L'Alexandrin) Allegretto - Columbia SO/Igor Stravinsky
- Ballets Vol.II: Apollo: Ballet In Two Scenes: Scene 2: Var De Polymnie-Allegro - Columbia SO/Igor Stravinsky
- Ballets Vol.II: Apollo: Ballet In Two Scenes: Scene 2: Var De Terpsichore-Allegretto - Columbia SO/Igor Stravinsky
- Ballets Vol.II: Apollo: Ballet In Two Scenes: Scene 2: Var D'Apollon-Lento - Columbia SO/Igor Stravinsky
- Ballets Vol.II: Apollo: Ballet In Two Scenes: Scene 2: Pas De Deux (Apollon Et Terpsichore) Adagio - Columbia SO/Igor Stravinsky
- Ballets Vol.II: Apollo: Ballet In Two Scenes: Scene 2: Coda (Apollon Et Les Muses) Vivo-Tempo... - Columbia SO/Igor Stravinsky
- Ballets Vol.II: Apollo: Ballet In Two Scenes: Scene 2: Apotheose-Largo Et Tranquillo - Columbia SO/Igor Stravinsky
- Ballets Vol.II: Agon: Ballet For Twelve Dancers: Pas De Quatre - Los Angeles Festival SO/Igor Stravinsky
- Ballets Vol.II: Agon: Ballet For Twelve Dancers: Double Pas De Quatre - Los Angeles Festival SO/Igor Stravinsky
- Ballets Vol.II: Agon: Ballet For Twelve Dancers: Triple Pas De Quatre - Los Angeles Festival SO/Igor Stravinsky
- Ballets Vol.II: Agon: Ballet For Twelve Dancers: Prld - Los Angeles Festival SO/Igor Stravinsky
- Ballets Vol.II: Agon: Ballet For Twelve Dancers: First Pas De Trois: Saraband Step - Los Angeles Festival SO/Igor Stravinsky
- Ballets Vol.II: Agon: Ballet For Twelve Dancers: First Pas De Trois: Gaillarde - Los Angeles Festival SO/Igor Stravinsky
- Ballets Vol.II: Agon: Ballet For Twelve Dancers: First Pas De Trois: Coda - Los Angeles Festival SO/Igor Stravinsky
- Ballets Vol.II: Agon: Ballet For Twelve Dancers: First Pas De Trois: Interlude - Los Angeles Festival SO/Igor Stravinsky
- Ballets Vol.II: Agon: Ballet For Twelve Dancers: Second Pas De Trois: Bransle Simple - Los Angeles Festival SO/Igor Stravinsky
- Ballets Vol.II: Agon: Ballet For Twelve Dancers: Second Pas De Trois: Bransle Gay - Los Angeles Festival SO/Igor Stravinsky
- Ballets Vol.II: Agon: Ballet For Twelve Dancers: Second Pas De Trois: Bransle Double - Los Angeles Festival SO/Igor Stravinsky
- Ballets Vol.II: Agon: Ballet For Twelve Dancers: Second Pas De Trois: Interlude - Los Angeles Festival SO/Igor Stravinsky
- Ballets Vol.II: Agon: Ballet For Twelve Dancers: Second Pas De Trois: Pas De Deux - Los Angeles Festival SO/Igor Stravinsky
- Ballets Vol.II: Agon: Ballet For Twelve Dancers: Second Pas De Trois: Coda - Los Angeles Festival SO/Igor Stravinsky
- Ballets Vol.II: Agon: Ballet For Twelve Dancers: Second Pas De Trois: Four Duos - Los Angeles Festival SO/Igor Stravinsky
- Ballets Vol.II: Agon: Ballet For Twelve Dancers: Second Pas De Trois: Four Trios - Los Angeles Festival SO/Igor Stravinsky
- Ballets Vol.II: Card Game: Ballet in Three Deals: First Deal - Cleveland Orch/Igor Stravinsky
- Ballets Vol.II: Card Game: Ballet in Three Deals: Second Deal - Cleveland Orch/Igor Stravinsky
- Ballets Vol.II: Card Game: Ballet in Three Deals: Third Deal - Cleveland Orch/Igor Stravinsky
Tracks:
- Ballets Vol.II: Scenes De Ballet: Intro - CBC SO/Igor Stravinsky
- Ballets Vol.II: Scenes De Ballet: Danses (Corps De Ballet & Ballerine) - CBC SO/Igor Stravinsky
- Ballets Vol.II: Scenes De Ballet: Pantomime - CBC SO/Igor Stravinsky
- Ballets Vol.II: Scenes De Ballet: Pas De Deux - CBC SO/Igor Stravinsky
- Ballets Vol.II: Scenes De Ballet: Pantomime - CBC SO/Igor Stravinsky
- Ballets Vol.II: Scenes De Ballet: Vars: Danseur & Ballerine - CBC SO/Igor Stravinsky
- Ballets Vol.II: Scenes De Ballet: Pantomime - CBC SO/Igor Stravinsky
- Ballets Vol.II: Scenes De Ballet: Danses (Corps De Ballet) - CBC SO/Igor Stravinsky
- Ballets Vol.II: Scenes De Ballet: Apotheose - CBC SO/Igor Stravinsky
- Ballets Vol.II: Bluebird-Pas De Deux: Adagio - Columbia SO/Igor Stravinsky
- Ballets Vol.II: Bluebird-Pas De Deux: Var I - Columbia SO/Igor Stravinsky
- Ballets Vol.II: Bluebird-Pas De Deux: Var II - Columbia SO/Igor Stravinsky
- Ballets Vol.II: Bluebird-Pas De Deux: Coda - Columbia SO/Igor Stravinsky
- Ballets Vol.II: The Fairy's Kiss: Scene 1: Prologue - Columbia SO/Igor Stravinsky
- Ballets Vol.II: The Fairy's Kiss: Scene 2: A Village Fete - Columbia SO/Igor Stravinsky
- Ballets Vol.II: The Fairy's Kiss: Scene 3: At The Mill - Columbia SO/Igor Stravinsky
- Ballets Vol.II: The Fairy's Kiss: Pas De Deux - Columbia SO/Igor Stravinsky
- Ballets Vol.II: The Fairy's Kiss: Adagio - Columbia SO/Igor Stravinsky
- Ballets Vol.II: The Fairy's Kiss: Var - Columbia SO/Igor Stravinsky
- Ballets Vol.II: The Fairy's Kiss: Coda - Columbia SO/Igor Stravinsky
- Ballets Vol.II: The Fairy's Kiss: Scene - Columbia SO/Igor Stravinsky
- Ballets Vol.II: The Fairy's Kiss: Scene 4: Epilogue: The Lullaby Of The Land Beyond Time And Place - Columbia SO/Igor Stravinsky
Tracks:
- Ballets Vol.II: Pulcinella: Ballet With Song in One Act (Music After): Ov - Irene Jordan/George Shirley/Donald Gramm
- Ballets Vol.II: Pulcinella: Ballet With Song in One Act (Music After): Serenata - Irene Jordan/George Shirley/Donald Gramm
- Ballets Vol.II: Pulcinella: Ballet With Song in One Act (Music After): Scherzino - Irene Jordan/George Shirley/Donald Gramm
- Ballets Vol.II: Pulcinella: Ballet With Song in One Act (Music After): Tarantella - Irene Jordan/George Shirley/Donald Gramm
- Ballets Vol.II: Pulcinella: Ballet With Song in One Act (Music After): Gavotte With Two Vars - Irene Jordan/George Shirley/Donald Gramm
- Ballets Vol.II: Orpheus: Ballet in Three Scenes: Scene 1: Orphee - Chicago SO/Igor Stravinsky
- Ballets Vol.II: Orpheus: Ballet in Three Scenes: Scene 1: Air De Danse - Chicago SO/Igor Stravinsky
- Ballets Vol.II: Orpheus: Ballet in Three Scenes: Scene 1: Dance Of The Angel Of Death - Chicago SO/Igor Stravinsky
- Ballets Vol.II: Orpheus: Ballet in Three Scenes: Scene 1: Interlude - Chicago SO/Igor Stravinsky
- Ballets Vol.II: Orpheus: Ballet in Three Scenes: Scene 2: The Furies - Chicago SO/Igor Stravinsky
- Ballets Vol.II: Orpheus: Ballet in Three Scenes: Scene 2: Air De Danse-Interlude-Air De Danse - Chicago SO/Igor Stravinsky
- Ballets Vol.II: Orpheus: Ballet in Three Scenes: Scene 2: Pas D'Action - Chicago SO/Igor Stravinsky
- Ballets Vol.II: Orpheus: Ballet in Three Scenes: Scene 2: Pas De Deux - Chicago SO/Igor Stravinsky
- Ballets Vol.II: Orpheus: Ballet in Three Scenes: Scene 2: Interlude - Chicago SO/Igor Stravinsky
- Ballets Vol.II: Orpheus: Ballet in Three Scenes: Scene 2: Pas D'Action - Chicago SO/Igor Stravinsky
- Ballets Vol.II: Orpheus: Ballet in Three Scenes: Scene 3: Apotheose D'Orphee - Chicago SO/Igor Stravinsky
Tracks:
- Ballet Stes: Petrushka (Ste): Scene 1: The Shrove-Tide Fair - Columbia SO/Igor Stravinsky
- Ballet Stes: Petrushka (Ste): Scene 1: The Crowds - Columbia SO/Igor Stravinsky
- Ballet Stes: Petrushka (Ste): Scene 1: The Charlatan's Booth - Columbia SO/Igor Stravinsky
- Ballet Stes: Petrushka (Ste): Scene 1: Russian Dance - Columbia SO/Igor Stravinsky
- Ballet Stes: Petrushka (Ste): Scene 2: Petrushka's Room - Columbia SO/Igor Stravinsky
- Ballet Stes: Petrushka (Ste): Scene 4: The Shroove-Tide Fair (Near Evening) - Columbia SO/Igor Stravinsky
- Ballet Stes: Petrushka (Ste): Scene 4: Dance Of The Wet Nurses - Columbia SO/Igor Stravinsky
- Ballet Stes: Petrushka (Ste): Scene 4: Dance Of The Peasant And The Bear - Columbia SO/Igor Stravinsky
- Ballet Stes: Petrushka (Ste): Scene 4: Dance Of The Gypsy Girls - Columbia SO/Igor Stravinsky
- Ballet Stes: Petrushka (Ste): Scene 4: Dance Of The Coachman - Columbia SO/Igor Stravinsky
- Ballet Stes: Petrushka (Ste): Scene 4: The Masqueraders - Columbia SO/Igor Stravinsky
- Ballet Stes: Pulcinella (Ste): I. Sinf (Ov) - Columbia SO/Igor Stravinsky
- Ballet Stes: Pulcinella (Ste): II. Serenata - Columbia SO/Igor Stravinsky
- Ballet Stes: Pulcinella (Ste): III. A. Scherzo - Columbia SO/Igor Stravinsky
- Ballet Stes: Pulcinella (Ste): III. B. Allegro - Columbia SO/Igor Stravinsky
- Ballet Stes: Pulcinella (Ste): III. C. Andantino - Columbia SO/Igor Stravinsky
- Ballet Stes: Pulcinella (Ste): IV. Tarantella - Columbia SO/Igor Stravinsky
- Ballet Stes: Pulcinella (Ste): V. Toccata - Columbia SO/Igor Stravinsky
- Ballet Stes: Pulcinella (Ste): VI. Gavotta Con Due Var - Columbia SO/Igor Stravinsky
- Ballet Stes: Pulcinella (Ste): VII. Vivo (Duetto) - Columbia SO/Igor Stravinsky
- Ballet Stes: Pulcinella (Ste): VIII. A. Minuetto - Columbia SO/Igor Stravinsky
- Ballet Stes: Pulcinella (Ste): VIII. B. Finale - Columbia SO/Igor Stravinsky
- Ballet Stes: The Firebird: Intro - Columbia SO/Igor Stravinsky
- Ballet Stes: The Firebird: Prld And Dance Of The Firebird - Columbia SO/Igor Stravinsky
- Ballet Stes: The Firebird: Vars (The Firebird) - Columbia SO/Igor Stravinsky
- Ballet Stes: The Firebird: Pantomime I - Columbia SO/Igor Stravinsky
- Ballet Stes: The Firebird: Pas De Deux (The Firebird And Ivan Tsarevitch) - Columbia SO/Igor Stravinsky
- Ballet Stes: The Firebird: Pantomime II - Columbia SO/Igor Stravinsky
- Ballet Stes: The Firebird: Scherzo. Dance Of The Princesses - Columbia SO/Igor Stravinsky
- Ballet Stes: The Firebird: Pantomime III - Columbia SO/Igor Stravinsky
- Ballet Stes: The Firebird: Rondo (Corovod) - Columbia SO/Igor Stravinsky
- Ballet Stes: The Firebird: Infernal Dance - Columbia SO/Igor Stravinsky
- Ballet Stes: The Firebird: Lullaby (The Firebird)/Berceuse - Columbia SO/Igor Stravinsky
- Ballet Stes: The Firebird: Final Hymn - Columbia SO/Igor Stravinsky
Tracks:
- Symphonies: Sym in E flat: I. Allegro Moderato - Columbia SO/Igor Stravinsky
- Symphonies: Sym in E flat: II. Scherzo. Allegretto - Columbia SO/Igor Stravinsky
- Symphonies: Sym in E flat: III. Largo - Columbia SO/Igor Stravinsky
- Symphonies: Sym in E flat: IV. Finale. Allegro Molto - Columbia SO/Igor Stravinsky
- Symphonies: Portrait Of Stravinsky: Stravinsky in Rehearsal: Apollo - Columbia SO/Igor Stravinsky
- Symphonies: Portrait Of Stravinsky: Stravinsky in Rehearsal: Sleeping Beauty - Columbia SO/Igor Stravinsky
- Symphonies: Portrait Of Stravinsky: Stravinsky in Rehearsal: Recollections Of My Childhood - Columbia SO/Igor Stravinsky
- Symphonies: Portrait Of Stravinsky: Stravinsky in Rehearsal: Pulcinella - Columbia SO/Igor Stravinsky
- Symphonies: Portrait Of Stravinsky: Stravinsky in Rehearsal: Pno Con - Columbia SO/Igor Stravinsky
- Symphonies: Portrait Of Stravinsky: Stravinsky in Rehearsal: Sym in C - CBC SO/Igor Stravinsky
- Symphonies: Stravinsky In His Own Words - Igor Stravinsky
Tracks:
- Symphonies: Sym in Three Movts: I. Ov. Allegro - Columbia SO/Igor Stravinsky
- Symphonies: Sym in Three Movts: II. Andante-Interlude: L'Istesso Tempo - Columbia SO/Igor Stravinsky
- Symphonies: Sym in Three Movts: III. Con Moto - Columbia SO/Igor Stravinsky
- Symphonies: Sym in C: I. Moderato Alla Breve - CBC SO/Igor Stravinsky
- Symphonies: Sym in C: II. Larghetto Conc - CBC SO/Igor Stravinsky
- Symphonies: Sym in C: III. Allegretto - CBC SO/Igor Stravinsky
- Symphonies: Sym in C: IV. Largo-Tempo Giusto, Alla Breve - CBC SO/Igor Stravinsky
- Symphonies: Sym Of Psalms: Part I - Festival Singers Of Toronto/Elmer Iseler
- Symphonies: Sym Of Psalms: Part II - Festival Singers Of Toronto/Elmer Iseler
- Symphonies: Sym Of Psalms: Part III - Festival Singers Of Toronto/Elmer Iseler
Tracks:
- Cons: Con: I. Largo. Allegro-Maestoso - Philippe Entremont
- Cons: Con: II. Largo - Philippe Entremont
- Cons: Con: III. Allegro - Philippe Entremont
- Cons: Movts: I. 1/8nt=110 - Charles Rosen
- Cons: Movts: II. 1/4nt=52 - Charles Rosen
- Cons: Movts: III. 1/8nt=72 - Charles Rosen
- Cons: Movts: IV. 1/8nt=80 - Charles Rosen
- Cons: Movts: V. 1/8nt=104 - Charles Rosen
- Cons: Capriccio: I. Presto - Philippe Entremont
- Cons: Capriccio: II. Andante Rapsodico - Philippe Entremont
- Cons: Capriccio: III. Allegro Capriccioso Ma Tempo Giusto - Philippe Entremont
- Cons: Con in D: I. Toccata - Isaac Stern
- Cons: Con in D: II. Aria I - Isaac Stern
- Cons: Con in D: III. Aria II - Isaac Stern
- Cons: Con in D: IV. Capriccio - Isaac Stern
Tracks:
- Miniature Masterpieces: Greeting Prld - Columbia SO/Igor Stravinsky
- Miniature Masterpieces: Ste No.1: I. Andante - Members Of The CBC SO/Igor Stravinsky
- Miniature Masterpieces: Ste No.1: II. Napolitana - Members Of The CBC SO/Igor Stravinsky
- Miniature Masterpieces: Ste No.1: III. Espanola - Members Of The CBC SO/Igor Stravinsky
- Miniature Masterpieces: Ste No.1: IV. Balalaika - Members Of The CBC SO/Igor Stravinsky
- Miniature Masterpieces: Ste No.2: I. Marche - Members Of The CBC SO/Igor Stravinsky
- Miniature Masterpieces: Ste No.2: II. Valse - Members Of The CBC SO/Igor Stravinsky
- Miniature Masterpieces: Ste No.2: III. Polka - Members Of The CBC SO/Igor Stravinsky
- Miniature Masterpieces: Ste No.2: IV. Galop - Members Of The CBC SO/Igor Stravinsky
- Miniature Masterpieces: Conc in E flat 'Dumbarton Oaks': I. Tempo Giusto - Columbia SO/Igor Stravinsky
- Miniature Masterpieces: Conc in E flat 'Dumbarton Oaks': II. Allegretto - Columbia SO/Igor Stravinsky
- Miniature Masterpieces: Conc in E flat 'Dumbarton Oaks': III. Con Moto - Columbia SO/Igor Stravinsky
- Miniature Masterpieces: 4 Norwegian Moods: I. Intrada - CBC SO/Igor Stravinsky
- Miniature Masterpieces: 4 Norwegian Moods: II. Allegretto - CBC SO/Igor Stravinsky
- Miniature Masterpieces: 4 Norwegian Moods: III. Wedding Dance - CBC SO/Igor Stravinsky
- Miniature Masterpieces: 4 Norwegian Moods: IV. Cortege - CBC SO/Igor Stravinsky
- Miniature Masterpieces: Circus Polk: Composed For A Young Elephant - CBC SO/Igor Stravinsky
- Miniature Masterpieces: Con in D 'Balse Con': I. Vivace - Columbia SO/Igor Stravinsky
- Miniature Masterpieces: Con in D 'Balse Con': II. Arioso. Andantino - Columbia SO/Igor Stravinsky
- Miniature Masterpieces: Con in D 'Balse Con': III. Rondo. Allegro - Columbia SO/Igor Stravinsky
- Miniature Masterpieces: 8 Instrumental Miniatures: I. Andantino - Members Of The CBC SO/Igor Stravinsky
- Miniature Masterpieces: 8 Instrumental Miniatures: II. Vivace - Members Of The CBC SO/Igor Stravinsky
- Miniature Masterpieces: 8 Instrumental Miniatures: III. Lento - Members Of The CBC SO/Igor Stravinsky
- Miniature Masterpieces: 8 Instrumental Miniatures: IV. Allegretto - Members Of The CBC SO/Igor Stravinsky
- Miniature Masterpieces: 8 Instrumental Miniatures: V. Moderato Alla Breve - Members Of The CBC SO/Igor Stravinsky
- Miniature Masterpieces: 8 Instrumental Miniatures: VI. Tempo Di Marcia - Members Of The CBC SO/Igor Stravinsky
- Miniature Masterpieces: 8 Instrumental Miniatures: VII. Larghetto - Members Of The CBC SO/Igor Stravinsky
- Miniature Masterpieces: 8 Instrumental Miniatures: VIII. Tempo Di Tango - Members Of The CBC SO/Igor Stravinsky
- Miniature Masterpieces: 4 Etudes: I. Danse - CBC SO/Igor Stravinsky
- Miniature Masterpieces: 4 Etudes: II. Excentrique - CBC SO/Igor Stravinsky
- Miniature Masterpieces: 4 Etudes: III. Cantique - CBC SO/Igor Stravinsky
- Miniature Masterpieces: 4 Etudes: IV. Madrid - CBC SO/Igor Stravinsky
Tracks:
- Chm Music & Historical Recordings: Preludium For Jazz Ens - Columbia Jazz Ens/Igor Stravinsky
- Chm Music & Historical Recordings: Conc - Columbia Chm Ens/Igor Stravinsky
- Chm Music & Historical Recordings: Oct: I. Sinf - Columbia Chm Ens/Igor Stravinsky
- Chm Music & Historical Recordings: Oct: II. Tema Con Var - Columbia Chm Ens/Igor Stravinsky
- Chm Music & Historical Recordings: Oct: III. Finale - Columbia Chm Ens/Igor Stravinsky
- Chm Music & Historical Recordings: Ragtime - Toni Koves
- Chm Music & Historical Recordings: Tango - Columbia Jaaz Ens/Igor Stravinsky
- Chm Music & Historical Recordings: Spt: I. 1/4nt=88 - Columbia Chm Ens/Igor Stravinsky
- Chm Music & Historical Recordings: Spt: II. Passacaglia - Columbia Chm Ens/Igor Stravinsky
- Chm Music & Historical Recordings: Spt: III. Gigue - Columbia Chm Ens/Igor Stravinsky
- Chm Music & Historical Recordings: Pastorale: Song Without Words - Israel Baker
- Chm Music & Historical Recordings: Ebony Con: I. Allegro Moderato - Benny Goodman
- Chm Music & Historical Recordings: Ebony Con: II. Andante - Benny Goodman
- Chm Music & Historical Recordings: Ebony Con: III. Moderato. Con Moto - Benny Goodman
- Chm Music & Historical Recordings: Syms Of Wind Instrs - Nordwestdeutschen Rundfunks SO/Igor Stravinsky
Tracks:
- Chm Music & Historical Recordings: Duo Concertant: I. Cantilene - Joseph Szigeti/Igor Stravinsky
- Chm Music & Historical Recordings: Duo Concertant: II. Eclogue I - Joseph Szigeti/Igor Stravinsky
- Chm Music & Historical Recordings: Duo Concertant: III. Eclogue II - Joseph Szigeti/Igor Stravinsky
- Chm Music & Historical Recordings: Duo Concertant: IV. Gigue - Joseph Szigeti/Igor Stravinsky
- Chm Music & Historical Recordings: Duo Concertant: V. Dithyrambe - Joseph Szigeti/Igor Stravinsky
- Chm Music & Historical Recordings: Ser in A: I. Hymne - Igor Stravinsky
- Chm Music & Historical Recordings: Ser in A: II. Romanza - Igor Stravinsky
- Chm Music & Historical Recordings: Ser in A: III. Rondoletto - Igor Stravinsky
- Chm Music & Historical Recordings: Ser in A: IV Cadenza Finale - Igor Stravinsky
- Chm Music & Historical Recordings: Con: I. Con Moto - Igor Stravinsky/Soulima Stravinsky
- Chm Music & Historical Recordings: Con: II. Notturno. Adagietto - Igor Stravinsky/Soulima Stravinsky
- Chm Music & Historical Recordings: Con: III. Quattro Var - Igor Stravinsky/Soulima Stravinsky
- Chm Music & Historical Recordings: Con: IV. Prld E Fuga - Igor Stravinsky/Soulima Stravinsky
- Chm Music & Historical Recordings: Pno-Rag Music - Igor Stravinsky
- Chm Music & Historical Recordings: Son: I. Moderato - Arthur Gold/Robert Fizdale
- Chm Music & Historical Recordings: Son: II. Theme With Vars - Arthur Gold/Robert Fizdale
- Chm Music & Historical Recordings: Son: III. Allegretto - Arthur Gold/Robert Fizdale
- Chm Music & Historical Recordings: Son: I. 1/4nt=112 - Charles Rosen
- Chm Music & Historical Recordings: Son: II. Adagietto - Charles Rosen
- Chm Music & Historical Recordings: Son: III. 1/4nt=112 - Charles Rosen
Tracks:
- Oprs & 35 Songs: The Nightingale: Act 1: Intro - Chor Of The Opr Society Of Washington, D.C./John Moriarity
- Oprs & 35 Songs: The Nightingale: Act 2: Entr' Acte: Breezes - Chor Of The Opr Society Of Washington, D.C./John Moriarity
- Oprs & 35 Songs: The Nightingale: Act 2: Chinese March - Chor Of The Opr Society Of Washington, D.C./John Moriarity
- Oprs & 35 Songs: The Nightingale: Act 2: Song Of The Nightingale - Chor Of The Opr Society Of Washington, D.C./John Moriarity
- Oprs & 35 Songs: The Nightingale: Act 2: The Courtiers - Chor Of The Opr Society Of Washington, D.C./John Moriarity
- Oprs & 35 Songs: The Nightingale: Act 2: Three Japanese Envoys - Chor Of The Opr Society Of Washington, D.C./John Moriarity
- Oprs & 35 Songs: The Nightingale: Act 2: Performance Of The Mechanical Nightingale - Chor Of The Opr Society Of Washington, D.C./John Moriarity
- Oprs & 35 Songs: The Nightingale: Act 2: Conclusion, Larghetto - Chor Of The Opr Society Of Washington, D.C./John Moriarity
- Oprs & 35 Songs: The Nightingale: Act 3: Prld - Chor Of The Opr Society Of Washington, D.C./John Moriarity
- Oprs & 35 Songs: The Nightingale: Act 3: A Room In The Palace Of The Emperor - Chor Of The Opr Society Of Washington, D.C./John Moriarity
- Oprs & 35 Songs: The Nightingale: Act 3: The Return Of The Nightingale - Chor Of The Opr Society Of Washington, D.C./John Moriarity
- Oprs & 35 Songs: The Nightingale: Act 3: Solemn Procession - Chor Of The Opr Society Of Washington, D.C./John Moriarity
- Oprs & 35 Songs: The Nightingale: Act 3: The Emperor's Recovery - Chor Of The Opr Society Of Washington, D.C./John Moriarity
- Oprs & 35 Songs: The Nightingale: Act 3: Opr Buffa in One Act After Pushkin - CBC SO/Igor Stravinsky
Tracks:
- Oprs & 35 Songs: Faun And Shepherdess: I. The Shepherdess - Mary Simmons
- Oprs & 35 Songs: Faun And Shepherdess: II. The Faun - Mary Simmons
- Oprs & 35 Songs: Faun And Shepherdess: III. The Torrent - Mary Simmons
- Oprs & 35 Songs: Two Poems Of Paul Verlaine: The White Moon Shines In The Woods - Donald Gramm
- Oprs & 35 Songs: Two Poems Of Paul Verlaine: Sleep - Donald Gramm
- Oprs & 35 Songs: Two Poems Of Konstantin Bal'mont: I. The Flower - Evelyn Lear
- Oprs & 35 Songs: Two Poems Of Konstantin Bal'mont: II. The Dove - Evelyn Lear
- Oprs & 35 Songs: Three Japanese Lyrics: I. Akahito - Evelyn Lear
- Oprs & 35 Songs: Three Japanese Lyrics: II. Mazatsumi - Evelyn Lear
- Oprs & 35 Songs: Three Japanese Lyrics: III. Tsaraiuki - Evelyn Lear
- Oprs & 35 Songs: Three Little Songs (Recollection Of My Childhood): I. The Magpie - Cathy Berberian
- Oprs & 35 Songs: Three Little Songs (Recollection Of My Childhood): II. The Rock - Cathy Berberian
- Oprs & 35 Songs: Three Little Songs (Recollection Of My Childhood): III. The Jackdaw - Cathy Berberian
- Oprs & 35 Songs: Pribaoutki (Pleasant Songs): I. Uncle Armand - Cathy Berberian
- Oprs & 35 Songs: Pribaoutki (Pleasant Songs): II. The Oven - Cathy Berberian
- Oprs & 35 Songs: Pribaoutki (Pleasant Songs): III. The Colonel - Cathy Berberian
- Oprs & 35 Songs: Pribaoutki (Pleasant Songs): IV. The Old Man And The Hare - Cathy Berberian
- Oprs & 35 Songs: Cat's Cradle Songs: I. On The Stove - Cathy Berberian
- Oprs & 35 Songs: Cat's Cradle Songs: II. At Home - Cathy Berberian
- Oprs & 35 Songs: Cat's Cradle Songs: III. Dodo - Cathy Berberian
- Oprs & 35 Songs: Cat's Cradle Songs: IV. The Cat Has... - Cathy Berberian
- Oprs & 35 Songs: Four Russian Peasant Songs: No.1 On Saints' Day In Chigisakh - Gregg Smith Singers/Gregg Smith
- Oprs & 35 Songs: Four Russian Peasant Songs: No.2 Ovsen - Gregg Smith Singers/Gregg Smith
- Oprs & 35 Songs: Four Russian Peasant Songs: No.3 The Pike - Gregg Smith Singers/Gregg Smith
- Oprs & 35 Songs: Four Russian Peasant Songs: No.4 Master Portly - Gregg Smith Singers/Gregg Smith
- Oprs & 35 Songs: Four Russian Songs: I. The Drake - Adrienne Albert/Louise Di Tullio/Dorothy Remsen/Laurindo Almeida
- Oprs & 35 Songs: Four Russian Songs: II. A Russian Spiritual - Adrienne Albert/Louise Di Tullio/Dorothy Remsen/Laurindo Almeida
- Oprs & 35 Songs: Four Russian Songs: III. Geese And Swans - Adrienne Albert/Louise Di Tullio/Dorothy Remsen/Laurindo Almeida
- Oprs & 35 Songs: Four Russian Songs: IV. Tilim-Bom - Adrienne Albert/Louise Di Tullio/Dorothy Remsen/Laurindo Almeida
- Oprs & 35 Songs: Three Songs From William Shakespeare: I. Music To Hear - Cathy Berberian
- Oprs & 35 Songs: Three Songs From William Shakespeare: II. Full Fathom Five - Cathy Berberian
- Oprs & 35 Songs: Three Songs From William Shakespeare: III. When Daisies Pied - Cathy Berberian
- Oprs & 35 Songs: In Memoriam Dylan Thomas: Dirge-Canons - Alexander Young
- Oprs & 35 Songs: In Memoriam Dylan Thomas: Do Not Go Gentle Into That Good Night - Alexander Young
- Oprs & 35 Songs: In Memoriam Dylan Thomas: Dirge-Carnons - Alexander Young
- Oprs & 35 Songs: Elegy For J.F.K - Cathy Berberian/Paul E. Howland/Jack Kreiselman/Charles Russo
- Oprs & 35 Songs: The Owl And The Pussycat - Adrienne Albert/Robert Craft
- Oprs & 35 Songs: Tilim-Bom: A Story For Children - Evelyn Lear
Tracks:
- The Rake's Progress: Act 1: Scene 1: The Garden Of Truelove's House In The Country: Prld - Royal PO/Igor Stravinsky
- The Rake's Progress: Act 1: Scene 1: The Garden Of Truelove's House In The Country: The Woods Are.. - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 1: Scene 1: The Garden Of Truelove's House In The Country: Here I Stand... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 1: Scene 1: The Garden Of Truelove's House In The Country: Tom Rakewell? - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 1: Scene 1: The Garden Of Truelove's House In The Country: Farewell For... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 1: Scene 2: Mother Goose's Brothel, London: With Air Commanding... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 1: Scene 2: Mother Goose's Brothel, London: Come, Tom... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 1: Scene 2: Mother Goose's Brothel, London: Love, Too Frequently Betrayed.. - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 1: Scene 2: Mother Goose's Brothel, London: The Sun Is Bright - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 1: Scene 3: Autumn. The Garden Of Truelove's House In The Country: No... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 1: Scene 3: Autumn. The Garden Of Truelove's House In The Country: I Go... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 2: Scene 1: The Morning Room Of Rakewell's House In A London Square... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 2: Scene 1: The Morning Room Of Rakewell's House In A London Square... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 2: Scene 1: The Morning Room Of Rakewell's House In A London Square... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 2: Scene 2: The Street In Front Of Rakewell's House: How Strange! - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 2: Scene 2: The Street In Front Of Rakewell's House: Anne! Here! (Duet) - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 2: Scene 2: The Street In Front Of Rakewell's House: Could It Then Have... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
Tracks:
- The Rake's Progress: Act 2: Scene 3: The Morning Room Of Rakewell's House: As I Was Saying... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 2: Scene 3: The Morning Room Of Rakewell's House: You! O Nick, I've... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 3: Scene 1: The Morning Room Of Rakewell's House: What Curious... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 3: Scene 1: The Morning Room Of Rakewell's House: Aha! - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 3: Scene 1: The Morning Room Of Rakewell's House: Sold! Annoyed!... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 3: Scene 1: The Morning Room Of Rakewell's House: I Go To Him. - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 3: Scene 2: A Starless Night. A Churchyard: Prld - Royal PO/Igor Stravinsky
- The Rake's Progress: Act 3: Scene 2: A Starless Night. A Churchyard: How Dark And Dreadful Is... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 3: Scene 2: A Starless Night. A Churchyard: Very Well, Then, My Dear... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 3: Scene 2: A Starless Night. A Churchyard: I Burn! I Freeze! - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 3: Scene 3: Bedlam: Prepare Yourselves, Heroic Shades. - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 3: Scene 3: Bedlam: There He Is. Have No Fear. He Is Not Dangerous. - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 3: Scene 3: Bedlam: Gently, Little Boat... (Lullaby) - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 3: Scene 3: Bedlam: Where Art Thou, Venus? - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
- The Rake's Progress: Act 3: Scene 3: Bedlam: Epilogue: Good People, Just A Moment:... - Don Garrard/Judith Raskin/Alexander Young/John Reardon/Jean Manning/Regina Sarfaty/Kevin Miller...
Tracks:
- Oratorio-Melodrama: Oedipus Rex: Opr-Oratorio In Two Acts After Sophocles: Act I: Prologue - Chor Of The Opr Society Of Wash D.C.
- Oratorio-Melodrama: Oedipus Rex: Opr-Oratorio In Two Acts After Sophocles: Act II - Chor Of The Opr Society Of Wash D.C.
- Oratorio-Melodrama: The Flood: A Musical Play: Prld - Columbia Chor/Gregg Smith
- Oratorio-Melodrama: The Flood: A Musical Play: Melodrama - Columbia Chor/Gregg Smith
- Oratorio-Melodrama: The Flood: A Musical Play: The Building Of The Ark - Columbia Chor/Gregg Smith
- Oratorio-Melodrama: The Flood: A Musical Play: The Catalogue Of The Animals - Columbia Chor/Gregg Smith
- Oratorio-Melodrama: The Flood: A Musical Play: The Comedy - Columbia Chor/Gregg Smith
- Oratorio-Melodrama: The Flood: A Musical Play: The Flood - Columbia Chor/Gregg Smith
- Oratorio-Melodrama: The Flood: A Musical Play: The Covenant Of The Rainbow - Columbia Chor/Gregg Smith
Tracks:
- Oratorio-Melodrama: Persephone: Melodrama In 3 Parts: I. Persephone Abducted - Ithaca College Conc Chor/Texas Boys Chor Of Fort Worth/Gregg Smith Singers
- Oratorio-Melodrama: Persephone: Melodrama In 3 Parts: II. Persephone In The Underworld - Ithaca College Conc Chor/Texas Boys Chor Of Fort Worth/Gregg Smith Singers
- Oratorio-Melodrama: Persephone: Melodrama In 3 Parts: III. Persephone Restored - Ithaca College Conc Chor/Texas Boys Chor Of Fort Worth/Gregg Smith Singers
- Oratorio-Melodrama: Ode: Elegiacal Chant In Three Parts: I. Eulogy - Cleveland Orch/Igor Stravinsky
- Oratorio-Melodrama: Ode: Elegiacal Chant In Three Parts: II. Eclogue - Cleveland Orch/Igor Stravinsky
- Oratorio-Melodrama: Ode: Elegiacal Chant In Three Parts: III. Epitaph - Cleveland Orch/Igor Stravinsky
- Oratorio-Melodrama: Monumentum Pro Gesualdo Di Venosa Ad CD Annum: I. Asciugate I Begli Occhi... - Columbia SO/Igor Stravinsky
- Oratorio-Melodrama: Monumentum Pro Gesualdo Di Venosa Ad CD Annum: II. Ma Tu, Cagion Di Quella... - Columbia SO/Igor Stravinsky
- Oratorio-Melodrama: Monumentum Pro Gesualdo Di Venosa Ad CD Annum: III. Belta Poi Che T'Assenti... - Columbia SO/Igor Stravinsky
Tracks:
- Sacred Works: Chorale-Var: I. Choral - Festival Singers Of Toronto/Elmer Iseler
- Sacred Works: Chorale-Var: II. Var I (In Canone All'Ottava) - Festival Singers Of Toronto/Elmer Iseler
- Sacred Works: Chorale-Var: III. Var II (Alio Modo Canone Alla Quinta) - Festival Singers Of Toronto/Elmer Iseler
- Sacred Works: Chorale-Var: IV. Var III (In Canone Alla Settima) - Festival Singers Of Toronto/Elmer Iseler
- Sacred Works: Chorale-Var: V. Var IV (In Canone All'Ottava Per Augmentationem) - Festival Singers Of Toronto/Elmer Iseler
- Sacred Works: Chorale-Var: VI. Var V (L'Altra Sorte Del Canone Al Rovescio) - Festival Singers Of Toronto/Elmer Iseler
- Sacred Works: Zvezdoliki: The Star Faced One - Festival Singers Of Toronto/Elmer Iseler
- Sacred Works: Ave Maria - Festival Singers Of Toronto/Elmer Iseler
- Sacred Works: Credo - Gregg Smith Singers/Gregg Smith
- Sacred Works: Pater Noster - Festival Singers Of Toronto/Elmer Iseler
- Sacred Works: Cant: A Lyke-Wake Dirge (Versus I. Prld) - Gregg Smith Singers
- Sacred Works: Cant: Ricercar I: The Maidens Came - Adrienne Albert
- Sacred Works: Cant: A Lyke-Wake Dirge (Versus II. 1st Interlude) - Gregg Smith Singers
- Sacred Works: Cant: Ricercar II: Tommorrow Shall Be (Sacred History) - Alexander Young
- Sacred Works: Cant: A Lyke-Wake Dirge (Versus III. 2nd Interlude) - Gregg Smith Singers
- Sacred Works: Cant: Westron Wind - Adrienne Albert/Alexander Young
- Sacred Works: Cant: A Lyke-Wake Dirge (Versus IV. Postlude) - Gregg Smith Singers
- Sacred Works: Mass: Kyrie - Gregg Smith Singers
- Sacred Works: Mass: Gloria - Gregg Smith Singers
- Sacred Works: Mass: Credo - Gregg Smith Singers
- Sacred Works: Mass: Sanctus - Gregg Smith Singers
- Sacred Works: Mass: Agnes Dei - Gregg Smith Singers
- Sacred Works: Babel - John Calicos/Festival Singers Of Toronto/Elmer Iseler
Tracks:
- Sacred Works: Canticum Sacrum Ad Honorem Sancti Marci Nominis: Dedication - Richard Robinson/Howard Chitjian/Los Angeles Festival Chor
- Sacred Works: Canticum Sacrum Ad Honorem Sancti Marci Nominis: I. Euntes In Mundum - Richard Robinson/Howard Chitjian/Los Angeles Festival Chor
- Sacred Works: Canticum Sacrum Ad Honorem Sancti Marci Nominis: II. Surge, Aquilo - Richard Robinson/Howard Chitjian/Los Angeles Festival Chor
- Sacred Works: Canticum Sacrum Ad Honorem Sancti Marci Nominis: III. Ad Tres Virtutes... - Richard Robinson/Howard Chitjian/Los Angeles Festival Chor
- Sacred Works: Canticum Sacrum Ad Honorem Sancti Marci Nominis: IV. jesus Autem Ait Illi - Richard Robinson/Howard Chitjian/Los Angeles Festival Chor
- Sacred Works: Canticum Sacrum Ad Honorem Sancti Marci Nominis: V. Illi Autem Profecti - Richard Robinson/Howard Chitjian/Los Angeles Festival Chor
- Sacred Works: Introitus: T.S. Eliot In Memoriam - Gregg Smith Singers
- Sacred Works: A Sermon, A Narrative, And A Prayer: I. A Sermon - Shirley Verrett/Loren Driscoll/John Horton
- Sacred Works: A Sermon, A Narrative, And A Prayer: II. A Narrative - Shirley Verrett/Loren Driscoll/John Horton
- Sacred Works: A Sermon, A Narrative, And A Prayer: III. A Prayer - Shirley Verrett/Loren Driscoll/John Horton
- Sacred Works: Anthem (The Dove Decending Breaks The Air) - Festival Singers Of Toronto/Elmer Iseler
- Sacred Works: Threni: Incipit - Bethany Beardslee/Beatrice Krebs/William Lewis/James Wainner/Mac Morgan/Robert Oliver...
- Sacred Works: Threni: De Elegia Prima - Bethany Beardslee/Beatrice Krebs/William Lewis/James Wainner/Mac Morgan/Robert Oliver...
- Sacred Works: Threni: De Elegia Terita I.Querimonia/II.Sensus Spei/.Solacium - Bethany Beardslee/Beatrice Krebs/William Lewis/James Wainner/Mac Morgan/Robert Oliver...
- Sacred Works: Threni: De Elegia Quinta Oratoriao Jeremiae Prophetae - Bethany Beardslee/Beatrice Krebs/William Lewis/James Wainner/Mac Morgan/Robert Oliver...
Tracks:
- Song Of The Nightingale - Columbia SO/Igor Stravinsky
- Danses Conc: I. Marche. Intro/II. Pas D'Action/III. Theme Varie/IV. Pas De Deux/V. Marche... - Columbia CO/Igor Stravinsky
- Epitaphium - Arthur Gleghorn/Kalman Bloch/Dorothy Remsen
- Double Canon: - Israel Baker/Otis Igleman/Sanford Schonbach/George Neikrug
- Abraham And Isaac: A Scared Ballet - Richard Frisch
- Vars - Columbia SO/Igor Stravinsky
- Requiem Canticles: I. Prld - Linda Anderson/Elaine Bonazzi/Charles Bressler/Donald Gramm/The Ithica College Conc Chor/Gregg Smith
- Requiem Canticles: II. Exaudi - Linda Anderson/Elaine Bonazzi/Charles Bressler/Donald Gramm/The Ithica College Conc Chor/Gregg Smith
- Requiem Canticles: III. Dies Irae - Linda Anderson/Elaine Bonazzi/Charles Bressler/Donald Gramm/The Ithica College Conc Chor/Gregg Smith
- Requiem Canticles: IV. Tuba Mirum - Linda Anderson/Elaine Bonazzi/Charles Bressler/Donald Gramm/The Ithica College Conc Chor/Gregg Smith
- Requiem Canticles: V. Interude - Linda Anderson/Elaine Bonazzi/Charles Bressler/Donald Gramm/The Ithica College Conc Chor/Gregg Smith
- Requiem Canticles: VI. Rex Tremendae - Linda Anderson/Elaine Bonazzi/Charles Bressler/Donald Gramm/The Ithica College Conc Chor/Gregg Smith
- Requiem Canticles: VII. Lacrimosa - Linda Anderson/Elaine Bonazzi/Charles Bressler/Donald Gramm/The Ithica College Conc Chor/Gregg Smith
- Requiem Canticles: VIII. Libera Me - Linda Anderson/Elaine Bonazzi/Charles Bressler/Donald Gramm/The Ithica College Conc Chor/Gregg Smith
- Requiem Canticles: IX. Postlude - Linda Anderson/Elaine Bonazzi/Charles Bressler/Donald Gramm/The Ithica College Conc Chor/Gregg Smith
Amazon.com
Stravinsky dominates 20th century music as Beethoven did in the 19th. No other composer of our time was so completely at home in so many forms and styles; no other knew so well how to adapt sounds from the past--medieval, baroque, classical and even, near the end of his career, 12-tone, to suit his own purposes. A brilliantly original creator, he also plundered the music of other composers such as Gesualdo, Pergolesi, and Tchaikovsky--even "Happy Birthday to You" in his hilarious "Greeting Prelude." But he made this music his own and transformed it into something new and splendid. He has fared well (though he often complained) in the hands of other conductors, but his own interpretations often give unique insights. He was the first composer to have his work substantially preserved (more than 60 pieces) in recordings made under his own supervision (Britten did nearly as well; Milhaud, Poulenc, Shostakovich, and a few others have left small samples). This collection, with an informative, well-illustrated booklet, is monumental, a legacy to posterity of incalculable value. --Joe McLellan
Customer Reviews:
The ultimate collection.......2006-04-17
This box set, sometimes referred to as a "lunchbox " is most
likely out of print, considering the 22 CD's it comprises
and the price tag.
Nevertheless, any classical music fan will want to own this
item, despite the sales price of over $350 USD.
On the one side, you have the classic, big-name numbers that
are sterotypical of Stravinsky, in the minds of the public,
such as Firebird, Petrushka, Rite of Spring, etc. Obviously,
being this a COMPLETE edition of ALL of the composer's career
works, they had to be performed, recorded and conducted by
the composer too. However, they've been performed, recorded
a lot better elsewhere, no doubt.
So, the real focus and attraction of this box edition, is
that it presents a huge amount of previously unavailable,
hard to find, overpriced, unrecorded, underappreciated
compositions in a one-stop-shop release, the current one.
Some highlights, I feel, is THE RAKE, as well as AGON,
BLUEBIRD, and many others.
The recording is impeccable, and considering that the author
was focusing on the underrepresented repertoire in his recorded
legacy, those are especially well presented, performed and
conducted.
Therefore, for the above reasons, and also the fact that
there's so much to choose from - a new opus every day of
the month is possible, almost - it's a can't miss proposition.
If it's still available on the retail market, that is.
A Treasure Trove.......2004-08-21
You will never find the majority of these works better played than here. A few minor quibbles though. The set is not absolutely complete as the Fanfare for Two Trumpets and Stravinsky's arr. of The Star-Spangled Banner are missing. They where recorded by Columbia during this period and issued on LP. More serious is that the first note is missing from the sixth of the 8 Instrumental Miniatures. Also I think Sony could have included Robert Craft's performance of Les Noces as it outshines Stravinsky's. Using the original Russian language, as Craft does (the composer's is in English) does give it an extra edge. And why has the producer chosen to place the orchestral Ode on the "Oratorio - Melodrama" album, between Perséphone and Monumentum pro Gesualdo...
Otherwise all is fine and one can only admire the composer's way with the music. The rhythms are knife-sharp, the melodies phrased con amore and you will find none of the sluggishness that that many conductors seem to prefer. A gold-mine indeed!
Magnificent Achievement.......2000-02-05
Having been immersed in the study of Stravinsky at university, I have developed a new appreciation and love for this music and the man who composed it. To single out any one work or performance as the finest would be impossible, although certain pieces will need to be taken with a dose of salt as Stravinsky covers more than one style. My own personal favourite is the D major Violin Concerto at the end of the concerto disc- a brilliant piece of music brilliantly performed. If I had to point out what is not good about this album, it is really more a criticism of Stravinsky's work- the "Cantata" is probably the dullest thing he ever wrote (even he admitted not to liking it that much). Nonetheless, this IS his complete music, completely recorded under his watchful gaze. What a magnificent achievement- and how well preserved and mastered by Sony!
Truly historical.......1999-09-21
This truly historical edition once and for all puts to rest the old putdown that Strawinsky could not conduct. In fact many of the works in this box have never sounded beter, and this includes works like Petrushka, Apollon and La baiser de la Fee. For seeing the real and strong continuity in Strawinskys often chameleontic carreer, there is nothing like listening to these CD's again and again. After some time the differences fade into the background and it becomes clear what all these works have in common: a search for the essence of the European classical tradition. It also becomes clear why the Russians consider Strawinsky not really one of their own. But most of all, this is music by one of the really great composers and recorded by himself.
Average customer rating:
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Schnittke: Concerto for choir; Requiem
Manufacturer: Classico
ProductGroup: Music
Binding: Audio CD
All Works by Schnittke
| Schnittke, Alfred
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ASIN: B00005BI3Y
Release Date: 2001-04-24 |
Customer Reviews:
An amazing work!.......2002-01-14
Few of us have ever heard this work and fewer in performance. I was fortunate enough to participate in a performance of just the first movement and it is a real kick!
I am grateful for this recording and though the performance isn't bad, I think it doesn't have the majesty, mystery, and power that the work really requires to make its statements. Maybe it needed to be recorded in a cathedral rather than a studio. The group certainly seems to have the skill to pull it off.
Well, I don't want to quibble. Listen to this work! And then imagine it performed more Russian and with more mystery and I think you would have it.
The definitive recording remains to be made.
Average customer rating:
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Gabriel Fauré: Requiem; Elegie; Messe Basse
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD
General
| Fauré, Gabriel
| ( F )
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ASIN: B000005E5Q
Release Date: 1992-02-11 |
Tracks:
- Requiem, Op. 48: Intro& Kyrie
- Requiem, Op. 48: Offertoire
- Requiem, Op. 48: Sanctus
- Requiem, Op. 48: Pie Jesu
- Requiem, Op. 48: Agnus Dei
- Requiem, Op. 48: Libera me
- Requiem, Op. 48: In paradisum
- e, Op.24 In C Minor, For Cello And Orchestra
- Messe basse: For Female Voices And Organ: Kyrie
- Messe basse: For Female Voices And Organ: Sanctus
- Messe basse: For Female Voices And Organ: Benedictus
- Messe basse: For Female Voices And Organ: Agnus Dei
Customer Reviews:
Children Divinity.......2007-01-19
As far as I know this is the only representation of Fauré's Requiem that has children choirs. These voices simply sweep you into a deep emotional and spiritual journey. An absolute Masterpiece.
Average customer rating:
- Two remarkable choral works
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Schnittke: Concerto for Choir/Requiem
Manufacturer: Praga
ProductGroup: Music
Binding: Audio CD
All Works by Schnittke
| Schnittke, Alfred
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ASIN: B00004VS4P
Release Date: 2000-08-15 |
Tracks:
- Con: O Master Of All Living
- Con: I, An Expert In Human Passions
- Con: God Grant Deliverance From Sin
- Con: Complete This Work
- Requiem: I. Requiem
- Requiem: II. Kyrie - Martina Kritznerova/Jana Sovakova/Darina Gltazova
- Requiem: III. Dies Irae
- Requiem: IV. Tuba Mirum
- Requiem: V. Rex Tremendae
- Requiem: VI. Recordare
- Requiem: VII. Lacrimosa - Martina Kritznerova/Marie Smaterova
- Requiem: VIII. Domine Jesu
- Requiem: IX. Hostias
- Requiem: X. Sanctus - Martina Kritznerova/Petr Klima
- Requiem: XI. Benedictus
- Requiem: XII. Agnus Dei
- Requiem: XIII. Credo
- Requiem: XIV. Requiem
Amazon.com
Alfred Schnittke's work always is fresh and challenging, even when it seems also willfully obscure. This disc presents two of the Russian composer's best works in excellent performances by a fine chorus whose Slavic timbres fit the sense of rootedness in the soil of Europe's east that pervades both pieces. The Concerto for Choir is a four-movement work for a cappella mixed chorus, set to a religious text. Each movement has its own character, and each is full of fetching colors and rhythmic drive. Also, each has unforgettable moments, such as the second movement's soprano melody, which floats above a chant-like ostinato; or the echo effect of the final Amen, the men singing slightly behind the women. The Requiem is, if anything, even more compelling, bursting with originality, as well as homages to Stravinsky (the "Kyrie" is straight out of Les Noces) and Prokofiev (Alexander Nevsky's fingerprints are all over the "Tuba mirum"). The chorus is joined here by a small, percussion-laden orchestra, which contributes to the power of the work, as in the militant "Credo," whose piercing brass and powerful drums make for the most exciting Requiem this side of Verdi. --Dan Davis
Customer Reviews:
Two remarkable choral works.......2001-01-21
Alfred Schnittke was among the most original composers of the twentieth century. This recording by the Prague Philarmonic Choir presents two substantial works for choir, each one a masterpiece in its own way as well as exemplifying the composer's distinctive style.
As a strong choral music enthusiast, I find the "Concerto for Choir" to be unlike anything I've heard before - whilst being like a lot of things I have heard before. This seems a paradoxical way to explain the piece, but it is the only way that seems right. In that it sets sacred Russian texts to lush, dramatic choral textures, it is like any number of widely-acclaimed choral masterworks (an example being Rachmaninov's "All Night Vigil"). However, nothing in it can be expected or anticipated: the chorus is unaccompanied throughout, thus the "concerto" element is created by exploring a large number of virtuosic vocal displays, as well as by following a strict form with repeating elements, just like a traditional concerto for instruments. The range required by the voices takes them to their respective limits (the high sopranos produce passionate high Cs whilst the basses descend frequently to infernal Ds); as is typical of Schnittke, the work also includes dense note clusters, produced by dividing the choir into a total of sixteen parts. Sometimes, members of the choir provide an accompaniment to others (there are also fleeting but memorable passages for actual soloists); in the main, a rich mixture of tonal and atonal idioms are presented through polyphonic effects not dissimilar to those used by Renaissance composers or more recent composers of sacred music such as John Tavener. Schnittke approaches the texts (varied texts of praise and lamentation) in a seemingly liberal way: in places, the music simply projects the words, whilst in others the words spawn musical settings that are striking and moving all at once. In short, this is a very special kind of musical work - part concert work, part sacred work; part innovation in a familiar genre, part rehashing of traditional choral ideas; part expression of uncompromising faith, part setting of sacred texts for aesthetic value. Under Jaroslav Brych, the Prague Philarmonic Choir does it full justice. Well worth the price of the disc, although on listening to it, I have to say I would probably enjoy it more if it were performed in front of me (or else I were performing in it myself)...
The "Requiem" shares a few traits with the "Concerto," albeit the effect is more dramatic, even shocking. The choir is joined by a bizzare orchestra consisting predominantly of percussion instruments, with various brass instruments, piano and organ alongside. Again, there are aspects of this music that appear familiar and unfamiliar: the treatment of the "Dies irae" sequence receives much attention by the composer, with shrieking brass, apocalyptic organ noises and heavy banging on the percussion; there are also very disturbing moments in which the chorus chants the words tonelessly or else sings them with awesome power. The quieter sections ("Lacrymosa" in particular) are haunting, making use of vocal soloists and extremely subtle instrumental writing. Musically, there is a great deal more variety evident in this work than in the "Concerto," and a great deal more control is needed from the performers - this is just as well-achieved.
The liner notes provide excellent commentary on the music, which amounts to a full hour's worth of listening.
Fans of Schnittke looking for one or both of these very important oeuvres should choose this one without hesitation; as far as I can tell, it represents best value for money (as opposed to the two Chandos recordings of the "Concerto," one of which is a stand-alone and the other of which is coupled with another work). If you're curious, this is worth a try, although the "Concerto" is on the whole more digestible in one sitting than the "Requiem."
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Milko Kelemen Portrait of a Composer
Manufacturer: Bis
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000016MY
Release Date: 1995-12-12 |
Tracks:
- Drammatico (Requiem Fur Sarajewo)
- Sonnette Fur Streichquartett: I. II. III. IV. V. - Various Artists
- Passionato
- Changeant
Average customer rating:
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Schnittke: Choir Concerto; Requiem
Manufacturer: Swedish Society
ProductGroup: Music
Binding: Audio CD
All Works by Schnittke
| Schnittke, Alfred
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ASIN: B000056MQJ
Release Date: 1996-11-05 |
Average customer rating:
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The Best of Mozart
Manufacturer: Zyx Records
ProductGroup: Music
Binding: Audio CD
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
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Concertinos
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Cassinelli, Ricardo
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ASIN: B000003E7R
Release Date: 1996-11-01 |
Tracks:
- Sinfonie No.40 in g, KV 550: Molto Allegro - Philharmonisches Orch/Vladmir Petroschoff
- The Violet, KV476 - Ils Hollweg/Hubert Giesen
- La Nozze di Figaro, KV 492: Ov - LPO/Alfred Scholz
- Rondo alla turca - Marian Pivka
- Ser in G, No.13, KV 525: Eine kleine Nachtmusik: Romanze: Andante - Mozart-Kammerorchester Stuttgart
- Bruder, reicht die Hand zum Bunde!: Freemason Music-Chorlied, KV-Anh - Stuttegarter Liederkranz/W. Schneider
- Pno Con No.21 in C, KV 467, Elvira Madigan: Andante - Svetlana Stanceva/Mozart Festival Orch/Alberto Lizzio
- Requiem, RV 626: Introitus, Requiem aeternam - Wiener Sangerknaben/Wiener Konzerthaus-Orch/Ferdinand Grossman
- Vn Con No.2, in D, KV 211: Rondo: Allegro - Conrad von der Goltz/Camerata Academica/Hanns Reinartz
- The Magic Flute, KV 620: Die Bildnis ist bezaubernd schon - Riccardo Cassinelli/Orchester der Staatsoper Stuttgart/Alexander von Pitamic
- Cl Con in A, KV 622: Adagio - Joze Ostranc/Mozart-Festival-Orch/Alberto Lizzio
- The Magic Flute, KV 620: Ov - SW-Studio-Orch/Francesco Macci
- Con in C, KV 299: Rondo: Allegro - Jean Patero/Helgo Stock/Wurttembergicshes Kammerorchester/Alberto Lizzio
Tracks:
- Vn Con No.2, KV 211: 1. Satz - Conrad von der Golz/Camerata Academica Wurzburg
- Eine kleine Nachtmusik, KV 525: 1. Satz - Mozart Kammerorchester Stuttgart
- Blaser Ser, KV 361: Thema con variazioni - Mozart-Blaserorchester Stuttgart
- Titus, KV 621, La Clemanza di Tito: Ov - London Festival Orch/Kurt Redel
- Die Entfuhrung aus dem Serail: Ov - LPO/Alfred Scholz
- Andante in C, KV 315 - Arife Gulsen/Tatu Salzberger Mozart-Solisten/Joseph Schneider
- Vn Con, No. 4, KV 218: Allegro - Eugene Schaffer/Orch du Festival Belgique/Alfred Scholz
- Hn Con, No.2, KV 417: Allaegro maestoso - Mozart Festival Orch/Alberto Lizzio/Kamil Sreter
- Pno Con No.9, 'Jeunehomme', KV 271: Andante - Leonard Hookansen/Camerata Labacensis/Kurt Redel
- Eine kleine Nachtmusik, KV 525: Rondo: Allegro - Mozart-Kammerorchester Stuttgart
Average customer rating:
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Hanns Eisler: Documents
Manufacturer: Berlin Classics
ProductGroup: Music
Binding: Audio CD
Eisler, Hanns
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ASIN: B000006LK1
Release Date: 2005-10-01 |
Music Track:
- Chopin: Bolero
- Couperin: Suite for harpsichord No2; Suite for harpsichord No11 - Historical Recordings 1947-1977 played by Scott Ross, Paul Derenne, Wilhelm Kempff, Andre Marchal, etc.
- Darius Milhaud: Ani Maamin, Op.441
- Debussy: L'Oeuvre Pour Piano, Vol. 1
- Divina
- Donald Swann: The Isles of Greece
- Dowland: Songs And Lute Pieces
- Dvorák: Symphonies Nos. 8 & 9 [SACD] [Enhanced] [SACD]
- Electro-Acoustic Cello Book
- Felicity Lott ~ Wolf - Mörike-Lieder ˇ Goethe-Lieder / Geoffrey Parsons
Music Track
music track
Recommended Music:
Filigree & Shadow [Import]
Playtime: Arts And Crafts
Lumen / De Pres / Fili
Music: The Saint [CD-single] [EP]
Working With Fire & Steel [Import]
Playing for Keeps
Now We May Begin [Import]
Lebendige Vergangenheit: Hipólito Lázaro
Live at Longview [Live]
Night Lady
Magic City
Mega Spot [Import]
Muthafunka [CD-single] [Import]
Gershwin: Rhapsody in Blue; An American In Paris; Porgy and Bess (symphonic picture)
Pop Music pop-music-03