Dowland: Songs And Lute Pieces
On this CD:
1. Sweet stay awhile
Composed by John Dowland
Performed by Charles Daniels, David Miller
2. Cleare or Cloudie Sweet As Aprill Showring
Composed by John Dowland
Performed by Charles Daniels, David Miller
3. I saw my lady weepe (No. 1 from The Second Booke of Songes or Ayres, 1600)
Composed by John Dowland
Performed by Charles Daniels, David Miller
4. Come away come sweet love
Composed by John Dowland
Performed by Charles Daniels, David Miller
5. Semper Dowland Semper Dolens for lute, P9
Composed by John Dowland
Performed by David Miller
6. I Must Complaine, Yet Do Enjoy My Love
Composed by John Dowland
Performed by Charles Daniels, David Miller
7. Flow, my tears
Composed by John Dowland
Performed by Charles Daniels, David Miller
8. Shall I sue (No. 19 from The Second Booke of Songes or Ayres, 1600)
Composed by John Dowland
Performed by Charles Daniels, David Miller
9. All ye, whom Love or Fortune hath betray'd, for voice & lute
Composed by John Dowland
Performed by Charles Daniels, David Miller
10. What Poore Astronomers Are They
Composed by John Dowland
Performed by Charles Daniels, David Miller
11. The Right Honourable Robert, Earl of Essex, His Galliard, P42a
Composed by John Dowland
Performed by David Miller
12. Now cease, my wand'ring eyes
Composed by John Dowland
Performed by Charles Daniels, David Miller
13. Flow not so fast, ye fountains (from Third Book of Songs)
Composed by John Dowland
Performed by Charles Daniels, David Miller
14. Me, me, and none but me (No. 5 from The Third and Last Booke of Songes or Aires, 1603)
Composed by John Dowland
Performed by Charles Daniels, David Miller
15. Come, Heavy Sleep
Composed by John Dowland
Performed by Charles Daniels, David Miller
16. Fantasia for lute (unspecified)
Composed by John Dowland
Performed by David Miller
17. Thou mighty God (Nos. 14-16 from A Pilgrimes Solace, 1612) Part 1
Composed by John Dowland
Performed by Charles Daniels, David Miller
18. When David's life Part 2
Composed by John Dowland
Performed by Charles Daniels, David Miller
19. When the poor cripple Part 3
Composed by John Dowland
Performed by Charles Daniels, David Miller
Dowland: Songs And Lute Pieces, Music, John Dowland, David Miller, Charles Daniels, Chamber, Chamber Music & Recitals, Classical, Classical Music, Miscellaneous, Miscellaneous Music, Renaissance Dance Music, Renaissance Polyphonic Song, Solo Voice(s) and Small Ensemble, Vocal
Average customer rating:
- Like a rainy day in a good bookstore
- Not "Ultimate", but Wonderful!
- Everyone would love this album!
- Incredible
- One well worth the price of two
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Ultimate Guitar Collection
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
Albeniz, Mateo Pérez de
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Similar Items:
- Julian Bream: The Ultimate Guitar Collection-Volume 2
- Essential Guitar: 33 Guitar Masterpieces
- 300 Years of Guitar Masterpieces
- Baroque Guitar
- Spanish Guitar Music
ASIN: B00000I9M1
Release Date: 1999-03-09 |
Tracks:
- Allegro Giusto
- Largo
- Allegro
- Packington's Pound
- Greensleeves
- Fantasia 'A Fancy'
- Canarios
- Sonata In D
- Leyenda (Asturias)
- The Three Cornered Hat: The Millar's Dance
- Recuerdos De La Alhambra
- Choros No.1
- Andantino Espressivo
- Poco Animato
- En Los Trigales
- Allegro Con Spirito
- Adagio
- Allegro Con Brio
Tracks:
- Mallorca, Op. 202 - Albeniz
- Cataluna
- Granada
- Sevilla
- Cadiz
- Cordoba
- Dedicatoria
- La Maja De Goya
- Danza Espanola No. 4
- Valses Poeticos - Granados
- Danza Espanola No. 5 - Granados
- Fandango
- Passacaglia
- Zapateado
Customer Reviews:
Like a rainy day in a good bookstore.......2007-07-10
"Always pleasant, never a false cord." That's what I think each time I listen to this collection. I guess I should be listening more closely, but I find the music and the virtuosity with which it is played to be a springboard to other thoughts and activities. I can read with it in the background, write with it or simply drift into thought. And that is really quite enough for me.
Not "Ultimate", but Wonderful!.......2007-03-29
As good a guitarist as Julian Bream is, one must begin by acknowledging that the title of this 2-CD set containing 32 admittedly seminal pieces written for hand-played strings ( primarily, the lute) is a tad hyperbolistic. An "Ultimate" collection of anything would have to be more complete, by definition, than any two CDs can be and, again, it almost goes without saying that no two people are apt to be in total agreement about what should or should not have been included in any such collection. All caveats considered and aside, this is, indeed, a thoughtfully selected and masterfully performed collection of what is, unarguably, some of the very best classical pieces ever written for the lute. Bream plays some of them on the guitar and others on a renaissance lute - the latter giving a somewhat truer indication of the stylings and musical nuances intended by the various composers. But, even the pieces he plays on the guitar - an instrument that, in it's current form, did not exist when many of the pieces were originally composed - are sensitive and lyrical interpretations that sound as if they MIGHT have been composed for the guitar.
Without spending space here reiterating the specific pieces, their titles and lengths, I will simply list the composers whose works Bream presents so nicely in this collection. They span a range of about five centuries beginning in the time of England's Elizabeth I and spanning the years through to the 20th Century's premier Spanish and Brazilian classical guitar composers. The list reads like a `Whose Who" of classical plucked-string instrument music and of composers whose keyboard compositions work particularly well on the strings of a lute or guitar, and includes;
- John Dowland
- Francis Cutting
- Antonio Vivaldi
- Gaspar Sanz (*)
- Mateo Albeniz (*)
- Manuel de Falla
- Enrique Granados (*)
- Hector Villa-Lobos, and
- Joaquin Rodrigo
(*) = Pieces originally written for keyboard play.
Every classical guitarist has his own recognizable style and approach to the instrument and the material. An experience listener would not confuse Bream's work with that of Andres Segovia, for example: but it is not that one is better than the other. Each, in his own distinctive way, is simply superb. Though the Spanish influence is clearly audible with both musicians, Bream's stylings have a more contemporary lilt and inflection than do those of Segovia; he makes each piece his own. One suspects that each time he plays a piece it comes out differently according to the moment, his mood, the instrument and God knows what else. Segovia, on the other hand, was well known for his constancy once he had found a version of each piece that fully suited his own ear and temperament.
While I am admittedly a Segovia fan, I find Bream's renditions to be noticeably fresher and each infused with an aura of presence in the here-and-now which I find especially enjoyable.
The collection is neither complete not `ultimate', but it is VERY good and well worth having in any collection of classical guitar music. In fact, for audiophiles not familiar with this genre, it is a fair place to begin to develop an ear for and a listener's knowledge of and experience with the classical guitar.
I recommend it highly.
Everyone would love this album!.......2007-01-16
This album is fantastic. Easy to listen to and wonderful background music for working or dinner parties
Incredible.......2005-10-24
This is the leading guitar player of his generation at his best.
He is especially amazing in the second CD, with some of the solo guitar transcriptions of Albeniz. His rendition of Rodrigo's three pieces is also sublime.
I can't imagine anybody buying this cd then regretting it.
One well worth the price of two.......2004-09-25
This two cd set is an odd juxtaposition. The first cd consists of a sampler of Bream's career output - but without (and I believe the omission is disgraceful) any acknowledgement of Bream's significant contribution toward the creation of a truly 20th century concert repertoire for guitar. The second cd is a re-release of his superb early 1980's recording of Albeniz and Granados transcriptions with the added bonus of a sublime interpretation of the "Three Spanish Pieces" by J Rodrigo.
Speaking as a musician I find the selections and the production of the first cd problematic. We get a few of the more lightweight examples of renaissance lute and baroque guitar (but no JS Bach and no (solo) baroque lute work); we get no vihuela repertoire and nothing truly representative of classical period composition. We do have all six movements from two contrasting concertos but the remainder of the cd consists mostly of neo-romantic repertoire from the twentieth century. Worse still, the recording quality is highly variable; for example one of the Villa Lobos pieces sounds as though it was recorded in an indoor swimming complex. Given the cd's title more care should have been taken to better represent Bream's career and musical diversity. In the opinion of one familiar with Bream's output this is a disappointing selection. Well played but not representative of the artist nor the art form.
However the opposite is the case with the second cd. These recordings were made at a time when Bream set out to commit to (then) vinyl, via the guitar, the musical heritage of Spain. Bream here was at the height of his interpretive power - and a fine film documentary also resulted from this endeavour.
The inclusion of the Rodrigo set makes this cd a better buy than the original Albeniz and Granados recording, although those who find this compilation rewarding might perhaps profit from researching Bream's catalogue, and adding the complete recording from which the Rodrigo is sourced (circa 1980-90) to their collection.
As for the Albeniz and Granados Bream offers his own transcriptions. These tread a fine line between fidelity to the piano scores and Bream's concept of what works on the guitar. As a general observation Bream seeks to include significantly more of the original score's textures than do many of his peers (e.g. J Williams, P Romero). At the same time he is not averse to significantly modifying the original (e.g. amongst others 'Granada' and 'Cordoba'). Such a process is part of any transcription but here the results are not only excellent but also personal to Bream, as a result we have further confirmation of the craft of a great performing artist.
Every listener will discover their own favourites and I have more than space allows me to relate. I believe that Bream brings more expression to his performances of the Valses Poeticos by Granados than any other guitarist I have heard, and the Passacaglia by Rodrigo is played with such a sense of a brooding menace that my spine tingles every time I listen to it.
The second cd alone is worth twice the compilation's asking price.
Average customer rating:
- A very nice album for SCAdian ears
- Recording is defective
- adequate performances but totally inadequate information
- A nice overview of very early music
- Don't Be Affraid
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Medieval & Renaissance Minstrels, Songs & Dances
Manufacturer: Legacy
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Music for a Medieval Banquet
- Sinners & Saints: The Ultimate Medieval and Renaissance Music Collection
- Medieval Dance Music
- Courts, Kings, & Troubadours: Medieval & Renaissance Music
- English Renaissance Music
ASIN: B000002NR5
Release Date: 1994-07-18 |
Tracks:
- Renaissance Song & Dance
- Dance Suite - Eramus Widmann - Collection Of1613
- Three English Songs For Voices And Instruments
- Instrumental Music Of The Early Barogue
- Festive Sounds
- Trouvere Tunes
- The Cabinet Organ
- Lauda And Motet
- Minstrel Melodies
- Medieval Dances
Customer Reviews:
A very nice album for SCAdian ears.......2007-04-25
This is a fun album. it's festive, playful, and a real joy to listen to. There is something for everyone in this album--including and especially SCAdians. In fact there's probably at least one piece on this album that every SCAdian dancer, musician, and/or bard will recognize. There's courtly songs, love songs, and get out of your chair dances, even formal pieces you associate with concert halls.
Whether you play in the SCA or just love great historical music, this is one of the better albums I've ever bought--on amazon or anywhere else!
Recording is defective.......2007-04-06
The first one I got had a lot of popping and crackling, and some digital defects that cause the CD player to skip. I liked the music so I bought another copy and it was the same. Both wound up in the trash. Don't waste your money on this disk.
adequate performances but totally inadequate information.......2005-04-27
It is perhaps unfair to judge the performances on this recording (presumably made in the late 1950s/early 60s? - we are not given a date) by modern standards of early music performance. Yes, there are moments when the experimental nature of the approach is all too apparent, both in terms of the [im]plausibility of the interpretations and in the [at times] excruciating intonation (a particularly pertinent example is the shawm playing in track 10). But what is in fact by far the most deplorable feature of this recording is the utter sparsity of information provided - about the performers, the instruments, the composers, the repertoire, etc. Worse still, what little that is provided is often hopelessly inaccurate: sometimes in the form of blatant spelling errors (eg the Coventry Carol becomes here 'Lully Lullary', etc), at other times factual blunders (the medieval 'Estampie' in track 10 is in fact a 16th cent [ie Renaissance] tourdion, 'Quand je bois du vin clairet', whilst John Dowland's 'Frogg Galliard', c.1597, is here given an anonymous attribution...etc, etc, etc).
In short, for those not acquainted with pre-Baroque music, this is NOT a good place to start!!! Seasoned Early Music connoisseurs, on the other hand, may find a perverse pleasure in some atrocious moments, or perhaps take interest in its value as an example of historically informed performance style in the pioneering years - but you have been warned!!
For those interested, here are some alternative recommendations if you are new to this music: firstly, 2 wide-ranging compilations by 2 well-known ensembles -
1. Sinners and Saints - The New London Consort/Philip Pickett (Decca 48559)
2. Portrait ('Moyen Age et Renaissance') - Hesperion XX/Jordi Savall (Auvidis Fontalis 'Portrait' ES9904), or either of the 2 new compilations by Savall and his ensemble(s) on Alia Vox ('Harmonie Universelle', AV9810; 'Harmonie Universelle II', AV9839).
and a compilation (mostly of early music) featuring a number of different groups -
'Pastime with Good Company' (Alpha, A901) [includes groups like L'Arpegiatta, Le Poeme Harmonique, Diabolus in Musica...]
A nice overview of very early music.......2003-12-02
This was one of the first recordings of early music I ever bought. It's a broad survey of styles and periods, from the 12th to 17th centuries. I've become a more sohisticated listener since then, but I still get this one out fairly regularly. The recording is apparently old and the digital remastering was not done extraordinarily well, but those who are more interested in music than in audio equipment should be able to listen through the occasional (minor) vinyl surface noise. My major complaint (why I gave it 3 stars instead of 4) is the lack of documentation--there is no information about the musicians, and many of the composers are uncredited (some because they actually are anonymous, but sometimes out of apparent laziness). Still, at this price it's a bargain.
Don't Be Affraid.......2003-11-19
This cd is worth picking up. Yes the first couple of tracks have pops and crackles in it. And yes it sounds as if the music was transfered directly from a vinyl source. But the performances and selections on this cd are fabulous. And you get use to the flaws in the recordings. Which I find minor.
This cd was actually the first Medieval and Renaissance album I ever bought. I bought it randomly in 1992 to try and introduce myself to these two era's of Classical music. And it was PERFECT. I have been a loyal fan of Medieval & Renaissance music ever since. I currently own 25 to 30 cd's covering these era now. And this album is still one of my favorites......
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The Most Beautiful Melodies of Classical Music, Vol. 1-10 (Box Set)
Manufacturer: Delta
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Binding: Audio CD
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ASIN: B00000G1JO
Release Date: 2000-07-07 |
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The World of Early Music
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Tracks:
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The Most Beautiful Melodies of Classical Music (Collectors Edition) (Box Set)
Manufacturer: Delta
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Binding: Audio CD
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ASIN: B00008L42A
Release Date: 2003-02-13 |
Average customer rating:
- Disappointing, with such talent on show.
- So So
|
Treasures From My Minde - Songs And Instrument Pieces By John Dowland / Virelai
Virelai , Catherine King , Jacob Heringman , Sarah Cunningham , Susanne Pell , and William Lyons
Manufacturer: EMI Records [All429]
ProductGroup: Music
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| Dowland, John
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ASIN: B00000IG3B
Release Date: 2001-02-27 |
Tracks:
- Treasures From My Minde: Come Again: Sweet Love Doth Now Invite
- Treasures From My Minde: Goe Nightly Cares, The Enemy To Rest
- Treasures From My Minde: Pavan: La mia Barbara
- Treasures From My Minde: If My Complaints Could Passions Move
- Treasures From My Minde: Awake, Sweet Love, Thou Art Returnd
- Treasures From My Minde: From Silent Night, True Register Of Moanes
- Treasures From My Minde: The Earle Of Essex Galiard
- Treasures From My Minde: M. Buctons Galiard
- Treasures From My Minde: M. Thomas Collier His Galiard With 2 Trebles
- Treasures From My Minde: In Darknesse Let Mee Dwell
- Treasures From My Minde: Flow My Teares Fall From Your Springs
- Treasures From My Minde: The Frog Galiard
- Treasures From My Minde: Captaine Digorie Piper His Galiard
- Treasures From My Minde: Come Away, Come Sweet Love
- Treasures From My Minde: Lord Strangs March
- Treasures From My Minde: Fine Knacks For Ladies
- Treasures From My Minde: Mistresse Nichols Almand
- Treasures From My Minde: Lasso vita mia, mi fa morire
- Treasures From My Minde: Sorrow Sorrow Stay, Lend True Repentant Teares
- Treasures From My Minde: Fantasie
- Treasures From My Minde: Time Stands Still
Customer Reviews:
Disappointing, with such talent on show........2005-05-10
The performances are generally not very inspiring. Catherine King is usually smooth on the ear, but here, her exaggerated use of period English accent is annoying and distracting.
The recorded sound is also overly bright for my taste.
In all, there are perhaps three tracks on this disc I would enjoy hearing again. The rest are well below expectations.
So So.......2003-12-24
This is a selection of some of Dowland's most famous pieces performed in appropriate Renaissance style. Unfortunately, the quality of the performances is mixed. Some pieces are performed very well, others not. The singer on this CD, Catherine King, is inconsistent. In some songs, like "Come again, sweet love..." she is good. In others, her diction and phrasing is suspect. I may also be put off by her apparently strong Scots accent. Choice of tempi in several pieces is poor. A couple of Dowland's most famous songs are represented by instrumental versions, which are nice, but pale compared with the actual songs.
Average customer rating:
- Sadly, A Little Background Music
- A Little Too Light, A Bit Too Much Glamor
|
Harpistry
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- A New Baroque
ASIN: B0000AOWUZ
Release Date: 2004-03-09 |
Tracks:
- Lachrimae Antiquae (Flow My Teares)
- Largo From The Lute Concerto In D Major RV93
- Gassenhawer
- Sarabande And Variations From The Suite In D Minor (G110)
- Aria From The Goldberg Variations (BWV 988)
- Variation 13 From The Goldberg Variations
- Les Baricades Misterieuses
- Andantino From The Sonata In C Minor
- Adagio From The Piano Concerto No. 5 In E Flat Major Op. 73 'The Emperor'
- Lullaby (Kolybel'naja Pesnja) Op. 16, No. 1
- Prelude No. 10 'The Sunken Cathedral' From 12 Preludes, Book 1 (1909-10)
- Le Fils Des Etoiles, Prelude To The Second Act-L'Initiation
- Chanson Dans La Nuit
Album Details
A Graduate of the Royal Academy of Music, Ms. Thornton is also a Founding Member of the Group "Arcana Mundi", a Concept Dreamt Up by Producer Craig Leon. Her Exceptional Talent was Brought to the Fore When She Opened the Show on Roxy Music Vocalist Bryan Ferry's Solo Tour Promoting his "as Time Goes By" Album of Standards. Since Then, She Has Not Only Toured with Beau Ferry on his Solo Ventures but also as Percussionist for the Roxy Music Reunion Tours. This Disc is her First Set of Solo Harp Classical Recordings, Produced (Of Course) by Longtime Mentor Craig Leon (Who Incidentally Produced the First Ramones Album, Both Blondie Label Debut Albums, Phillip Boa, Rodney Crowell, the National Lampoon's Vacation Soundtrack, in Addition to Albums Recorded with his Wife Cassell Webb).
Customer Reviews:
Sadly, A Little Background Music.......2005-09-03
Julia Thornton is a fine harpist and it is refreshing to have a recording of works for that ancient instrument of solace. There are enough works for solo harp and harp and orchestra in the repertoire that it seems a shame the producers of this recording opted for transcriptions for Thornton's debut album. But given these limitations, this is a recording that offers some of the most beautiful background music you will find: there are those times when during dining or solitary thinking that music of his nature is not a putdown.
The offerings are varied, from the expected Pachelbel 'Canon', to transcriptions from piano works (Bach's 'Goldberg Variations', Debussy's 'The Sunken Cathedral'), from lute songs (Dowland's 'Flow my Tears', Vivaldi's Largo from the Lute Concerto in D,) and some orchestral or concerti like the 'Adagio' from Beethoven's Emperor Concerto, etc. Thornton is 'assisted' by vocalists and National Radio Orchestra of the Netherlands, at times appropriately and other times a bit too much for 'atmosphere'.
In all, the album is a pleasant experience and never less than well played. But what could have been a significant addition to the recorded repertoire opted for just a bit of lovely background music. Maybe her next album... Grady Harp, September 05
A Little Too Light, A Bit Too Much Glamor.......2004-04-21
For whatever reason, I've had a rash of musical CD's in which a competent performer has fallen into a pattern of over-hype, including excessive production values, extensive professional websites, promises to keep and an output that is miniscule in comparison. Often the performer is worth notice, but the hype tends to promise more than can be delivered, and the musician suffers in the comparison.
This is the case with Julia Thornton, whose sole recording is this disk of music, of which only a few were originally for the harp. Many are quite pleasant, and a few are a bit eye-opening, but for some reason her producer, Craig Leon, has decided to mix in angelic choirs and other gimmicks that make the music hackneyed and a bit too 'new age.' On such case of this is 'Gassenhawer,' and another is Couperin's 'Les Baricades Misterieuses' which is overdone enough to be upsetting.
On other cases - the Vivaldi 'Largo' and the Handel Sarabande Julia is reduced to simple striking of the notes, nothing that shows of either the harp or her capabilities. On the other hand, the Bach Goldberg Variation and the Pescetti Andantino are a bit idiosyncratic, but very musical and interesting. Obviously there is more to Thornton than the album offers, but the album often suppresses these qualities in order to appeal to the popular audience.
The Adagio from Beethoven's Concerto No. 5 is problematic. Your ears will say 'interesting' but your mind will find it a far cry from Beethoven's original intentions. She comes so close to the percussive sound of the piano that it catches you up when she stops disguising her instrument. She does an excellent performance of the Tchaikovsky Lullaby, as well as Debussy's 'The Sunken Cathedral.'
The only piece that was originally written for harp is 'Chanson Dans La Nuit (Carlos Salzedo), which is something of a signature piece for Thornton. I can't say I found the various rattling and thumping which accompany the play very compelling, but they are Aledo's idea, not Thornton's. Chanson is a technical show off sort of thing and a bit to dry compared to the rest of the album (other than the Satie).
In sum, Thornton is an interesting harpist, but hardly the brilliant and inventive advocate of the instrument that the liner notes and website make her out to be. She is not the equal of players like Marisa Robles or Yolanda Kondonassis, and one shouldn't listen to her music expecting that kind of performance. On the other hand, as light listening the album is quite good and hopefully signals more to come.
Average customer rating:
|
Gaudeamus Early Music Sampler
Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000030XI
Release Date: 1996-06-18 |
Tracks:
- Beatus Vir
- Canzon duo decimi A10
- Musica Dei donum
- Royall Consort No.6 In D: Ecco
- Royall Consort No.6 In D: Aire Morriss
- Maria plena virtute (End)
- Le Grand: Concerts Royaux - No.3 In A - Muzette
- Suite In G - Gigue a l'angloise
- Mass 'Dum Sacrum Mysterium' A10 - Gloria (Opening)
- Pieces pour clavecin - La Victoire
- Ave Regina Caelorum
- Divisions On A Ground In F
- The First Booke Of Songes - Can She Excuse My Wrongs?
- Sonata In G, Op.9 No.7 - 4th Mvt. Giga
- Angeli, Archangeli
- String Quartet Op.1 No.3 - 4th Mvt. Polonaise
- Ave cuius conceptio
- Violin Concerto In E 'L'Amoroso' - 1t. Mvt. Allegro
- Psalm III 'Beatus Vir' (Opening)
Average customer rating:
|
The Most Beautiful Melodies of Classical Music (Box Set)
Manufacturer: Delta
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ASIN: B00008L42P
Release Date: 2003-02-13 |
Average customer rating:
|
Romantic Evening Music (Box Set)
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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| Glinka, Mikhail
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| Tchaikovsky, Peter Ilyich
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ASIN: B000001VUU
Release Date: 1993-11-30 |
Tracks:
- Moonlight Sonata: Adagio sostenuto - Romantic Evening Music
- Piano Concerto No. 21: Andante - Romantic Evening Music
- Traumerei - Romantic Evening Music
- Barcarolle - Romantic Evening Music
- Piano Concerto No. 2: Larghetto - Romantic Evening Music
- Lieberstraum - Romantic Evening Music
- Impromptu In G Flat - Romantic Evening Music
- Piano Concerto: Adagio - Romantic Evening Music
- Intermezzo In A - Romantic Evening Music
- Nocturne No.13 - Romantic Evening Music
- Moment Musical In A Flat - Romantic Evening Music
Tracks:
- Of Foreign Contries And People - Romantic Evening Music
- Piano Sonata No. 8, 'Pathetique': Adagio cantabile - Romantic Evening Music
- Piano Concerto No. 23: Andante - Romantic Evening Music
- Melody In F - Romantic Evening Music
- Nocturne In B - Romantic Evening Music
- Piano Concerto No. 17: Andante - Romantic Evening Music
- Fur Elise - Romantic Evening Music
- The Venetian Gondola - Romantic Evening Music
- Piano Concerto No. 2: Adagio - Romantic Evening Music
- Intermezzo In A Minor - Romantic Evening Music
- Arietta, Op.12 No. 1 - Romantic Evening Music
- Piano Concerto No. 9, 'Juenehomme': Andante - Romantic Evening Music
Tracks:
- Romance No. 2 For Violin
- Meditation, From 'Thais'
- Violin Concerto: Andante
- Romance In F Minor
- Legende For Violin, Op. 17
- Violin Concerto: Andante
- Adagio In E For Violin And Orchestra
- Hungarian State Orchestra: Romance
Tracks:
- Humoresque
- Romance In G
- The Four Seasons: Largo, From Winter
- Violin Concerto No. 2: Adagio
- Violin Concerto No. 1: Adagio
- Violin Concerto In C: Adagio
- Romance No. 1 For Violin
- Violin Concerto No. 4: Andante
- Concerto For Three Violins: Adagio
- Souvenir de Florence:: Adagio cantabile e con moto
Tracks:
- Peer Gynt: Morning - Classical (misc.)
- Carmen: Intermezzo - Classical (misc.)
- Minuet In D Minor - Classical (misc.)
- Concerto for Flute and Harp: Andantino - Classical (misc.)
- Nutcracker: Dance Of The Toy Flutes - Classical (misc.)
- Orpheus And Eurydice: Dance Of The Blessed Spirits - Classical (misc.)
- Flute Quartet In G: Tempo di Minuetto - Classical (misc.)
- Sonata In E Minor: Siciliano - Classical (misc.)
- Flute Concerto In E Minor: Largo - Classical (misc.)
- Brandenburg Concerto No. 4: Andante - Classical (misc.)
- Flute Concerto in B Flat: Adagio - Classical (misc.)
- Concerto For Two Transverse Flutes: Cantabile - Classical (misc.)
- Flute Trio In G: Andante - Classical (misc.)
- Flute Concerto No.2: Andante ma non troppo - Classical (misc.)
Tracks:
- Flute Sonata No. 1 In E Flat: Siciliano
- Flute Concerto No. 1: Adagio Ma Non Troppo
- Flute Concerto In E Minor: Andante
- Trio In G Minor: Andante Expressivo ('The Shepherd's Lament')
- Flute Concerto In E Minor: Largo
- Flute Concerto In D Minor: Un poco andante
- The Sleeping Beauty: Pas de quatre
- Orchestral Suite No. 2: Sarabande
- Flute Quartet In A: Theme And Variations
- Flute Concerto In D: Arioso
- Quartet In G: Theme And Variations
- Water Music: Minuet
- Flute Concerto In G: Largo
- Orchestral Suite No. 2: Minuet And Badinerie
Tracks:
- Swan Lake: Scene No.10
- Symphony No. 9, 'From The New World': Largo
- Oboe Concerto In D Minor: Adagio
- Oboe Concerto In C: Andante
- Oboe Quartet In C: Adagio
- Concerto In D For Oboe d'amore: Siciliano
- Otello: Prelude
- Oboe Concerto In C: Larghetto
- Andantino
- Orchestral Suite No. 1: Passepied
- Concerto In A For Oboe d'amore: Larghetto
- Oboe Concerto: Romance
- Oboe Concerto In C: Adagio non troppo
Tracks:
- W. A. Mozart: Romance - Romantic Evening Music
- Capriccio espganol: Variations - Romantic Evening Music
- Mendelssohn: Notturno - Romantic Evening Music
- Concerto In E Flat For Two Horns: Romance - Romantic Evening Music
- Heinichen: Arioso - Romantic Evening Music
- W. A. Mozart: Romance - Romantic Evening Music
- Concerto In D: Largo - Romantic Evening Music
- Tchaikovsky: Andante cantabile - Romantic Evening Music
- Haydn: Adagio - Romantic Evening Music
- Handel: Air - Romantic Evening Music
- Concerto In E Flat For Two Horns: Adagio - Romantic Evening Music
- Concerto In E Flat: Largo - Romantic Evening Music
- Symphony In G, 'Sinfonia da caccia': Andante piutosto un poco allegretto - Romantic Evening Music
- Horn Concerto In E Flat, K. 417: Andante - Romantic Evening Music
Tracks:
- Concierto de Aranjuez: Adagio
- On Wings of Song
- To Music
- L'encouragement, Op. 34: Cantabile
- Semi Dolens
- Fugue In G Minor
- Prelude No. 2
- Sonata In C: Adagio
- Capricho arabe
- Prelude No. 5
- Fantasy
- A Toy
- Gagliarde
- A Pipers Pavan
- Welcome Home
- Pass'e mezzo
Tracks:
- Partita In D-flat: Pastorale
- Harp Concerto: Larghetto
- Tic-Toc-Choc ou Les Maillotins
- Prelude In C
- Sonata In C Minor: Andante espressivo
- Harp Concerto In A: Larghetto
- Nocturne In E flat
- Five Variations In F
- Prelude In B Flat
- Variations On A Theme By Mozart
- Prelude In C Minor
- Impromptu In D Flat
Customer Reviews:
Terrific.......2001-07-02
this set was bought for me by a friend of mine, knowing that I love just about all varieties of music. I found this to be of real good sound quaility, and extremely relaxing plus it helped to put me in a good frame of mind, add to that that the baby I watch enjoyed it and was able to go to sleep peacefully makes it well worth the purchase. I highly recommend it.
Music Track:
- Dvorák: Symphonies Nos. 8 & 9 [SACD] [Enhanced] [SACD]
- Electro-Acoustic Cello Book
- Felicity Lott ~ Wolf - Mörike-Lieder ˇ Goethe-Lieder / Geoffrey Parsons
- Gambarini: Lessons for the Harpsichord
- Giovanni Battista Vitali / Giuseppe Colombi: Repertoire for solo cello
- Glass / Bowers-Broadbent: Organ Music
- Haydn: The Complete Piano Sonatas, Vol. 4
- Heinrich Schlusnus In Opera
- Hurricane!
- I Dig
Music Track
music track
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Lisa