Chopin: Preludes / Planes

On this CD:

1. Preludes (24) for piano, Op. 28, CT 166-189
Composed by Fryderyk Chopin
Performed by Alain Planes

2. Mazurkas (4) for piano, Op. 41, CT 74, 76, 78-79
Composed by Fryderyk Chopin
Performed by Alain Planes

3. Nocturne for piano E minor, KK IV/b, CT 128
Composed by Fryderyk Chopin
Performed by Alain Planes

4. Berceuse for piano in D flat major, Op. 57, CT 7
Composed by Fryderyk Chopin
Performed by Alain Planes

5. Barcarolle for piano in F sharp major, Op. 60, CT 6
Composed by Fryderyk Chopin
Performed by Alain Planes

Editorial Reviews
Amazon.com
The piano that Alain Planès uses here, a 1906 American Steinway grand, is credited with all sorts of marvelous qualities by Jacques Drillon in a typically florid note tucked into the booklet that accompanies this CD. The fact is, it's an instrument that lacks the weight in the bass and the brilliance at the top that characterize today's concert Steinways--a Bing Crosby of a piano rather than a Lauritz Melchior, which is fine. Its touch is light, and that enables Planès to get around on some of the flashier pieces in the set, like No. 8 in F sharp minor and No. 16 in B flat minor. Still, his isn't what you would be tempted to call a virtuosic technique, and if you're looking for flash and color, you might be better off looking somewhere else, say Pollini, or better, Pogorelich.

What Planès brings to these pieces is an introspective delicacy that is very much in the French tradition. His readings of the individual preludes are thoughtful and tasteful, if not always telling. He does not chain them together (as, for example, Garrick Ohlsson does) to form a continuous utterance, but sees them as individual entities, and with good reason. For these are the most modern pieces Chopin wrote--aphoristic, even cryptic. In fact, many of them are not pieces at all, but, as the poet Alfred de Vigny might have said, "pearls of thought." Planès understands that, and communicates it as well as anyone. --Ted Libbey

Chopin: Preludes / Planes, Music, Fryderyk Chopin, Alain Planès, Barcarolle for Keyboard, Berceuse for Keyboard, Chamber Music & Recitals, Classical, Classical Composers, Classical Music, Coll. of Character/Single-Movement/Misc. Works for Keyb., Collection of Preludes for Keyboard, Keyboard, Nocturne for Keyboard
Chopin: Preludes / Planes
Average customer rating: Not rated
    Chopin: Preludes / Planes
    Alain Plaines
    Manufacturer: Harmonia Mundi
    ProductGroup: Music
    Binding: Audio CD

    All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
    PreludesPreludes | Forms & Genres | Classical | Styles | Music
    NocturnesNocturnes | Short Forms | Forms & Genres | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    Lullabies & BerceuseLullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music
    BarcarollesBarcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music
    ClassicalClassical | Imports | Stores | Music
    ASIN: B0000589IM
    Release Date: 2001-02-13

    Amazon.com

    The piano that Alain Planès uses here, a 1906 American Steinway grand, is credited with all sorts of marvelous qualities by Jacques Drillon in a typically florid note tucked into the booklet that accompanies this CD. The fact is, it's an instrument that lacks the weight in the bass and the brilliance at the top that characterize today's concert Steinways--a Bing Crosby of a piano rather than a Lauritz Melchior, which is fine. Its touch is light, and that enables Planès to get around on some of the flashier pieces in the set, like No. 8 in F sharp minor and No. 16 in B flat minor. Still, his isn't what you would be tempted to call a virtuosic technique, and if you're looking for flash and color, you might be better off looking somewhere else, say Pollini, or better, Pogorelich.

    What Planès brings to these pieces is an introspective delicacy that is very much in the French tradition. His readings of the individual preludes are thoughtful and tasteful, if not always telling. He does not chain them together (as, for example, Garrick Ohlsson does) to form a continuous utterance, but sees them as individual entities, and with good reason. For these are the most modern pieces Chopin wrote--aphoristic, even cryptic. In fact, many of them are not pieces at all, but, as the poet Alfred de Vigny might have said, "pearls of thought." Planès understands that, and communicates it as well as anyone. --Ted Libbey

    Music Track:

    1. Christopher Schindler Early Performances
    2. Classical Favorites (Box Set) [Box set]
    3. Concerti & Chamber Music
    4. Concerto for Multiple Instruments
    5. Contrastes for Violin Clarinet & Piano
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    7. Dussek: Chamber Music with piano
    8. Dvorak: Trio No4; Smetana: Trio in Gm
    9. Giuliani: Rossiniane / Pot-pourris
    10. Glinka: Songs

    Music Track

    music track

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