Glinka: Songs
On this CD:
1. Say not that it grieves the heart (Ne govori, chto serdtsu), song for voice & piano, G. x335
Composed by Mikhail Glinka
Performed by Sergej Koptchak
2. "I Love You" was your assurance (Ya lyublyu, tï mne tverdila), song for voice and piano, G. x24
Composed by Mikhail Glinka
Performed by Sergej Koptchak
3. Tell me, why? (Skazhi zachem), song for voice & piano, G. x31
Composed by Mikhail Glinka
Performed by Sergej Koptchak
4. Do not tempt me needlessly (Ne iskushay menya bez nuzhdï), elegy for voice & piano, G. x2
Composed by Mikhail Glinka
Performed by Sergej Koptchak
5. A Farewell to St. Petersburg (Proshchaniye s Peterburgom), song cycle (12) for voice & piano, G. x206 To Molly (K Molli)
Composed by Mikhail Glinka
Performed by Sergej Koptchak
6. The Night Review (Nochnoy smotr), song for voice & piano, G. x165
Composed by Mikhail Glinka
Performed by Sergej Koptchak
7. A Farewell to St. Petersburg (Proshchaniye s Peterburgom), song cycle (12) for voice & piano, G. x206 Cavatina (Kavatina)
Composed by Mikhail Glinka
Performed by Sergej Koptchak
8. I recall that wonderful moment (Ya pomnyu chudnoye mgnoven'ye), song for voice & piano, G. x201
Composed by Mikhail Glinka
Performed by Sergej Koptchak
9. Call her not heavenly (Ne nazivay yeyo nebesnoy), for voice & piano, G. x151
Composed by Mikhail Glinka
Performed by Sergej Koptchak
10. Shall I forget? (Zabudu l'ya), song for voice & piano, G. x94
Composed by Mikhail Glinka
Performed by Sergej Koptchak
11. Doubt (Someniye), song for voice & piano, G. x176
Composed by Mikhail Glinka
Performed by Sergej Koptchak
12. Soon you will forget me (Tï skoro menya pozabudesh'), song for voice & piano, G. x290
Composed by Mikhail Glinka
Performed by Sergej Koptchak
13. A Farewell to St. Petersburg (Proshchaniye s Peterburgom), song cycle (12) for voice & piano, G. x206 The lark (Zhavoronok)
Composed by Mikhail Glinka
Performed by Sergej Koptchak
14. The fire of longing burns in my blood (V krovi gorit' ogon zhelan'ya), song for voice & piano, G. x180
Composed by Mikhail Glinka
Performed by Sergej Koptchak
15. A Farewell to St. Petersburg (Proshchaniye s Peterburgom), song cycle (12) for voice & piano, G. x206 Romance (Romans)
Composed by Mikhail Glinka
Performed by Sergej Koptchak
16. Where is our rose? (Gde nasha roza?), song for voice & piano, G. x182
Composed by Mikhail Glinka
Performed by Sergej Koptchak
17. A Farewell to St. Petersburg (Proshchaniye s Peterburgom), song cycle (12) for voice & piano, G. x206 Fantasia
Composed by Mikhail Glinka
Performed by Sergej Koptchak
18. How sweet it is to be with you (Kak sladko s toboyu mne bït'), for voice & piano, G. x197
Composed by Mikhail Glinka
Performed by Sergej Koptchak
19. Declaration (Priznaniye), song for voice & piano, G. x280
Composed by Mikhail Glinka
Performed by Sergej Koptchak
Glinka: Songs, Music, Sergej Kopcak, Sergej Koptchak, Mikhail Glinka, Art Song (General), Classical, Classical Artists, Classical Music, Orchestral & Symphonic, Song Cycle for Solo Voice and Piano, Vocal
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
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- Frank's view
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Feodor Chaliapin sings Russian Folk Songs
Manufacturer: Hanssler Classics
ProductGroup: Music
Binding: Audio CD
All Works by Glinka
| Glinka, Mikhail
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mussorgsky
| Mussorgsky, Modest
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Chaliapin, Feodor
| ( C )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Folk
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Folk Songs
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Classical
| Imports
| Stores
| Music
ASIN: B0009IOR2A
Release Date: 2004-08-01 |
Average customer rating:
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Ivan Kozlovsky, the Great Russian Tenor
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
All Works by Borodin
| Borodin, Alexander
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Glinka
| Glinka, Mikhail
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mussorgsky
| Mussorgsky, Modest
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rubinstein
| Rubinstein, Anton
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rachmaninov
| Rachmaninov, Sergei
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Russian
| Languages
| Opera & Vocal
| Styles
| Music
Similar Items:
- Lebendige Vergangenheit: Sergei Lemeshev
ASIN: B00070DKS2
Release Date: 2005-02-22 |
Tracks:
- Recitative And Aria Of Prince Sinodal (The Demon Rubinstein)
- Recitative And Aria Of Prince Vladimir
- Recitative And Aria Of Levko
- Bayan's Second Song
- Berendei's Cavatina
- Song Of The Indian Guest
- I Love You Olga
- Whither, Whither, Lenski's Aria
- The Prince's Cavatina
- Scene By St. Basil Blazhenny Temple
- Pimen's Monologue
- Recitative And Romance Of Vladimir
- Oh, Cease Thy Singing Maiden Fair
Average customer rating:
- very enjoyable
- The showcase for the Spinto soprano
- Flawed but beautiful
|
Memories of Love: Russian Romances
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
Dances
| Ballets & Dances
| Classical
| Styles
| Music
All Works by Glinka
| Glinka, Mikhail
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Rimsky-Korsakov, Nikolai
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rachmaninov
| Rachmaninov, Sergei
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
ASIN: B0000041KT
Release Date: 1997-11-11 |
Tracks:
- Vzoshel na nebo mesyats yasy
- Ispanskaya pesnya
- Zhavoronok
- Ya pomnyu chudnoye mgnovene
- Bolero
- Ty skoro menya pozabudesh
- Kolybelnaya, Op. 16 No. 1
- To bylo ranneyu vesnoy, Op 38 No. 2
- Zabyt tak skoro
- On tak menya lyubil
- Ya vso eshcho evo lyublyu
- Yunosha i deva
- Mne grustno
- Chesnadtsat let
- Chto mne do pesen
- Plenivshis rozoy solovey, Op. 2 No. 2
- Ployubila ya na pechal svoyu
- Son, Op. 8 No. 5
- Siren, Op. 21 No. 5
- Molitva, Op.8 No. 6
- Ne ver mne, drug !, Op. 14 No. 7
Customer Reviews:
very enjoyable.......2001-07-19
At first, I'd like to correct error. The pianist, Larisa Gergieva is NOT Varely Gergiev's WIFE! She is his sister. (Elder one, I think.)
About this disc, I enjoyed this recital. Gorchakova is one of my favorite soprano. Her voice is suited well to these Russian songs. It's interesting for me to her Russian songs. If you want to hear more Russian songs, try "Songs of Desire" by Olga Bolodina from Philips.
The showcase for the Spinto soprano.......2000-04-25
Galina Gorchakova, Kirov's leading lady, is a true spinto soprano, not the more common forced lyric one. Her sound is unique and quite unusual, almost "mezzo-ish" at certain times, but with surprisingly easy resonant top. I could not help being reminded of another great Russian Galina - Vishnevskaya, the Bolshoi prima donna of 60s and 70s up to her departure from Communist regime with her husband Mstislav Rostropovich. Since then, there was an unsettling vacuum in the realm of sopranos capable of singing Russian and Italian repertoire. Luckily, Gorchakova seems ready and able to take on most of Vishnevskaya's signature roles, including Katerina of Shostakovich's "Lady Macbeth of Mtsensk." Her clarity of diction and musical intelligence are a pleasure to hear particularly on the Programme presented here because the romances (a leader-like Russian art songs) are written to some of the most beautiful Russian poetic texts.
I feel it is important to note that neither the singing nor accompaniment here is flawed at all, as the reviewer below found. Furthermore, there is no tendency to "go flat". The only thing that came as a surprise to me was inclusion of several numbers written originally for a baritone or even a bass, such as "It Was in Early Spring" or "I Remember the Wonderful Moment." However, they were executed so brilliantly, it made me forget about the specifics and just enjoy Gorchakova's beautiful voice and expressiveness.
Most of you probably got a chance to see the MET's magnificent production of Tchaikovsky's "Pique Dame" with Gorchakova, Domingo, Borodina and Hvorostovsky in leading roles. Aside from Lisa, Gorchakova is also an incredible interpreter of highly demanding role of Elisabetta from Verdi's "Don Carlo" and Leonora from his "La Forza del Destino." I can't wait to hear her "Aida." Amazingly she does not struggle with dramatic Verdian repertoire, even though it lays relatively high for such a voice. And its power allows her to cut through heavy orchestration with ease, preserving flowing, and seemingly endless vocal line with no audible breathing. Philips generously provided us with several phenomenal Russian complete opera recordings featuring Gorchakova's talents: check out "Prince Igor," "The Maid of Pskov," "Iolanta," and "The Fiery Angel," the latter one being a rare jewel and destined to become one of the greatest recorded achievements of all time. Ms. Gorchakova is also a very good actress with a beautiful stage presence and somewhat reserved but passionate delivery. Hearing this CD is essential for Russian romance fans as well as for those who want to hear a true spinto soprano at its full glory, accompanied only by a subtle gentle piano of Larissa Gergieva. I was particularly impressed with a booklet that finally has Cyrillic texts instead of despicable way of spelling Russian words with English letters. There are also good English translations by Philip Taylor that stay true to the texts but also convey their romantic feel. If I could, I would have given this disc ten stars!
Flawed but beautiful.......2000-03-16
This album of wonderful Russian romances and art songs is marred only slightly by Galina Gorchakova's tendency to go flat. Still, her unbelievably beautiful soprano voice and emotional connection with these pieces more than makes up for this. Gorchakova has never become quite as well known as her compatriots Olga Borodina and Dmitri Hvorostovsky, and hasn't recorded as much as they have either. This is a shame; I would love to hear her in some of the Italian verismo repertoire. Her rich spinto sound would serve her well, and I believe that she is known for such interpretations as Butterfly, Liu, and Tosca. I would also like to her her Lisa on recording (from Pique Dame).
Anyway, this album is truly beautiful. Larissa Gergieva, the pianist, is the sister of Valery Gergiev, the director of the Kirov Opera in St. Petersburg. I think possibly some nepotism is happening here, as she is not an ideal accompanist. Still, she supports Gorchakova well, and doesn't detract from the beauty of these pieces.
Average customer rating:
- Ghiaurov rules....! And he deserves more than 5 stars!
- The worst cd
- nicely done!
|
Russian Songs
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD
All Works by Borodin
| Borodin, Alexander
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Glinka
| Glinka, Mikhail
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rubinstein
| Rubinstein, Anton
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
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Character Pieces
| Short Forms
| Forms & Genres
| Classical
| Styles
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General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
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Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
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Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Folk
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Folk Songs
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
ASIN: B00000423B
Release Date: 1995-03-14 |
Tracks:
- None But The Lonely Heart Op.6 No.6 - Nicolai Ghiaurov
- Not A Word, Oh My Love Op.6 NO.2 - Nicolai Ghiaurov
- Don Juan's Serenade, Op.38 No.1 - Nicolai Ghiaurov
- It Was In The Early Springs, Op.38 No.2 - Nicolai Ghiaurov
- Mid The Noisy Stir Of The Ball, OP.38 No. 3 - Nicolai Ghiaurov
- I Bless You, Woods, Op.47 No.5 - Nicolai Ghiaurov
- For The Shores Of Your Far-Off Native Land - Nicolai Ghiaurov
- Midnight Review - Nicolai Ghiaurov
- Melody - Nicolai Ghiaurov
- The Worm - Nicolai Ghiaurov
- Nocturnal Breeze - Nicolai Ghiaurov
- The Old Corporal - Nicolai Ghiaurov
Tracks:
- The Cliff - Zlatina Ghiaurov
- The Volga BVoatmen - Zlatina Ghiaurov
- The Little Oak Cudge - Zlatina Ghiaurov
- A Ukrainian Stringed Instrument - Zlatina Ghiaurov
- Stenka Razin - Zlatina Ghiaurov
- Along Petersburg Street - Zlatina Ghiaurov
- In The Dark Forest - Zlatina Ghiaurov
- Dark Eyes - Zlatina Ghiaurov
- Dear Little Night - Zlatina Ghiaurov
- The 12 Brigands - Zlatina Ghiaurov
- Farewell, Joy - Zlatina Ghiaurov
Customer Reviews:
Ghiaurov rules....! And he deserves more than 5 stars!.......2002-04-29
I used to have a great deal of this material on vinyl LP, so I'm grabbing this up as soon as possible. London's transfers are usually impeccable, so I expect no problems with the sounds- and the sound on the originals was spectacular. Ghiaurov seemed to me to have a fine feel for this music and the voice is something to die for- huge, robust, soaring... yet capable of subtle beauties many other basses ignore.
Frankly, Ghiaurov is the standard by which I judge other basses in this genre. Maxim Mikhailov and Mark Reizen come to mind as incredible voices and interpreters, as well as Boris Gmyria. Reizen especially had the quintessential basso cantante voice, with a beauty and range of dynamics that is hard to resist. Nicolai Ghiaurov was a fine successor to these lofty singers and I doubt anyone who loves this music will be disappointed. The Song of the Volga Boatmen is superbly done, with beauty, compassion, and a soaring vocal line that really has to be heard to be believed. Stenka Razin also is highly recommended.
I remember listening to these songs over and over; not knowing what most of them were about, but getting lost in the emotions and majesty of this music. In other words... you like this genre? And bass voices? Buy this!
The worst cd.......2002-02-20
The cd has nothing going for it if your american because you can't understand anything and there is no beats.
nicely done!.......1999-02-11
Any Russians out there? If not, that's ok too: the beauty of Russian romances presented here can be understood through your heart. While the first CD consists of piano-accompanied songs written by great Russian composers (Tchaikovsky, Borodin, et al), the second CD is rather a cross-over album of Russian (and one Ukrainian) folk songs, including, of course, the famous "Dark Eyes". Both albums are true jewels. With perfect clarity and diction, Ghiaurov's splendid bass glows over exquisite melodies; his passion for them is real and heartfelt. From tragic "For the shores of your far-off native land" to satiric "The worm" Ghiaurov's interpretations are just as gripping as Chaliapin's. The vocal skills are amazing: listen how he tenderly softens his voice on "Amidst the noisy stir of the ball" and expand it thunderously on "Sten'ka Razin"! It is undoubtedly one of the best song collections coming from the best Boris Godunov of our time. Don't miss it.
Average customer rating:
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The Sopranos
Manufacturer: Opera D'oro
ProductGroup: Music
Binding: Audio CD
General
| Delibes, Léo
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Donizetti
| Donizetti, Gaetano
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Dvorák, Antonín
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Glinka
| Glinka, Mikhail
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
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All Works by Gluck
| Gluck, Christoph W.
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gounod
| Gounod, Charles
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
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General
| Lehár, Franz
| ( L )
| Featured Composers, A-Z
| Classical
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
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| Classical
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All Works by Pfitzner
| Pfitzner, Hans
| ( P )
| Featured Composers, A-Z
| Classical
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All Works by Ponchielli
| Ponchielli, Amilcare
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
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All Works by Puccini
| Puccini, Giacomo
| ( P )
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| Classical
| Styles
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All Works by Respighi
| Respighi, Ottorino
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
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All Works by Rossini
| Rossini, Gioacchino
| ( R )
| Featured Composers, A-Z
| Classical
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All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
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| Schumann, Robert
| ( S )
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| Classical
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| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
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| Wagner, Richard
| ( W )
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General
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| Historical Periods
| Classical
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General Modern
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| Modern, 20th, & 21st Century
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General Contemporary
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Vocal & Song
| Romantic (c.1820-1910)
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General
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Giannini, Dusolina
| ( G )
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London Philharmonic Orchestra
| ( L )
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Vienna Philharmonic Orchestra
| ( V )
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Romances
| Classical (c.1770-1830)
| Historical Periods
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Romantic (c.1820-1910)
| Historical Periods
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Adam, Adolphe-Charles
| A to B
| Featured Composers, A-Z
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Anonymous
| A to B
| Featured Composers, A-Z
| Opera & Vocal
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Charpentier, Gustave
| C to G
| Featured Composers, A-Z
| Opera & Vocal
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Delibes, Leo
| C to G
| Featured Composers, A-Z
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Donizetti, Gaetano
| C to G
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ASIN: B0000A1HNV
Release Date: 2003-07-01 |
Tracks:
- 'Dove L'Indiana Bruna (Bell Song) - Amelita Galli-Curci
- 'Attendo, Attendo...Addio Del Passato' - Claudia Muzio
- 'Presso Il Bastion Di Siviglia' (Seguidille) - Conchita Supervia
- 'Vissi D'Arte' - Magda Olivero
- 'La Vergine Degli Angeli' - Rosa Ponselle
- 'Ave Maria' - Elisabeth Rethberg
- 'Che Puro Ciel' - Kathleen Ferrier
- 'Deh! Vieni, Non tanlar' - Toti Dal Monte
- 'Depuis Le Jour' - Nellie Melba
- 'Ah! Je Ris' - Landon Ronald
- 'Si Mes Vers Avaient Des Ailes' - Frank La Forge
- 'Gretchen Am Spinnrade' - Emma Eames
- 'O My Ratmit!' - Marianne Cherkasskaya
- 'Morro, Ma Prima In Grazia' - Ettore Panizza
- 'Ah, Vous Dirai-Je Maman' - Ada Sari
- 'Aufenthal' From Schwanengesang. D. 957, No. 5 - Maria Olczewska
- 'Dich Teure Halle' - Emmy Destinn
- 'Du Lieber Mond' - Ljuba Welitsch
- 'E Strano!... Ah, Fors'e Lui - Beniamino Gigli
Tracks:
- 'Ritourna Vincitor!' - Dusolina Giannini
- 'Mi Chaimano Mimi' - Licia Albanese
- 'Quel Guardo Il Cavaliere...So Anch'io La Virtu Magica' - Adelaide Saraceni
- 'Suicidio' - Celestina Boninsegna
- 'Spargi D'amato Pianto' (Mad Scene) - Lilly Pons
- 'Divinites Du Styx' - Helen Traubel
- 'Bolero' - Rosa Raisa
- Op.48 'Ich Grolle Nicht' - Arthur Nikisch
- 'Belle Lune D'argent' - Gerald Moore
- Chanson Provencale - Mado Robin
- Ach, Ich Fuhl's - Serge Koussevitzky
- Les Rossignols Des Lilas - Geori Boue
- (15th Cent.) Amor Amaro - Suzanne Danco
- Im Heimlichen Dammer - Maria Reining
- Ist Der Himmel Darum Im Lenz So Blau? - Bruno Seidler-Winkler
- Bel Raggio Lusinghier - Luisa Tetrazzini
- Nebbie - Alba Anzellotti
- Mild Und Leise (Liebstod) - Kirsten Flagstad
Average customer rating:
- I've heard better
- The Mother Lode
|
Sacred Songs of Russia
Manufacturer: Gloriae Dei Cantores
ProductGroup: Music
Binding: Audio CD
All Works by Glinka
| Glinka, Mikhail
| ( G )
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| Tchaikovsky, Peter Ilyich
| ( T )
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| Rachmaninov, Sergei
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Similar Items:
- Russian Medieval Chant
- Russian Divine Liturgy
- Russian Christmas
- Russian Church Music
- Chants de la Liturgie Slavonne
ASIN: B00000IK8Q
Release Date: 1999-04-06 |
Tracks:
- Christ Is Risen
- Bless the Lord, O My Soul (Psalm 120)
- Bogorodice Djevo, For Chorus
- Choral Pieces (3) On Tolstoy's "Tsar Fyodor Ioanov: Bogorse ..."
- Choral Pieces (3) On Tolstoy's "Tsar Fyodor Ioanov
- Choral Pieces (3) On Tolstoy's "Tsar Fyodor Ioanov: PokayStih (A
- Ghospodi Vozzvah/Tsar' Nebesniy
- Beznevestnaya Devo
- Sacred Concerto No. 6 ("Glory to God in the Highes
- Cherubims' Song in C Major for Chorus
- Liturgy of St John Chrysostom, For Chorus, Op. 41: Milost' Mira (A ...)
- Angel Crying, For Chorus
- Hymn in Honor of St. Cyril & St. Methodius, For CH
- O Tebe Raduyestia (All of Creation Rejoices in You
- Svete Tihiy (Radiant Light), For Chorus No. 1
- Hvalite Imia Ghospdne
- O Mother of God Vigilantly Praying (Sacred Concert
- Litany of Supplication
- Our Father (Otche Nach)
Album Description
Over the past thousand years, Russian composers have created an immensely rich and varied body of choral music and chant to express the sacred texts of the liturgy. Sacred Songs of Russia portrays the musical legacy of the Russian people, which comes as a response to the depth of their faith.
Among the noteworthy works on this recording, which contains previously released material, are two stirring works by Rachmaninoff including Bogoroditse Devo (Rejoice, O Virgin) from his All Night Vigil, opus 37, and V molitvah (The Mother of God, ever-vigilant in prayer). Perhaps most significant are the Three Choruses of Georgy Sviridov (1915-1998), composed during a time when sacred music was still actively suppressed by the Soviet regime. The three works by Peter Tchaikovsky, Milost' mira (A Mercy of Peace), Angel Vopiyashe (The Angel cried), and Hymn in Honor of SS. Cyril and Methodius, are also strong statements of the Russian faith and expression through music.
| Gloriæ Dei Cantores first toured Russia (then part of the U.S.S.R.) in the spring of 1990 to re-introduce Russian sacred choral music to their concert halls for the first time since the Russian Revolution of 1917, and participated in several liturgies of the Russian Orthodox Church. At the request of Metropolitan Alexy of Leningrad, now Patriarch of Moscow and all the Russias, Gloriæ Dei Cantores toured Russia a total of three times, returning in 1992 and 1998 to sing in Moscow, St. Petersburg, and throughout the Golden Ring. Gloriæ Dei Cantores were also among the first Western artistic groups to tour Siberia.
Customer Reviews:
I've heard better.......2006-10-04
This is not a recording that you must buy. If you really enjoy russian liturgical music, you won't hate it, but there are a lot of recordings that you would be better served with. It is true that for an american choir, they do a fine job with the language especially. Their general tone and vocal quality was a little bit lacking for me. Their basses were "ok". I thought the singing was just a little too "shouty", even for russian music. I would recommend getting a copy of the vespers as sung by the Dale Warland Singers. Another american group. . . This is the most accurate recording I have heard, and it was done live which impresses me even more!
The Mother Lode.......2005-12-13
If you are looking for a comprehensive survey of the best of the Russian Orthodox liturgical tradition, your search is over. This is the mother lode. First point: I must admit to being something of a purist, and I was at first skeptical that an American choir could perform music of this genre so convincingly; but hearing is believing. Yes, they clearly have included a few honest-to-God Russian basso ringers (and maybe one or two altos); but this is an American choir performing Russian Orthodox liturgical music the way it's supposed to sound - only better. Second point: The selection of pieces is fabulous. This choir's artistic director, Elizabeth C. Patterson, consulted with Vladimir Morosan, the Last Word on the Russian Orthodox choral tradition. The results of this collaboration are reflected in both the breadth and quality of pieces selected. This is literally a millennium of music, beginning with a sample of ancient znamenny chant and ending with three stunning meditations by the late Georgiy Sviridov. Each selection is both accessible and interesting, and a prime example of its composer and/or period. Third point: The individual pieces, with very few exceptions (such as No. 3, Rakhmaninov's `Ave Maria'), are NOT the most well-known and frequently performed warhorses of the Russian Orthodox liturgy. This is not a `Top Ten' recording. That makes this collection all the more interesting. In at least one instance (No. 15, the other Rakhmaninov offering) this may be the only recording available if you're not prepared to dig deep in the discography archives of several dozen universities and conservatories. Fourth point: This is not a new recording, but it marks a standard of quality that few performers in this genre - including native Russian choral ensembles - have since met or surpassed. Elizabeth Patterson has an innate feel for this music. In her previous life, she must have been a Russian monk. Final point: For serious musicians, musicologists and aficionados, this is a perfect gateway to a deeper understanding of this tradition. Buy it!
Average customer rating:
|
Tenors Of The Bolshoi
Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD
All Works by Borodin
| Borodin, Alexander
| ( B )
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| Glinka, Mikhail
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| Gounod, Charles
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| Leoncavallo, Ruggiero
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| Massenet, Jules
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| Mussorgsky, Modest
| ( M )
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| Tchaikovsky, Peter Ilyich
| ( T )
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| Verdi, Giuseppe
| ( V )
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| Wagner, Richard
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ASIN: B000000WT6
Release Date: 1992-12-23 |
Tracks:
- Manon: The Dream
- I Pagliacci: Harlequin's Serenade
- Lohengrin: Lohengrin's Narrative
- Songs And Dances Of Death: Field-Marshal Death
- Sadko: Indian Guest's Song
- Boris Godunov: The Simpleton Upbraids Boris
- Romeo et Juliette: Ange Adorable
- La Traviata: Parigi, o cara
- Oh, Do Not Tempt Me With Nezhdanova
- Oh, The Wind Blows Across The Fields
- It Is Not The Wind Howling
- Sorotchintsy Fair: Gritzko's aria
- Eugene Onegin: Lensky's aria
- In The Forest By The Front Line
Tracks:
- Prince Igor: Vladimir's cavatina
- Russian And Ludmilla: The Bayan's Song
- Sadko: Indian Guest's Song
- Dubrovsky: Dubrovsky's aria
- Eugene Onegin: Lensky's arioso
- Eugene Onegin: 'Quarrel' Scene
- Eugene Onegin: Lensky's aria
- Dunya The Weaver
- The Queen Of Spades Entry Of Hermann...I Do Not Even Know Her Name
- 'Storm' aria
- Forgive Me, Bright, Celestial Vision
- Death Of The Countess
- Hermann At The Barracks
- Final Scene And Death Of Hermann
Average customer rating:
|
Ten Shakespeare Sonnets
Manufacturer: Msr Classics
ProductGroup: Music
Binding: Audio CD
All Works by Glinka
| Glinka, Mikhail
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| Kabalevsky, Dmitri
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- I Prize My Sleep - Songs by Brahms, Ibert and Shostakovich
- Amaize Sings Beethoven; Loewe; Shostakovich and Mussorgsky
ASIN: B00005YA6T
Release Date: 2001-12-18 |
Tracks:
- I Remember A Wonderful Moment
- The Forest Sheds Its Crimson Attire
- The Whole World Is A Cast In Gloom
- He's Ruddy As An Apple
- The Peasant
- The Old Corporal
- I Loved You
- O, If I Could Express In Words
- Angel, Op.1a
- Whisp'ring, Nature Faintly Stirring, Op.24
- Sonnet No.81: Or I Shall Live In Your Epitaph To Make, Op.52, No.1
- Sonnet No.27: Weary With Toil, I Haste Me To My Bed, Op.52, No.2
- Sonnet No.102: My Love Is Strengthen'd Though More Weak In Seeming, Op.52, No.3
- Sonnet No.30: When To The Sessions Of Sweet Silent Thought, Op.52, No.4
- Sonnet No.153: Cupid Laid By His Brand And Fell Asleep, Op.52, No.4
- Sonnet No.13: O, That You Were Yourself! But, Love, You Are, Op.52, No.6
- Sonnet No.8: Music To Hear, Why Hear'st Though Music Sadly?, Op.52, No.7
- Sonnet No.71: No Longer Mourn For Me When I Am Dead, Op.52, No.8
- Sonnet No.90: Then Hate Me When Thou Wilt; If Ever, Now, Op.52, No.9
- Sonnet No.76: Why Is My Verse So Barren Of New Pride?, Op.52, No.10
- Like A Rolling Wave, Op.34, No.9
- Night
- Ballad, Op.15
- As The Sun To The Heavens, Op.34, No.4
- The Creator Commanded The Sun, Op.34, No.12
Average customer rating:
- A Wonderful Voice From The Past
- Chaliapin - Prima Voce
|
Prima Voce: Chaliapin
Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
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General
| Boito, Arrigo
| ( B )
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| Borodin, Alexander
| ( B )
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| Brahms, Johannes
| ( B )
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| Glinka, Mikhail
| ( G )
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| Gounod, Charles
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| ( I )
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| Massenet, Jules
| ( M )
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| Mozart, Wolfgang Amadeus
| ( M )
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| Mussorgsky, Modest
| ( M )
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| Puccini, Giacomo
| ( P )
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| Rubinstein, Anton
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| Rachmaninov, Sergei
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| Tchaikovsky, Peter Ilyich
| ( T )
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| Verdi, Giuseppe
| ( V )
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Chaliapin, Feodor
| ( C )
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Similar Items:
- Feodor Chaliapin Sings Russian Music, Vol. 2
- Chaliapin: A Vocal Portrait
- Cesare Siepi: Classic Recitals - Operatic Arias for Bass
- The Very Best of Boris Christoff
- Ponselle Prima Voce
ASIN: B0000037JO
Release Date: 1992-12-02 |
Tracks:
- Boris Godounov, Pimens Narration
- The Demon, Do Not Weep, Child
- Mashenka
- Sapphische Ode
- The Song Of The Flea
- Oh, Could I In Song Tell My Sorrow
- Boris Godounov, Varlaams Song
- Don Carlos, Dormiro Sol
- Sadko, The Varangians Merchant's Song
- The Son Of The Volga Boatman
- Prince Igor, Galitzky's Song
- Boris Godounov, Boris' Monologue
- Faust, Vous Qui Faites L' endormie
- Don Giovanni, Madamina
- A Life For The Tsar, Susanin' s Recitative & Aria
- La Boheme, Vecchia Zimarra
- Pilgrim's Song
- Mefistofele, Ave Signor
- Mefistofele, Son Spirito Che Nega
- Don Quichotte, Death Scene
Tracks:
- Boris Godounov, Boris' Monologue
- Boris Godounov, Clock Scene
- Boris Godounov, Farewell Prayer And Death
- In Questa Tomba Oscura
- Prince Igor, Khan Kontchak' s Aria
- Folk Song, Down The Petersky
- Aleko, Aleko's Cavatina
- Faust, Un, Rat...Le Reau D'or
- Nochen' ka
- Rusalka, The Miller' s Aria
- Persian Love Song
- Russlan And Ludmilla, Farlaf's Rondo
- Elegie
- Twofold Litany
- Chanson De La Mort De Don Quichotte
- The Song Of The Flea
Customer Reviews:
A Wonderful Voice From The Past.......2006-07-27
This two-disc set gives a good overview of the great Russian Bass singer. It has a total of 36 selections, and covers the years 1911 to 1936.
With a voice of tremendous range and power, Chaliapin could also sing softly and with feeling. A very flexible instrument that comes through the old recording technology of the 78 record era. A good example of the pure physical gifts of his voice is 'Farlaf's Rondo' by Glinka. A 'patter' song, with words and syllables sung rapidly and seemingly without taking a breath. As if the performance wasn't difficult enough, Chaliapin speeds up the tempo at the ending of the rondo! It shows the breath control he had, and while the singer seems to be none of the worst for wear, I was left breathless just listening!
Two selections, Boris' Monologue from 'Boris Godounov' and 'Song of The Flea', by Mussorgsky, are represented by two different performances. This gives a good idea of the breadth of Chaliapin's art, as each performance of the same work is full of nuance and artistry. It is hard for me to pick which performance I like best. As with any great artist, each time a work is performed it is not just a repitition, but a unique recreation.
The transfers naturally have much surface noise, as all are from the 78 rpm record era. I have most of these recordings on transfers to LP's and the noise is much more apparant than on the CD transfers. With older recordings such as these, any transfers and 'cleaning up' of the sound can only go so far. If too much of the noise from the originals is 'cleaned up', the recording can lose presence. Whomever engineered the transfers to CD has hit a happy middle ground. The background noise is still there, but not so annoying as on LP, while the sound of the actual music and Chaliapin's voice seems much more alive.
What I have read about Chaliapin says that he was not only a great singer, but a great actor also. The two do not always go together, for a great voice in opera can make up for a lack of acting ability. To have both talents rolled into one is rare. Contemporary accounts of Chaliapin's operatic performances comment as much on his acting as his singing. There arevideos of his film performance in Ibert's Don Quichotte, which I want to see when I have the chance.
If you're passion is the human voice, you must hear Chaliapin. It is not possible to say he or anyone else was the best. But these recordings show he was a consummate artist, and are well worth exploring.
Recommended.
Chaliapin - Prima Voce.......2006-03-18
The recordings are old but the only way one can hear a legend!
The selections are excellent and the quality is as one would expect from this vintage recording.
I enjoy going back to hear these voices and this is the only way to understand the history
Music Track:
- Great Romantic Piano Concertos: Tchaikovsky / Saint-Saëns
- Gregorian Chant Anthology
- Improvisations By Leszek Zaldo & Chris Beier
- Intimations
- Italy's Love Songs
- Jacquet de la Guerre: French cantatas on subjects drawn from scripture, B
- Janácek: Choruses for Male Voices
- Janácek: Sacred Music
- Jane Eaglen sings Medea in Corinto [Highlight]
- Ladie's Tournament
Music Track
music track
Recommended Music:
My Colouring Book [Import]
Piano Romance [Import]
Rosa Ponselle: On The Air, Vol. 2
Music: Fantasy [CD-single]
Space Ship One [Enhanced] [Import]
Stories to Grow On ¿
Rosensfole
Richard Wagner: Parsifal, Act 3
The Complete Capitol Hits of Faron Young
Sonny Stitt at the D.J. Lounge [Live]
Stutter [Import]
Revelation [Import]
Songs from the DeVil's Chimney [Import]
All Rise
Disney's Lullaby Album