Meditations for All Seasons [Box set]
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Disc: 4
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Meditations for All Seasons, Music, Colin Lawson, Karl Leister, William Alwyn, Johann Sebastian Bach, Samuel Barber, Ludwig van Beethoven, Sir Lennox Berkeley, Howard Blake, Johannes Brahms, Frank Bridge, Benjamin Britten, Fryderyk Chopin, Domenico Cimarosa, Aaron Copland, Claude Debussy, Edward Elgar, Gerald Finzi, Franz Joseph Haydn, Andre Jolivet, Felix Mendelssohn, Carl Nielsen, Jacques Offenbach, Anthony Payne, Vincent Persichetti, Sergey Rachmaninov, Bedrich Smetana, Michael Tippett, Eduardo Toldra, Marcel Tournier, Ralph Vaughan Williams, Antonio Vivaldi, Emile Waldteufel, Adam Fischer, Jaime Laredo, Michael Tippett, Michel Swierczewski, Simon Wright, William Boughton, Brandis Quartet, Judith Hall, Elinor Bennett, Robert Johnston, John Anderson, Austro-Hungarian Haydn Orchestra, Cambra d'Andorra National Orchestra, English Northern Philharmonia, English String Orchestra
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- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- This is a fantastic deal!
- Excellent, Broad Selection
- $70....when was this???
- $70/40... you do the math.
|
Vivaldi: The Masterworks (Box Set)
Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD
Trios
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Similar Items:
- Wolfgang Amadeus Mozart: Complete Works (170 CD Box Set)
- Bach: Complete Works - 155 CD Box Set
- Mendelssohn: The Masterworks [Box Set]
- Beethoven: The Masterworks (Box Set)
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ASIN: B00062FLHY
Release Date: 2004-11-30 |
Customer Reviews:
This is a fantastic deal!.......2007-02-25
If you are a fan at all of the Four Seasons you should love this music. I will admit right now that I am a classical music fan. I don't write or perform it. I am a novice listener. I have never taken any music lessons(though I am leaning in that direction) and certainly have not gone through any university music training. I started out in rock and roll but found classical as I got older and fell in love with it a few years ago.
With that context in mind I do hope I am able to recognize quality and this work is of the highest. It helps when you are starting with good ingredients in the first place. You can't bake great bread without great ingredients and Vivaldi's music library has some of the greatest musical ingredients of the last 300 years. They are very much the foundation for modern western culture and music. His talent is woven through what we are
The first 26 CDs are instrumental starting with the four seasons and working through many of the Master's many popular works. I will admit the four seasons are not the best interpretation I have heard but it is definitely acceptable. The rest of the music shows us many facets of the Baroque style and you can see themes emerging through some of the pieces that give us a 'fingerprint' of Vivaldi's style and the parameters of the stylistic leanings of the genre at the time. If you want to immerse yourself in 18th century music this is your chance
This music would be ideal for someone who owns a store and is looking for background music. With over 26 CDs of instrumental music alone you could have those constantly looping and you'd probably never get bored of them(OK I may be stretching it a little there). The reason is that the music does not leave a bad 'aftertaste' in your mind. It fits into the background as easily and naturally as it is to listen to it consciously in the foreground. If you are a fan of classical Baroque you don't usually need to be in the mood for this, it will adjust your mood to itself and Vivaldi's music is almost always of an uplifting sort if this collection is any indication. If you want something to listen to at your job 8 hours per day this is good for the mind and it would take you over a week to get through it if you listened to it every minute of every work day. You will also work without the worry of the music distracting your concentration. I find it enhances it when I'm working. I don't know how well this would work on school kids but teachers might want to try playing this during school time. You may create a few geniuses, we certainly could use more!
If you are looking for something to ease your sleep and oil your dreams I have put these CD's on in the background. Not only can I easily fall asleep when they are playing quietly in the background but it helps you sleep and you wake up in a very pleasant atmosphere if the music is still playing quietly when you wake(you probably would need to rip them to your MP3 player to do that). It's like napping at a classical music concert without the worry of being nudged by your spouse or offending the other concert goers with your snoring. That will be quite a unique experience for you and possibly give you some real sweet dreams. It has for me
So to wrap it up this is very intelligent, uplifting music that is great for your mind and your soul. It is definitely worth the purchase if you are a fan of the Four Seasons and the Baroque genre in my novice classical music fan's opinion
Excellent, Broad Selection.......2007-01-25
This 40-cd collection affords me a rare pleasure almost daily: the thrill of hearing something new by Vivaldi. Despite my best efforts over the years, I've managed to miss hearing a lot of great works by the master. Listening to a single CD now and then, catching tunes on the radio... you can't possibly get a comprehensive understanding of Vivaldi's output that way.
But when you work your way systematically from CD 1 through 40, you're sure to find many pleasant surprises. I've been skipping through everything I already know -- in some cases, it has only taken me about a minute to get through a whole CD (first 3 seconds of each track is usually enough). But then I stop and listen carefully three or four times to anything that's new.
Ah, what a pleasure. I've already acquired some new favorites. And some old standbys have proved even more rewarding, e.g. at first I thought RV 127 (CD 7, tracks 10-12) was performed too slowly (Naxos No: 8.553742 is much faster), but now I'm not sure; maybe it's BETTER that way! I can't recommend this set highly enough.
$70....when was this???.......2006-11-25
Wish the cost was $70 now. Guess the record producer (or Amazon) got tired of making less than $2 per CD.
$70/40... you do the math........2006-04-07
No, I don't own this collection...yet. However, the price of the collection compels me to review it beforehand. Never have I seen such a complete collection of Vivaldi compositions at such an incredibly low price. At $1.75 dollars a CD, the record producer (Brilliant Classics) isn't making much of a profit. The compilation pulls some of its works from DG Achiv Produktion's vault (see Standage), such as the violin concertos, as well as from unknown producers (the Poland Philharmonic Chamber Orchestra is heavily featured). The collection is so complete that it is academic, and I would not be surprised if music libraries quickly emptied it from Amazon's shelves. The collection is simply worth it for the incredible price (English Concert's recording of the violin concertos cost nearly 30 bucks, and is exactly featured here). Overall, the price alone makes this collection exceptionally attractive, and the ensembles featured aren't bad either.
Average customer rating:
|
Top Ten of Classical Music (Box Set)
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001W3H
Release Date: 2000-07-10 |
Tracks:
- Zarathustra ('2001 - A Space Odyssey'): Opening Fanfare - Various Artists
- Piano Concerto No. 1: Excerpt From First Movement - Various Artists
- Thais: Meditation - Various Artists
- Wedding March - Various Artists
- Tales From The Vienna Woods: Waltz - Various Artists
- Ave Maria - Various Artists
- The Tales Of Hoffmann: Barcarolle - Various Artists
- Peer Gynt: Solveig's Song - Various Artists
- Humoresque - Various Artists
- '1812' Overture - Various Artists
Tracks:
- Symphony No. 40: First Movement - Top 10 of Classical Music
- Fur Elise - Top 10 of Classical Music
- String Quartet In C: Emperor's Hymn - Top 10 of Classical Music
- Symphony No. 5: First Movement - Top 10 of Classical Music
- 'Trout' Quintet: Theme And Variations - Top 10 of Classical Music
- Eine kleine Nachtmusik: First Movement - Top 10 of Classical Music
- Piano Sonata In A: Rondo Alla Turca - Top 10 of Classical Music
- 'Moonlight' Sonata: First Movement - Top 10 of Classical Music
- Symphony No. 94 'Surprise': Second Movement - Top 10 of Classical Music
- Symphony No. 9 'Choral' 'Ode To Joy': Excerpt From Fourth Movement - Top 10 of Classical Music
Tracks:
- Toccata And Fugue In D Minor - Various Artists
- Canon - Various Artists
- Overture No. 3: Air - Various Artists
- Adagio - Various Artists
- Suite No. 2: Water Music - Various Artists
- The Four Seasons: 'Autumn' Concerto - Various Artists
- 'Orpheus and Eurydice': Dance Of The Blessed Spirits - Various Artists
- Brandenburg Concerto No. 3: First Movement - Various Artists
- Xerxes: Largo - Various Artists
- Overture No. 2: Minuet And Badinerie - Various Artists
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Classical Masters (Box Set)
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
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| Tchaikovsky, Peter Ilyich
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| Verdi, Giuseppe
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| ( V )
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| ( V )
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General
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General
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ASIN: B00005YAZ5
Release Date: 2000-07-10 |
Average customer rating:
|
Christmas Angels Series
Manufacturer: Bci / Eclipse Music
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
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| Classical
| Styles
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All Works by Handel
| Handel, George Frideric
| ( H )
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Vaughan Williams, Ralph
| ( V )
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| Vivaldi, Antonio
| ( V )
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| Mendelssohn, Felix
| ( M )
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General Christmas
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ASIN: B00000DPQ8
Release Date: 2002-09-24 |
Tracks:
- Hark! The Herald Angels Sing
- Unto Us a Son Is Born
- O Little Town of Bethlehem
- Good King Wenceslas
- First Noel
- It Came Upon a Midnight Clear
- O Come, O Come, Emmanuel
- Ding Dong Merrily on High
- Cherry Tree Carol
- Deck the Halls
- I Saw Three Ships
- Of the Father's Heart
- O Come All Ye Faithful
Tracks:
- Once in Royal David's City
- See Amid the Winter's Snow
- Away in a Manger
- Unto Us a Child Is Born
- Christians Awake
- Coventry Carol
- I Saw Three Ships
- It Came Upon a Midnight Clear
- We Three Kings
- While Shepherds Watched
- Holly and the Ivy
- Hark! The Herald Angels Sing
Tracks:
- Hallelujah (Messiah)
- All Over the World
- Concerto for Flute
- Silent Night
- Coventry Carol
- Seven Joys of Mary
- Mary's Boy Child
- Winter (Vivaldi)
- Jesu, Joy of Man's Desiring
- And the Glory of the Lord (Messiah)
- Twelve Days of Christmas
- Angels from the Realms of Glory
Average customer rating:
|
Classics for All Seasons (Box Set)
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
Ballets
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| Barber, Samuel
| ( B )
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| Beethoven, Ludwig van
| ( B )
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| Fauré, Gabriel
| ( F )
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| ( F )
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Granados, Enrique
| ( G )
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| Handel, George Frideric
| ( H )
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| Haydn, Franz Joseph
| ( H )
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| ( H )
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| ( J )
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| Lecuona, Ernesto
| ( L )
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| Mozart, Wolfgang Amadeus
| ( M )
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| Orff, Carl
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| Poulenc, Francis
| ( P )
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| Prokofiev, Sergei
| ( P )
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| ( R )
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| Respighi, Ottorino
| ( R )
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| Rachmaninov, Sergei
| ( R )
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| Satie, Erik
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| Smetana, Bedrich
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| Tchaikovsky, Peter Ilyich
| ( T )
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| ( V )
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ASIN: B000003CTE
Release Date: 1994-05-24 |
Tracks:
- Almand from Elizabethian Dance Suite
- Allegro con brio from Symphony No. 1 in D major
- Finale: Allegro from Concerto in E-flat major
- allegro from Spring
- Menuet
- Andante from Symphony in F major
- allegro molto e vivace from Symphony No. 1 in C major
- Canon in d major
- Presto from Piano Quintent in A major Trout
- Allegro from Symphony No. 31 in D major, Hornsignal
- Rujero y Paradetas from Suite Espangnole
- Presto from Piano Sonata No. 6, Op. 10l, No. 2
- Carmina Burana, Dance from On the Lawn
- Allegro from Mandolin Concerto in A major
- Allegro from Water Music, Suite in F major
- Finale: Presto from Serenade No. 9 in D major, Posthorn
Tracks:
- Allegro ma non troppo, Symphony No. 6 in F major
- Andante, Concerto No. 21 in C major
- Assiz vif, Quartet in F major
- Prelude a lapres-midi dun faune
- Gymnopedie No. 3
- Praeludium
- Malaguena
- Pavane, Op. 50
- First Arabesque
- Bolero
Tracks:
- Danses Sacree Et Profane
- Adagio from Symp. No.2 in E mnr
- Vltava (The Modau from Ma Vlast)
- Fantasia on a Theme
- Allegretto from Symphony in D minor
- Adagio for Strings
Tracks:
- Ancient Airs And Dances Ste No.2: Bergamasca
- Fant On 'Greensleeves'
- Pelleas Et Melisande, Op.80: Fileuse
- Lauda Jerusalem
- Sym No.14 in A, K.114: Allegro Moderato
- Vespers: Glory To God In The Highest
- 12 Danzas Espanolas, Op.5: Oriental
- Pno Con No.23 in A, K.488: Adagio
- Con Grosso in D, Op.6, No.5: Allegro
- The Four Seasons, 'Winter': Largo
- In Dulci Jubilo, BWV 751
- The Snowman: Walking In The Air
- Four Motets For Christmas: Videntes Stellam
- The Nutcracker: Waltz Of The Snowflakes
Customer Reviews:
Best of the best!.......2000-06-17
I first purchased "Classics for All Seasons: Winter" as a personal Christmas gift. If a CD could be worn out, I would have done so. Not only are these excellent performances of favorites, the variety of the selections saves the listener from a monotony of only choral/instumental pieces. I was delighted to find the complete BOX SET to add Spring, Summer, and Autumn to my CD carousel. The musical selections effortlessly follow the progression of mood through the year: the sparkling sunny disposition of Spring; the color and sultry warmth of Summer; the melancholy of Autumn; and finally, a refreshing mixture of the secular and religious themes of Winter. This is a great gift for everyone on your list, especially you!
Average customer rating:
- The other reviews only PARTLY right
- Misleading CD title!
- Hope you like the "Golden Cornet" and organ...
|
All of the World's Most Beautiful Melodies (Box Set)
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
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All Works by Borodin
| Borodin, Alexander
| ( B )
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| Classical
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All Works by Brahms
| Brahms, Johannes
| ( B )
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All Works by Bruch
| Bruch, Max
| ( B )
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| Classical
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Canteloube, Joseph
| ( C )
| Featured Composers, A-Z
| Classical
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General
| Delibes, Léo
| ( D )
| Featured Composers, A-Z
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Delius, Frederick
| ( D )
| Featured Composers, A-Z
| Classical
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All Works by Donizetti
| Donizetti, Gaetano
| ( D )
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General
| Dvorák, Antonín
| ( D )
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| Debussy, Claude
| ( D )
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| Elgar, Sir Edward
| ( E )
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| Fauré, Gabriel
| ( F )
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| Flotow, Friedrich von
| ( F )
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| Franck, César
| ( F )
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| Gounod, Charles
| ( G )
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| Handel, George Frideric
| ( H )
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| Leoncavallo, Ruggiero
| ( L )
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| MacDowell, Edward
| ( M )
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| Mascagni, Pietro
| ( M )
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| Massenet, Jules
| ( M )
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| Moore, Thomas
| ( M )
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| Mozart, Wolfgang Amadeus
| ( M )
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| Mendelssohn, Felix
| ( M )
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| Puccini, Giacomo
| ( P )
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| Saint-Saëns, Camille
| ( S )
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| Schubert, Franz
| ( S )
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Strauss Jr., Johann
| ( S )
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| Sullivan, Arthur
| ( S )
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| Tchaikovsky, Peter Ilyich
| ( T )
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| Verdi, Giuseppe
| ( V )
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| Vivaldi, Antonio
| ( V )
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| Rachmaninov, Sergei
| ( R )
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ASIN: B000000A7Q
Release Date: 1995-10-17 |
Tracks:
- The Golden Cornet Of Philip McCann: Songs My Mother Taught Me
- The Golden Cornet Of Philip McCann: Ave Maria
- The Golden Cornet Of Philip McCann: Lullaby
- The Golden Cornet Of Philip McCann: Passing By
- The Golden Cornet Of Philip McCann: One Fine Day (From Madame Butterfly)
- The Golden Cornet Of Philip McCann: None But The Lonely Heart
- The Golden Cornet Of Philip McCann: Rusalka's Song ToThe Moon
- The Golden Cornet Of Philip McCann: Nessun Dorma (None Shall Sleep): From Turandot
- The Golden Cornet Of Philip McCann: Maids Of Cadiz
- The Golden Cornet Of Philip McCann: My Love Is Like A Red, Red, Rose
- The Golden Cornet Of Philip McCann: Du Bist Die Ruh
- The Golden Cornet Of Philip McCann: The Girl With The Flaxen Hair (Preludes: Book 1, No. 8)
- The Golden Cornet Of Philip McCann: O, My Beloved Father (From Gianni Schicchi)
- The Golden Cornet Of Philip McCann: Non So Piu (From The Marriage Of Figaro)
- The Golden Cornet Of Philip McCann: The Lost Chord
Tracks:
- The Golden Cornet Of Philip McCann: Your Tiny Hand Is Frozen (Che gelida manina) From La Boheme
- The Golden Cornet Of Philip McCann: Celeste Aida (From Aida)
- The Golden Cornet Of Philip McCann: Skye Boat Song
- The Golden Cornet Of Philip McCann: A Brown Bird Singing
- The Golden Cornet Of Philip McCann: Macushla
- The Golden Cornet Of Philip McCann: Bruch: Violin Concerto ( Theme From Slow Movement)
- The Golden Cornet Of Philip McCann: Flower Song (L'amour est un oiseau rebelle): From Carmen
- The Golden Cornet Of Philip McCann: The Holy City
- The Golden Cornet Of Philip McCann: Intermezzo (From Cavalleria Rusticana)
- The Golden Cornet Of Philip McCann: I Hear You Calling Me
- The Golden Cornet Of Philip McCann: Ave Maria
- The Golden Cornet Of Philip McCann: Mendelssohn: Violin Concerto (Theme From Slow Movement)
- The Golden Cornet Of Philip McCann: M'appari Tutti'amor (From Martha)
- The Golden Cornet Of Philip McCann: Salut! Demeure Chaste et Pure (From Faust)
- The Golden Cornet Of Philip McCann: Quando Rapito In Estasio (From Lucia Di Lammermoor)
Tracks:
- The Golden Cornet Of Philip McCann: Nuns' Chorus (From Casanova)
- The Golden Cornet Of Philip McCann: Love's Old Sweet Song
- The Golden Cornet Of Philip McCann: Roses Of Picardy
- The Golden Cornet Of Philip McCann: Apres Un Reve
- The Golden Cornet Of Philip McCann: Shepherd's Song
- The Golden Cornet Of Philip McCann: Serenade: From La Jolie Fille De Perth (The Fair Maid of Perth)
- The Golden Cornet Of Philip McCann: Swedish Hymn
- The Golden Cornet Of Philip McCann: Because
- The Golden Cornet Of Philip McCann: Largo: From 'Winter' (The Four Seasons)
- The Golden Cornet Of Philip McCann: The Old Rugged Cross
- The Golden Cornet Of Philip McCann: Jesu, Joy Of Man's Desiring
- The Golden Cornet Of Philip McCann: Plaisir D'Amour
- The Golden Cornet Of Philip McCann: IL Bacio (The Kiss)
- The Golden Cornet Of Philip McCann: The Last Rose Of Summer
- The Golden Cornet Of Philip McCann: The Londonderry Air
- The Golden Cornet Of Philip McCann: Easter Hymn (From Cavalleria Rusticana)
Tracks:
- Torna a Surriento
- Count Your Blessings
- Panis Angelicus
- Song Of The Seashore
- I'll Take You Home Again, Kathleen
- O, For the Wings Of A Dove
- Polovtsian Dance (From Prince Igor)
- Myfanwy
- Believe Me, If All Those Endearing Young Charms
- Dank Sei Dir, Herr (Thanks Be to Thee, O Lord)
- Somewhere A Voice Is Calling
- Mattinata
- Pie Jesu (From Requiem)
- Laudate Dominum (From Solemn Vespers)
- Softly Awakes My Heart
- In Memoriam Happy Mortimer A Hunting Scene
Tracks:
- The Golden Cornet Of Philip McCann: Meditation From Thais
- The Golden Cornet Of Philip McCann: Salut D'Amour
- The Golden Cornet Of Philip McCann: Suo Gan
- The Golden Cornet Of Philip McCann: Beau Soir
- The Golden Cornet Of Philip McCann: La Calinda
- The Golden Cornet Of Philip McCann: Pavane
- The Golden Cornet Of Philip McCann: I'll Walk Beside You
- The Golden Cornet Of Philip McCann: Clair de Lune
- The Golden Cornet Of Philip McCann: Exotica
- The Golden Cornet Of Philip McCann: On Wings Of Song
- The Golden Cornet Of Philip McCann: Largo 'Ombra mai fu'
- The Golden Cornet Of Philip McCann: Eriskay Love Lilt
- The Golden Cornet Of Philip McCann: Vissi D'Arte
- The Golden Cornet Of Philip McCann: To A Wild Rose
- The Golden Cornet Of Philip McCann: Sheep May Safely Graze
- The Golden Cornet Of Philip McCann: Adagio From Symphony No. 2
- The Golden Cornet Of Philip McCann: Czardas
Customer Reviews:
The other reviews only PARTLY right.......2002-08-14
I agree with both other reviewers re the duo coronet/organ arrangements on SOME of the bands of Disk #2 I have, but McCann plays them very well and the organ is fine if you like the organ (which I don't). BUT, the OTHER BANDS include orchestra and on ALL bands McCann really plays beautifully. However, I will not buy another disk of these because of the duo performance bands and - WHAT A SHAME as ALMOST ALL THE PIECES REALLY ARE AMONG WORLD'S MOST BEAUTIFUL and MANY are very difficult, if not impossible, to find ANY arrangement of (though at least half on each cd readily avail other perfs arrangements).
Misleading CD title!.......2000-12-16
Thought I was purchasing a nice compendium of beautiful songs to listen to on long trips. You'd better love the golden cornet if you buy this CD - or, rather, 5 CDs!
Hope you like the "Golden Cornet" and organ..........2000-03-19
This CD set has all the greatest melodies... only they are performed by some guy and his "golden cornet" (a horn). There is accompaniment by an organ. This set WOULD have been great, IF it was performed by a piano. Huge disappointment. Would have been nice to know what instrument was used to begin with.
Average customer rating:
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Les Lumières du Baroque: Une Encyclopédie Musicale (Box Set)
Manufacturer: Harmonia Mundi
ProductGroup: Music
Binding: Audio CD
Courantes
| Baroque Dance Suites
| Ballets & Dances
| Classical
| Styles
| Music
Gigue
| Baroque Dance Suites
| Ballets & Dances
| Classical
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| Music
Sarabande
| Baroque Dance Suites
| Ballets & Dances
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Quartets
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Trios
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| Music
General
| Chamber Music
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| Music
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
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| Classical
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All Works by Biber
| Biber, Heinrich Ignaz
| ( B )
| Featured Composers, A-Z
| Classical
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All Works by Boccherini
| Boccherini, Luigi
| ( B )
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| Classical
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Byrd, William
| ( B )
| Featured Composers, A-Z
| Classical
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Caldara, Antonio
| ( C )
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| Classical
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| Music
All Works by Charpentier
| Charpentier, Marc-Antoine
| ( C )
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| Classical
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All Works by Corelli
| Corelli, Arcangelo
| ( C )
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| Classical
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| Music
General
| Couperin, François
| ( C )
| Featured Composers, A-Z
| Classical
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All Works by Louis Couperin
| Couperin, Louis
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Dowland
| Dowland, John
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gesualdo
| Gesualdo, Carlo
| ( G )
| Featured Composers, A-Z
| Classical
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| Music
All Works by Handel
| Handel, George Frideric
| ( H )
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Kapsberger, Giovanni
| ( K )
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| Classical
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All Works by Lassus
| Lassus, Orlando di(Lasso)
| ( L )
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All Works by Lully
| Lully, Jean-Baptiste
| ( L )
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| Luzzaschi, Luzzasco
| ( L )
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All Works by Marais
| Marais, Marin
| ( M )
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| Classical
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All Works by Monteverdi
| Monteverdi, Claudio
| ( M )
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| Classical
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| Music
All Works by Marenzio
| Marenzio, Luca
| ( M )
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| Classical
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All Works by Pachelbel
| Pachelbel, Johann
| ( P )
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| Classical
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| Music
All Works by Pergolesi
| Pergolesi, Gio Battista
| ( P )
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| Classical
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| Music
Purcell, Henry
| ( P )
| Featured Composers, A-Z
| Classical
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| Music
All Works by Rameau
| Rameau, Jean Philippe
| ( R )
| Featured Composers, A-Z
| Classical
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| Music
All Works by Gio Battista Sammartini
| Sammartini, Gio Battista
| ( S )
| Featured Composers, A-Z
| Classical
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| Music
All Works by Giuseppe Sammartini
| Sammartini, Giuseppe
| ( S )
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| Classical
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| Music
All Works by Sweelinck
| Sweelinck, JanPieterszoon
| ( S )
| Featured Composers, A-Z
| Classical
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| Music
All Works by Tartini
| Tartini, Giuseppe
| ( T )
| Featured Composers, A-Z
| Classical
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| Music
Telemann, Georg Philipp
| ( T )
| Featured Composers, A-Z
| Classical
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All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
| Featured Composers, A-Z
| Classical
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Concertinos
| Concertos
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| Classical
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Concerto Grossi
| Concertos
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General
| Concertos
| Forms & Genres
| Classical
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| Music
Fugues
| Forms & Genres
| Classical
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| Music
Preludes
| Forms & Genres
| Classical
| Styles
| Music
Character Pieces
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
General
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Trio Sonatas
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Classical
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Incidental Music
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Toccatas
| Forms & Genres
| Classical
| Styles
| Music
General
| Purcell, Henry
| Composers
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Telemann, Georg Philipp
| Composers
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
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| Music
Requiems
| Forms & Genres
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| Renaissance (c.1450-1600)
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Lute
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Academy of Ancient Music
| ( A )
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Gambill, Robert
| ( G )
| Featured Performers, A-Z
| Classical
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General
| Symphonies
| Classical
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General
| Sacred & Religious
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| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
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Baroque (c.1600-1750)
| Historical Periods
| Opera & Vocal
| Styles
| Music
English
| Languages
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French
| Languages
| Opera & Vocal
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| Music
German
| Languages
| Opera & Vocal
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Italian
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| Opera & Vocal
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| Music
Oratorios
| Opera & Vocal
| Styles
| Music
Anthems
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Cantatas
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Caprices
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Folk Songs
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Madrigals
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
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| Vocal Non-Opera
| Opera & Vocal
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Masses
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Motets
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Oratorios
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Passions
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Psalms
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Requiems
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Te Deum
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Vocal Works by J.S. Bach
| Bach, Johann Sebastian
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
General
| Soundtracks
| Styles
| Music
ASIN: B00005REQH
Release Date: 2002-02-12 |
Music Track:
- Mitropoulos conducts Beethoven & Borodin
- Pachelbel: The Complete Organ Works, Vol. 11
- Piano and Percussion in the XXth Century - Germaine Tailleferre: Hommage à Rameau (1964) / Suite Burlesque & Première Prouesses, for Piano 4 Hands / Bruno Maderna: Concerto for 2 Pianos & Instruments (1948) / Serenata per un Satellite (1969) / Franco Donatoni: Cloches III (1991) - Támmittam Percussion Ensemble / Aldo Orvieto & Renato Maioli, Piano
- Piano Concerto No. 3 / Piano Pieces
- Piano Trio / Sonata
- Pierrette Alarie & Léopold Sinoneau: The Perfect Vocal Marriage
- Platti: Flute Sonatas
- Puccini: Mass in A flat; Preludio sinfonico in A
- Purcell: Sacred Music
- Purcell: Sonatas, Vol. 3
Music Track
music track
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