Renaissance Faire

On this CD:

1. Terpsichore Dances Dance Suite, No. 2
Composed by Michael Praetorius
Performed by St. Louis Brass Quintet, Steven Butters

2. Canzon "La Organistina Bella" a 5
Composed by Italian Anonymous
Performed by St. Louis Brass Quintet, Steven Butters

3. Pur troppo, donna
Composed by Italian Anonymous
Performed by St. Louis Brass Quintet, Steven Butters

4. Ogn' Hor diró
Composed by Italian Anonymous
Performed by St. Louis Brass Quintet, Steven Butters

5. L'amor donna chio
Composed by Italian Anonymous
Performed by St. Louis Brass Quintet, Steven Butters

6. Ogn' Hor diró Reprise
Composed by Italian Anonymous
Performed by St. Louis Brass Quintet, Steven Butters

7. Moriro cor mio
Composed by Italian Anonymous
Performed by St. Louis Brass Quintet, Steven Butters

8. Canzon 23
Composed by Claudio Merulo
Performed by St. Louis Brass Quintet, Steven Butters

9. Arecillos Mancos
Composed by Antonio Marques Lesbio
Performed by St. Louis Brass Quintet, Steven Butters

10. Tirale Flechas
Composed by Anonymous
Performed by St. Louis Brass Quintet, Steven Butters

11. Greensleeves (Balcarres Lute Book) Variations
Composed by Anonymous
Performed by St. Louis Brass Quintet, Steven Butters

12. Work(s) [Unspecified] Saltarello
Composed by Joan Ambrosio Dalza
Performed by St. Louis Brass Quintet, Steven Butters

13. Si Dormiero
Composed by Heinrich Isaac
Performed by St. Louis Brass Quintet, Steven Butters

14. Carmen a 5, for 2 shawms, 2 sackbuts, dulcian and percussion
Composed by Heinrich Isaac
Performed by St. Louis Brass Quintet, Steven Butters

15. La morra
Composed by Heinrich Isaac
Performed by St. Louis Brass Quintet, Steven Butters

16. J'ay pris amours, for 3 voices
Composed by Heinrich Isaac
Performed by St. Louis Brass Quintet, Steven Butters

17. Der Hundt for 3 voices
Composed by Heinrich Isaac
Performed by St. Louis Brass Quintet, Steven Butters

18. Introduction & Gaillardes (2), dances from the "Pariser Tanzbuch", for brass quintet
Composed by Allan Dean
Performed by St. Louis Brass Quintet, Steven Butters

19. Pavane, from the "Pariser Tanzbuch", for brass quintet
Composed by Allan Dean
Performed by St. Louis Brass Quintet, Steven Butters

20. Basse Dance, from the "Pariser Tanzbuch" (La Brosse), for brass quintet
Composed by Allan Dean
Performed by St. Louis Brass Quintet, Steven Butters

21. Tourdion/Branles, dances from the "Pariser Tanzbuch", for brass quintet
Composed by Allan Dean
Performed by St. Louis Brass Quintet, Steven Butters

Renaissance Faire, Music, St. Louis Brass Quintet, Allan Dean (trumpet), Ray Sasaki (trumpet), Chamber, Chamber Music, Chamber Music & Recitals, Chanson, Choral, Classical, Classical Collections-Artist Desc., Classical Music, Lied, Miscellaneous, Miscellaneous Music, Renaissance Instrumental Polyphony, Renaissance Polyphonic Song, Vocal
All At Once Well Met: English Madrigals; The King's Singers
Average customer rating: 4.5 out of 5 stars
  • Very pleased
  • Sumptuous and mellow
  • One of the Best Collections of English Madrigals
  • A Delightful Collection of English Madrigal
  • A wide variety
All At Once Well Met: English Madrigals; The King's Singers
John Dowland , Thomas Morley , Thomas Weelkes , John Wilbye , William Byrd , John Farmer , and The King's Singers
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. English and Italian Renaissance Madrigals
  2. The King"s Singers: English Renaissance
  3. Olde English Madrigals & Folk Songs at Ely Cathedral
  4. Madrigal History Tour
  5. Annie Laurie ~ Folksongs of the British Isles / Barrueco · The King's Singers

ASIN: B000002RPZ
Release Date: 1990-10-25

Tracks:

  1. English Madrigals: A Little Pretty Bonny Lass
  2. English Madrigals: Weep No More, Thou Sorry Boy
  3. English Madrigals: Shoot False Love
  4. English Madrigals: Now Is The Month Of Maying
  5. English Madrigals: Four Arms, Two Necks, One Wreathing
  6. English Madrigals: Hark, All Ye Lovely Saints Above
  7. English Madrigals: Since Robin Hood
  8. English Madrigals: Though Philomela Lost Her Love
  9. English Madrigals: O Wretched Man
  10. English Madrigals: Weep, O Mine Eyes
  11. English Madrigals: The Nightingale, The Organ Of Delight
  12. English Madrigals: Come, Sirrah Jack, Ho!
  13. English Madrigals: Cruel, Behold My Heavy Ending
  14. English Madrigals: Fair Phyllis I Saw Sitting All Alone
  15. English Madrigals: Sing We And Chant It
  16. English Madrigals: On A Fair Morning
  17. English Madrigals: Oft Have I Vowed
  18. English Madrigals: Is Love A Boy?
  19. English Madrigals: Say, Love, If Ever Thou Didst Find
  20. English Madrigals: All At Once Well Met
  21. English Madrigals: Construe My Meaning
  22. English Madrigals: Lord! When I Think
  23. English Madrigals: Cruel, Wilt Thou Persever
  24. English Madrigals: Fine Knacks For Ladies
  25. English Madrigals: Strike It Up, Tabor
  26. English Madrigals: I Love, Alas I Love Thee
  27. English Madrigals: Farwell, Dear Love
  28. English Madrigals: See, See The Shepherd's Queen
  29. English Madrigals: Have I Found Her
  30. English Madrigals: Lady Your Words Do Spite Me
  31. English Madrigals: Were I A King
  32. English Madrigals: Come Again
  33. English Madrigals: Tan Ta Ra, Cries Mars
  34. English Madrigals: Why Should I Love?
  35. English Madrigals: This Sweet And Merry Month Of May

Customer Reviews:

4 out of 5 stars Very pleased.......2007-06-10

I wasn't sure what to expect when I bought this CD. True, I could have listened on line before buying but that would have taken the fun out of the purchase. Besides, I really didn't care for the CD the first couple of times I listened but now I really love it. It's not something to listen to all the time but given the right circumstances e.g. a small gathering of friends, it's perfect. If I'd listened to online, I wouldn't have purchased it.

5 out of 5 stars Sumptuous and mellow.......2002-11-28

The six men of the King's Singers present sweet and light-hearted madrigals of such English composers as Morley, Weelkes, Dowland, Wilbye and Byrd. The thirty five selections include "Now is the Month of Maying", "Though Philomela Lost Her Love", "Sing We and Chant It," the celebration of tobacco entitled "Come, Sirrah Jack, Ho!" and a host of other fa-la-la-la-la venues interspersed with wistful laments. I love the rich, sonorous sound of a male vocal ensemble, with countertenors, tenor, baritones and bass, and these six singers do a great job. Occasional instrumental accompaniments by lute and tabor are included, but this group doesn't really need it--I could listen to them for hours all by themselves. Also quite enjoyable, as well as educational, is their earlier release, "The King's Singers' Madrigal History Tour: Italy, England, France, Spain and Germany". For a more risque' take on the vocal music of Renaissance England, you might get a kick out of "The Art of the Bawdy Song" by the Baltimore Consort with the Merry Companions.

5 out of 5 stars One of the Best Collections of English Madrigals.......2002-03-27

Any fan of the King's Singers will regret not having this album in their collection.

This album offers a veritable feast of the choicest English madrigals found on any comparable album. From the obligatory "Now is the Month of Maying" and "Fair Phyllis" to the more obscure "Tan ta ra, cries Mars," there is certainly enough on this album to bring a smile to lovers of Renaissance music - and a spark of recognition to anyone who sang traditional madrigals in high school or university. For serious students of early music, this album comes very highly recommended.

Among the more sonorous offerings on this album, Jones' "Farewell, Dear Love" and Dowland's "Come Again," cannot be ignored. Nor can Bennet's immortal "Weep O mine eyes" be matched more musically than here by the King's Singers.

This album has been played again and again for almost 6 years as both serious listening and background working music. And it has yet to lose its delight.

4 out of 5 stars A Delightful Collection of English Madrigal.......2000-08-16

With 35 tracts to enjoy you're sure to find a couple of favorites. I gave this CD 4 of 5 stars compared to 5 stars for the King's Singers World Madrigal Tour CD. If you prefer all your songs in English, this will be your 5 star CD. Tract 32 "Come again" is my favorite due to the surperb tenor lead and melodic development. Compared to many polyphonic early music styles (1300s-1485), this era (1500-1610) provides many memorable melodies.

4 out of 5 stars A wide variety.......2000-04-28

This is an excellent sampling of English madrigals. This presentation, given by an older roster of the Singers, is a nice introduction to the world of the madrigal, and English madrigals in particular.
A Faire To Remember
Average customer rating: 4.5 out of 5 stars
  • This is the classic Bards ...
  • Love the Bards!
  • The best of the best
  • Captures the spirit of their live show.
  • Love Renaissance Faires? You'll love this cd...
A Faire To Remember
Brobdingnagian Bards
Manufacturer: Mage Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Folk | Styles | Music
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Similar Items:
  1. Songs of Ireland (Irish Folk Songs)
  2. Memories of Middle Earth
  3. Brobdingnagian Fairy Tales
  4. Hair Of the Frog
  5. A Celtic Renaissance Wedding

ASIN: B00005T5UN
Release Date: 2001-09-01

Tracks:

  1. The Mermaid Song
  2. Do Virgins Taste Better Medley
  3. Scarborough Faire
  4. Whiskey in the Jar
  5. Wild Mountain Thyme
  6. Health to the Company
  7. Wild Rover
  8. Johnny Jump Up
  9. The Scotsman
  10. Greensleeves Medley
  11. A Faire-ly Informative Interlude
  12. If I Had A Million Ducats
  13. Lusty Young Smith
  14. Donald, Where's Your Trousers? Medley
  15. Irish Ballad
  16. A Fairy Story
  17. Always Look on the Bright Side of Life

Album Description

The fourth official full length CD by the Brobdingnagian Bards featuring 17 tracks of great musical entertainment. Also features our pick of the Top 10 Renaissance Faire Favorite songs, plus our personal pick including Monty Python, Tom Lehrer and more. Also includes 8 page booklet packed full of song lyrics and our favorite faire memories.

Customer Reviews:

5 out of 5 stars This is the classic Bards ..........2005-05-14

that we all love from the Renn Faire or the occasional convention. Full of fun with some of the sweeter melodies such as "Wild Mountain Thyme" this is the Bards at their best. If you're like and fell in love with these guys at a Faire or con, then this is surely the CD for you.

5 out of 5 stars Love the Bards!.......2004-06-20

A Faire to Remember is the best CD to get to introduce yourself to the Bards with. It has most of their funniest songs on one CD. Its a great buy for anyone with a good sense of fun!

5 out of 5 stars The best of the best.......2004-05-20

Can't make it to the Faire?Listen to AFTR,and you'll be there.This cd will make you laugh,cry,and get up and dance.I raise my glass high in toast to this cd,and you will,too.From comical tunes like "the Scotsman"&"A Fairy Story"to the more heart-felt tunes like "Wild Mountain Thyme"& "Health to the Company",this cd offers a chance to experience the faire from your home.I highly recommend you get this cd.You won't be disappointed.

4 out of 5 stars Captures the spirit of their live show........2004-05-20

The live show.

An audience in garb laughs and claps and sings along. Marc dances around as Andrew tries to maintain sanity. Sometimes.

It's the best thing about the Bards.

The Bards have recorded a tremendous library of old Ren Faire favorites, original songs, folk music, and the occasional Tom Lehrer tribute piece, and dominated the World Music charts on the old MP3.com.

A Faire to Remember captures the spirit of their live Ren Faire show; they recorded the songs the way they're performed, and even threw in "A Short Interlude" to keep the banter going. As I listened, I felt like they were with me in my living room, talking to me, while I laughed and clapped and sang along.

If you like the Bards' music and haven't heard them live, the free-form approach of A Faire to Remember is as close to being there as you can get. You owe it to your "elf" to get this CD.

5 out of 5 stars Love Renaissance Faires? You'll love this cd..........2004-05-13

Beloved faire songs, including The Mermaid, make this compilation a must-have for any faire goer...recommended, too, for faire newcomers who want a quick sampling of the music they will likely hear at any rensaissance faire...and, as always, delivered by the Brob Bards with skill, wit and panache!
Gibbons: Consort and Keyboard Music; Songs and Anthems
Average customer rating: 4.5 out of 5 stars
  • One of the Finest Recordings of Gibbon's Music
  • Behold, thou hast made my day
  • More than a bargain
  • Okay but no texts
Gibbons: Consort and Keyboard Music; Songs and Anthems

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  4. Dowland: Consort Music
  5. Palestrina: Missa Hodie Christus natus est; Stabat Mater; Lasus: Missa Bell' Amfitrit' altera

ASIN: B0000013UO
Release Date: 1994-11-29

Tracks:

  1. Pavan
  2. Galliard
  3. Behold, Thou Hast Made My Days
  4. The Lord Of Salisbury His Pavan And Galliard - Timothy Roberts
  5. Fantasia No. 1 For Two Trebles
  6. I Weigh Not Fortune's Frown - Tessa Bonner
  7. I Tremble Not At Noise Of War
  8. I See Ambition Never Pleased
  9. I Feign Not Friendship Where I Hate
  10. Preludium In G - Timothy Roberts
  11. Go From My Window
  12. Dainty Fine Bird - Tessa Bonner
  13. Fair Is The Rose
  14. Fantasia No. 3
  15. Fantasia No. 5
  16. The Fairest Nymph - Timothy Roberts
  17. Lincoln's Inn Mask
  18. Allmaine In G
  19. Fantasia No. 1 For The Great Double Bass
  20. Galliard
  21. The Silver Swan - Tessa Bonner
  22. In Nomine
  23. Glorious And Powerful God

Customer Reviews:

5 out of 5 stars One of the Finest Recordings of Gibbon's Music.......2006-02-19

The music of Orlando Gibbons represents the English response to radical changes that stemmed largely from Italy in the age of the birth of opera and a move away from the contrapunctal complexities of previous centuries. Whereas the Italian tended to write gradiose and radical works such of those by Monteverdi, the English tended to write music that was stylistically old-fashioned by the standards of the times, unostentatious with its preference for the sounds of the viol consort that helped make it so intimately poetic and evocative. The madrigal The Silver Swan is one of the most famous examples of English music of its time.

We really should rejoice over the fact that Naxos has this superb recording in its catalog. The music making here is first rate in every possible way. Of course Tesser Bonner is a regular with none other than the Tallis Scholars, testifying to the fact that Naxos is above all a quality label. In particular I really do love the way Bonner uses period pronounciation of the texts whereas Emma Kirky sadly modernises the pronounciation in music of this period. Thus the word 'bird' is pronounced more like 'beard'. I feel this helps to evoke the sense of the recreation of a lost world. The instrumental pieces too are unfailingly fine with excellent ensemble work by Red Byrd.

A superb recording recommendable in every possible way.

5 out of 5 stars Behold, thou hast made my day.......2004-01-26

to misquote slightly the first vocal number on this disc. This is a really superlative production in every respect except that the words are not provided for the vocal items (the words of the anonymous The Silver Swan are worth knowing!). Even the liner note, by John Bryan, is excellent, which proves what I had never doubted, namely that the thing can be done on a budget label.

There are nearly 70 minutes of music here, and the plan seems to have been to give as broad a representation as possible of the output of this notable composer. There are 23 items in total, featuring music for accompanied solo voice and 5-part ensemble, keyboard compositions played on three different types of instrument, and items for viol ensembles of 2,3,4,and 6 instruments. Thought and care has obviously gone into the sequencing of the pieces, and the recital ends powerfully with a 5-part anthem `Glorious and Powerful God' led off by a gent with a truly terrific bass voice. One notable inclusion is an In Nomine for 4 viols. An In Nomine is actually a musical form, and a specifically English one, consisting of a free fantasia on a canto fermo deriving originally from plainsong via a mass by John Taverner. Solo status is accorded to Timothy Roberts who performs the three keyboard numbers, and to Tessa Bonner the soprano soloist in the seven pieces of that nature. I had the opportunity to compare her in The Silver Swan with Rachel Elliott on another outstanding Gibbons disc, by a group calling themselves Concordia (director Mark Levy), and you may actually prefer, as I do, the way Concordia do it. The piece benefits from Concordia's slower tempo, and my personal preference is for Elliott's voice, although she does use a modicum of vibrato, so this preference will not be shared by everyone. Their disc goes under the title Go From My Window, which is not a song but a set of 10 variations on a `ditty' by that title. In this piece I have to give my vote to Concordia again, as they give it with colossal panache and virtuosity - I'm not surprised they elected to call the disc after it. In fact the two recitals have another 4 pieces in common, and in these I can find nothing to choose between the two groups, so fine do both seem to me.

Enthusiasts for music of this period, and anyone even curious about it, are also recommended a keyboard recital , by John Kitchen, of works by the Scottish composer Kinloch, music that surprised even me (Scottish myself) by its outstanding quality. Long may enterprises like these continue.

5 out of 5 stars More than a bargain.......2002-12-18

This is a handsomely played and beautifully recorded disc. The Rose Consort of Viols aptly catches the inherent melancholy of Gibbons style while Tessa Bonner sings ethereally as usual. With singing of Bonner's purity, as in "Silver Swanne", who needs texts? This is more than a bargain; it is a wonderful introduction to the deeply touching music of Orlando Gibbons.

3 out of 5 stars Okay but no texts.......1999-01-24

As the title says mainly viol consort and keyboard music, but the highlights are the two english anthems for 5 voices, and three solo pieces with Tessa Bonner - including the famous "The Silver Swan". So why no texts? Playing time 68'24".
Treasures of English Church Music
Average customer rating: 5 out of 5 stars
  • My favorite album. English church music at its finest.
  • The grand tradition of English music
  • music of great beauty
  • Excellent Selection, Excellent Performance
  • Best all-in-one English music CD ever
Treasures of English Church Music

Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000031I6
Release Date: 1995-12-12

Tracks:

  1. Music Of The Latin Rite: Ave Maria
  2. Music Of The Latin Rite: Loquebantur variis linguis
  3. Music Of The Latin Rite: Miserere mei
  4. Haec dies
  5. Music Of The Latin Rite: Ave verum corpus
  6. Music Of The Reformation: If Ye Love Me
  7. Music Of The Reformation: Hide Not Thou Thy Face
  8. Music Of The Reformation: Lord, For Thy Tender Mercy's Sake
  9. Music Of The Reformation: O Clap Your Hands
  10. Music Of The Reformation: Bow Thine Ear
  11. Music Of The Reformation: Hosanna To The Son Of David
  12. Music Of The Restoration: Lord, How Long Wilt Thou Be Angry
  13. Music Of The Restoration: Thou Knowest, Lord
  14. Music Of The Restoration: Hear My Prayer, O Lord
  15. The Anglican Revival And The Twentieth Century: Beati quorum via
  16. The Anglican Revival And The Twentieth Century: This Joyful Eastertide
  17. The Anglican Revival And The Twentieth Century: Sing Lullaby
  18. The Anglican Revival And The Twentieth Century: A Spotless Rose
  19. The Anglican Revival And The Twentieth Century: What Cheer?
  20. The Anglican Revival And The Twentieth Century: O Taste And See
  21. The Anglican Revival And The Twentieth Century: A Hymn To The Virgin
  22. The Anglican Revival And The Twentieth Century: Jesus Christ The Apple Tree
  23. The Anglican Revival And The Twentieth Century: Faire Is The Heaven
  24. Anthems And Introits: Rejoice In The Lord
  25. Anthems And Introits: Remember Not, Lord, Our Offences
  26. Anthems And Introits: Come, Let's Rejoice
  27. Anthems And Introits: When David Heard
  28. Anthems And Introits: I Sat Down Under His Shadow
  29. Anthems And Introits: These Are They That Follow The Lamb
  30. Latin Motets: Christe Jesu, pastor bone
  31. Latin Motets: O beatum et sacrosanctum diem
  32. Latin Motets: Nunc dimittis
  33. Latin Motets: O vos omnes
  34. Latin Motets: Factum est silentium
  35. Latin Motets: Justorum animae
  36. Settings Of Hymns And Other Poetry: Hail, Gladdening Light
  37. Settings Of Hymns And Other Poetry: A Hymn To The Mother Of God
  38. Settings Of Hymns And Other Poetry: Hymn For The Dormition Of The Mother Of God
  39. Settings Of Hymns And Other Poetry: They Are At Rest
  40. Settings Of Hymns And Other Poetry: A Litany
  41. Settings Of Hymns And Other Poetry: Nolo mortem peccatoris
  42. Settings Of Hymns And Other Poetry: O nata lux
  43. Settings Of Hymns And Other Poetry: Loving Shepherd Of Thy Sheep
  44. Prayer Settings: The Lord's Prayer
  45. Prayer Settings: In manus tuas
  46. Prayer Settings: Bring Us, O Lord God

Customer Reviews:

5 out of 5 stars My favorite album. English church music at its finest........2005-10-06

Whether you have a couple dozen albums of English choral music or whether you're looking for an introduction to English choral music, this two CD collection is a must. Here you will find a wide selection of sacred favorites, from Gregorian chant to Ralph Vaughan Williams. It's a misnomer to call it "Anglican," since this would exclude (in addition to, of course, the pre-Reformation Latin hymns) the likes of Thomas Tallis and William Byrd -- both Catholics that kept to the ancient faith despite Elizabeth's (albeit relatively mild) persecutions. Tallis and Byrd set the standard in the 16th century for the distinctive "Englishness" (as opposed to Continental European) style of English choral music, with its soaring majesty yet somehow coupled with a subtle and sustained beauty (as opposed to the Continental ups and downs and often tiresome exaggerations). For those of us in the English-speaking world, this is our heritage. Let's treasure it. As for the recording itself, the mixing is superb. While listening, it's quite easy to imagine yourself in the beautiful King's College Chapel or perhaps heaven itself.

5 out of 5 stars The grand tradition of English music.......2005-09-23

Recorded in the Lady Chapel of Ely Cathedral, the Cambridge Singers under the direction of John Rutter produced a duo of discs dedicated to Music of the English Church previously issued as two separate discs, 'Hail, Gladdening Light', and its companion piece, 'Faire is the Heaven'. The discs here are straight copies of those discs; hence, if you have those already, there is no need to purchase this - on the other hand, if you do not have the other discs, this is a bargain.

--Music--
This is all unaccompanied music, sung in a cathedral chapel acoustically suited for such music. The first disc has four primary sections: Music of the Latin Rite; Music of the Reformation; Music of the Restoration; and Anglican Revival and the twentieth century. The most famous composers in English music history -- Tallis, Byrd, Gibbons -- combine with later masters such as Purcell, Stanford, Howells, Walton, Britten and Vaughan Williams to form a truly masterful collection. These are anthems, hymns and other liturgical pieces that have remained important in Anglican worship, and can be often heard in situ on Sundays around the world. However, the Cambridge Singers bring their special music talent to the task, producing a good standard bearer for music of the English Church.

On the second disc, there are six Latin motets, set by composers such as Taverner, Howells, Stanford, Vaughan Williams, Philips and Dering. Anthens and Introits include notables Tomkins and Purcell, and lesser-known composers such as Amner, Bairstow and Goss. Hymns span the range from old to modern, including a hymn by John Rutter himself. The disc ends with three prayer settings, including one by the underappreciated John Sheppard, and another from William Harris, whose hymn serves as the title to the companion disc. These anthems and hymns show a powerful range of music, yet show a consistent tone also that makes it rather distinctive of the music of the English church.

The group's power and grace is second to none, particularly when singing this kind of music in a place such as Ely Cathedral, arguably the most natural of settings possible.

--Liner Notes--
The notes for this recording include the titles and words of each anthem or hymn. The notes for each piece also includes brief biographical information of the composer, and unique information about each work, when particular composers are represented more than once. One thing conspicuously missing is much biographical information about John Rutter, or any descriptive information about the Cambridge Singers apart from the most basic of information.

--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.

--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. Many are former members of the choir of Clare College and other Cambridge collegiate choirs (hence the name, Cambridge Singers). In the quarter-century since the founding, the Cambridge Singers have produced an impressive body of recordings.

5 out of 5 stars music of great beauty.......2005-04-24

Pop one of these CDs into your car stero, turn up the volume and feel yourself drift into a sublime peace. Can music manifest the existence of God?

5 out of 5 stars Excellent Selection, Excellent Performance.......2004-07-28

This two-CD compilation by the Cambridge Singers is truly very good. The repertoire is very diverse and only the best representations of composers and time periods are performed. ALthough most of the pieces were not written with a mixed choir in mind, the Cambridge Singers sing it so well you would not have had any idea. Their performances are careful and exquisite.

5 out of 5 stars Best all-in-one English music CD ever.......2004-04-20

This is a re-release, as one set, of two of my favorite CDs ever: "Faire is the Heaven" and "Hail Gladdening Light" by the Cambridge singers. This is a fabulous compilation of everyone's favorite works from the English Cathedral tradition, all the way from Taverner (16th century) to Tavener (21st century). The selection of works is great and touches all the most important genres. The performance is exquisite, elegant, faultless. The Cambridge Singers have a softer, less edgy sound than the Tallis Scholars, and are more expressive, which may make them easier for some people to listen to, especially for the more recent works. They are no less musical. The Parsons Ave Maria alone brings one to tears. If you want an introduction to English church music, this is the CD to start with. Also makes a great gift, if you already love this music and want to introduce someone else to it.
The English Lute Song
Average customer rating: 5 out of 5 stars
  • Too cool for some
  • Ethereal and Hauntingly Beautiful
The English Lute Song

Manufacturer: Dorian Recordings
ProductGroup: Music
Binding: Audio CD

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  1. Greensleeves: A Collection of English Lute Songs
  2. Heavenly Love, Earthly Joy
  3. The Golden Age of English Lute Music

ASIN: B000001Q7S
Release Date: 1993-08-02

Tracks:

  1. This Merry Pleasant Spring
  2. Woods, Rocks And Mountains
  3. April Is In My Mistress' Face
  4. No More Shall Meads Be Deck'd With Flow'rs
  5. Lute Solo: The French King's Masque
  6. Come My Celia
  7. O Death, Rock Me Asleep
  8. Where The Bee Sucks
  9. Full Fathom Five
  10. Come Away, Hecate
  11. The Willow Song
  12. Lute Solo: Alman, 'Hit And Take It'
  13. Dear, Do Not Your Fair Beauty Wrong
  14. Come Hither You That Love
  15. Have You Seen But A White Lily Grow
  16. I Must Complain
  17. Nothing On Earth
  18. Fain Would I Wed
  19. Miserere, My Maker
  20. O That Mine Eyes
  21. Lite Solo: Alman
  22. Care, Charming Sleep
  23. Cupid Is Venus' Only Joy
  24. O Let Us Howl
  25. As Life What Is So Sweet
  26. Turn, Turn Thy Beauteous Face Away!
  27. Take, O Take Those Lips Away

Customer Reviews:

5 out of 5 stars Too cool for some.......2005-02-22

Julianne Baird is breathtakingly good at what she does: intelligent, stylistically convincing, technically brilliant ornamentation, in a sweet, phenomenally accurate voice. I love it. Those not accustomed to this sort of thing, though, may find it lacking emotional immediacy. Consider also Kathleen Battle with some of the same material: not that she's better, but the appeal is more directly sensual rather than intellectual.

5 out of 5 stars Ethereal and Hauntingly Beautiful.......2003-11-05

How could you go wrong with the clear seraph voice of Julianne Baird accompanied by the delicate skill of Ronn McFarlane on the Lute. Not only is the talent exceptional but the composed works of Lute music divine.

You listen to each song and are carried away to time/place devoid of any worry let alone any task other than to listen to Julianne and Ronn execute perfection. You truely feel part of the Elizabethan Court listening to this CD it is both beautiful and dark simutaneously.

Another fabulous feature to this CD is the simplicity of the recording of only lute and vocals with no special effects. To retain the warmth and purity of the composition it was recorded on location in 'The Troy Savings Bank Music Hall' in Upstate New York and is one of the finest acoustical settings in the world. Unlike modern pop music Lute music as written needs no manipulation or adjustment in the studio if executed by skilled artists and musicians in an acoustical atmosphere and this recording does exactly that.

I highly recommend this CD of beautiful music. It truely will evoke deep feeling and emotion.
Campion: Elizabethan Songs
Average customer rating: 3.5 out of 5 stars
  • a voice teacher and early music fan
  • Serious Drawback
  • Pleasant recital of Dowland contemporary
Campion: Elizabethan Songs

Manufacturer: Hmf Classical Exp.
ProductGroup: Music
Binding: Audio CD

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  1. Handel Opera Arias, Vol. 1 ~ Drew Minter, PBO, McGegan

ASIN: B000059WLG
Release Date: 2001-03-13

Tracks:

  1. Beauty, Since You So Much Desire
  2. Love Me Or Not
  3. Your Fair Looks
  4. Never Love Unless You Can
  5. O Never To Be Moved
  6. The Cypress Curtain Of The Night
  7. Awake Thou Spring Of Speaking Grace
  8. Come, You Pretty False-Eyed Wanton
  9. So Tired Are All My Thoughts
  10. Fire, Fire
  11. Pined I Am, And Like To Die
  12. Author Of Light
  13. See Where She Flies
  14. Fair, If You Expect Admiring
  15. Shall I Come, Sweet Love, To Thee?
  16. It Fell On A Summer's Day
  17. Kind Are Her Answers
  18. Beauty Is But A Painted Hell
  19. Sweet Exclude Me Not
  20. Are You What Your Fair Looks Express?
  21. I Care Not For These Ladies
  22. Never Weather-Beaten Sail

Customer Reviews:

5 out of 5 stars a voice teacher and early music fan.......2006-12-24

Thomas Campion (1567-1620) was a poet as well as a musician, and his songs definately reflect this ability, for they could just as well be read as sung. Philip Rosseter ( his friend) states that his 118 songs were "superfluous blossomes of his deeper Studies," no doubt referring to his Latin poetry , or perhaps medicine, which was his profession. What Campion did better than Dowland, or any other English composer of the day, was to "couple my words and notes lovingly together, which will be much for him to doe that hath not power over both." It is best to listen to them in order of priority to poem, melody and lastly singer. His melodies are simplistic and unadorned by shocking harmony designed to overpower the weight of the word itself. T.S. Eliot was in no doubt about Campion's quality:"except for Shakespeare, the most accomplished master of rhymed lyric of his time."
The performance of these songs by Drew Minter (countertenor) accompanied by Paul O'Dette (lute) is really quite outstanding. I must say that this disc is so much better than Minter's other disc of lute songs "Sweeter Than Roses". His voice had a much clearer tone quality and he did not get 'nasal' or 'edgy' as he is prone to do. He kept his voice light and distinct with very neat diction. When he goes for a loud full sound like Michael Chance or David Daniels his voice is not pleasant to hear. But this album is very good and his emotional investment into each song was excellent. Just a very good LISTEN!!!!

3 out of 5 stars Serious Drawback.......2006-04-08

Elizabethan Songs. Twenty-two songs by Thomas Campion (1567 – 1620), performed by Drew Minter (countertenor) and Paul O’Dette (lute).
Recorded in November 1989 at Bethel United Church of Christ, Manchester, Michigan.
Harmonia Mundi. Originally issued as HMU 907023, now re-issued as part of the budget-price Classical Express series as HMCX 3957023. Total time: 58’23”.

Thomas Campion was a contemporary of both Shakespeare and Dowland and was a medical doctor who wrote poetry which he also set to music. Drew Minter performs twenty-two of these here with his inimitable coppery countertenor, a voice which is, in fact, very beautiful, but needs considerable getting used to if you are new to it. (Minter sings at alto pitch, but nobody would mistake him for a female!) He is accompanied by master lutenist Paul O’Dette, whose contribution remains fairly quietly in the background. The songs themselves are, of course, in Elizabethan English, making them rather difficult to understand. And this is where this CD suffers a serious drawback: the texts are not printed in the thin CD booklet; instead, there is a note saying that they can be downloaded from the internet, but when I tried to visit the site mentioned (on more than one occasion recently), the server was down, the address unknown. I nevertheless enjoyed listening, but without really knowing what Minter was singing so delightfully about. Campion’s melodies sound to my ear a little “samish”, and I occasionally found myself wishing that the program had been interrupted by a lute solo or two.

3 out of 5 stars Pleasant recital of Dowland contemporary.......2001-03-28

There is little overlap between this Campion CD and the similar recital featuring another American countertenor, Steven Rickards, on Naxos. However if forced to choose between the two note that the Naxos release includes sung texts, while this one from Classical Express does not. On the other hand O'Dette is a more characterful lute player.
Scarborough Faire
Average customer rating: 5 out of 5 stars
  • Glad I went to Scarborough Faire for a musical experience
Scarborough Faire
Richard Searles
Manufacturer: Earth Dance
ProductGroup: Music
Binding: Audio CD

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  1. Dance of the Renaissance
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ASIN: B000040JGR
Release Date: 1997-09-01

Tracks:

  1. Spagnoletta
  2. Robin Hood And The Tanner
  3. Scarborough Faire
  4. Bransle Gay
  5. Greensleeves
  6. Paduana del Re
  7. Ballet
  8. El Tutu
  9. The Outlandish Knight
  10. Bransle Double
  11. Ic Draghe de Mutse Clutse
  12. La Bouree
  13. Ballet du Roy
  14. Courante
  15. Bransle des Villages
  16. Twenty Ways Upon The Bells

Album Description

Renaissance Dances, Folk Tunes and Lute Music performed instrmentally on Guitars, Recorders, Shawm, Harpsichord, Bagpipes, Hurdy Gurdy, Concertina and Percussion.

Customer Reviews:

5 out of 5 stars Glad I went to Scarborough Faire for a musical experience.......2005-01-31

Richard Searles' weaves a tapestry of ancient folk music calling up visions of fair maidens with flowers in their hair dancing in the moonlight and court musicians parading thru castle grounds. I am no music expert, and I don't know renaissance from baroque but I know Scarborogh Faire makes me feel good and has been my favorite CD for many years. And a super plus for this CD...No singing... just lutes, guitars, recorders and such making for a mystical music experience.
Campion: Lute Music
Average customer rating: 4 out of 5 stars
  • Fine recital of neglected composer
  • Good Performance but the content?
Campion: Lute Music

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  1. Dowland: Flow My Tears and Other Lute Songs

ASIN: B00000IXIZ
Release Date: 1999-06-01

Tracks:

  1. Come Let Us Sound With Melody
  2. Tune Thy Musicke To Thy Hart
  3. Come You Pretty False-Ey'D Wanton
  4. There Is None, O None But You
  5. Sweet Exclude Mee Not
  6. I Care Not For These Ladies
  7. Though You Are Yoong And I Am Olde
  8. Fire, Fire, Fire, Fire!
  9. What Then Is Love But Mourning?
  10. Shall I Come, Sweet Love, To Thee?
  11. Beauty, Since You So Much Desire
  12. What Is It All That Men Possesse?
  13. The Sypres Curten Of The Night
  14. Jacke And Jone They Think No Ill
  15. It Fell On A Sommers Daie
  16. When To Her Lute Corrina Sings
  17. My Sweetest Lesbia
  18. Her Rosie Cheekes, Her Ever Smiling Eyes
  19. Faire, If You Expect Admiring
  20. There Is A Garden In Her Face
  21. Author Of Light
  22. Never Weather-Beaten Saile
  23. Most Sweet And Pleasing Are Thy Wayes
  24. To Musicke Bent Is My Retyred Minded
  25. Thou Joy'St, Fond Boy
  26. Turne All Thy Thoughts To Eyes
  27. Vaile, Love Mine Eyes
  28. Miserere My Maker

Customer Reviews:

4 out of 5 stars Fine recital of neglected composer.......2000-10-29

I'd agree with the earlier reviewer that this CD is for those who have already tried Dowland. However Dowland has been fortunate in the recording studio and Campion much neglected (this appears to be the only disc dedicated to him currently available) so Naxos deserve our thanks for having brought Rickards and Linell back together for a second disc. What is particularly encouraging is to find a whole disc of songs, not just a few raisins in a cake of viol music which is how Dowland and his contemporaries are normally represented. Not that I've anything against mixed recitals - the collaborations of Fretwork with Red Byrd are beautiful - but it tends to be the same better known songs.

The first recordings of early English music on the Naxos label (I'm thinking of Summerly's earlier recordings of Byrd, Tomkins, Gibbons) lacked texts, that has been corrected in later releases, including both this disc (timing 52:52), and the earlier Rickards Dowland recital (8.553381, 1997, timing 74:08). Sound on both discs is more than adequate.

4 out of 5 stars Good Performance but the content?.......2000-02-01

I make no claims to being knowledable about the intricacies of this music. But if I were giving stars I'd give the performance four or five and the content...um...that's the hard part.

I bought this out of curiosity. Campion's lyrics turn up occasionally in anthologies of poetry and I was curious to hear the songs. I own Rickards and Linell's "Dowland: Flow my tears and other lute songs" and i play it often so I also wanted to know what Dowland's competition sounded like.

Firstly, the performance is of the same high standard as on the other disk. Which is good. Linell plays well and Rickards' voice is fine. The liner notes provide good background information as well as the words to the songs. The only real complaint I could have about the performance is probably related to production: The lute sounds small, thin and distant compared with, say, Bream's lute on "The golden age of English Lute music" or Lindberg's on "The complete solo lute music". This is true of the pair's Dowland recording as well but it may only be a drawback if you're trying to use the performances as a guide to playing the songs yourself. ( I was).

The real drawback to this recording though is the material. Play the Dowland and you're liable to find yourself humming odd snatches of the songs. Play the Campion and you're liable to have difficulty remembering any of the individual tunes. Nor do the lyrics redeem the music. He probably was a "better " lyric writer than Dowland (whatever that means) but music wise Dowland beats him hollow.

If you're studying music history this might be an interesting collection. But if you're just curious and want an introduction to the songs of the period, go for the Dowland first. You're liable to be left feeling like you could listen to more, and then the Campion becomes interesting as a variation. Buy the Campion first and you're liable to wonder why people get enthusiastic about English lute songs. And that would be a pity and a disservice to Linell and Rickards who do such a good job.
Faire is the Heaven: Music of the English Church
Average customer rating: 5 out of 5 stars
  • The best!!!!!!!!!!
  • Far more than faire...
  • "Treasures of English Church Music": same music, better buy
  • Beautiful
  • John Rutter Presents English Chruch Music Through the Ages
Faire is the Heaven: Music of the English Church

Manufacturer: Collegium
ProductGroup: Music
Binding: Audio CD

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  5. Praise to the Lord - Hymns From St. Paul's Cathedral

ASIN: B0000031H7
Release Date: 1993-09-11

Tracks:

  1. Ave Maria
  2. Loquebantur variis linguis
  3. Miserere mei
  4. Haec dies
  5. Ave verum corpus
  6. If Ye Love Me
  7. Hide Not Thou Thy Face
  8. Lord, For Thy Tender Mercy's Sake
  9. O Clap Your Hands
  10. Bow Thine Ear
  11. Hosanna To The Son Of David
  12. Lord, How Long Wilt Thou Be Angry
  13. Thou Knowest, Lord
  14. Hear My Prayer, O Lord
  15. Beati Quorum Via
  16. This Joyful Eastertide
  17. Sing Lullaby
  18. A Spotless Rose
  19. What Cheer?
  20. O Taste And See
  21. A Hymn To The Virgin
  22. Jesus Christ The Apple Tree
  23. Faire Is The Heaven

Amazon.com

There's no choir better than the Cambridge Singers for thoughtful, imaginative, cohesive programming, and for an ability to excel in performing music of various styles and periods. Here is a splendid example of this group's mastery of repertoire and choral technique, featuring some of the finest choral music ever written, from Tallis, Byrd, and Gibbons to Stanford, Howells, and Britten. --David Vernier

Customer Reviews:

5 out of 5 stars The best!!!!!!!!!!.......2006-06-02

I am fond of sacred choral music, and I have listened to several groups and CDs. But I have yet to find any group with the superb quality of the Cambridge Singers! Under the direction of John Rutter their smooth, flawless music flows so seemingly effortlessly (though we know that much effort must be made for such angelic quality). The acoustics are awesome as the recording was recorded in an ancient cathedral. They say a whisper will resonate 5 seonds after the whisperer stops. And the selection of music as well is wonderful! There is a progression from the 1500s to the 1900s, and though all the music is nice the first portion is especially melodic, enchanting, relaxing, and inspiring!!! Therefore as the chorus, the recording sound, and the song selections are all EXCELLENT I would definitely recommend this CD to anyone! :)

5 out of 5 stars Far more than faire..........2003-09-08

Recorded in the Lady Chapel of Ely Cathedral (the largest Lady Chapel in England), the Cambridge Singers under the direction of John Rutter produced a great work in this album. Originally produced as a vinyl album in 1982, it was remastered as a CD in 1988. The title derives from a hymn lyric, and the music consists of a sampling of the greatest English church music from the Middle Ages to the twentieth century. The music is meditative, uplifting, and elegant in simplicity and stunning vocal quality.

--Music--
This is all vocal music, unaccompanied by instruments. The disc has four primary sections: Music of the Latin Rite; Music of the Reformation; Music of the Restoration; and Anglican Revival and the twentieth century. The most famous composers in English music history -- Tallis, Byrd, Gibbons -- combine with later masters such as Purcell, Stanford, Howells, Walton, Britten and Vaughan Williams to form a truly masterful collection. These are anthems, hymns and other liturgical pieces that have remained important in Anglican worship, and can be often heard in situ on Sundays around the world. However, the Cambridge Singers bring their special music talent to the task, producing a good standard bearer for music of the English Church.

--Liner Notes--
The notes for this recording include the titles and words, in both Latin and English, for each of the pieces recorded here. It has a brief paragraph of introduction to each piece of music, relating it to its historic and musical contexts. One thing conspicuously missing is any significant biographical information about John Rutter, or any descriptive information about the Cambridge Singers apart from the basic, one-sentence description.

--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.

--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices (about 28 voices for this recording), many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages.

5 out of 5 stars "Treasures of English Church Music": same music, better buy.......2002-02-01

Thinking of purchasing the "Faire" and "Hail" CDs together? You will save money if you buy them in another guise: "Treasures of English Church Music." This 2-disk set is a reissue that combines Rutter's "Faire" and "Hail" CDs into a single package. You get the same disks for $12-$15 less.

Whatever the package, the music is gorgeous. Highly recommended.

5 out of 5 stars Beautiful.......2001-08-22

Gorgeous sounding church music from early to 20th cent. A CD I play a lot - what more praise does it need?

5 out of 5 stars John Rutter Presents English Chruch Music Through the Ages.......2000-08-19

In this atypical, that is, non-Christmas collection, John Rutter presents English church music from the 16th through the 20th centuries. While one may miss the absence of one or two compositions by Rutter himself, his capacity to achieve a unique sound with a choir is certainly here.

One who has enjoyed Rutter's Christmas music would do well to acquire this collection as well.
What Then Is Love
Average customer rating: 3.5 out of 5 stars
  • What then is taste?
  • Why no listing of the songs?
  • Lacks that extra drop of refinement
What Then Is Love

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Songs from the Labyrinth (Music by John Dowland)

ASIN: B00000IWRF
Release Date: 1999-05-18

Tracks:

  1. I - Sing A Song Of Joy: Sing A Song Of Joy
  2. I - Sing A Song Of Joy: Eliza Is the Fairest Queen
  3. I - Sing A Song Of Joy: The Honeysuckle
  4. II - What Then Is Love?: What Then Is Love Sings Coridon
  5. II - What Then Is Love?: What Then Is Love But Mourning
  6. II - What Then Is Love?: What Thing Is Love?
  7. III - Sorrow, Come: Galliard 'Shall I Strive'
  8. III - Sorrow, Come: I Sigh, As Sure to Wear the Fruit
  9. III - Sorrow, Come: Sorrow, Come
  10. IV - Shall I Sue?: Heigh-Ho Holiday
  11. IV - Shall I Sue?: Shall I Sue
  12. IV - Shall I Sue?: Breake Now My Heart And Dye
  13. IV - Shall I Sue?: Woo Her And Win Her
  14. V - Witty Wanton: The Peaceful Western Wind
  15. V - Witty Wanton: Sweet Philomel
  16. V - Witty Wanton: I Care Not For These Ladies
  17. V - Witty Wanton: Courante On 'I Care Not For These Ladies'
  18. V - Witty Wanton: A Pretty Duck There Was
  19. V - Witty Wanton: Witty Wanton
  20. VI - Faine Would I Wed: Faine Would I Wed
  21. VI - Faine Would I Wed: Mother, I Will Have A Husband
  22. VI - Faine Would I Wed: Now Hath Flora Robb'd Her Bow'rs
  23. VII - Sing We And Chant It: Move Now With Measured Sound
  24. VII - Sing We And Chant It: Rest, Sweet Nymphs
  25. VII - Sing We And Chant It: Sing We And Chant It

Customer Reviews:

5 out of 5 stars What then is taste?.......2000-04-10

The very reason I purchased this CD was the fact that it used reconstructed Elizabethan accents; attempts at accuracy are always preferable to bowing to popular misconceptions (like in Shakespeare in Love--ack). I found this recording both aesthetically pleasing and intellectually stimulating--one can clearly see through this recording the branch-off point between the modern British and American accents, something which had always mystified me before.

Musically, this recording is full of little-known gems of the English Renaissance. This is a sample of what's on it, for Kenneth Melia: Sing a song of joy; Eliza is the fairest Queen; What then is love but mourning; Shall I sue; Heigh-ho holiday; I care not for these ladies; Mother, I will have a husband; Rest, sweet nymphs (a beautiful rendition with soaring harmonies on the chorus); and Sing we and chant it. Kenneth, if you still want a more complete list, just e-mail me (mitsuo@uclink4.berkeley.edu). But I insist that if you buy it now, without knowing all the songs, you will not be disappointed. They are subdued and genteel, with that hint of playfulness which one could say characterized the court under Elizabeth I. The vocalists are excellent, never succumbing to the operatic vocal style so popular with renditions of this repertoire, and, I think, the least authentic. Once again, Anne Azema charms with her supple, almost serpentine stylizations, and you also get a wealth of other talented vocalists who speak the Elizabethan tongue with convincing fluency. The instrumentalists play with passion and a feline subtlety that will catch you and never let go.

1 out of 5 stars Why no listing of the songs?.......1999-12-04

I'll admit, right away, that I haven't heard the music on this CD. What I want to comment about is the fact that it is impossible to FIND OUT WHAT MUSIC IS ACTUALLY ON IT! I thought Amazon would have the list of songs, because I couldn't find out what they were at the local music shop. I already have a good number of Boston Camerata CD's and I wanted to find out what was on this one before I purchased it. The local store even has a software program which normally allows customers to find out what's contained on a CD if it isn't on the cover. The only listing for this CD was "songs." This isn't the first time that a Boston Camerata CD has not had the musical selections listed on the outside. Why not ALWAYS have a listing of the music on the cover? Even if it's in small font it would still be worth it. So, as of yet I haven't purchased it. How does one find out what's on it? K.Melia

4 out of 5 stars Lacks that extra drop of refinement.......1999-05-23

This is a hard one to call. Brought up as I was on the ultra-modulated renditions of this and like material on Vanguard LPs by Alfred Deller and his consort, I find this Erato effort lacks that extra drop of refinement that is needed for the courtly music of the Elizabethan period. (The street and theater music might be another story, but beside the point here.) I know it is Anglophilic bias working here, but I found (for example) tenor William Hite's East Coast accent distracting. The women have accents that, while not all that appropriate, at least do not jar. It is of course true that Elizabethan English was closer to what Ringo Starr sounded like than Laurence Oliver. Play the track that contains "I care not for these ladies," which is indeed sung with a regional accent and you will see what I mean. However, in general "an Elizabetan Songbook" should sound at least what we accept today as British-sounding, if you follow. This said, I cannot fault the vocalizing or the playing. But I will still return to my Vanguard sets before playing this again. Still--who can dispute taste?

Music Track:

  1. Salon Music for Oboe & Piano
  2. Salvolini: Missa brevis in G; Missa in D
  3. Scarlatti: Cantate da Camera, Part 2
  4. Schubert: L'oeuvre Pour Piano a Quatre Mains , Volume 1 (Piano Works for Four Hands)
  5. Schubert: Piano Sonata, D960 / Three Piano Pieces, D946
  6. Shostakovich: Gadfly / Hypothetically Murdered
  7. Sigismondo D'India: Ecco il sol mirate
  8. Sigismondo D'India: Motets
  9. Sporcl Plays Piazzolla and Vivaldi
  10. Stravinsky: Apollon musagčte; L'oiseau de feu No3

Music Track

music track

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