Chords At Night: the rare piano works of Otto Luening
Track Listings
| 1. Six Preludes: Slow | ||
| 2. Six Preludes: Moderato | ||
| 3. Six Preludes: Andante | ||
| 4. Six Preludes: Andante | ||
| 5. Six Preludes: Allegro Ma Non Troppo | ||
| 6. Six Preludes: Moderato | ||
| 7. First Short Son: I. Allegro Giusto | ||
| 8. First Short Son: II. Grave | ||
| 9. First Short Son: III. Vivace | ||
| 10. Tango | ||
| 11. Song Without Words | ||
| 12. Sonority Forms I | ||
| 13. Sonority Forms II | ||
| 14. Sonority Forms III | ||
| 15. Image | ||
| 16. Fourth Short Son: I. Allegro Moderato | ||
| 17. Fourth Short Son: II. Adagio | ||
| 18. Fourth Short Son: III. Allegro | ||
| 19. Fourth Short Son: IV. Allegro Moderato-Allegro Vivace | ||
| 20. Chords At Night |
Chords At Night: the rare piano works of Otto Luening, Music, Otto Luening, Marc Peloquin, Chamber Music & Recitals, Classical, Classical Composers, Classical Music, Keyboard, Music for Keyboard
Average customer rating:
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Chords At Night: the rare piano works of Otto Luening
Manufacturer: Composers Recordings ProductGroup: Music Binding: Audio CD ASIN: B00005A0GZ Release Date: 2001-02-01 |
Tracks:
Customer Reviews:
Luening Landscape.......2001-03-02
Finally! A modern music interpreter I can love!.......2001-02-27
What a surprise. From the first Prelude, I was completely hooked. And it wasn't just because the music is so evocative (although many of these pieces, I think, could fairly hold their own against more popular works by Gershwin et al.). My delight and amazement were due mostly to Marc Peloquin's sensitive yet straightforward portrayal of these rarely-performed pieces. I think Peloquin could single-handedly convert me to a modern music lover -- he performs these pieces utterly without pretense and as though he were an intimate friend of the composer with a very clear understanding of the composer's intent. (Read the liner notes and you'll discover that this is pretty close to the truth.) I found myself laughing out loud at points and almost weeping at others -- just the kind of reaction I have when listening to my favourite operas or symphonies. I loved almost every piece, particularly Song Without Words. (And although they at first seem difficult, stick with Sonority Forms I, II and III -- by the time Peloquin finishes the cycle, you'll be glad you did.) What else can I say? A super collection of pieces performed by someone with chops who MEANS it, and has something to say. Try this if, like me, you're "modern music-handicapped" but have an open mind. If you already love the work of America's more esoteric composers, run, don't walk, to this CD. There's a great experience in store for everyone here.
Thanks, Marc Peloquin, for broadening my musical experience. Because of you, I'm going to give 20th-century composers another try. My one complaint: You don't seem to have any other CD's out. . . .
Music Track:
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