Brahms: Sonatas & Songs

Track Listings
1. Allegro appassionato    
2. Andante un poco adagio    
3. Allegretto grazioso    
4. Vivace    
5. Gestillte Sehnsucht    
6. Geistliches Wiegenlied    
7. Allegro amabile    
8. Allegro appassionato    
9. Andante con moto - Allegro    
10. No.1    

Editorial Reviews
Album Description
Skylark Music brings together three of Canada's rising young stars for this all-Brahms disc. Reflective, passionate and intimate, the repertoire includes Brahms' two sonatas for viola and piano and the Two Songs for Alto, Viola, and Piano, Op.91.

About the performers:

Violist Nicolò Eugelmi is recognized as one of Canada's finest violists and holds the position of Associate Principal Violist with the Orchestre Symphonique de Montréal. Mezzo-soprano Mariateresa Magisano's performances with opera companies across Canada and with the Metropolitan Opera Orchestra and Sir Charles Mackerras have brought her international recognition. Pianist Libby Yu won First Prize at the 27th CBC Radio National Competition for Young Performers and a "Diploma of Honour" at the Frederic Chopin Competition in Warsaw.

All three musicians perform frequently across Canada and are regularly heard on the CBC Radio and Radio-Canada networks.

Brahms: Sonatas & Songs, Music, Johannes Brahms, Mariateresa Magisano , Libby Yu Nicolo Eugelmi
Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy
Average customer rating: 5 out of 5 stars
  • Brahms Violin Sonatas
  • these are really good sonatas
  • Brahms
  • Finest Brahms
  • Perlman and Ashkenazy do it again
 Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy
Itzhak Perlman , and Vladimir Ashkenazy
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  3. Paganini: 24 Caprices
  4. Mozart: The Violin Sonatas
  5. Dvorák: Cello Concerto; Tchaikovsky / Karajan, Rostropovich,

ASIN: B00000I7VT
Release Date: 1999-03-09

Tracks:

  1. Violin Sonata No.1 In G, Op.78: I: Vivace ma non troppo
  2. Violin Sonata No.1 In G, Op.78: II: Adagio
  3. Violin Sonata No.1 In G, Op.78: III: Allegro molto moderato
  4. Violin Sonata No.2 In A, Op.100: I: Allegro amibile
  5. Violin Sonata No.2 In A, Op.100: II: Andante tranquillo - Vivace
  6. Violin Sonata No.2 In A, Op.100: II: Allegretto grazioso (quasi andante)
  7. Violin Sonata No.3 In D Minor, Op.108: I: Allegro
  8. Violin Sonata No.3 In D Minor, Op.108: II: Adagio
  9. Violin Sonata No.3 In D Minor, Op.108: III: Un poco presto e con sentimento
  10. Violin Sonata No.3 In D Minor, Op.108: IV: Presto agitato

Amazon.com essential recording

Itzhak Perlman is the greatest living exponent of the Romantic, sentimental style of violin playing. As in his reading of the Brahms concerto, he shows sovereign mastery in these accounts, which are characterized by intense emotion and heated expression (Perlman's warm vibrato and carefully placed portamentos quickly give him away), but are also gripping in the quiet, meditative pages. The first two sonatas' relationship to songs could easily be guessed from the way Perlman plays them in a single, seamless line, marked by soaring climaxes and tender, haunting pianissimos. The treatment sometimes does seem a bit premeditated, but it is so compelling as to sweep aside any criticism. In this 1983 recording (sonically superior to Perlman's later remake with pianist Daniel Barenboim, for Sony), the violin sounds slightly forward, though not unpleasantly so. Warm, supportive, lyrical playing from Vladmir Ashkenazy rounds out a marvelous offering. --Ted Libbey

Customer Reviews:

4 out of 5 stars Brahms Violin Sonatas.......2007-01-11

Good but not top flight. This is an old recording--sounds a little tired.

5 out of 5 stars these are really good sonatas.......2005-10-10

These three sonatas are in my opinion some of the best compositions of Brahms. They are wonderfully tunefull and each sets a distinct mood (although all three are somewhat melancholic). The interaction of the violin and piano is just fantastic and Perlman and Ashkenazy pull it off well. Sound quality is great as well.

5 out of 5 stars Brahms.......2005-10-07

I bought this for my college age daughter's music class and I am enjoying it as well. Violin music, of any sort, is enjoyable to listen to and this one is a wonderful addition to a music library.

5 out of 5 stars Finest Brahms.......2002-05-22

I've always enjoyed Brahms' chamber works more than his symphonies. Somehow his intent comes off more clearly; the desperation and anger and melancholy of the music is more exposed, as if juggling an entire orchestra in the composition could dull the edges of these emotions. Of course the quality of any piece is tied with the quality of the performers (who invariably stamp then with their own personalities), and here we have a brilliant union: Perlman and Ashkenazy play flawlessly. Perlman's tonality is clear and sonorous, but never treacly; it still maintains the edge that these pieces require. From the sweet lilting melodies of the first sonata to simmering violence of the third, it is a commanding performance. The piano part in these works is equally demanding, and Ashkenazy is more than a match for Perlman's virtuosity.

If you're looking for the third sonata specifically, Vengerov and Barenboim turn in a more stirring (but somewhat looser) performance on the Teldec label. I actually prefer that version as it's more intense, more intimate. But if you're looking for a complete collection of these wonderful sonatas, you simply can't go wrong with Perlman and Ashkenazy.

5 out of 5 stars Perlman and Ashkenazy do it again.......2001-07-24

The combination of these two great artists continually results in some of the finest music making ever. The two seem to almost share a mind while performing so perfectly in tune with each other they come across. I don't think Brahms has ever sounded so beautiful and alive as this recording manages to sound.
Brahms: The Cello Sonatas
Average customer rating: 4.5 out of 5 stars
  • a beautiful expression of a musical dialogue in the great Romantic fashion...
  • Good, but not great.
  • Beautiful, just beautiful!
  • THIS ONE WILL GROW ON YOU
  • When the Rich Russian Sound Meets the Soulful German....
 Brahms: The Cello Sonatas

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001G4M
Release Date: 1990-10-25

Tracks:

  1. Sonate fur Klavier und Violoncello e-moll Op. 38: 1. Allegro non troppo
  2. Sonate fur Klavier und Violoncello e-moll Op. 38: 2. Allegretto quasi Menuetto
  3. Sonate fur Klavier und Violoncello e-moll Op. 38: 3. Allegro
  4. Sonate fur Klavier und Violoncello F-dur Op. 99: 1. Allegro vivace
  5. Sonate fur Klavier und Violoncello F-dur Op. 99: 2. Adagio affettuoso
  6. Sonate fur Klavier und Violoncello F-dur Op. 99: 3. Allegro passionato
  7. Sonate fur Klavier und Violoncello F-dur Op. 99: 4. Allegro molto

Customer Reviews:

5 out of 5 stars a beautiful expression of a musical dialogue in the great Romantic fashion..........2007-05-20

Two of classical musics most remarkable artists meet at the full blossoming of thier careers: Mstislav Rostropovich who plays out the sadness of these pieces in his natural Russian style, and Rudolf Serkin who plays flawlessly.

These sonatas for cello and piano make for a beautiful expression of a musical dialogue in the great Romantic fashion, and I am not even a very big fan of Brahms.

3 out of 5 stars Good, but not great........2005-01-22

While this recording is performed well, after listening to Jacqueline Dupré's rendition of this piece it is hard to rate this performance with the full five stars. Dupré takes the music to another level with even richer tones and smoother legatos. Another difference when comparing these two recordings is the coordination between the cellist and the accompanist. Dupré played with her husband, the pianist and conductor Daniel Barenboim. Those two connect at a much deeper level than the pair in Rostropovich's recording, who at times are clearly not together. However, this review is by no means intended as an affront on Rostropovich's clearly masterful abilities as a cellist. It is just that in the comparison of the two recordings, I feel that Ms. Dupré's passionate and more liberal style of play better suits this particular piece.

5 out of 5 stars Beautiful, just beautiful!.......2004-01-16

I have never cared much for Brahm's music. Yet, I play this cd over and over again. The music is glorious and because of this recording, I have started to sample more of his works. This is a cd truly worth owning.

5 out of 5 stars THIS ONE WILL GROW ON YOU.......2003-08-15

The balance is not quite right, with the cello too prominent, but once I got used to that the performances started to take me over. Here we have two of the greatest classical interpreters of their time taking us into the special world of Brahms, and they had me thinking about the composer in a way I have not done in years. Most books and articles I have read about him have a lot to say about Beethoven, but I really doubt whether Brahms's music would have been much different if Beethoven had never lived. Both consciously and by instinct, Brahms was the guardian of the great German musical tradition embodied above all in Bach -- a tradition where pure 'absolute' music expressed itself through an intellectual apparatus of polyphonic and structural devices. Since Bach's time Haydn and Mozart had perfected for instrumental music a compositional system usually called the 'sonata' style. Beethoven had naturally picked this up, but what he forced on to it was a special dimension of highly personalised expression, and it is precisely this way of treating it that Brahms turned his back on. With him we are back, in his own deeply original way, to music using the composer to express ITself.

I seem to find that Brahms gets more instinctive understanding from performers than Beethoven does, and I believe quite simply that that is because he understands himself better than Beethoven does himself. Teetering on the verge of incoherence at times was all part of Beethoven's unique greatness, and it is not disrespectful -- quite the reverse -- to say so. I have heard far more good performances than bad ones of these two wonderful sonatas, and the special meaning these particular accounts have for me is not something that I felt at first hearing. When a pianist of very special and unusual gifts is aged 80 or so and has retained his technique and evenness of touch, when he has spent a lifetime developing an austere and uncompromising vision of the instrumental music that we normally think of as being the 'greatest', when he studies completely afresh the works he is to perform with the greatest cellist of the next generation, there is a good chance we are going to get something very special, and I do not believe I am imagining it. This is a totally unique artistic combination offering a very special -- not eccentric in any way but still very special -- insight into a composer that many of us know by heart without really getting our minds round the phenomenon he represents. This record is a milestone in my musical pilgrimage and maybe it will be in yours.

5 out of 5 stars When the Rich Russian Sound Meets the Soulful German...........2001-04-11

From the very first note of the e minor sonata, one can notice how perfectly the warmth and control in Rostropovich's sound match the cogitating works of Brahms. In such maturiy and wisdom gained over many a decade, there are things to learn from this recording. The full and rich, yet sensitive tone draws the listener through every movement with assuarance and thrill, and the complete control -- especially apparent in the unhurried tempi -- of both of these maestros should be especially admired. Of course, control and maturity do not mean lack of passion and vigour by any means; the series of robust broken chords of the first movement of the E minor sonata, and the passionate third movement of the F major sonata are no less powerful than any younger perfomers' recordings, if not greater. This is a recording to be enjoyed and studied by all.
Brahms: Violin Sonatas
Average customer rating: 5 out of 5 stars
  • JOHANNES, ANNE-SOPHIE AND ALEXIS --WHAT A TEAM!
  • Trio of great violin sonatas
 Brahms: Violin Sonatas

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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  5. Lalo: Symphonie espagnole; Sarasate: Zigeunerweisen: Massenet: Thaïs - Meditation

ASIN: B00005NPJ2
Release Date: 2003-01-07

Tracks:

  1. I. Vivace Ma Non Troppo
  2. II. Adagio
  3. III. Allegro Molto Moderato
  4. I. Allegro Amabile
  5. II. Andante Tranquillo - Vivace
  6. III. Allegretto Grazioso
  7. I. Allegro
  8. II. Adagio
  9. III. Un Poco Presto E Con Sentimento
  10. IV. Presto Agitato

Customer Reviews:

5 out of 5 stars JOHANNES, ANNE-SOPHIE AND ALEXIS --WHAT A TEAM!.......2007-06-19

In this recording we have three of Brahms' greatest chamber works (the violin sonatas) played by, in my humble opinion, two of classical music's greatest performers--Anne-Sophie Mutter, on violin and Alexis Weissenberg, on piano. The "wow factor" is very much in evidence in this recording--great music (some of the finest chamber music that ever has been penned) fabulous violin playing and marvelous piano playing coming together in such a way that I just sat back listening in total awe feeling that life really ain't too bad when one can hear music and performances like those contained on this recording at such a reasonable (cheap!) price! (Anne-Sophie and Alexis have a wonderful "go at it" in the fourth movement of the 3rd Sonata--wow!)
Although this disc is at the "bargain basement" price of four dollars and ninety-seven cents ($4.97), the sound is superb. EMI is really to be commended for offering these superb performances at such a "rock bottom" price. I truly loved this recording as you will too if you purchase it!

5 out of 5 stars Trio of great violin sonatas.......2005-09-08

While Brahms wrote only three sonatas, they are a great trio of works. The first is the most intense, the second the most lyrical and the last one the most inspired with a slow movement that is arguably Brahms most beautiful melody. The two famous musicians here give us radiant performances. At almost 10 bucks less than a full-priced version of this music, this CD represents great value.
Brahms: Cello Sonatas
Average customer rating: 5 out of 5 stars
  • Amazing
 Brahms: Cello Sonatas
Brahms , Yo-Yo Ma , and Emanuel Ax
Manufacturer: RCA
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Binding: Audio CD

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ASIN: B0001TSWLE
Release Date: 2004-04-20

Tracks:

  1. Allegro Non Troppo
  2. Allegretto Quasi Menuetto
  3. Allegro
  4. Allegro Vivace
  5. Adagio Affettuoso
  6. Allegro Passionato
  7. Allegro Molto

Customer Reviews:

5 out of 5 stars Amazing.......2005-03-24

Some people may say Yo-Yo Ma is overrated, unprofessional, and most of his fame is due to his name. I, sadly, used to be a believer in this notion, but I realized that I was terribly wrong. Yo-Yo Ma played a concert on TV along with Itzhak Perlman, and it was one of the most professional displays of musicianship I have ever seen. Every note and every gesture seemed deeply inspired, and he seemed to have a very firm grasp on what the music was about. This CD is no exception. Every song is wonderfully performed, and the sound quality is great.
Brahms: Cello Sonatas
Average customer rating: 4 out of 5 stars
  • indulgent but intimate..............
 Brahms: Cello Sonatas

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001O3Y8K
Release Date: 2004-04-06

Tracks:

  1. I: Allegro Non Troppo
  2. II: Allegretto Quasi Menuetto & Trio
  3. III: Allegro - Piu Presto
  4. I: Allegro Vivace
  5. II: Adagio Affettuoso
  6. III: Allegro Passionato
  7. IV: Allegro Molto - Piu Presto

Customer Reviews:

4 out of 5 stars indulgent but intimate.....................2006-12-03

But for the artists allowing themselves changes in tempo from one movement to the next, I tend to believe this recording would rate as the definitive interpretation. It depends on what one tolerates as artistic licence. I have the original LP, and the microphone placement and simple mixing of the day has resulted in warm and detailed Cello reproduction. The playing is accurate and engaging, and it is evident the two artists are very much in accord as regards their preferred rendition.The alternative, earlier 1955 Fournier recording apparently suffers from restricted frequency response. I have not heard the Rostropovich recording.
Brahms: Sonatas for Clarinet & Piano, Op.120
Average customer rating: 3.5 out of 5 stars
  • I give this album 5 academy awards. Including best songs.
  • Unquestionably the finest recording of these sonatas!
  • I love this Brahms...
  • This is music?
  • Doesn't match Harold Wright...but then again, no one does...
 Brahms: Sonatas for Clarinet & Piano, Op.120

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003EUX
Release Date: 1989-08-11

Tracks:

  1. Sonata, Op. 120, No. 1 In F Minor: Allegro Appassionato
  2. Sonata, Op. 120, No. 1 In F Minor: Andante Un Poco; Adagio
  3. Sonata, Op. 120, No. 1 In F Minor: Allegretto Grazioso
  4. Sonata, Op. 120, No. 1 In F Minor: Vivace
  5. Sonata, Op. 120, No. 2 In E - Flat: Allegro Amabile
  6. Sonata, Op. 120, No. 2 In E - Flat: Allegro Appassionato
  7. Sonata, Op. 120, No. 2 In E - Flat: Andante Con Moro; Allegro

Amazon.com

Brahms originally conceived this music for clarinet, though he later adapted the pieces for viola. He was inspired by the artistic playing of clarinetist Richard Muhlfeld; he might well have felt the same way about Richard Stoltzman. Sometimes Stoltzman's playing can sound precious--save us all from his New Age recordings!--but here he plays like a great artist, floating the melodic lines up to heaven and never wimping out. In Richard Goode he has a pianist who is certainly an equal partner; strong, impulsive piano playing powers these performances. The disc's low price compensates for the short playing time. --Leslie Gerber

Customer Reviews:

5 out of 5 stars I give this album 5 academy awards. Including best songs........2006-03-26

First of all, what I really did is that I borrowed this album from the library. When I listened to the third movement of the sonata no. 1, I started to remember that my clarinet teacher played it to. How fashionable! I was amazed by the clarinet playing and the piano. I would like to thank Richard Stoltzman and Goode for making such a wonderful album.

5 out of 5 stars Unquestionably the finest recording of these sonatas!.......2005-09-19

Pardon me, you clarinet-snobs, but your ignorance is baffling. You may not like this recording, but save your mindlessly-inherited "opinions" for others of your ilk. First of all, if you want to compare this record to Harold Wright, at least learn what it is you're talking about. Don't compare it to the uncomfortably out-of-tune SECOND recording that he did (with Peter Serkin). Compare it to the GREAT recording he made of these sonatas with Harris Goldsmith (you've never heard those, of course, because you're too busy with brand-names to have familiarized yourselves with history and unbiased quality). Then compare it to the Primrose/Firkusny record. Then listen to the many other beautiful renditions out there. Then give the guy his props for winning his first Grammy award for this record. (whether you ever realize it or not, these performances are sincere in an incomparable way).... Then realize that music is not anymore absolute than this review (or yours). For those of you who are intrigued -this is the first record of Stoltzman's to buy/listen-to. Check out Richard Goode's Brahms record while you're at it. Enjoy!

5 out of 5 stars I love this Brahms..........2004-07-30

I have both the Harold Wright and Stoltzman CDs of the Brahms Sonatas, and I personally prefer Stoltzman's version (since I'm reviewing Stoltzman, I'll avoid comparison with Wright as much as I can).

Many complain that Stoltzman doesn't get the nuance of Brahms music and that he over-plays... Frankly I don't see it. His playing exudes passion and fury in the more passionate moments of the Sonatas (1st mov. of Sonata 1 and 3rd mov. of Sonata 2 in particular). In the more delicate work (such as Sonata 1, mov. 2), Stoltzman's style (though less subtle than some) is engaging.

The best way I can describe these recordings (and much of Stoltzman's work) is that when I hear him play, I become absorbed in the music. I might admit that there are a few spots where one could argue that his vibrato could be toned down or something else like this, but this minor issues fail to subtract from the overall engrossing experience of listening to his playing. Other players (such as Wright) may play in a more reserved, traditional manner, but I can't get lost in their playing. It usually just leaves me luke warm.

No one CD is perfect, and you could pick apart a passage here or there on any recording by any artist. However, as an overall experience, I don't think you'll hear a more passionate or engaging Brahms than this recording. Those who listen to this recording and spend the whole time nit-picking minor things are missing the big picture (and it's a beautiful one).

1 out of 5 stars This is music?.......2004-03-05

Stoltzman never ceases to amaze me with his unending popularity, despite his obvious lack of musical taste and refinement. Yes, Brahms was essentially a "Romantic" composer, but that does not give license for a musician to step outside the bounds in which a piece should be interpreted. Brahms' two sonatas certainly don't need the "help" Stoltzman provided in his overzealous interpretations. A little refinement, a beautiful tone, and impeccable intonation are what this piece calls for -- nothing that could ever make it step outside the lines of beauty. With that in mind, allow me to echo the sentiments of a previous review in saying that Harold Wright is all of these, and yet, if you listen closely, you will hear that he does, in fact, use vibrato as a decoration to warm important notes in a phrase. As a clarinetist, I disagree that there is a quibble over Stoltzman's vibrato -- the fact of the matter is that generally in tasteful clarinet playing vibrato is used minimally if at all. Vibrato is for jazz. More informed people might say "What about Reginald Kell?" and to that I reply, if vibrato was considered pleasant, he wouldn't have been the only one to use it regularly.

3 out of 5 stars Doesn't match Harold Wright...but then again, no one does..........2002-07-31

The Brahms clarinet sonatas were written near the end of Brahms' life, at the pinnacle of his musical achievement and experience. Ranging from styles of fiery passion to tranquil beauty, these works are considered masterpieces in the clarinet repertoire. Richard Stoltzman delivers a passionate performance of these pieces that is of course caught in furious debate...after all, this is Stoltzman we are talking about! With his highly controversial copious use of vibrato as well as extreme, exaggerated phrasing, Stoltzman has always been able to entertain his more casual audience while infuriating clarinetists and most musicians with his unorthodox style. As a clarinetist myself, I try my best to keep an open mind. Personally, I have mixed feelings about this recording; what Stoltzman does best here is create incredible passion and energy, especially in the Allegro appassionato (first movement) of the Sonata in F Minor. The movement reaches feverish heights with his passionate playing, heightened even more by Richard Goode's powerful performance. Naturally, tempo and intonation suffers somewhat and phrasing tends to be sloppy at times. The Vivace (fourth movement) is also done well with the same amount of intensity and driving energy all the way to the resounding, powerful ending. However, his overuse of vibrato is painfully obvious in the Allegro amabile (first movement) of the Sonata in E-flat Major. The beautiful, mellifluous theme of this movement is destroyed by the lack of clarity and the abandonment of the pure, resonant clarinet sound in favor of the less tasteful vibrating, thin sound; this is especially pronounced in the opening and the sotto voce sections. The same problem is present in the second movement of the Sonata in F Minor in which the delicate ornamentation and phrasing is lost in the overuse of vibrato and Stoltzman's rather bright, reedy tone. In the end though, this recording is worth picking up in order to hear an unorthodox interpretation of Brahms. However, people acutely aware of the clarinet's pure, sweet, and resonant sound will be disturbed by Stoltzman's playing and will not be satisfied by this recording.

If you are looking for the perfect recording of the Brahms Sonatas, you must pick up the recording of Harold Wright and Peter Serkin. Wright has the most gorgeous sound of any clarinetist; Stoltzman doesn't even come close to Wright in beauty of tone. Shifrin, Meyer, Drucker, Manasse, Neidich, Marcellus and other well-known clarinetists can not compete with Wright in terms of tone and delicate musical nuances; although they might rival him in technical brilliance and each of them certainly has their own musical ideas, none of them can never equal Wright in the most important aspect of clarinet playing (in my humble opinion): a gorgeous tone that is able to be shaped to convey sensitive musical nuances and ideas, which is something Wright is blessed with. Harold Wright's ravishing tone is something that needs to be experienced in order to be appreciated; he ranges from a dark, full, resonant sound in the Allegro appassionato and a sweet, beautiful, mellifluous sound in the Allegro amabile. As the music critic Richard Dryer said, "Harold Wright searched for the soul of the music through the soul of his instrument." All clarinetists, make sure you pick up a copy of his Brahms right away. Stoltzman may appeal to the more casual listener, but any true clarinetist will be able to appreciate Wright's gorgeous and sensitive interpretation of these masterpieces.

P.S. Yes, Harold Wright's Brahms is better than David Shifrin's Brahms; Wright's playing is more sensitive and evocative. Also, Shifrin's tone is too bright and thin and isn't resonant enough for my taste.

P.P.S. From now on, don't go around with the assumption that Stoltzman is the best clarinetist out there simply because of his fame and numerous recordings. As a true artist and a sensitive musician, Harold Wright is the finest clarinetist I've ever heard with the most beautiful tone I've ever heard. You have been educated...go forth with this knowledge.
Brahms:The Violin and Viola Sonatas
Average customer rating: 4.5 out of 5 stars
  • A little harsh
  • I love these works
  • Brahms treasures
  • The whole is greater than the sum of its parts
  • this is THE BRAHMS VIOLIN SONATAS COLLECTION
 Brahms:The Violin and Viola Sonatas

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. A Portrait of the Viola
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  4. Brahms: Complete String Quartets, Quintets & Sextets
  5. Hindemith: Sonatas for viola/piano & viola alone

ASIN: B000009CMP
Release Date: 1998-07-14

Tracks:

  1. Sonata No.1 In G Major Op.78: I.Vivace ma non troppo
  2. Sonata No.1 In G Major Op.78: II. Adagio
  3. Sonata No.1 In G Major Op.78: III. Allegro molto moderato
  4. Sonata No.2 In A Major Op.100:: I. Allagro amabile
  5. Sonata No.2 In A Major Op.100:: II. Andante tranquillo - Vivace - Andante - Vivace di pindante - Vivace
  6. Sonata No.2 In A Major Op.100:: III. Allegretto grazioso (quasi Andante)
  7. Sonata No.3 In D Minor, Op. 108: I. Allegro
  8. Sonata No.3 In D Minor, Op. 108: II. Adagio
  9. Sonata No.3 In D Minor, Op. 108: III.Un poco presto e con sentimento
  10. Sonata No.3 In D Minor, Op. 108: IV. Presto agitato
  11. F.A.E. Sonata WoO Post.2: III. Scherzo: Allegro - Trio: Pierato

Tracks:

  1. Sonata No.1 In F Minor Op.120: I.Allegro appassionato
  2. Sonata No.1 In F Minor Op.120: II. Andante un poco Adagio
  3. Sonata No.1 In F Minor Op.120: III. Allegretto grazioso
  4. Sonata No.1 In F Minor Op.120: IV. Vivace
  5. Sonata No.2 In E Flat Major Op.120: I. Allegro amabile
  6. Sonata No.2 In E Flat Major Op.120: II. Allegro appassionato - Sostenuto - Tempo I
  7. Sonata No.2 In E Flat Major Op.120: III.Andante con moto - Allegro - Pinquillo

Customer Reviews:

3 out of 5 stars A little harsh.......2006-11-25

I find Pinkas's tone a little harsh. He's almost scratchy at times. I'm using this C.D. for my own study of the Brahm's sonatas. As a violist, he does not have the tone that draws me to this instrument. Otherwise, its ok, and not a bad C.D. to have if your studying.

5 out of 5 stars I love these works.......2006-11-09

The Brahms violin sonatas are among my favorite of his many excellent chamber works. There's a clean innocence about these pieces that makes them an absolute joy to listen to. They offer a great break after you've been wrapped up in big, heavy symphonies for awhile. Don't worry though, these pieces have plenty of depth should you choose to listen for that.

The most famous and recommended set of these works is EMI's 'great recordings of the century' which features Itzhak Perlman and Vladimir Ashkenazy. I've heard their version and it is indeed great but to be honest I like this set much better. The Perlman/Ashkenazy set was recorded in digital, but its early digital and I find the sound to be a little too bright and sharp for my tastes. I love the warm analogue sound that's featured on this set. The playing is also more subtle here which I also find to be an advantage in pieces this autumnal in nature. Finally, this set is only a couple of dollars more than the EMI, plus you get a second disc with a version of the somewhat rare viola sonata which is also excellent. Basically this is a must own if your a fan of the Master's chamber works.

5 out of 5 stars Brahms treasures.......2002-12-17

I was especially delighted to discover the viola sonatas. They are a must-listen for any chamber music fan.

5 out of 5 stars The whole is greater than the sum of its parts.......2001-06-11

Chamber music is a tricky thing, particularly for musicians with a highly personal musical style. How do you share a composition with other player(s) without compromising what you want to do with the piece? In intrinsically balanced compositions, such as string quartets, the problem seems to be more manageable. In sonatas for instrument and piano, however, the issue is much more tangible. The challenge can be tackled in various ways: the Perlman/Ashkenazy approach is one of perfect matching of interpretaion, which leads to a very smooth and "clean" result. The Zukerman/Barenboim approach is more liberal. The phrasing of the two is not identical, Barenboim sometimes brings things "out" that Zukerman does not, etc. The end result is gritty (partly also because of the wonderful "earthliness" of Zukerman's tone) dramatic and highly poetic, not in a sweet way. This is a magical performance. It perhaps takes a little while to get used to this higly individual approach (I was very used to the Perlman/Ashkenazy couple, in particular in their stellar Beethoven set, so I had to adjust a little...) but what can I say - I became addicted...

5 out of 5 stars this is THE BRAHMS VIOLIN SONATAS COLLECTION.......2001-03-25

If Franks and Serkin get a 5-star rating for their Brahms Violin Sonata performance, Zukerman and Barenboim get a 6-star! I own both cds and the Zukerman/Barenboim version is more solid in sound and rendered with more emotion than the Franks/Serkin version. Besides, with the Zukerman/Barenboim version you get more Brahms for your money. A no-brainer, a must for any Brahms collector !
Brahms: Cello Sonatas
Average customer rating: 5 out of 5 stars
  • Heart on the sleeve
  • STEPHEN AND STEVEN ARE A GREAT MUSICAL TEAM
 Brahms: Cello Sonatas

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B000BOIWU0
Release Date: 2006-01-10

Tracks:

  1. Allegro Non Troppo
  2. Allegretto Quasi Menuetto
  3. Allegro
  4. Waldesruhe Op.68 No.5
  5. Rondo In G Minor Op.94
  6. Ballade In D Minor Op.3 No.1
  7. Serenade In A Major Op.3 No.2
  8. Allegro Vivace
  9. Adagio Affettuoso
  10. Allegro Passionato
  11. Allegro Molto

Amazon.com

Steven Isserlis is not only one of our best, but one of our most adventurous cellists, always searching out neglected works as well as both personal and artistic links between composers. On this recording, the Brahms Sonatas flank less-familiar pieces by two composers intimately related to each other and also connected with Brahms: Dvorák and his pupil and son-in-law, Josef Suk. In "Silent Woods," arranged from one of his own piano duets, Dvorák's gift for capturing the sounds and atmosphere of nature beautifully evokes the forest's repose and awakening. The Rondo contrasts a song-like, pensive, gracious theme with more vigorous, brilliant episodes; minor and major alternate and combine in the coda. Suk's Ballade is passionate, dramatic and rhapsodic; the Serenade is a lively, charming dance, whose light-heartedness is interrupted by a startling modulation like a passing cloud. The playing throughout is superb: technically impeccable, tonally beautiful, warm and varied, deeply expressive. With the close rapport of frequent partners, Isserlis and the splendid pianist Stephen Hough engage in wonderful conversational interplay. They give Brahms' first sonata an inward, autumnal mellowness and the second - amazingly written 20 years later - a youthful, vigorous exuberance; the sunlit Finale floats on air. One can hardly imagine a better performance. --Edith Eisler

Customer Reviews:

5 out of 5 stars Heart on the sleeve.......2006-02-19

Isserlis' playing seems even more passionate than in previous recordings, if that is possible. The tone is juicy and emotional, with a great range of colors, matching the musical content. The vibrato is so incredibly expressive; it is a lesson for other cellists. The gems are the two pieces by Suk and the Dvorak. "Silent Woods" is played very poetically, with a touch of melancholy. The partnership with Hough is ideal, perfect balance and blend. Sure, the balance is set in the studio by the engineers, but if you hear the duo live, you will see that the recording matches the perfection of balance on stage. The two Brahms sonatas are played with great respect for the architecture of the works, but with a refreshing approach to timing and phrasing. The first movement of the E Minor Sonata has a beautiful pace, telling a musical story that is captivating. Perfect tempo, unlike older recordings by Du Pre or Rostropovich that are ponderous. Drama is present throughout. This is a great recording, very inspiring, worthy of a Grammy. Hope it gets nominated.

5 out of 5 stars STEPHEN AND STEVEN ARE A GREAT MUSICAL TEAM.......2006-01-24

As I have previously expressed on this board, I feel that Stephen Hough and Steven Isserlis make a stupendous duo for chamber music. Individually they are, of course, masters of their chosen instrument. When they team up, the sparks DO fly in a most marvelous way. This album of the Brahms's Cello Sonatas is no exception. These works, to me, are at the pinnacle of chamber music for cello and piano. I personally don't feel that there are any better that have been written. Brahms obviously loved the cello and the piano; these works could have only been written by someone that had a deep affection for both instruments. The aforesaid certainly comes through most clearly in this recording! Always the sensitive artist, Hough never over powers Isserlis's cello (as could so easily be done in these works). Nevertheless, he plays his part passionately as does Isserlis who spins out Brahms's melodies beautifully with none of those (what I call) "glottal" (aka rough/harsh) attacks on the strings. In other words they form a team-a sublime Chamber Musical team that, in this album, is at the very peak of its form.

I love Brahms and I especially love his chamber music. This recording of the Cello sonatas certainly satisfies, in a big way, my insatiable appetite for chamber music by Brahms! In addition to the Brahms, included in the album are works by Suk and Dvorak works which are wonderful with Stephen and Steven investing them too with their usual divine artistry. As a recent convert to the music of Suk, I particularly enjoyed the two works by that composer

Believe me, I've spent many enjoyable hours listening to this album-I just can't take it off of my CD player! Therefore, I listen to it repeatedly. If you love Brahms's chamber music, as I do, buy this CD. Your ears will thank you!
Perchance to Dream
Average customer rating: 5 out of 5 stars
  • "Real" classical music for little ones
  • Very Relaxing, yet still super
  • Just what we harried ADULTS need to unwind!
  • Beautiful bedtime music for babies
  • Peaceful, beautiful, soothing piano music
 Perchance to Dream

Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000006X2
Release Date: 1992-05-22

Tracks:

  1. Short Story
  2. My Deal Little Mother (Mein Mein)
  3. Andante from Sonata in C, K. 545
  4. Erinnerung (Remembrance)
  5. Sehr Langsam (Very Slowly)
  6. Abendlied (Evening Song)
  7. Schlummerlied (Slumber Song)
  8. Mignon
  9. Des Abends (Evening)
  10. Berceuse, Op. 56, No. 1
  11. Prelude Op. 28, No. 7 in a Major
  12. Mazurka Op. 68, No. 2 in a Minor
  13. Adagio from Sonata in F Major, Hob Xvi:23
  14. Sinfonia V in E-Flat Major
  15. Prelude in C Major from the Well-Tempered Clavier
  16. Aria in G Major from the Goldberg Variations
  17. Andante from Sonata in a Major, Op. 120, D. 664
  18. Intermezzo Op. 117, No. 1
  19. Bagatelle, Op. 119, No. 1
  20. Adagio Cantabile from Sonata Op. 13 (Pathque)

Amazon.com

This is a lovingly-presented and very touching recording. Solo piano works by such composers as Kabalevsky, Tchaikovsky, Mozart, Schumann, and Ravel come together in this collection intended to promote restfulness and calm in both children and adult listeners. With Carol Rosenberger's gentle playing, it succeeds marvellously. This disc is absolutely ideal for bedtime or times of quiet reflection. It might serve well in the car during traffic jams, too. Rather than just throwing together performances packaged on a theme (as a number of record companies are doing), Delos and Rosenberger seem to have tailored the interpretations to achieve the desired musical goal here. The liner notes have a lively section just for young readers. --Gwendolyn Freed

Product Description

Music for Babies/Childrem

Customer Reviews:

5 out of 5 stars "Real" classical music for little ones.......2003-02-27

I bought this CD for my elder son when he was tiny; he listened to it nightly (and often for afternoon naps), and his little brother is continuing the tradition. What I like best about this compilation is that this is REAL music - real Brahms, Mozart, etc - and not watered-down versions or arrangements of the classics (like the vast majority of "classical" compilations on the market these days). (I suppose I am just a crank about this, but I grew up listening to real music, and I want my kids to do the same.) The performances are gentle and understated - not what you would want in a concert, but just right for sedating a small one.

5 out of 5 stars Very Relaxing, yet still super.......1999-06-16

This CD is just wonderful for babies and adults and children. It has a good blend of music to introduce children to beautiful classical music. I think that the playing is just superb.

4 out of 5 stars Just what we harried ADULTS need to unwind!.......1999-02-12

An almost perfect combination of selections for relaxing background music, which is played frequently as our dinner music.

I would have appreciated a little less "electronic doctoring" as some notes (especially the lower range) don't sound quite "true", but then again it could be my ears!

Anyway, am delighted that it does what it was designed to do...provide an enjoyable time of relaxation. Thanks.

5 out of 5 stars Beautiful bedtime music for babies.......1999-01-04

This CD was given to us as a gift when our daughter was born and we always play it when putting her down for a nap or to sleep for the night. When we travel, we take it along to ensure that she will fall asleep as easily on the road as she does at home.The music is absolutely lovely and very soothing for infants and adults alike. We even ordered a second copy in case we were ever to lose or wear out the first one!

5 out of 5 stars Peaceful, beautiful, soothing piano music.......1998-10-22

This is one of the most peaceful, soothing and beautiful CD's I have ever heard. I think it would put you or your baby to sleep every night. The music selection is wonderful and the artist has a beautiful technique on the piano. I loved it.
Brahms: Sonatas for Cello and Piano
Average customer rating: 5 out of 5 stars
  • Brahms, Ma, Ax - A Warm Camaraderie
  • For the performance.... AND sound
  • A genuinely musical partnership
 Brahms: Sonatas for Cello and Piano

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000027VY
Release Date: 1992-10-06

Tracks:

  1. Sonata For Cello And Piano In E Minor, Op. 38: I. Allegro non troppo
  2. Sonata For Cello And Piano In E Minor, Op. 38: II. Allegretto quasi Menuetto - Trio
  3. Sonata For Cello And Piano In E Minor, Op. 38: III. Allegro
  4. Sonata For Cello And Piano In F Major, Op. 99: I. Allegro vivace
  5. Sonata For Cello And Piano In F Major, Op. 99: II. Adagio affettuoso
  6. Sonata For Cello And Piano In F Major, Op. 99: III. Allegro passionato - Trio
  7. Sonata For Cello And Piano In F Major, Op. 99: IV. Allegro molto
  8. Sonata For Violin (Cello) And Piano In D Minor, Op. 108: I. Allegro
  9. Sonata For Violin (Cello) And Piano In D Minor, Op. 108: II. Adagio
  10. Sonata For Violin (Cello) And Piano In D Minor, Op. 108: III. Un poco presto e con sentimento
  11. Sonata For Violin (Cello) And Piano In D Minor, Op. 108: IV. Presto agitato

Customer Reviews:

5 out of 5 stars Brahms, Ma, Ax - A Warm Camaraderie.......2006-06-19

Many place Brahm's Cello Sonatas as his most personal music while others feel that Brahms is best in the bigger works. The two sonatas of cello and piano - E minor, Op. 38, F major, Op. 99, and and for violin and piano D minor, Op. 108 - cover the course of Brahms' musical career and the variations in his approach to melody, but all three of the works are some of the more introspective, radiantly beautiful works from his chamber pieces.

Yo-Yo Ma and Emanuel Ax have performed together and have been close musical comrades for many years so it comes as no surprise that their collaboration is as glued as any other duo work. They seem to sense each other's presence in a most respectful and admiring way. The result is Brahms played with not only technical finesse but with the love that comes from such superb collaboration. Ma's lush cello tone is matched by Ax's subtle phrasing. This is a recital to cherish. Grady Harp, June 06

5 out of 5 stars For the performance.... AND sound.......2003-09-07

I have both the RCA and this Sony recording of the cello sonatas by Brahms. Not easy for me to decide. Both are very good. I took some time comparing the performance and sound of each sonata (as well as each movement). They come VERY close. Sorta like the 2000 presedential election recount in Florida (which is why I call it "The Recount State" : ) [I'm not going to say what political party I support]). Anyway, I've read one review that says the RCA is better. Well, after carefully comparing the two CDs, my preference is the Sony. Not because of the 20-bit digital recording, but the performance is slightly better. As for the price, if you want to save money, I think you could get the RCA recording. It's up to you.

5 out of 5 stars A genuinely musical partnership.......2001-02-24

The Amazon.com customer reviews of the Ma/Ax recording of the two cello sonatas for RCA were generally positive, though this eminent duo did seem to leave room for improvement. I have not heard the RCA recording but this Sony remake avoids the problems that plagues the earlier disc. Nowhere do I find Ax "dull" or either artist mechanical. Both are highly sensitive to the introspective nature of the music. There is an ingenuousness, a sense of spontaneous give and take here that makes one forget the star calibre of the players. Excellent recording balance, too. As a worthwhile bonus, the two include their transcription for cello of Brahms' D minor violin sonata. It certainly is an interesting version even if it does not replace the violin version.

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  2. Claude Langevin: Music for Strings
  3. Complete Piano Works 1
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  5. DONALD ISLER Plays Late BEETHOVEN Piano Works
  6. DONALD ISLER Plays Piano Works of SPOHR and SCHUBERT
  7. Dussek: Harp Sonatas
  8. Franz Berwald: String Quartet in A minor / String Quartet in E flat major - The Frydén String Quartet [Import]
  9. Handel - Italian cantatas & trio sonatas / Bott · The Purcell Quartet
  10. Harpe de Verre et Luth

Music Track

music track

Recommended Music:

Hai Hai [Import]

Mahler: Symphony No. 3; Songs of a Wayfarer

Lustgarten / Intradae

Music: Face to Face [CD-single] [Import]

Out Of The Darkness

Reflection [Import] [Limited Edition]

Mary Had a Little Amp

Mozart:: Symphonies Nos. 40 & 41

Foster & Lloyd

Live at the Carnegie Hall [Live]

Miracle of Science

Scotland the Brave

Mad About the Boy, Vol. 11

Showtunes

A Hard Road