Heifetz & Rodzinsky Play Beethoven

On this CD:

1. Violin Concerto in D major, Op. 61
Composed by Ludwig van Beethoven
Performed by Jascha Heifetz
Conducted by Artur Rodzinski

2. Symphony No. 5 in C minor ("Fate") Op. 67
Composed by Ludwig van Beethoven
Performed by Jascha Heifetz
Conducted by Artur Rodzinski

3. Egmont, incidental music, Op. 84 Overture
Composed by Ludwig van Beethoven
Performed by Jascha Heifetz
Conducted by Artur Rodzinski

Customer Reviews:

Violin touches your heart.......2007-06-24

Those who do not prefer violin music should try this. His violin will change your world.
His music touches people's heart.

Brahms, Tchaikovsky: Violin Concertos [Hybrid SACD]

Average customer rating:

the definitive Tchaikovsky version
Legendary performances in sound that shows what's going on
Heifetz deserves this new technology

Brahms, Tchaikovsky: Violin Concertos [Hybrid SACD]

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B0009U55RE
Release Date: 2005-07-26

Customer Reviews:

the definitive Tchaikovsky version.......2007-02-19

To me this simply is the Tchaikovsky version to have, particularly in the now improved sound quality. Probably the same could not be said about the Brahms, but the Tchaikovsky alone is well worth the cost of the SACD.

Legendary performances in sound that shows what's going on.......2006-05-01

While I believe the Brahms violin concerton is the "Emporer" of violin concertos -- principally for its well-developed architecture -- I never cared much for Heifitz's version of the concerto. Although his early stereo recording with the Chicago Symphony and Reiner was played up to his standard, I always thought their collaboration produced an impatient recording, as if they couldn't get it finished quickly enough.

What a difference SACD makes! Now, when I listen to this work, I have a much different reaction. Hearing Heifitz located on the stage just a few steps from where Reiner is leading his band, this now sounds to me more impassioned than ever before, as if the chemistry between the two highly driven performers and the virtuoso orchestra resulted in a fast reading that was driven by a burning passion and not impatience.

So what happened; does the SACD recording show a different reality or did I just get older and appreciate the greatness of these performers more in my maturity?

I think both things happened. I know I appreciate Heifitz a lot more in SACD than I ever did in stereo and the sound on this SACD -- especially when I listen with headphones -- brings dimension to the recording that never existed before. It also shows the level of detail Reiner required from his orchestra and its ability to meet his technical demands.

I enjoyed the Tchaikovksy concerto that is mated with the Brahms here but less so. The chemistry doesn't seem to be the same between the partners, who were both high profile literalits in mid 20th century. Their collective insistence on literalism probably took some of the Slavic character away from the Tchaikovsky concerto, making it another top European concerto from the late Romantic period instead of an individual opus.

I listened to Heifitz's SACD recording of the Sibelius concerto after hearing the Tchaikovksy. There, Heifitz delivered a more characterful and intense performance that projected the icy Scandanavian nature of the composer. This is the element I think the Tchaikovsky concerto lacks -- the overwhelming passion of the emotionally charged and conflicted Russian composer.

Still, this is a great CD replicated in up to the minute super audio sound that usesof all three forward speakers without surround sound. RCA tells us in its technical packaging that the third speaker is a come and go proposition in SACD reissues because that's the way they were recorded. I noticed the middle channel in use every time I got next to the speaker in this recording.

This should appeal to music historians, fans of the two concertos, musicologists and audiophiles that want to know what three-channel recordings sounded like in the early days of stereo. Even this slight misgiving I have about the Tchaikovsky, this CD powerfully appeals to me.

Heifetz deserves this new technology.......2006-01-30

The violini is the most difficult instrument to record, and when digital sound came in during the Eighties, music lovers were dismayed by the edgy, glassy harshness of violin recordings, both solo and orchestral. Compared to the warmer, more natural sound of the best LPs, the advent of CDs was a huge step backward. Upgrades into 20-bit and 24-bit technology improved matters somewhat, but only now, with SACD, are we back to violin recordings that don't make you wince.

This classic pairing of Brahms and Tchaikovsky concertos with Heifetz and Reiner was always in good sound, despite the early recording dates, 1955 and 1957 respectively (the Tchaikovsky being the far superior one sonically). I bought this hybrid SACD to play in normal two-channel CD format, and it is impeccable. There is still a hint of wiriness in Heifetz's tone in the Brahms, but the Tchaikovsky sounds completely natural. Heifetz is far from my favorite violinist, but he deserves the best sound possible, and for the time being at least, he has it.

Beethoven: Violin Concerto; Mendelssohn: Violin Concerto [Hybrid SACD]

Average customer rating:

New SACD of Original Master tape.
Yes, this is indeed the greatest recording.
A classic, but not in the same league with the best. Look elsewhere for great Heifetz.
Excelllent Heifetz
Exilerating

Beethoven: Violin Concerto; Mendelssohn: Violin Concerto [Hybrid SACD]
Ludwig van Beethoven , Felix Mendelssohn , Charles Munch , and Jascha Heifetz
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B0002TKFR2
Release Date: 2006-09-28

Tracks:

Allegro, Ma Non Troppo
Larghetto
Rondo: Allegro
Allegro Molto Appassionato
Andante
Allegretto Non Troppo; Allegro Molto Vivace

Customer Reviews:

New SACD of Original Master tape........2006-11-02

I have been very happy to be able to acquire these new processings of the original Living Stereo master tapes that Soundmirror, Inc., is producing from the master tapes of RCA's Living Stereo series.

To be able to hear the original performances just as they were recoded thirty to forty years ago is amazing. The DSD processing enables you to return to these important performances.

I am very impressed by the work Soundmirror is doing and I highly recommend these recordings to anyone interested in these early performances.

Yes, this is indeed the greatest recording........2005-06-02

Heifetz handles both the Mendelssohn and Beethoven with his extraordinary skill and grace. He is by no means cold or mechanical on this recording-- instead, he is expressive though not sappy. The Beethoven is sheer perfection--it gives me chills up my spine whenever I hear it. I have heard many versions of this concerto, but the Heifetz and Munch version is the only one that sounds exactly right. The same goes with the Mendelssohn. Once you listen to this recording, you'll wonder how you were able to even tolerate other versions of these concertos.

A classic, but not in the same league with the best. Look elsewhere for great Heifetz........2005-05-07

Unquestionably, this is a classic performance of the Beethoven concerto, but it is by no means its "greatest recording," as some continue to suggest. As usual, Heifetz brings his awesome virtuosity, his incredible technique and precision, to the table, but he is just too emotionally detached overall. Of course, these criticisms of Heifetz's playing are pracitically cliches at this point; they've been made a thousand times before and are even acknowledged to some extent by many of his fans (though these people are likely to spin it as, not "coldness" but "classical poise and restraint"). Even so, I suggest that you listen to a few other versions of the Beethoven concerto (Menuhin/Furtwangler, Perlman/Giulini, Schneiderhan/Jochum, Walter/Francescatti, the various recordings by Oistrakh, Stern/Bernstein -- just to name a few) and then return to this one and see if you remain satisfied. If you are a big Heifetz fan, then I suggest getting his earlier recording with Toscanini and the NBC Symphony Orchestra (available on Naxos). As was often the case when Toscanini was at the helm, the tempo is too driven. But Heifetz's playing, if still somewhat cool, has an ineffable quality to it (a Gramophone reviewer called it a "looking at the stars" quality) that is less present here.

The Mendelssohn here is, I'm afraid, even less successful. The finale is certainly exciting, taken about as fast you'll ever hear it, but basically this is a performance on autopilot, a comparatively tepid run-through. I'd direct you to Menuhin/Furtwangler, Milstein/Abbado, Perlman/Previn, Stern/Ormandy, Grumiaux/Haitink, Chung/Dutoit, Zimmermann/Albrecht, among others, for readings that really capture the concerto's great sparkle and warmth.

Bottom Line: Certainly worth hearing and maybe even worth owning for comparative purposes, but there are many better versions of these concertos. Off the top of my head, I can think of at least three Heifetz recordings that no fan of his should be without: his collection of encores ("Jeanie with the Light Brown Hair," etc.); his Korngold concerto with Wallenstein; his Sibelius Concerto with Beecham. Those are CDs that I have nothing but reverance for. I'd skip this and go for those recordings or one of the listed Beethoven/Mendelssohn alternatives.

Excelllent Heifetz.......2005-03-26

If you already have the Tschaikowsky-Brahms Violin Concertos by Heifetz/Reiner, don't hesitate to buy this item also. Heifetz is again wonderful, always a little on the fast side.- In the Beethoven I prefer the Kreisler cadenza in the first movement, and no cadenza at all in the third. The Mendelssohn sounds even better than the Beethoven.- Munch/Boston are excellent partners, and the sound is great

Exilerating.......2005-02-23

I love the new medium of SACD and this one certainly didn't disappoint me. I thought that very confortable sound was one of the best things about his remastering. It is so very clear that the dynamics of SACD had been used when remastering this. I often think that CDs have an edgy sound, especially from a piano, that I just couldn't shake. This release has none of that edgy sound and everything sounds so natural and great.

The performances itself are second to none. The two magnificent artists, Jascha Heifetz and Charles Munch, are great together. The Beethoven concerto is performed so much artistic finness. It is played quite fast. I am always in awe when hearing Heifetz at the apparent ease when playing an extremely difficult piece. The Mendelsohn concerto is even more remarkably played than the Beethoven. Again Heifetz is quite fast but always true to the piece. The end of first movement was especially exilerating.
If you are a fan of Jascha Heifetz you should not miss the Naxos Historical release of Beethoven's Violin Concerto with he and Toscanini. That one is also quite remarkable, but quite different.
At this low price you really couldn't go wrong if you are looking for great performances of Beethoven's or Mendelsohn's Violin Concertos. I bought it even though I had the CD version and I was definitly not disappointed.

Sibelius, Prokofiev, Glazunov: Violin Concertos [Hybrid SACD]

Average customer rating:

Perfect Sibelius
Nice package, exemplary sound and solid performances
Outstanding

Sibelius, Prokofiev, Glazunov: Violin Concertos [Hybrid SACD]

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Heifetz plays Bruch & Vieuxtemps [Hybrid SACD]

ASIN: B0006PV5U8
Release Date: 2005-01-25

Tracks:

Allegro Moderato
Adagio Di Molto
Allegro Ma Non Tanto
Allegro Moderato
Andante Assai
Allegro Ben Marcato
Moderato
Andante Sostenuto
Tempo I
Allegro

Customer Reviews:

Perfect Sibelius.......2005-12-29

The word I used to describe how I feel about Heifetz's Sibelius, although ostentatious in it's literal meaning, is somewhat frowned upon in it's artistic meaning. Most listeners want "explosive" or "deeply moving", but "perfect"? That is precisely the point of my review. First off, one must understand that most violinists, save a select few, can even play through the first movement of the Sibelius without major miscues; many few can accomplish the following and still hold true to it's interpretation. In the case of Heifetz, technicality was not a problem, which can be said for just about every single piece he's ever played.

I believe Heifetz was a man who above all respected the composers. He also understood the art of "withholding". What do I mean? Unlike the plebeian approaches of most modern violinists, Heifetz knew that contrast is attained not only through more, but also less. Here is a perfect example. In the first movement of the Mendelssohn, Heifetz has been infamously accused of playing the main theme using harmonics and flying through the movement with zero sentimentality. This demonstrates ignorance and a strong lack of respect on the modern generation. Concomitant with the rise of 20th Century music (most of which Heifetz detested), appreciation for professionalism declined and indulgence in emotionalism became commonplace. Heifetz understood that there is no payoff, no climax to any piece of music, unless there is patience and sensitivity. After a withheld first movement and a sweet second movement, Heifetz bursts open the doors in the third playing with unbelievable speed and liveliness. The concerto climaxes towards the end as Heifetz passionately pounds through the main theme one last time then finishes with a flourish. This epiphany would not have been possible had he sentimentalized the whole concerto; one would not have been able to tell the difference in significance between the minor skirmishes of the opening movement, and the heroic triumph of the closing measures.

In the case of the Sibelius, Heifetz knew that this was a different composer with different intentions than the formal Brahms and the powerful Beethoven. This was a piece in which emotionalism and improvisation were required; although both would need to come in the context of the piece. The well-known and well-accepted myth that Heifetz does not know how to play with feeling is one of absolute ignorance. Such unfounded criticism needs to be challenged and defeated. The first movement includes some of the highest peaks ever brought forth from the romantic movement. Many other violinists tend to slow down during the more challenging measures due to technical inadequacy, or in the words of musicians with no ear: "playing with feeling." Heifetz brings the romantic ideas of Sibelius to astronomical heights not by slowing down, but by utilizing different techniques to exploit the wide range of tones his Stradivarius offers. For example, during the second movement, the first explosion of deep emotion comes with the violin take a the theme higher and higher with the orchestra following. Heifetz plays the theme on the G-string with extremely rapid vibrato; most other violinists would play the theme on the D-string to attain the clear strong tone and try conjure some form of emotion by playing it at a slower tempo. Heifetz plays the measure in the higher position so it sounds almost as if the violin is weeping with passion, a tone one must hear to understand.

Then of course, there is the 3rd movement, often imitated, never duplicated. Most violinists will start out strong with the main theme and maintain the same speed and energy for a while. But this movement shows no mercy on technical mediocrity. Sooner or later, the violinist will bow to the towering requirments of the movement, and will slow the tempo. This is not true for Heifetz. Even in the most difficult measures, one will not be able to find one moment in which he loses control. And unlike others, Heifetz doesn't need to overextend any passages to cover-up for a lack of technical/musical confidence.

Before I end, a word about Walter Hendl who directed the Chicago Symphony in place of an ill Fritz Reiner. One of the more less-known characteristics of Heifetz playing, was he actually preferred lesser-known conductors to well-known ones such as Maestro Reiner. This was so he could impose his musical ideas on the orchestra with less tension. THe Sibelius is a good example of this. However, the technical differences between a Hendl led orchestra and a Reiner led one, is sadly obvious. The tempo is at times uneven and the orchestra unbalanced. This however should not be of any importance when considering whether to purchase this album. It is Heifetz's statement, not Hendl's, that should be considered.

Nice package, exemplary sound and solid performances.......2005-05-25

This is my first foray into the reissued RCA Living Stereo hybrid SACD disks that have gotten a lot of publicity in recent months. Others in the batch of releases include some Rubinstein piano concertos, French music by Charles Munch and some of Fritz Reiner's orchestral specialties in Chicago.

This CD features legendary fiddler Jascha Heifitz mated to three different conductors and orchestras doing the Sibelius, Prokofiev No. 2 and Glazunov concertos. Heifitz was closely linked with the first two, less so with the third one. He does them all quite well here in sound that is as good as advertised, at least based on what my equipment tells me.

I bought this both before and after I converted to 5.1 SACD. The recording is wonderful in SACD and almost as good in traditional stereo. In particular, the timpani underpinning of the Prokofiev accompaniment by Munch and the Boston Symphony is quite thrilling. So to is the backup by Hendl and the Chicago Orchestra in the Sibelius.

However, a better recording can also show flaws that perhaps weren't as obvious before. In the waning moments of the Sibelius opening movement, there is a time -- maybe 5-6 bars in duration -- where Heifitz, Hendl, the symphony and one of its principal woodwind players seem to be missing connections by a half-beat or so. This is a minor quibble and will do little to discourage enjoyment of this otherwise fine issue.

As to the performances, the Sibelius is an example of Heifitz's searing tone and remarkable bowing. The accompaniment by Hendl and the CSO is a bit more severe than some of the more romanticized accounts but fully in sync with Heifitz direction.

I've heard accounts of the Prokofiev that concentrated more fully on the music's dreamy legato. In this version Heifitz and Munch seem more attuned the the spiky nature of Prokofiev's creation while maintaining a marginal aloofness, as if they are old juveniles having fun with the 20th century creation. It works fine both ways and this is a good one.

Heifitz and Hendl, this time with the RCA Symphony Orchestra, seem more romantically engaged in the slight 18-minute concerto by Glazunov. This romantic trip through lightweight Russian music is a fitting end to a wonderful CD brought up to 21st century speed by the new technology of SACD.

This issue is handsomely packaged in a durable CD case and includes the original LP notes plus other notes by Joseph Wechsberg from 1959. There are also notes on the history of Living Stereo and some chatter on technical details, plus a separate set of notes on SACD and how it works.

Wechsberg's notes begin: "There can be no doubt today (1959) that Jascha Heifitz is the greatest violinist of our generation. When all is listened to and said and done, Heifitz' supremacy as fiddler and musician emerges as one of the few unchallenged facts of our clouded musical age."

There is still little debate today (2005) about the first half of Wechsberg's thesis -- that Heifitz is the greatest fiddler. His tone, technique, bowing and sound continue today to blow away most competitors and this splendid sounding CD reinforces his greatness as a player.

But as an artist? Well, there's the rub. The performances on this CD are very good but I have heard more artistic renderings of the Sibelius and can imagine more committed versions of the Prokofiev. The legend of Heifitz was, generally speaking, of his stature as a player, where he continues to be without parallel.

But his artistic approach to the music he played has been questioned for many years. Lots of listeners -- especially those that more fully appreciate the Oistrakh-Vengerov approach -- will prefer other fiddlers in these works.

I don't belong to either camp and appreciate players with all viewpoints. I found this CD to be well worth the $12 list price. The sound puts it into direct competition with today's best new DDD recordings, something you couldn't say about past issues. For collectors that have yet to sample the legend of Heifitz, this would be a good starting point.

Outstanding.......2005-04-02

These performances by Heifetz are amazing. Heifetz owned the Sibelius concerto all his life (and was the first to really standardize it as one of the great concertos beside Beethoven's Mendelssohn's Brahms's and Tchaikovsky's). The disc is worth the price simply for the Sibelius, yet you also get two outstanding performances of the Prokofiev and Glazunov as well. The sonics are spectacular; it sounds as if these masterpieces were recorded yesterday. Heifetz was the undisputed master of the bow, and this disc proves it; it is a must for all lovers of music.

Average customer rating:

very poor recording
Brilliant, brilliant, brilliant!
One of The Best Violin CDs
Where is the intermezzo?
Heifetz is IT!

Heifetz Showpieces

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003FIX
Release Date: 1997-06-17

Tracks:

Symphonie espagnole, Op. 21: Allegro non troppo
Symphonie espagnole, Op. 21: Scherzando: Allegro molto
Symphonie espagnole, Op. 21: Andante
Symphonie espagnole, Op. 21: Rondo: Allegro
Havanaise, Op. 83: Allegretto e lusinghiero
Havanaise, Op. 83: Allegro
Havanaise, Op. 83: Allegro ma non troppo
Zigeunerweisen, Op. 20: Moderato
Zigeunerweisen, Op. 20: Lento
Zigeunerweisen, Op. 20: Un poco piu lento
Zigeunerweisen, Op. 20: Allegro molto vivace
Poeme, Op.25
Introduction and Rondo Capriccioso, Op. 28: Andante
Introduction and Rondo Capriccioso, Op. 28: Allegro ma non troppo
Introduction and Rondo Capriccioso, Op. 28: Piu allegro

Amazon.com

Lalo's Symphonie Espagnole is a riot of instrumental color and virtuoso challenges; exactly Jascha Heifetz's piece of cake, as are Saint-Saëns's Havanaise, Chausson's Poème and Sarasate's Zigeunerweise (Gypsy Tunes). The sound is pre-stereo but well detailed. One movement of the Lalo is left out, but there are plenty of fireworks in the four that remain. --Joe McLellan

Customer Reviews:

very poor recording.......2007-05-25

Besides having to turn up the volume to the max just so I could hear the music. The background is full hiss and stratches

Brilliant, brilliant, brilliant!.......2007-01-03

Anything Heifetz ever recorded is sublime and this CD is no exception.

One of The Best Violin CDs.......2005-11-06

If you could own only two classical violin CDs, this should be one of them! (The other is the Heifetz recording of the Tchaikovsky & Brahms violin concertos.)

Skip right past the first piece (Lalo), and you will enjoy violin music like liquid silver, with unbelievable passion, fireworks and virtuosity. This is Heifetz at his very best!

The Symphonie Espagnole performance is pedestrian. Neither Heifetz nor the orchestra quite catch the mood of the music. Buy the CD anyway! The rest of the music sets the standard for fine violin playing!

Where is the intermezzo? .......2005-11-04

Ok, great play by Heifetz but why is the "intermezzo" in Symph.Espagnole missing??

Heifetz is IT!.......2004-05-31

When it comes to Tchaikowsky, Mendelssohn, Lalo, Kreisler, and ANY kind of show piece, no one can touch Heifetz. Non of the violinists alive today can ever come close to his level of musical personality, command of his instrument and sound. He is the father of all violin virtuoso, together with Paganini himself, perhaps. My only negative comment is regarding the restoration sound of the CD, it is alright, but could be better.

Average customer rating:

A good taste of Heifetz's musical style and technical supremacy
This is Great stuff
Long review, but please read.
ok for bargin
Heifetz shows his supremacy

Jascha Heifetz: The Supreme

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

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Tchaikovsky & Mendelssohn: Violin Concertos
Beethoven, Mendelssohn: Violin Concertos
Bach: Sonatas & Partitas

ASIN: B00003CWJU
Release Date: 2000-02-08

Tracks:

Partita No.2, BWV 1004: Chaconne
Violin Concerto, Op.77: Allegro non troppo (Cadenza - Heifetz)
Violin Concerto, Op.77: Adagio
Violin Concerto, Op.77: Allegro giocoso ma non troppo vivace
Violin Concerto, Op.35: Allegro moderato
Violin Concerto, Op.35: Canzonetta: Andante
Violin Concerto, Op.35: Finale: Allegro vivachissimo

Tracks:

Scottish Fantasy, Op. 46: Introduction: Grave - Adagio cantabile
Scottish Fantasy, Op. 46: Allegro
Scottish Fantasy, Op. 46: Adagio - Andante sostenuto
Scottish Fantasy, Op. 46: Finale: Allegro guerriero
Violin Concerto, Op.47: Allegro moderato
Violin Concerto, Op.47: Adagio di molto
Violin Concerto, Op.47: Allegro ma non tanto
Violin Concerto, Op.82: Moderato
Violin Concerto, Op.82: Andante sostenuto
Violin Concerto, Op.82: Tempo!
Violin Concerto, Op.82: Allegro
3 Preludes: Allegro ben ritmato e deciso
3 Preludes: Andante con moto e poco rubato
3 Preludes: Allegro ben ritmato e deciso

Amazon.com

For many violin fans, Jascha Heifetz (1901-1987) remains, quite simply, the greatest. Heifetz's perfect tone and electric playing weren't always subtle, but you can't deny the awesome power of his virtuosity and precision. Heifetz: The Supreme gathers some of his best-loved works--violin concertos by Sibelius, Glazunov, and Tchaikovsky--along with a few gems (Gershwin's Three Preludes, Bach's Chaconne from Partita No. 2) into one, remastered two-CD package. The Bach may be too intense for some tastes--it's an impassioned, romantic reading--but Heifetz is merely being himself. On the Sibelius and Tchaikovsky violin concertos, though, his skills are undeniable. Fritz Reiner and the Chicago Symphony provide the perfect accompaniment for the violinist, and Heifetz simply lets loose. Heifetz's Gershwin transcriptions are an added, fun bonus. If you haven't been introduced to the glory of Heifetz, here's your chance. With remastered sound, he's never sounded better. --Jason Verlinde

Customer Reviews:

A good taste of Heifetz's musical style and technical supremacy.......2006-04-09

As always, Jascha Heifetz shows his technical mastery of the violin in this CD. He plays each note with intent and a precise control unparalleled by other violinists. His tone quality is also quite good.

While the Tchaikovsky showcases Heifetz's finesse, Heifetz's rendition of the Brahms concerto (esp. the first movement) is very moving. He also shows off his musical range in other pieces; for example the first movement of the Sibelius violin concerto has a quiet & mysterious element, while the last movement of the Glazunov is full of energy.

However, Heifetz's rendition of Bach's Chaconne is different than most. For those who enjoy a more traditional interpretation, I would go with Nathan Milstein's version.

This is Great stuff.......2005-03-27

That Jascha Heifetz was a great violinist, no one can quibble;
but if you want only one version of the Tchaikovsky violin concerto it has to be Isaac Stern's for perfection. It must be said, though, that Heifetz and Ricci play a much more difficult version of this concerto than does Stern. Stern's score has more cuts. If you've got enough money to get Heifetz' complete discography, do so. If you want only one disk of the Tchaikovsky, it has to be Isaac's. Nobody did it better. You can get the other Heifetz tracks on other compilations. I would recommend owning both the Heifetz and the Stern recordings because the versions are so different, and Heifetz shows you in this recording the
phenomenal technique he possessed that was made the standard of all violinists after him. You can also see Heifetz perform this
concerto (excerpts) in the video 'Carnegie Hall'. The man was simply astounding.

Long review, but please read........2005-02-16

I am also a violinist myself of 13 years. I have played most of these violin concertos almost a year ago.
Heifetz delivers his interpretation to the audience. I always viewed Heifetz as very stern and a reserved man, that he did not show any emotion.
After listening to this CD, my judgment was suddenly changed.

To start with, the Bach Chacconne deserves much credit. Heifetz recorded this live (I have the video)around the age of 70. Despite his age, he performed this piece with such passion and power. His vibrato was perfect for Bach's baroque style. I have listened to this over 300 times (no exaggerating).

Then, there's the Brahm's violin concerto. Heifetz DID play a little fast, but his interpretation made up for it. I personally loved his 3rd movement, which was flawless. As I listened to it, I could feel his bow contact with the violin string. It was unbelievable.

Then, the favorite of mine, Tchaikovsky's violin concerto was incredibly played. Even Kyung Wha Chung's musical ideas could not compete with Jascha Heifetz's perfection. I loved the musical parts, which was very emotional. It was great. Also, I just want to point out the 3rd movement. In his harmonics (the notes that sound like whistling) it was so pure and neat that I simply could not describe it in words, You must hear for yourself.

The Bruch's Scottish Fantasy was one of my favorites. The introduction was so mellow and sad. Once again, I really cannot describe it in words. I advise you to listen to this right now.

The Sibelius Violin Concerto, one of my favorites, was simply played inconceivably. His tone quality was exceptional, and I could not believe such power that Mr. Heifetz had in him.

His Glazunov Concerto was great too. I loved his tone quality and interpretation.

Finally, his Gershwin preludes added a final jazz touch to the album which would enlighten all the listeners after all those minor keyed concertos.

I encourage, no recommend, no COMMAND you to get this album now. I promise you. You will not regret it.

ok for bargin.......2003-09-20

This two cd set is a good bargin for $16. It has good song selection including the chaconne by Bach, Concerto in D major by Brahms and Tchaikovsky, etc..

The remastering of the concerto's by brahms and tchaikovsky were not as good as what I had expected. If you are only looking for these two concertos, you may want to try the "living stero" version. The Scottish fantasy, chaconne, and sibelius in this recording sounds better than the brahms and tchaikovsky.

Overall, this is not the best cd for serious collections, but a good deal for those who want lots of songs for a bargain price.

Heifetz shows his supremacy.......2003-07-19

Jascha Heifetz is the most influential violinist of the 20th century. No contest. He played the most difficult pieces with unnerving speed that most professionals today would prefer to slow down. In Jascha Heifetz: The Supreme, there is a select few of violin pieces that are very commonly played in his vast repertoire. Of this I particularly enjoyed the Bach Chaconne, Bruch Scottish Fantasy, Brahms, Sibelius, and Tchaikovsky Violin Concertos. I was most pleased when I heard Heifetz play Tchaikovsky for it is a piece I am currently playing and it was hard for me to find a recording of the Auer version, notably harder than the original score. Heifetz plays it flawlessly. The Finale is played in the style of Auer, his teacher. Auer merely took out parts the seemed repetitive in this fun movement. However, Tchaikovsky is not the only reason why I highly recommend you to buy this CD. The other pieces are performed at the usual Heifetz perfection. This select 2CD represents the top works of Heifetz, showing his supremacy.

Average customer rating:

Great stuff, but allow for the age of the recordings

Rubinstein Collection, Vol. 12

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

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Great Recordings of the Century: Beethoven "Archduke" Piano Trio and Schubert Piano Trio in B flat
Artur Rubinstein Collection, Vol 25
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Schubert, Debussy / Rostropovich, Britten

ASIN: B000054270
Release Date: 2001-07-10

Tracks:

Pno Trio in B flat, Op.97 ('Archduke'): Allegro Moderato
Pno Trio in B flat, Op.97 ('Archduke'): Scherzo: Allegro
Pno Trio in B flat, Op.97 ('Archduke'): Andante Cantabile Ma Con Moto
Pno Trio in B flat, Op.97 ('Archduke'): Allegro Moderato
Pno Trio No.1 in B flat, Op.99, D.898: Allegro Moderato
Pno Trio No.1 in B flat, Op.99, D.898: Andante Un Poco Mosso
Pno Trio No.1 in B flat, Op.99, D.898: Scherzo: Allegro
Pno Trio No.1 in B flat, Op.99, D.898: Rondo: Allegro Vivace

Customer Reviews:

Great stuff, but allow for the age of the recordings.......2002-03-29

I'm glad I never encountered this Archduke trio recording in an LP transfer. A couple of generations of listeners were probably frightened away from pre-stereo recordings by inadequate transfer technology. I read somewhere this performance is "justly famous" but "miserably recorded". We are indeed fortunate in the digital era that the best restorer and transfer expert of recordings of the pre-tape era, Ward Marston, has had a hand in the Artur Rubinstein series. What you have in the Beethoven is a decent recording from 1941, after Mr. Marston's transfer. One should perhaps mute the upper frequencies more than usual, as this will eliminate anything remaining that might distract from the music. So you have before you an Archduke trio of legend and a most satisfying musical experience. The Schubert is not the Opus 100 that is perhaps more famous, but the Opus 99 trio. The recording seems to find the original masters perhaps less worn and therefore clearer and warmer. But this is all "essential" stuff for admirers of these artists. I plan to keep this recording of the Archduke trio as my primary one.

Beethoven, Mendelssohn: Violin Concertos

Average customer rating:

the sound quality is really bad
Decent recordings, but not the best
Great but not greatest
Definitely not the Best
A classic, but not in the same league with the best

Beethoven, Mendelssohn: Violin Concertos

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Ascenseur Pour L'Echafaud (Lift To The Scaffold): Original Soundtrack

ASIN: B000006OPI
Release Date: 1998-05-19

Tracks:

Concerto In D, Op. 61: Allegro, ma non troppo
Concerto In D, Op. 61: Larghetto
Concerto In D, Op. 61: Rondo: Allegro
Concerto In E Minor, Op. 64: Allegro molto appassionato
Concerto In E Minor, Op. 64: Andante
Concerto In E Minor, Op. 64: Allegretto non troppo; Allegro molto vivace

Amazon.com essential recording

RCA has coupled, recoupled, and re-recoupled their Heifetz recordings in just about every conceivable incarnation, making it very difficult and confusing for the collector to purchase the best of them in a simple and straightforward way. This "Living Stereo" reissue, however, really does offer the best sound so far, and the performances are second to none. Heifetz's Mendelssohn has always led the field: for lightness, athleticism, grace, and virtuosity, it's unsurpassed. In a work that many violinists take for granted, Heifetz's high-powered approach really does remind us what great music this really is and how it responds to a violinist with a real sense of bravura. The coupling--a superb Beethoven concerto--provides a real antidote to so many modern performances that mistake slowness for depth. If any disc deserves to be called "essential," this one does. --David Hurwitz

Customer Reviews:

the sound quality is really bad.......2007-05-26

the hiss and pop is too much. I guess this is inevitable for such an old record. But you just can't put it in a high-end audio system which will brutally reveal all these flaws.

otherwise the perform is great, hence the 3-star.

Decent recordings, but not the best.......2005-09-23

Although well played, people who are considering buying this thinking it's the best rendition of both these concertos should pass.

In the Mendelssohn, Heifetz seems to lack a certain emotional element that should be present in the piece. As others have mentioned, there are other recordings out there that should be listened to first before hailing this as the best thing since sliced bread. The Kyung Wha Chung rendition is still slightly faster than most people decide to take this peice, however, the lyrical melodies are still present (I would also reccoment the Chung recording to anyone who hasn't had a chance to listen to it). If you're looking for a very passonaite recording of this concerto, try the Vengerov. Although it's not for everyone, you can hear the heart and soul he's pouring into the piece as he plays it.

The Beethoven lacks in similar ways that the Mendelssohn did. Although it is not nearly as passionate as the previous concerto, there is still an element of movement that needs to be felt. Heifetz fails at this partially because of how fast he plays this, and how everything just seems to "zing" by. Although the highly technical passages are played nicely, much of the rest is just too disappointing. For people looking for a better recroding, I reccomend the Francescatti or the Schneiderhan recordings of this piece, which caputre the mood and phrasings much better than Heifetz has done here.

Overall, if you're looking for another decent rendition of the Mendelssohn and Beethoven out of the oodles of recordings out there, then this CD is for you. If you are looking to purchase the best possible recoding in one go, you should probably pass on this CD and try some of the other ones I've outlined above.

Great but not greatest.......2005-06-28

I do agree that Heifetz performed these concertos greatly, with an unbelievable technique. But the problem here is Heifetz played so fast (maybe due to his technique) and it causes the sound too short, and more serious is become lacking of sharpness. You can find the same thing at other CDs, for example, Heifetz played the first movement of Tchaikovsky's concerto in 15'50" while Kogan in 18'07" and Oistrakh in 18'56". Another example is in Sibelius' concerto, Heifetz played the Allegro movement just 13'30'' (compare to Oistrakh around more than 16' and Marcovici 17'30'').

For these concertos, I strongly recommend to Kogan and Oistrakh. But I recommend Heifetz with Glazunov's concerto, it's great.

Definitely not the Best.......2005-02-07

I agree with Mr. Melson, who is below me.A fine performance of these works but there's better ones out there. Read Mr. Melson review---my thoughts are the same.

A classic, but not in the same league with the best.......2005-02-01

Heifetz plays Bruch & Vieuxtemps [Hybrid SACD]

Average customer rating:

Some of Heifetz's best, in state-of-the-art sound
A great introduction to a legend
Four and one-half stars

Heifetz plays Bruch & Vieuxtemps [Hybrid SACD]

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Beethoven: Violin Concerto; Mendelssohn: Violin Concerto [Hybrid SACD]
Berlioz: Symphonie fantastique [Hybrid SACD]

ASIN: B000E1NWGY
Release Date: 2006-02-07

Customer Reviews:

Some of Heifetz's best, in state-of-the-art sound.......2007-01-18

This hybrid SACD release couples the Vieuxtemps No. 5 and Bruch Scottish Fantasy performances, originally released on one LP, with a recording of the Bruch No. 1 done with the same forces. Heifetz's blazing technique and intense vibrato often seemed best to serve what in other hands could be second-rate music; in the Bruch works especially he brings to urgent, passionate life passages that can easily sound slack and sentimental. The Scottish Fantasy was a signature work of the violinist, and Malcolm Sargent and the then-New Symphony Orchestra of London match him in intensity and accuracy of execution (though the finale is shortened substantially in accordance with Heifetz's preferred version). The Vieuxtemps seems marginally less involved emotionally, but if anything the execution is even more accurate--the thorniest passages have not one note out of place. This is a great way to introduce a new generation of listeners to the art of this ageless legend, especially at a bargain price.

A great introduction to a legend.......2006-10-24

This is one of my first Heifetz cds and one of the favorties in my collection. The orchestra plays exceptionally well and gives the Bruch VC a driven pace that compliments Heifetz's style. Like a well made movie thriller Heifetz builds suspense and tension in all the right places.
The Scottish Fantasy is a real gem. Played with feeling and flare and perfect tone. It is no wonder why Heifetz is considered one of the best that ever held a bow.
The recording is also fantastic for it's time. I did not listen to the SACD tracks but the redbook material is of good quality.

Four and one-half stars.......2006-05-18

Here is another successful SACD reincarnation of Romantic era music by Jascha Heifitz, who was probably the most accomplished violinist of the 20th century and the stereo recording era. These recordings, made in 1961-62 for RCA, are substantially improved in this issue even though it in only a two-track stereo super audio disk.

I own these exact recordings on a Japanese issue stereo CD (see my Amazon review) where I detail the outstanding musical content including the ultra-reliable and superb accompniment given the soloist by conductor Malcolm Sargent and the (then) New Symphony Orchestra of London.

Musically, what is most impressive on this CD is Heifitz's commitment to Bruch's oddball creation, the Scottish Fantasy, and his personal involvement in the music. Heifitz was often considered a machine in his prime, which coincided with the 20th century burgeoning of the era of literalism in classical music and recordings. Everyone admired Heifitz technical skill, which was one of a kind, but many questioned his blood and guts involvement with music.

I saw and heard Heifitz in concert once near the end of his career. He seems totally disinterested although his technique and searing tone were just as riveting as ever. In the Scottish Fantasy on this disk, he seems a different person, totally immersed in the wonders of the strange score, which appears to be a concerto but is a hybrid not easily defined. His artistry here is unparalleled and it is not far different in Bruch's Violin Concerto No. 1.

Heifitz is not as personally invovled in the Vieuxtemps masterpiece, although Sargent shines as the accompanist more than in the others. While Heifitz lacks the same fire as in the Bruch, listen to the way Sargent drives the orchestra during the long tutti late in the first movement between Heifitz soloes.

The reason I gave this 4 1/2 stars instead of five is the sound quality on the Vieuxtemps, which is a notch below that in the two Bruch works. It is still good for a 1962 recording transferred to SACD but, considering it is stereo and not three channel, it remains a bit of a disappointment.

Elsewhere the sound is spectacular and allows many felicitous touches of the score to be heard clearly that weren't apparent in the stereo version. Listen for gentle timpani strokes during the slow movement of the Bruch concerto, a gentle cimbal crash during the open of the Scottish Fantasy, and Heifitz thumping his bow at the end of the allegro.

In addition, the sound stage for both Bruch works is very open, spacious and natural with Heifitz clearly defined off the conductor's right shoulder. The perspective is on stage, even better than first row, without being in your face or larger than life.

Good notes about the music, Heifitz the man, the history of RCA Living Stereo and the SACD process liven this package and make it even more desirable. This is an excellent reissue of romantic warhorses by one of the world's most accomplished soloists, supported by a reliable conductor and orchestra in sound that is nearly competitive with original DSD recordings from 2006. For its list price of $11, this is outstanding value.

Average customer rating:

The Greatest Violinist- But JOE VENUTI for JAZZ
Heifetz Sounding Great.

Heifetz: It Ain't Necessarily So

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Arturo Toscanini: The Complete Philadelphia Orchestra Recordings 1941-42

ASIN: B000HIVQ3A
Release Date: 2006-10-10

Tracks:

From The Canebrake, Op.5 No.1
Jamaican Rumba
Beau Soir
Piece En Forme De Habanera
Levee Dance Op.27 No.2 (Based On Go Down, Moses)
Figaro (Paraphrase On 'Largo Al Factotum')
Jeanie With The Light Brown Hair
A La Valse
Humoresque In G Flat Major, Op.101 No.7
Gweedore Brae
Old Folks At Home
Deep River
Vinnese-Wienerisch
White Christmas
Summertime
A Woman Is A Sometime Thing
My Man's Gone Now
It Ain't Necessarily So
Tempo Di Blues (There's A Boat That's Leavin' Soon For New York)
Bess, You Is My Woman Now
1. Allegro Ben Ritmato E Deciso
2. Andante Con Moto E Poco Rubato
3. Allegro Ben Ritmato E Deciso

Tracks:

Florida Night Song
Golliwog's Cakewalk
Clair De Lune
Ao Pe Da Fogueira
Huella Op.49 (Cancion Argentina)
Prelude In C Sharp Minor, Op.34 No.10
Prelude In D Flat Major, Op.34 No.15
Waves At Play-Wellenspiel
March
Masks
Gut-Bucket Gus
Jane Shakes Her Hair
Betty And Harold Close Their Eyes
Jim Jives
...Till Dawn Sunday
The Ballad Of Mack The Knife
Melodie In E Flat Major
Nocturne In E Flat Major, Op.55 No.2
Melodie (Andante)
Bird As Prophet Vogel Als Prophet
Hymn To The Sun
Dance No.4
Hungarian Dance No.7 In A Major
The Swan
Hills
Moto Perpetuo
Berceuse
Where My Caravan Has Rested - Bing Crosby
When You Make Love To Me (Don't Make Believe)

Customer Reviews:

The Greatest Violinist- But JOE VENUTI for JAZZ.......2007-07-02

Heifetz is the greatest violinist to make records. His jazz is excellent for a strictly trained classical violinist BUT Listen to any of Joe Venuti's recording of Summertime. It is magnifiently played by this violinist who had a classical technique but could deliver the jazz medium more idiomatically.
Classical violin players were oftened were amazed at Uncle Joe's ability to play off the beat and not what was exactly written. I confess- Joe Venuti was my great uncle but it is not just I who regard him as preeminent in jazz and he had a great technique and beautiful tone into his seventies.

Heifetz is my favorite classical violinist. Venuti is my favorite jazz violinist.

Heifetz Sounding Great........2007-02-13

It Ain't Necessarily So, But It Is. These recording from the mid 1940's sound great. The performances are of course wonderful, it is the sound quaility that will catch your attention, if you remember when they were recorded. Most CDs of recording from this era either have major noise problems or sound compression. This 2 disc set does not suffer from either of these problems. The team from Deutsche Grammophon and Andrew Wedman at Emil Berliner Studios are to be applauded. These are mono recordings but DO NOT let that stop you from enjoying them.

Music Track:

Music Track

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