Pieces for Harpsichord

On this CD:

1. La Victoire
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

2. Allemande, for harpsichord (from Livre de pièces de clavecin)
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

3. La de Croissy, for harpsichord
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

4. Les Cacqueteuses [Theme]
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

5. Les Cacqueteuses 1st Couplet
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

6. Les Cacqueteuses 2nd Couplet
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

7. Les Cacqueteuses 3rd Couplet
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

8. La Grégoire
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

9. I'Intrépide [Theme]
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

10. I'Intrépide 1st Couplet
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

11. I'Intrépide 2nd Couplet
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

12. Menuet (Affectueusement), for harpsichord in G major (from Livre de pièces de clavecin)
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

13. 2nd Menuet, for harpsichord in G major (from Livre de pièces de clavecin)
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

14. I'Arlequine ou la Adam [Theme]
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

15. I'Arlequine ou la Adam 1st Couplet
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

16. I'Arlequine ou la Adam 2nd Couplet
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

17. La Blanchet
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

18. La de Boisgelou
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

19. La Foucquet [Theme]
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

20. La Foucquet 1st Couplet
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

21. La Foucquet 2nd Couplet
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

22. La Semillante, ou la Joly
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

23. La Turpin
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

24. Pre Gavotte
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

25. 2de Gavotte
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

26. Premier Menuet, for harpsichord in B flat major (from Livre de pièces de clavecin)
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

27. Second Menuet, for harpsichord in B flat major (from Livre de pièces de clavecin)
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

28. La du Breüil
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

29. La Chéron [Theme]
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

30. La Chéron 1st Couplet
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

31. La Chéron 2nd Couplet
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

32. I'Affligée
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

33. L'Enjouée
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

34. Les Tendres Sentimens [Theme]
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

35. Les Tendres Sentimens 1st Couplet
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

36. Les Tendres Sentimens 2nd Couplet
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

37. Rondeau Gracieux [Theme]
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

38. Rondeau Gracieux 1st Couplet
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

39. Rondeau Gracieux 2nd Couplet
Composed by Armand-Louis Couperin
Performed by Brigitte Haudebourg

Tracks:

II: Andante - Stephen Hough
I: Adagio Sostenuto - Dame Moura Lympany
Jesus Bleibet Meine Freude (Jesu, Joy Of Man's Desiring) - Dame Moura Lympany
Nocturne No. 2 In E Flat - John Ogdon
Clair De Lune - Dame Moura Lympany
II: Adagio - Cecile Ousset
Tango - Dame Moura Lympany
Liebestraum No. 3 In A Flat - John Ogdon
Waltz No. 9 In A Flat - Dmitri Alexeev
Rhapsody On A Theme Of Paganini - Cecile Ousset
Traumerei - Dame Moura Lympany
La Maja Y El Ruisenor - Magda Tagliaferro
Nocturne No. 5 In F-sharp Minor - Maurizio Pollini
Gymnopedie No. 1 - Aldo Ciccolini
Fur Elise - Dame Moura Lympany
Etude In E 'Tristesse' - John Ogdon
Fruhlingslied - Daniel Adni
II: Andante - Dmitri Alexeev

Tracks:

II: Adagio Cantabile - Walter Gieseking
II: Romanze - Annie Fischer
Aria - Maria Tipo
II: Romance (Larghetto) - Garrick Ohlsson
Granada - Gonzalo Soriano
Waltz No. 15 In A Flat - Maura Lympany
II: Largo - Andrei Gavrilov
An Den Fruhling - Daniel Adni
Nocturne No. 10 In A Flat - Daniel Adni
II: Adagio Un Poco Mosso - Walter Gieseking
La Fille Aux Cheveux De Lin - Dame Moura Lympany
Cancons I Dansas No. 1 - Gonzalo Soriano
II: Adagio Sostenuto (Opening) - Cecile Ousset
Prelude No. 15 In D Flat 'Raindrop' - Dmitri Alexeev
Gnossienne No. 1 - Aldo Ciccolini
Berceuse - Jean-Philippe Collard
Minuet In G - Dame Moura Lympany
Berceuse In D Flat - Peter Donohoe

Customer Reviews:

something to have.......2007-03-14

These CD's are filled with all the awesome relaxing songs for the evening when you need it. It is just one of those must have items in your CD collection.

Excellent Music.......2007-02-19

This album was a "try and see" purchase but I love it. It makes great dinner music, great music to drift off to sleep with, or just nice background filler during social events needing a softer tone. It is not all solo piano music if that s what you are after; the other instruments blend very well however and don't challenge the piano playing. It is a piano album after all!

buy now.......2006-09-01

Want to know why I think the piano is the best musical instrument ever invented? Because no matter how the piano is played, it will always sound good. Whether the music is fast, slow, quiet or loud, it ALWAYS delivers with an appealing sound. This is something you need to buy.

Lovely.......2006-02-22

This is a beautiful calming cd. The playing is excellent and the pieces are well chosen.

Aesthetically Pleasing.......2005-09-14

I simply love piano music. If you're looking to relax, enjoy a peaceful time, then you must check out this album. If you truly enjoy piano music, this album is by far one of the best you can purchase.

As it says....it is the "Most Relaxing Piano Album in the World...Ever..." Well, I haven't listened to all piano albums in the world, but I don't need to, this one is just perfect for me, and I think you will agree!

I would say the pianists' are extremely accomplished. At times, I would admit-it's a bit 'spine tingling'!

Average customer rating:

Elegance at the piano
VALUE FOR MONEY
Good bang for the buck.
Really good price.

Piano Favorites

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Minuets | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
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ASIN: B000000UVY
Release Date: 1995-10-17

Tracks:

Fantasie Impromptu in C-sharp minor, OP.66
Waltz No.15 in A-flat, Op.39
Rondo all turca from Sonata in A, K.331
Minuet in G
Traumerei Op.15 No.7 (from Kinderzenen)
Un sospiro
Etude in C-sharp minor, Op.10 No.4
Etude in G-flat, Op.10 No.5
Humoresque, Op.101 No.7
'Fur Elise' (Bagatelle Wo0.59)
Claire de lune (Suite Bergamasque, No.3)
Golliwog's Cakewalk (Coin des enfants, No.6)
Prelude in C-sharp minor, Op.3 No.2
Melody in F, Op.3 No.1
The Cuckoo
La fille aux cheveux de lin (from Preludes Book I)
Waltz in C-sharp minor, Op.64 No.2
Waltz in G-flat, Op.70 No.1
Jeux d'eau
Gymnopedie No.1 (Lent et douloureux)

Customer Reviews:

Elegance at the piano.......2007-06-16

I grew up listening to Moura Lympany's playing, especially Litolff's Scherzo. Never could understand how a person could play with absolute control at high speed. In this recording, most (though not all - the Etude in C# minor an obvious exception)of the music is more laid back, and played with great grace and with the controlled touch of a pianist at the peak of her career.
The ambience of the recording is a wide open one, giving us the full clear sound that makes listening to a grand piano to enjoyable.
If you enjoy listening to good piano music, this is a recording that you will enjoy a great deal.

VALUE FOR MONEY.......2006-08-24

Dame Moura is my favourite pianist. Her great style and sublety of expression comes out in all her recordings. this CD is the best value for money ever!!

Good bang for the buck........2005-12-07

I was killing some time in the store the other day and was in the mood for a cheap CD for the car for the ride home. I ran across this and saw a few recognizable titles so for about $5 I figured I'd take a chance. I'm fairly impressed, I wasn't crazy about some of her dynamics in Un Sospiro plus her little added frill in there but still enjoyed it...I'd learned that piece myself years back, still can't play it and probably never will! Another piece I've known for years is the infamous Rachmaninov Prelude in C#m. Again, I wasn't crazy about some of the dynamics of her style but she still nails it without a hitch. Then I got to some other interesting pieces, I love the Debussy Golliwog's Cakewalk...really sticks in your head. Sort of a classisized (?) ragtime and it's cool enough that I'm going to dig through my music and see if I don't have it somewhere. I thought the Chopin Etude in C#m was absolutely fabulous, she just cooks through it from beginning to end. I probably have the music for that too...I'm not even going to attempt it! ;-) In fact, I liked all the Chopin she plays here, it seems she had a real flair for his music. Without going on forever here I'll just say that there are several tracks I listen to extensively on here and I'm fairly impressed. For a lousy $5 how can you go wrong? Just buy the thing! I'd never heard of her before so I just did a little 'net searching and I'm saddened to find that she just passed away about 8 months ago at age 88, truly a loss to the classical music world. In any case, even at twice the price I doubt anyone would be disappointed with this CD.

Really good price........2002-06-15

This is a great CD and you can't beat the price. These piano compositions are great for restful backgroud music after a hard day. I want to get a second one for when this one wears out.

Average customer rating:

A Man and His Art - Magnificently Captured
What can you say - it's Segovia!
EVERYBODY KNOWS
Immortal guitar
WOW

Art of Segovia
Andres Segovia
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Essential Guitar: 33 Guitar Masterpieces
The Segovia Collection
300 Years of Guitar Masterpieces
The Best of Andrés Segovia: The Millennium Collection
Spanish Guitar Music

ASIN: B00006B66L
Release Date: 2002-10-08

Tracks:

Andante
Andantino
Lento
Romance De Los Pinos
Madronos
Serenata Burlesca
Variations On A Theme From Mozart's 'The Magic Flute'
Mesto E Calmo
Theme, Variations & Finale
Cancion Mexicana No.X
Sevillana, Op.29
Sarabanda
Capriccio Diabolico, Op.85
Tonadilla For Guitar On The Name Of Andres Segovia
No.1 In E Minor
No.3 In A Minor
Guitarreo
Segovia, Op.29

Tracks:

If My Complaints
Now, O Now I Need Must Part
Sarabande
1. Prelude (Transposed In D Major)
4. Tempo Di Bourree
Courante
3. Gavotte En Rondeau
Aria E Corrente
Moderato
Menuet In G Major
Andantino Variato
No.7 In A Major
2. Canzonetta
2. Quasi Lento (Preludio)
1. Andantino Poco Allegretto (Allegretto)
2. Il Vecchio Castello
Allegretto
Tres Calme Et Doucement Expressif
No.4 In E Flat Minor
5. Asturias. Leyenda - Preludio
7. Zambra Granadina
Estudio Sin Luz
Allegro Con Brio

Amazon.com

DG has put together a fascinating compilation of Segovia's art that reminds us what a protean figure he was. Segovia single-handedly put the instrument on the map by making classical guitar concerts popular events, broadening the instrument's repertory through commissions and transcriptions, and convincing even doubters that it could be a vehicle for serious music. He's heard here in brief pieces recorded between 1952 and 1969. Even in those made when he was well into his 70s, his fingers remain nimble and interpretations lively. Listening straight through, one hears many all-time Segovia favorites as Turina's Sevillana and Albeniz's Asturias and Zambra Granadina and renews appreciation for path-breaking composers like Castelnuovo-Tedesco. He wrote extensively for Segovia and his Capriccio diabolico and Tonadilla are pieces of real substance. Disc two is largely made up transcriptions and it's amazing how well so many of them work on the guitar, at least under Segovia's magic fingers. Thus the transformations of Bach's violin music and even a Chopin Prelude sound idiomatic, and the gorgeous melodies of the Canzonetta from Mendelssohn's Op. 12 String Quartet are irresistible here. An entrancing set. --Dan Davis

Customer Reviews:

A Man and His Art - Magnificently Captured.......2007-04-06

This 2-CD set produced by Deutche Grammmophon and first released in 2002 is one set of the hundreds that could have been or the dozens that actually have been made and sold successfully all over the world. The exceptional feature of this particular collection is not, of course, the performer. Quite to the contrary, the miraculous consistency of stylings and performance are amongst the most remarkable aspects of the man who was, arguably, the 20th Centry's virtuoso supreme of the classical guitar, Andres Segovia (1893-1987.) Rather, it is the collection itself - the pieces chosen to be produced on this one set - this, to steal a German word, gestalt. While his style did not remain constant throughout his long life and career, by the time he had developed his most masterful skills that included doing his own arrangements - the era represented on this particular set (1951-1960) - his playing had become completely his own - unchallenged and unmatched by even other clearly great guitarists with whom he shared this era.

There are a total of 31 pieces played on these CDs and while a playlist would be an unnecessary use of space here, a list of the composers represented is not. More than the specific pieces Segovia gives us here, the range of composers chosen by the compilers and editors - with each piece rearranged by Segovia himself, tells us a great deal about his interests, talents and musical range. These composers include:
Isaac Albeniz, Johann Sebastian Bach, Mario Castelnuovo-Tedesco, Frederic Chopin, Claude Debussy, John Dowland, Manuel de Falla, Cesar Franke, Girolamo Frescobaldi, Edvard Grieg, George Frederic Handel, Felix Mendelsohn, Frederico Moreno Torroba, Modest Mussorgsky, Nicolo Paganini, Felipe Pedrell, Manuel Ponce, Jean-Philippe Rameau, Joaquin Rodrigo, Albert Roussel, Domenico Scarlatti, Alexander Scriabin, Segovia's own composition of Estudio sin luz, Fernando Sor, Francisco Tarrega, Joaquin Turina and Heitor Villa-Lobos. A truly magnificent and broad ranging collection held together by Segovia's unique personal style, approach and sound.

Largely self-taught, Andres Segovia did things with a guitar that others only imagined. He didn't just play Bach, for example - music written for an entirely different type of instrument (keyboards.) He went a step further, and recorder Bach's keyboard lessons written for his students (the Two and Three Part Inventions) and made them sound as if they had been written for the guitar! His artistry is evident to even the casual listener and in this collection, any devote of classical guitar and/or of Segovia as an individual artist, will not be disappointed.
Perfect listening for anytime. Hypnotic and, simply, unsurpassed. A necessary addition to any serious classical guitar collection.

What can you say - it's Segovia!.......2007-02-10

I saw Segovia perform live in my youth. What a treat! Anyone who loves Classical Guitar should love this collection.

EVERYBODY KNOWS.......2007-01-13

EVERYBODY KNOWS THAT ANDRES SEGOVIA WAS/IS THE WORLD'S GREATEST CLASSICAL GUITAR PLAYER. THIS CD IS A COMPILATION OF HIS RECORDINGS FROM THE THE EARLY 50'S TO THE LATE 60'S. HIS GUITAR MASTERY IS UNQUESTIONED AND HE IS AN INSPIRATION. I WISH I COULD PLAY GUITAR LIKE ANDRES SEGOVIA (BUT I CAN'T AND I NEVER WILL!).

Immortal guitar.......2006-08-02

Two CD's with Segovia's immortal music - an incredible treat at a great price!

WOW.......2006-02-23

Even though there is hiss from the original analog recordings this one is a must. Segovia! What more can you say. Anyone who likes classical guitar will love this.

Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]

Average customer rating:

Ultimate music for every time of day and every mood
Would give 5 stars if sound quality where better
Great collection for a great price
20 Fabulous Discs

Rhapsody in Blue - Ultimate Piano Collection [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Mazurkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

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Rondos | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

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Classical Evolution: Spanish Guitar Music

ASIN: B00012QLSW
Release Date: 2003-12-09

Tracks:

Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 1 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 4 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Piano, Strings and Continuo No. 5 in a Minor BWV ... - Dora Milanova, Sofia Soloists Chamber Ensemble
Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble
Concerto for Two Pianos, Strings and Continuo in C Major BWV 1061: ... - Julia Ganev, Konstantin Ganev, Sofia Soloists Chamber Ensemble

Tracks:

Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 21 in C Major, K.467 Elvira Madigan: Andante ... - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 17 in G Major, K.453: Allegro - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 17 in G Major, K.453: Andante - Vilmos Fischer, Vienna Mozart Ensemble
Piano Concerto No. 17 in G Major, K.453: Allegretto - Vilmos Fischer, Vienna Mozart Ensemble

Tracks:

Piano Sonata in a Major K.331: Andante Grazioso: Thema/Variation 1 - Margarete Babinsky
Piano Sonata in a Major K.331: Menuetto - Margarete Babinsky
Piano Sonata in a Major K.331: Alla Turca (Allegretto) - Margarete Babinsky
Piano Sonata in F Major K.332: Allegro - Margarete Babinsky
Piano Sonata in F Major K.332: Adagio - Margarete Babinsky
Piano Sonata in F Major K.332: Allegro Assai - Margarete Babinsky
Piano Sonata in C Major K.330: Allegro Moderato - Margarete Babinsky
Piano Sonata in C Major K.330: Andante Cantabile - Margarete Babinsky
Piano Sonata in C Major K.330: Allegretto - Margarete Babinsky
12 Variations K.265: Ah, Vous Dirai-Je, Maman: Theme/Variation ... - Margarete Babinsky

Tracks:

Concerto in C Major for Piano and Orchestra: Allegro - Capella Coloniensis, Maria Luisa Tanzini
Concerto in C Major for Piano and Orchestra: Larghetto - Capella Coloniensis, Maria Luisa Tanzini
Concerto in C Major for Piano and Orchestra: Rondo - Allegro - Capella Coloniensis, Maria Luisa Tanzini
Concerto for Piano and Orchestra No. 4 in G Major: Allegro Moderato - Nicolai Evrov, Sofia Philharmonic Orchestra
Concerto for Piano and Orchestra No. 4 in G Major: Adagio Cantabile - Nicolai Evrov, Sofia Philharmonic Orchestra
Concerto for Piano and Orchestra No. 4 in G Major: Rondo - Presto - Nicolai Evrov, Sofia Philharmonic Orchestra
Concerto in C Major for Piano and Orchestra: Allegro Con Spirito - Ivan Drenikov, Sofia Soloists Chamber Ensemble
Concerto in C Major for Piano and Orchestra: Adagio E Cantabile - Ivan Drenikov, Sofia Soloists Chamber Ensemble
Concerto in C Major for Piano and Orchestra: Presto - Ivan Drenikov, Sofia Soloists Chamber Ensemble

Tracks:

Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
Concerto for Piano and Orchestra No. 5 in E Flat Major Op. 73 Emperor: - Anton Dikov, Sofia Philharmonic Orchestra
Overture Coriolan Op.62 - Dresdner Philharmonic
Overture Leonore No.2, Op.72 - Dresdner Philharmonic

Tracks:

Op.13, No. 8 in C Minor Pathetique: Grave - Allegro - Di Molto E ... - Istvan Szekely
Op.13, No. 8 in C Minor Pathetique: Adagio Cantabile - Istvan Szekely
Op.13, No. 8 in C Minor Pathetique: Rondo - Allegro - Istvan Szekely
Op.27, No. 14 in C Sharp Minor Moonlight: Adagio Sostenuto - Istvan Szekely
Op.27, No. 14 in C Sharp Minor Moonlight: Allegretto - Istvan Szekely
Op.27, No. 14 in C Sharp Minor Moonlight: Presto Agitato - Istvan Szekely
Op.57, No. 23 in F Minor Appassionata: Allegro Assai - Istvan Szekely
Op.57, No. 23 in F Minor Appassionata: Andante Con Moto - Istvan Szekely
Op.57, No. 23 in F Minor Appassionata: Allegro Ma Non Troppo - Presto - Istvan Szekely
Rondo a Capriccio Op.129: Die Wut er Den Verlorenen - Jennd

Tracks:

Piano Concerto No. 1 in E Minor, Op.11: Allegro Maestoso - Budapest Philharmonic Orchestra, Sandor Falvai
Piano Concerto No. 1 in E Minor, Op.11: Romanze. Larghetto - Budapest Philharmonic Orchestra, Sandor Falvai
Piano Concerto No. 1 in E Minor, Op.11: Rondo. Vivace - Budapest Philharmonic Orchestra, Sandor Falvai
Piano Concerto No. 2 in F Minor, Op.21: Maestoso - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
Piano Concerto No. 2 in F Minor, Op.21: Larghetto - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland
Piano Concerto No. 2 in F Minor, Op.21: Allegro Vivace - Adam Harasiewicz, Warsaw Philharmonic National Orchestra Of Poland

Tracks:

Piano Sonata No. 2 in B Flat Minor Op.35: Grave - Doppio Movimento [Liv - Ivo Pogoreuch
Piano Sonata No. 2 in B Flat Minor Op.35: Scherzo [Live] - Ivo Pogoreuch
Piano Sonata No. 2 in B Flat Minor Op.35: Marche Fune. Lento [Live] - Ivo Pogoreuch
Piano Sonata No. 2 in B Flat Minor Op.35: Finale. Presto [Live] - Ivo Pogoreuch
Piano Sonata No. 3 in B Minor Op.58: Allegro Maestoso [Live] - Garrick Ohlsson
Piano Sonata No. 3 in B Minor Op.58: Molto Vivace [Live] - Garrick Ohlsson
Piano Sonata No. 3 in B Minor Op.58: Largo [Live] - Garrick Ohlsson
Piano Sonata No. 3 in B Minor Op.58: Presto Ma Non Tanto [Live] - Garrick Ohlsson
Mazurkas Op.59: No. 1 in a Minor [Live] - Ivo Pogoreuch
Mazurkas Op.59: No. 2 in a Flat [Live] - Ivo Pogoreuch
Mazurkas Op.59: No. 3 in F Sharp [Live] - Ivo Pogoreuch

Tracks:

Nocturne in B Major Op.9, No. 3 [Live] - Jean Marc Luisada
Etude in G Flat Major Op.10, No. 5 [Live] - Jean Marc Luisada
Etude in B Minor Op.25, No. 1 [Live] - Jean Marc Luisada
Scherzo No. 1 in B Minor Op. 20 [Live] - Jean Marc Luisada
Scherzo No. 2 in B Flat Minor Op. 31 [Live] - Jean Marc Luisada
Waltz No. 1 in E Flat Major Op. 18 [Live] - Jean Marc Luisada
Four Mazurkas Op.24: No. 1 in G Minor [Live] - Jean Marc Luisada
Four Mazurkas Op.24: No. 2 in C Major [Live] - Jean Marc Luisada
Four Mazurkas Op.24: No. 3 in a Flat Major [Live] - Jean Marc Luisada
Four Mazurkas Op.24: No. 4 in B Flat Minor [Live] - Jean Marc Luisada
Four Mazurkas Op.30: No. 1 in C Minor [Live] - Kemal Gekic
Four Mazurkas Op.30: No. 2 in B Minor [Live] - Kemal Gekic
Four Mazurkas Op.30: No. 3 in D Flat Major [Live] - Kemal Gekic
Four Mazurkas Op.30: No. 4 in C Sharp Minor [Live] - Kemal Gekic

Tracks:

Piano Concerto in a Minor Op.54: Allegro Affettuoso - Berlin Radio Symphony Orchestra, Heidrun Holtman
Piano Concerto in a Minor Op.54: Intermezzo. Andantino Grazioso - Berlin Radio Symphony Orchestra, Heidrun Holtman
Piano Concerto in a Minor Op.54: Allegro Vivace - Berlin Radio Symphony Orchestra, Heidrun Holtman
Introduction and Allegro Appassionato Op.92 - Berlin Radio Symphony Orchestra, Heidrun Holtman
Concerto Allegro With Introduction Op.134 - Berlin Radio Symphony Orchestra, Heidrun Holtman

Tracks:

Rustle of Spring Op.32, No.6 - Jennd
Novelette in F Major Op.21, No.1 - Jennd
Songs Without Words: E Major Op.19, No.1 - Jennd
Songs Without Words: F Sharp Minor Op.30, No.6 - Jennd
Songs Without Words: Duetto in F Major Op.38, No.6 - Jennd
Songs Without Words: G Major Op.62, No.1 - Jennd
Songs Without Words: Spring Song in a Major Op.62, No.6 - Jennd
Intermezzo in a Major, Op.76, No.6 - Jennd
Intermezzo in a Minor Op.76, No.7 - Jennd
Intermezzo in a Major Op.118, No.2 - Jennd
Intermezzo in E Flat Minor Op.118, No.6 - Jennd
Lyric Pieces: Arietta Op.12, No.1 - Jennd
Lyric Pieces: Folkevise Op.12, No.5 - Jennd
Lyric Pieces: Butterfly Op.43, No.1 - Jennd
Lyric Pieces: To Spring Op.43, No.6 - Jennd
Lyric Pieces: Notturno Op.54, No.4 - Jennd
Lyric Pieces: Bryllupsdag Pa Troldhaugen Op.65, No.6 - Jennd
Saisons Op.37b, No. 6 Juin Barcarolle - Jennd
Chant Sans Paroles: Souvenir de Hapsal Op.2, No.3 - Jennd
Melody in F Op.3, No.1 - Jennd
Humoresque in G Flat Major Op.101, No.7 - Jennd

Tracks:

Impromptu in B Flat Major D.935, No.3: Theme: Andante - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 1 - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 2 - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 3 - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 4 - Jennd
Impromptu in B Flat Major D.935, No.3: Variation 5 - Jennd
Impromptu in B Flat Major D.935, No.3: Pito - Jennd
6 Moments Musicaux D.780: No. 1 in C Major - Jennd
6 Moments Musicaux D.780: No. 2 in a Flat Major - Jennd
6 Moments Musicaux D.780: No. 6 in F Minor - Jennd
4 Impromptus D.899: No. 1 in C Minor - Jennd
4 Impromptus D.899: No. 2 in E Flat Major - Jennd
4 Impromptus D.899: No. 3 in G Flat Major - Jennd
4 Impromptus D.899: No. 4 in a Flat Major - Jennd

Tracks:

Sonata in a Major D.959: Allegro - Michael Endres
Sonata in a Major D.959: Andantino - Michael Endres
Sonata in a Major D.959: Scherzo: Allegro Vivace - Michael Endres
Sonata in a Major D.959: Rondo: Allegretto - Michael Endres
Sonata in B Flat Major D.960: Molto Moderato - Michael Endres
Sonata in B Flat Major D.960: Andante Sostenuto - Michael Endres
Sonata in B Flat Major D.960: Scherzo: Allegro Vivace - Michael Endres
Sonata in B Flat Major D.960: Allegro Ma Non Troppo - Michael Endres

Tracks:

Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
Concerto for Piano and Orchestra No. 1 in B Flat Minor Op.23: ... - Budapest Philharmonic Orchestra, Jennd
Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
Concerto for Piano and Orchestra in a Minor Op.16: Adagio - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin
Concerto for Piano and Orchestra in a Minor Op.16: Allegro Molto E ... - Daniel Gerard, Rundfunk-Sinfonieorchester Berlin

Tracks:

Piano Concerto No. 2 in B Flat Major Op.83: Allegro Non Troppo - Dimitris Sgouros, Sofia Philharmonic Orchestra
Piano Concerto No. 2 in B Flat Major Op.83: Allegro Appassionato - Dimitris Sgouros, Sofia Philharmonic Orchestra
Piano Concerto No. 2 in B Flat Major Op.83: Andante - Dimitris Sgouros, Sofia Philharmonic Orchestra
Piano Concerto No. 2 in B Flat Major Op.83: Allegro Giocoso - Dimitris Sgouros, Sofia Philharmonic Orchestra

Tracks:

Piano Concerto No. 2 in a Major Hungarian Fantasy: Adagio ... - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Agitato ... - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Moderato - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Deciso - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Marziale, Un ... - Budapest Symphony Orchestra, Jennd
Piano Concerto No. 2 in a Major Hungarian Fantasy: Allegro Animato - Budapest Symphony Orchestra, Jennd
Fantasy on Hungarian Folk-Tunes - Budapest Symphony Orchestra, Jennd
Polonaise Brillante (After Weber) - Budapest Symphony Orchestra, Jennd
Fantasy on Weber's FreischVilmos Fischer

Tracks:

Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
Pictures at an Exhibition: Gnomus. Sempre Vivo
Pictures at an Exhibition: Promenade. Moderato Commodo Assai E Con ...
Pictures at an Exhibition: Il Vechhio Castello (The Old Castle) . ...
Pictures at an Exhibition: Promenade. Moderato Non Tanto, Pesamente
Pictures at an Exhibition: Tuileries. Allegretto Non Troppo, ...
Pictures at an Exhibition: Bydlo. Sempre Moderato, Pesante
Pictures at an Exhibition: Promenade. Tranquillo
Pictures at an Exhibition: Ballet of the Chickens in Their Shells. ...
Pictures at an Exhibition: Samuel Goldenberg and Schmuyle. ...
Pictures at an Exhibition: Promenade. Allegro Giusto, Nel Modo ...
Pictures at an Exhibition: Limoges. Le MarchThe Market Place) . ...
Pictures at an Exhibition: Catacombae. Sepulcrum Romanum. Largo
Pictures at an Exhibition: Cum Mortuis in Lingua Mortua. Adante ...
Pictures at an Exhibition: The Hut on Fowls' Legs - Baba-Yaga. Allegro
Pictures at an Exhibition: The Great Gate of Kiev - Allegro Alla ...
Three Intermezzos Op.117: Intermezzo in E Flat Major. Andante Moderato
Three Intermezzos Op.117: Intermezzo in B Flat Minor. Andante Non ...
Three Intermezzos Op.117: Intermezzo in C Sharp Minor. Andante Con ...
Piano Pieces Op.118: No. 1 Intermezzo in a Minor (Allegro Non Assai)
Piano Pieces Op.118: No. 2 Intermezzo in a Major (Andante Teneramente)
Piano Pieces Op.118: No. 3 Ballad in G Minor (Allegro Energico)
Piano Pieces Op.118: No. 4 Intermezzo in F Minor (Andante - Allegretto
Piano Pieces Op.118: No. 5 Romance in F Major (Andante - ...)
Piano Pieces Op.118: No. 6 Intermezzo in E Flat Minor (Andante, ...)

Tracks:

Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Moderato - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Adagio ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 2 in C Minor Op.18: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Largo - Bulgarian Radio Symphony Orchestra, Ivan Drenikov
Concerto for Piano and Orchestra No. 4 in G Minor Op.40: Allegro ... - Bulgarian Radio Symphony Orchestra, Ivan Drenikov

Tracks:

Prde Op.3, No.2 - Margarete Babinsky
Mdie Op.3, No.3 - Margarete Babinsky
Polichinelle Op.3, No.4 - Margarete Babinsky
Moment Musical Op.16, No.3 - Margarete Babinsky
Moment Musical Op.16, No.5 - Margarete Babinsky
Variations on a Theme by Corelli Op.42 - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Variations on a Theme by Corelli Op. 42 (Continued) - Margarete Babinsky
Prde Op.23, No.5 - Margarete Babinsky

Tracks:

Rhapsody in Blue - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Concerto in F for Piano and Orchestra: Allegro - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Concerto in F for Piano and Orchestra: Adagio. Andante Con Moto - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
Concerto in F for Piano and Orchestra: Allegro Agitato - Cle Ousset, , Radio Symphony Orchestra of Stuttgart
American in Paris - Cle Ousset, , Radio Symphony Orchestra of Stuttgart

Album Description

This amazing 20-CD set truly is the ultimate piano collection! With over 20 hours of the greatest piano classics, from Mozart's priceless Piano Concertos and Sonatas to Gershwin's legendary Rhapsody in Blue, this set is a must have for everyone's collection. So sit back, relax and drift away on the beautiful melodic waves of classical piano at its very best.

Customer Reviews:

Ultimate music for every time of day and every mood.......2007-07-03

With 20 CDs in the collection, we have classical music for every mood and atime of day.

Would give 5 stars if sound quality where better.......2007-06-30

This Classical collection is one of great length and breadth ,and is well worth purchasing ,if you want an abundance of music at a low price.The sound quality is decent,however it is not great.This set will not provide you with the crisp,clear sound quality of a RCA,CBS or other well known label,so some classical aficionados may not appreciate it much.It all depends on what your looking for ,I guess.

Great collection for a great price.......2007-06-27

I did not expect much in buying this collection, but I was greatly surpeised. There were no reviews of the product at the time, and I bought the collection simply as a sampler of many great piano pieces. Most of the recordings are exquisite and of decent recording quality. This collection was well worth the price.

20 Fabulous Discs.......2007-06-08

I am surprised that this set has been out for 4 years and nobody reviewed it here yet. This is a lovely and occasionally amazing compilation. I was moved by many of the compositions. I really enhanced my classical music collection with this set. You have so many legends here to enjoy, from Bach to Brahms, Mozart to Beethoven, Chopin, Liszt, Rachmaninov, Gershwin, and more. If you love classical piano music and don't already have most of these works then this is a must buy for you. The price may go up, but I was fortunate to cash in on the $17.97 price. Quite a bargain for 20 fabulous discs.

Average customer rating:

Beware - this is NOT the right version!
Disc one is great....disc two doesn't exist...beware
Hauntingly Beautiful
Vive Savall and M. Sainte Colombe
French Baroque Performed by The Absolute Master of the Viola Da Gamba

Tous Les Matins du Monde/Dix Ans Apres

Manufacturer: Alia Vox Spain
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Classical | Imports | Stores | Music

Soundtracks | Imports | Stores | Music
Similar Items:

All the Mornings of the World (Tous les matins du monde) Two-Disc Edition
Marin Marais · Sainte-Colombe ~ The Greatest Masterworks / Spectre de la Rose
La Folia, 1490-1701
Marin Marais: Pièces de Viole du Second Livre, 1701
Villancicos y Danzas Criollas

ASIN: B00005S0MD
Release Date: 2002-03-12

Tracks:

Marche pour la ceremonie des Tures (Jean-Baptiste Lully)
Improvisations sur les folies d'Espagne (Marin Marais) - extraits
Prelude pour Mr. Vauquelin (Improvisation d'apres le Prelude en Sol mineur de Mr. de Sainte Colombe le fils)
Gavotte du Tendre (Mr. de Sainte Colombe)
Une jeune fillette (melodie populaire- arranged by Jordi Savall)
Les Pleurs (Mr. de Sainte Colombe) - solo version by Jordi Savall
Concert a deux violes " Le Retour" (Mr. de Sainte Colombe)
La Reveuse (Marin Marais) 4th book of Pieces de viole
Troisieme Lecon de Tenebres a 2 voix (Francois Couperin)
L'Arabesque (Marin Marais) 4th book of Pieces de viole
Fantaisie en Mi mineur (arranged by J. Savall d'apres Mr. de Sainte Colombe le fils)
Le Pleurs (Mr. de Sainte Colombe) version for 2 viols
Le Badinage (Marin Marais) 4th book of Pieces de viole
Tombeau pour Mr. de Sainte Colombe (Marin Marais)
Muzettes I-II (Marin Marais) 3rd book of Pieces de viole
Sonnerie de Ste. Genevieve du Mont-de- Paris (Marin Marais)

Album Details

The Original Motion Picture Soundtrack to the Film by Jordi Savall.

Customer Reviews:

Beware - this is NOT the right version!.......2007-07-07

This is a fantastic CD and all, but as of July '07, what they're shipping is not the "10 Years After" (Dix Ans Apres) version, which includes a bonus disc and has all 33 pieces listed on this page. I got a single 16-song disc, the same one I bought 3 or 4 years ago. Buyer beware.

Disc one is great....disc two doesn't exist...beware.......2007-07-05

I have the original 16-track version of this recording and couldn't agree more with the glowing comments left by others. However, this listing is somewhat misleading as the reviews mention that it is a newer release with a bonus disc containing 17 extra tracks. Since other reviews and the Alia Vox website itself mention that such a thing exists, I went ahead and ordered it, only to receive the same single disc version I already had. Amazon tells me the double one isn't available, so beware.

It's still great music though.

Hauntingly Beautiful.......2006-06-11

I was introduced to this utterly, utterly gorgeous soundtrack via a "friend of a friend", to whom I am eternally grateful. I listened to this on cassette tape too many times to count. The music is hauntingly beautiful and atmospheric, dark and moody, tragic and deep. This is music from the Baroque period but nothing like Bach, or Purcell, or Handel.

Vive Savall and M. Sainte Colombe .......2006-04-27

I saw the film and was enthralled by the portrayals of Sainte Colombe and Marin Marais. (Depardu was superb as always.) Some reviewers thought the film dull or tedious. I suppose in today's film culture where there is so much action without much substance there are those who would concur. I thought is was an excellent study of the characters and the music, which is rarity even in films about musicians.

French Baroque Performed by The Absolute Master of the Viola Da Gamba.......2005-10-09

In addition to French Baroque being generally and wrongly relegated to secondary status compared to Italian or German Baroque, there are probably less than 200 professional players who specialize in the viola da gamba as an instrument which was used mostly by French Baroque composers. Out of those few 200 performers, Jordi Savall is the undisputed master of his craft not only in performing French Baroque but really any Baroque piece for the viola da gamba. This soundtrack is a fine example on the diversity and depth of not only the viola's range but on works of various composers during the French Baroque period: especially the works of Marais and Sainte-Colombe. This album is also a great sample of the simply exemplary talent of Jordi Savall as a violist.

The double album primarily contains solos or duets for viola da gamba by Marais and Sainte-Colombe but has pieces by other contemporaries such as Lully. This album is a great sample of the variety of works and composers of the unique French Baroque tradition that continued to use the viola while other musical styles in Europe had virtually abandoned it for the cello. The viola da gamba has a lot more range, depth, and resonance than the cello and so the music is moodier and more contemplative than cello works such as Bach's magnificent cello suites. Solo music for viola from the French Baroque also allows freer interpretation than conventional compositions for orchestra or other chamber pieces. The jewel in this album is Marais' haunting but divine Sonnerie de Ste-Genevieve in which the dynamics of the violas and violins are truly a spiritual voyage into one's soul; at points serenely docile to demonically ferocious as if phantasms both luring and forbidding the listener to follow. The intricate complexity and resonance of this exquisite piece makes it one of the most spiritually moving Baroque sonet variations I have ever heard and it's one of my personal favorites. Both Marais and Sainte-Colombe were probably the pinnacle of achievement in terms of expressive techniques for the viola da gamba during the French Baroque period while later contemporaries such as Forqueray and Couperin became more formulaic although no less accomplished.

Jordi Savall has many priceless performances apart from this soundtrack and he is really the only competent artist for both viola da gamba specifically and primarily all French Baroque interpretations. There are no other viola players who can even compare to Savall as they really sound as little else than amateurs in comparison to his applied skills and passion of playing. I strongly recommend for anyone looking for music for viola da gamba or really any French Baroque to buy Savall/Le Concert Des Nations' performances exclusively as there's simply nothing else to look for or find that's in his caliber. Apart from a few other performnances by groups such as Les Arts Florissants, I guarantee you that the performances of all others in this style will rise to no further than being mediocre at best such as Harncourt or even Koopman who often plays with Savall. Most other viola performers quickly descend to atrocious standards in comparison to those of Savall. Even though Savall's recordings tend to be on the more expensive side, he's worth every penny take my word for it: you won't regret it! What you will regret is having bought a mediocre viola peformance after you hear Savall's as the differences will be very significant.

Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso

Average customer rating:

Excellent recording
Highly Recommended!
Amazing
A gentleman musical agreement!
Extreme virtuosity

Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso
Johann Sebastian Bach , François Couperin , Gabriel Fauré , Isaac Albeniz , Anonymous , Francisco Tarrega (y Eixea) , Silvius Leopold Weiss , Claude Debussy , Maurice Ravel , Wolfgang Amadeus Mozart , Gordon Young , Georg Philipp Telemann , Heitor Villa-Lobos , Manuel de Falla , Manuel Ponce , Enrique Granados , Mario Castelnuovo-Tedesco , Andrew York , Fernando Sor , Gaspar Sanz , Joaquin Rodrigo , and Christopher Parkening
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Duets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Gospel | Christian & Gospel | Styles | Music

General | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Christopher Parkening plays Bach
Simple Gifts: Christopher Parkening
In the Spanish Style / Christopher Parkening
The Christopher Parkening Guitar Method - Volume 2: Guitar Technique
Christopher Parkening - A Tribute to Segovia

ASIN: B000002RTR
Release Date: 1993-09-14

Tracks:

Fugue From Violin Sonata No. 1, BWV 1001 - J S Bach
Estudio brillante
Etude No. 1 In E Minor
Recuerdos de la Alhambra
Leyenda
Romance
Rumores de la Caleta
Capricho Arabe
Cantata 147: Jesu, Joy Of Man's Desiring
Well-Tempered Clavier: Prelude No. 1
Well-Tempered Clavier: Prelude No. 6
Cantata 140: Sleepers Awake
Prelude, Fugue, And Allegro: Allegro
Cantata 208: Sheep May Safely Graze
Les Barricades mysterieuses
Preambulo & Allegro vivo: Preambulo And Allegro vivo
Passacaglia
The Girl With The Flaxen Hair
Gymnopedie No. 1
Empress Of The Pagodas
Afro-Cuban Lullaby

Tracks:

Fourth Lute Suite: Praludium
Fairest Lord Jesus
Praise Ye The Lord, K. 339
Simple Gifts
Hymn Of Christian Joy
Cantata 29: We Thank Thee, Lord
Cantata 156: Arioso
Cantata 99: What God Hath Done
Canon
Dolly Suite: Berceuse
La Vida breve: Spanish Dance No. 1
Terezinha De Jesus
Prelude (In The Baroque Style)
Goyescas: Intermezzo
Prelude & Fugue No. 4 In E: Fugue
Evening Dance
Variations On A Theme Of Mozart
Canarlos
La Maja de Goya
El Noi de la Mare
Concierto de Aranjuez: Adagio - J. Rodrigo

Customer Reviews:

Excellent recording.......2007-05-12

If you are a fan of classical guitar than this is a must own set. I enjoy every moment.

Highly Recommended!.......2006-12-23

I would recommend this CD to anyone who loves music--period! Christopher Parkening is unquestionably one of the greatest classical guitarists of all-time. He embodies personal excellence like no other and is a brilliant artist. This CD is a must-have for any classical enthusiast. My favorite pieces include: Tárrega's "Recuerdos de la Alhambra," "Romance," Bach's "Prelude No. 6," and Rodrigo's "Concierto de Aranjuez." There are other versions of these pieces as well, but I always prefer Parkening's renditions, as they are oh so extraordinary--especially the recording of Aranjuez!! Other guitarists never seem to capture the essence of Rodrigo's musical masterpiece (e.g., Göran Söllescher in "Mad About Guitars"). But Parkening did! And the Royal Philharmonic Orchestra was a perfect accompaniment.

This CD is definitely worth buying. Included is a CD booklet, which illustrates the history of Parkening's illustrious career, interesting tidbits about all 25 recorded pieces, and several photos of his early life to his "breathtaking performance" at Rodrigo's 90th birthday celebration at the Royal Festival Hall in London, 1992.

Amazing.......2006-05-08

I am not going to go into great detail. I am working on a degree in classical guitar and I can say this is something to strive for. His musical interpretation of the peices represented here are some of the best I've heard. His tone,color, and phrasing is incredible.

A gentleman musical agreement! .......2006-03-16

In guitar ` s playing there have been many renowned performers, gifted of exuberant technique. But curiously the Apollonian playing is not by itself strictly enough. The guitar is the instrument which is closer to heart as any other one. It demands from you passion and sentiment. There have been three well known guitarists, one of them from England and the other one from Spain and the third one from Japan whose sensibility was totally absent in their performances.

But fortunately for us, there have been notable interpreters that have been maintained a desired balance and contrast between brain and heart, achieving great distinction and total acknowledgement around the world. I would name seven primordial names along the instrument `s story. First of all: the mythic soloist Andres Segovia, Regino Sainz de la Maza, John Williams, Alirio Diaz, Manuel Berrueco, Siegfried Behrend and Christopher Parkening, among the most representative ones of a great list.

Christopher Parkening `s career has made a brilliant colorist, an impeccable and sensitive interpreter of this well reduced repertoire. His profound artistic conviction and convincing phrasing has been a perpetual motive of constant invitations and presentations around the world.

Extreme virtuosity.......2005-09-25

CP has become my chief inspiration to improve as a classical guitarist. His performances here are, without exception, phenomenal. He makes the most difficult pieces sound effortless. I prefer CP over John Williams because, while Williams is also unquestionably a master, he sounds a bit robotic to me at times. CP, on the other hand, never sacrifices musicality to precision. He sublimely maintains both.

Classical Masterpieces of the Millennium [20 CD Set]

Average customer rating:

Mill. Classical review
classical music for the unitiated
Some little gems there that I had forgotten!
A very helpful collection
Excellent!

Classical Masterpieces of the Millennium [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

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Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

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ASIN: B00000K1C9
Release Date: 1999-08-24

Tracks:

Brandenbutg Concerto No.3 In G First Movement
Overture No.3 In D Second Movement
Violin Concerto In E First Movement
Prelude In C minor
Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
Overture No.2 In B minor Minuet And Badinerie
Oboe Concerto In D minor Second Movement
Brandenburg Concerto No.4 In G Third Movement
Musical Offering - Fuga canonica
Easter Oratorio - Overture
Minuet In D minor
Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
Brandenburg Concerto No.1 In F Second Movement
Art Of The Fugue - Contrapunctus 9
Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
Overture No.4 In D - Réjouissance
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Water Music - Alla Hornpipe
Xerxes - Ombra Mai Fu (Largo)
Messiah - And The Glory Of The Lord
Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
Organ Concerto In F, Op. 4, No. 4 Allegro
Water Music - Air
Messiah - For Unto Us A Child Is Born
Concerto Grosso In B flat, Op. 3, No. 2 - Largo
Salomon - Sinfonia, Act 3
The Choice Of Hercules - While For Thy Arms
Water Music - Allegro (Suite No. 1)
Suite No. 5 In E - Air With Variations
Jephtha - How Dark, O Lord
Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
Water Music - Andante Allegro Da Capo
Concerto for Trumpet & Orchestra in E-flat: First Movement
Symphony No. 94 in G: Surprise Symphony-second movement
Concerto for Violin No. 2 in D: Third Movement
Flute Trio No. 31 in G: Second Movement
Symphony No. 31 in D: Hornsignal-First Movement
String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
Concerto for 2 Horns & Orchestra in E-flat: Second Movement
Symphony No. 88 in G: Fourth Movement
String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
Notturno No. 1 in C: Second Movement
Symphony No. 98 in B: Londoner No. 4-Fourth Movement
Eine Kleine Nachtmusik - first movement
Piano Concerto in A - second movement
Flute Concerto in D - Rondeau
Serenade - Minuet
Violin Concerto - first movement
Symphony No. 40 in G minor - first movement
Clarinet Concerto - second movement
Turkish March
Divertimento - Minuet
Horn Concerto No. 3 in E-flat - first movement
Symphony No. 5 in C minor, Op. 67-First Movement
Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
Overture
O welche Lust (Prisoners' Chorus)
Ha, welch ein Augenblick (Pizarros's Aria)
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
Concerto for Violin and Orchestra in D, Op. 61: Third Movement
Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
Sympony No. 6 in F, Op. 68: Pastorale-First Movement
Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
German Dance No. 1 In C
Impromptu Op. 90, No. 3 In G-Flat
Heidenroslein
Ave Maria
Der Lindenbaum
Quintet In A 'Trout Quintet' - Andante
Mass No. 6 In E-Flat - Kyrie
Die Schone Mullerin Des Mullers Blumen
German Dance No. 2 In G
Piano Sonata In B-Flat
Nachtgesang Im Walde
Winterreise - No. 15: Die Krahe
German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
Symphony No. 8 In B Minor 'Unfinished' - Second Movement
Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
Nocturne in E-flat, Op. 9, no. 2
Etude in G-flat, Op. 10, no. 5
Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
Mazurka in D minor, Op. 33, no. 2
Prelude in D-flat, Op. 28, no. 15 Raindrop
Etude in C, Op. 10, no. 1
Nocturne in D-flat, Op. 27, no. 2
Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
Scherzo in B minor, Op. 20
Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
Violin Concerto - second movement
The Sleeping Beauty - Waltz
Capriccio Italien, Op. 45
Swan Lake - Waltz
Eugene Onegin - Polonaise
The Nutcracker - Waltz of the Flowers
Orchestral Suite No. 4 - Mozartiana - Third Movement
Swan Lake - Dance of the Swans
Symphony No. 6 in B minor - Pathétique - Third Movement
Hungarian Dance No.5
Lullaby
Symphony No.1 in C minor, Op. 68 - Third Movement
Intermezzo in E-flat, Op.117, no. 1
Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
Waltz, Op. 39, no. 15
Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
String Quintet in G, Op. 111 - Second Movement
Symphony No.4 in E minor, Op. 98 - Third Movement
Intermezzo in A minor, Op. 76, no. 7
Hungarian Dance No.1 in G minor
German Requiem Selig sind die Toten (Final Chorus)
Die Fledermaus - Overture
Kaiser Waltz, Op.437
Thunder And Lightning Polka, Op. 324
Roses From The South Waltz, Op. 388
AnnenPolka, Op. 117
Vienna Blood Waltz, Op. 354
Eljen A Magyar Polka, Op. 332
Wine, Women and Song Waltz, Op. 333
On The Beautiful Blue Danube Waltz, Op. 134
Die Meistersinger Von Nurnberg - Overture
Tannhauser - Die Pilger sind's (Pilgims' Chorus)
Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
Lohengrin - Act 3 Prelude and Bridal Chorus
The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
Die Walkure - Ride of the Valkyries
Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
Tristan und Isolde - Liebestod
Thus sprach Zarathustra, Op. 30 (excerpt)
Don Juan, Op. 20
Eine Alpensinfonie, Op. 64, I.Nacht
Don Quixote, Op.35, first movement: Introduction
Salome, Op. 54, Dance Of The Seven Veils
Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
Piano Concerto 2 In C minor, Op. 18 - First Movement
Vocalise, Op.34, No. 14
Prelude In G Sharp minor, Op. 32, No. 12
Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
Symphony No. 2 In E minor, Op. 27 - Third Movement
Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
Rhapsody, Op. 43 On A Theme By Paganini
Hungarian Rhapsody No.2
Liebestraum No.3 in A-flat
Piano Concerto No.1 in E-flat - third movement
Angelus
Mephisto Waltz No.1 (Dance in a Village Tavern)
Prelude and Fugue on B-A-C-H
Dante Symphony - Finale. - Purgatorio - Magnificat
Les Préludes
Boléro
Daphnis et Chloé first movement: Nocturne
Rhapsodie Espagnole
Shéhérazade - first movement: Asie
Ma Mère l'Oye - fourth movement: La Belle et la Bête
Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
La Valse
Slavic Dance No. 1 in C, Op. 46, no.1
Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
Humoresque, Op. 101
Slavic Dance No. 8 in G minor, Op. 46, no. 8
Serenade for String Orchestra, Op. 22 - second movement
Romance for Violin and Orchestra In F minor, Op. 11
Symphony No. 7 in D minor - third movement
Melodie (Songs My Mother Taught Me)
Carneval Overture, Op. 92
Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
Symphony No.4 In A, Op. 90. Italian - First Movement
Frühlingslied In A, Op. 62, No. 6
Wedding March (From A Midsummer Night's Dream, Op.61)
Duetto In F, Op.30, No.6 (From Songs Without Words)
String Symphony No.9 In C. Schweitzer Symphony - Third Movement
Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
Notturno (From A Midsumment Night's Dream, Op. 61)
Rondo Capriccioso, Op.14
String Symphony No. 12 In G minor - First Movement
Venetian Gondola Song In F Sharp minor, Op.30, No.6
Scherzo (From A Midsumment Night's Dream, Op. 61)
Violin Concerto In E minor, Op.64 - Third Movement
Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
Holberg Suite, Op. 40 - IV. Air. Andante religioso
Arietta, Op. 12, no. 1
Homage March from Sigurd Jorsalfar, Op. 56
Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
Wedding Day at Troldhauen, Op. 65, no. 6
The Last Spring, Op. 34, no. 2
Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
Nordic Melody Op. 63
Notturno, Op. 54, no. 4
Elegie, Op. 47, no. 5
Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
Piano Concerto in A minor, Op. 16 - Allegro
Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
Traumerai (from Kinderszenen, Op. 15)
Mondnacht (from Eichendorff-Liederkreis, Op. 39)
Aufschwung (from Fantasietucke, Op. 12)
Triolett, Op. 114, no. 2
Tanzlied (No. 1 from Duets, Op. 78)
Symphony No. 4 in D minor, Op. 120 - second movement
Frühlingsgruss
Abschied (from Waldszenen Op. 82)
Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
Manfred Overture, Op. 115
Romance in F sharp, Op. 28, no. 2
Die Rose stand im Tau
Liebesgarten (from Four Duets, Op. 34)
Warum? (from Fantasiestucke, Op. 12)
Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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The Life and Works of Ludwig van Beethoven
What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Symphony No. 104 In D Major 'London': Menuetto - Allegro
Harpsicord Concerto In D Major: Vivace
Symphony No. 100 In G Major 'Miltary': Allegretto
Mass No. 2 In E- Flat Major: Great Organ Mass
Symphony No. 82 In C Major 'The Bear': Vivace assai
Keyboard Sonata No. 48 In C Major: Allegro con brio
Symphony No. 45 In F-Sharp Minor 'Farewell': Allegro assai
Violin Concerto No. 1 In C Major: Allegro moderato
Allegro con spirito
Symphony No. 96 In D Major 'Miracle': Allegro
Symphony No. 96 In D Major 'Miracle': Andante
Baryton Divertimento No. 107 In D Major: Minuet and Trio
Music Clock
Trumpet Concerto In E-Flat Major: Adagio
Symphony No. 45 In F-Sharp Minor 'Farewell': Adagio
Symphony No. 82 In C Major 'The Bear': Vivace
Symphony No.11 In G Major 'Miltary': Excerpts
Philemon And Baucis: Tenor Aria 'Nemo'
Symphony No. 104 In D Major 'London': Allegro spiritoso
Horn Concerto No. 2 In D Major: Allegro
Symphony No. 101 In D Major 'Clock': Presto; Menuetto (Allegretto)
Symphony No. 94 In G Major 'Surprise': Andante
Symphony No. 96 In D Major 'Miracle': Vivace assai
Symphony No. 101 In D Major 'Clock': Andante
Symphony No. 104 In D Major 'London': Andante
Mass in D-flat Major: Gloria
String Quartet in C Major, Op. 76 No. 3 Emperor
The Creation: Chrous: 'The Heavens are Telling'
Austrian National Anthem
Cello Concerto In D Major, Hob. VIIb, No. 2: Moderato
Cello Concerto In D Major, Hob. VIIb, No. 2: Adagio
Cello Concerto In D Major, Hob. VIIb, No. 2: Allegro molto

Average customer rating:

more wonderous with each passing year
Pinnacle
The Perfect Storm
Parkening Play Bach and Plays Him Stunningly!
Masterpiece

Christopher Parkening plays Bach

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Fugues | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
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ASIN: B000002RNJ
Release Date: 1990-10-25

Tracks:

Canata 147: Jesu, Joy Of Man's Desiring
Sonata VI For Violin, E Major Partita: Gavotte
The Well-Tempered Clavier: Prelude I
The Well-Tempered Clavier: Prelude VI
The Well-Tempered Clavier: Prelude IX
Cantata 208: Sheep May Safely Graze
Prelude, Fugue And Allegro In E Flat Major For Clavier, Original For Lute): Prelude and Allegro
Cello Suite V: Gavotte I And II
Cello Suite VI: Gavotte I And II
Cantata 140: Sleepers, Awake
Parkening Plays Bach And Music Of Handel, Scarlatti, Couperin And Others: Sarabande And Variations
Samson: Minuet in D
Parkening Plays Bach And Music Of Handel, Scarlatti, Couperin And Others: Giga
Parkening Plays Bach And Music Of Handel, Scarlatti, Couperin And Others: Passacaglia
Ordres, Book II: Les Barricades mysterieuses
Parkening Plays Bach And Music Of Handel, Scarlatti, Couperin And Others: Preambulo And Allegro vivo

Customer Reviews:

more wonderous with each passing year.......2006-11-13

Most of the reviewers have said (and better than I can) what makes this album so special. I remember having this on cassette and wearing it out. People who have no interest (and sometimes I can't blame them...) in classical music might grow fond of this if they give it a try. You don't need any kind of background or knowledge, just a willingness to open your heart and ears to something so sublime it is beyond words. Bach is our true musical spiritual leader!

Pinnacle.......2005-10-24

I can't over-exaggerate the impact this album had on me when my Dad played it for me when I was about 6. It encouraged me to become a guitarist, and hearing it was my first truly profound musical experience that I can remember.

I love all kinds of music, but nothing has touched me like this album in the 19 years since then. Parkening's reading of Bach arranged for the classical guitar is flawless on this recording; no one, not even his mentor has matched it.

"Jesu, Joy of Man's Desiring", "Sheep May Safely Graze" and especially "Sleepers Awake" are the best renditions of these songs that I've heard, regardless of the arrangement. His control and dynamics are just staggering.

I can't explain where this album or music came from. It's my absolute favourite album. It's part of human evolution and the continually unfolding Great Work.

The Perfect Storm.......2005-04-07

The are times when the musician, the composer, and the instrument just match perfectly; this disc is an example of that.

Nevermind that Bach never wrote a single note for the guitar, many of his pieces actually work better on the guitar than they would the clavier. The guitar provides much more opportunity for the musician to impart emotion by varying volume and tone. And Parkening capitalizes on that opportunity beautifully.

His playing is clean, thoughtful, and competent. This is, in my opinion, clearly Parkening's best recording. I highly recommend it. (I also recommend his In the Spanish Style, another of my favorites).

Parkening Play Bach and Plays Him Stunningly!.......2005-02-18

I have loved this recording for over 20 years. I had it on vinyl and was thrilled when it was released in 1985 onto CD along with 6 extra cuts. Originally a Bach interpretive LP of 10 tracks, the CD release added 6 compositions from Couperin, Handel, Weiss, Scarlatti and Visee.

This is now a rare recording, so get it while you can. It's peaceful, highly skilled and simply Christopher Parkening, playing bare and alone, and shining like the sterling musician he is!

Masterpiece.......2003-09-24

The music of J. S. Bach seems to bring out the best in Christopher Parkening. Mr. Parkening understands Bach, and plays his music with grace, intelligence and sensitivity. He displays those qualities magnificently on this collection.

The selections here represent a wide variety of Bach pieces: portions of cantatas, solo cello works, and pieces from the Well-Tempered Clavier. All of the pieces are transcribed skillfully for solo guitar, and every track flows naturally into the next. Standouts among the Bach pieces include "Sheep May Safely Graze" and "Sleepers Awake"--two meditative cantata selections which were so brilliantly arranged and performed that you'd almost think they were originally written for guitar.

And the additional baroque works presented here are not just "filler." Mr. Parkening gives stunning performances of great pieces composed by baroque giants like Handel, and he closes the recording in great style, with a passionate performance of Scarlatti.

Music doesn't get more enjoyable than this.

Music Track: