Dvorak: No. 10 in E Flat major, OP.51 and No. 11 in C major, OP. 61

On this CD:

1. String Quartet No. 10 in E flat major, B. 92 (Op. 51)
Composed by Antonin Dvorak
Performed by Mark Butler, Chilingirian Quartet, Levon Chilingirian, Philip de Groot, Louise Williams

2. String Quartet No. 11 in C major, B. 121 (Op.61)
Composed by Antonin Dvorak
Performed by Mark Butler, Chilingirian Quartet, Levon Chilingirian, Philip de Groot, Louise Williams

Dvorak: No. 10 in E Flat major, OP.51 and No. 11 in C major, OP. 61, Music, Philip de Groot, Philip de Groote, Antonin Dvorak, Chilingirian Quartet, Louise Williams, Levon Chilingirian, Mark Butler, Chamber, Chamber Music & Recitals, Classical, Classical Composers, Classical Music, Quartet for Four String Instruments

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

Beginner or Expert.......2007-03-12

Very Informative and Enjoyable.......2006-11-20

Frank's view.......2006-08-19

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: breakdown by cd. I'm not a music expert

Dvorák: The Masterworks [Box Set] Manufacturer: Brilliant Classics ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Concertos | Forms & Genres | Classical | Styles | Music Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music | Divertimentos Romantic | Symphonies | Forms & Genres | Classical | Styles | Music Overtures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Tone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Requiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Cello | Strings | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music St. Louis Symphony Orchestra | ( S ) | Featured Performers, A-Z | Classical | Styles | Music General | Opera & Vocal | Styles | Music Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music Czech | Languages | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Dvorák, Antonín | ( D ) | Composers, A-Z | Classical Music Blowout | Stores | Music St. Louis Symphony Orchestra | ( S ) | Performers, A-Z | Classical Music Blowout | Stores | Music Opera & Vocal | Classical Music Blowout | Stores | Music Brilliant Classics | Amazon.com Label Stores | Stores | Music Similar Items: Mendelssohn: The Masterworks [Box Set] Vivaldi: The Masterworks (Box Set) Haydn: The Masterworks [Box Set] Brahms: The Masterworks (Box Set) Schubert: The Masterworks [Box Set] ASIN: B00062FLJW Release Date: 2004-11-30

Customer Reviews:

breakdown by cd........2007-01-14

I'm not a music expert.......2005-08-25

Average customer rating: Brilliant music, excellent performances Dvorak A little cold Music to get your blood flowing! The finest readings I have heard of these quartets

Dvorák: The String Quartets Manufacturer: Deutsche Grammophon ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music General Christmas | Holiday | Miscellaneous | Styles | Music Classical | Box Sets | Stores | Music Deutsche Grammophon: Music | Specialty Stores | Music General Christmas | Holiday Music | Special Features | Music Similar Items: Schubert: The String Quartets Brahms: Complete String Quartets, Quintets & Sextets Dvorák: The Symphonies Antonín Dvorák: Complete Piano Trios Haydn: Complete Piano Trios ASIN: B00002DEH4 Release Date: 2000-10-10

Tracks:

1. String Quartet No. 1 In A Major, Op. 2 B. 2: Andante - Allegro
2. String Quartet No. 1 In A Major, Op. 2 B. 2: Adagio affettuoso ed appassionato
3. String Quartet No. 1 In A Major, Op. 2 B. 2: Allegro schezando - trio
4. Finale - Allegro animato
5. In A minor: Quartet Movement: Andante appassionato

Tracks:

1. String Quartet No. 2 In B Flat Major, B. 17: Allegro ma non troppo
2. String Quartet No. 2 In B Flat Major, B. 17: Largo
3. String Quartet No. 2 In B Flat Major, B. 17: Allegro con brio
4. String Quartet No. 2 In B Flat Major, B. 17: Finale: Andante
5. 2 Waltzes, Op. 54 B. 105: Moderato
6. 2 Waltzes, Op. 54 B. 105: Allegro vivace
7. String Quartet In F Major, B. 120 (Fragment): Allegro vivace

Tracks:

1. String Quartet No. 3 In D Major, B. 18: Allegro con brio
2. String Quartet No. 3 In D Major, B. 18: Andantino
3. String Quartet No. 3 In D Major, B. 18: Allegro energico - Trio
4. String Quartet No. 3 In D Major, B. 18: Finale: Allegretto

Tracks:

1. String Quartet No. 4 In E Minor, B. 19: Velmi pohyblive a razne (Assai con moto ed energico)
2. String Quartet No. 4 In E Minor, B. 19: Andante religioso - attacca
3. String Quartet No. 4 In E Minor, B. 19: Allegro con brio
4. String Quartet No. 5 In F Minor, Op. 9 B. 37: Moderato
5. String Quartet No. 5 In F Minor, Op. 9 B. 37: Andante con moto quasi allegretto
6. String Quartet No. 5 In F Minor, Op. 9 B. 37: Tempo di valse
7. String Quartet No. 5 In F Minor, Op. 9 B. 37: Finale - Allegro molto

Tracks:

1. String Quartet No. 6 In A Minor, Op. 12 B. 40: Allegro ma non troppo
2. String Quartet No. 6 In A Minor, Op. 12 B. 40: Poco allegro
3. String Quartet No. 6 In A Minor, Op. 12 B. 40: Poco adagio
4. String Quartet No. 6 In A Minor, Op. 12 B. 40: Finale - allegro molto
5. String Quartet No. 7 In A Minor, OP. 16 B. 45: Allegro ma non troppo
6. String Quartet No. 7 In A Minor, OP. 16 B. 45: Andante cantabile
7. String Quartet No. 7 In A Minor, OP. 16 B. 45: Allegro scherzando - Trio
8. String Quartet No. 7 In A Minor, OP. 16 B. 45: Allegro ma non troppo

Tracks:

1. String Quartet No. 8 In E Major, Op. 80 B. 57: Allegro
2. String Quartet No. 8 In E Major, Op. 80 B. 57: Andante con moto
3. String Quartet No. 8 In E Major, Op. 80 B. 57: Allegro scherzando
4. String Quartet No. 8 In E Major, Op. 80 B. 57: Finale - Allegro con brio
5. String Quartet No. 9 In D Minor, Op. 34 B.75: Allegro
6. String Quartet No. 9 In D Minor, Op. 34 B.75: Alla polka: Allgretto scherzando - Trio: quasi l'istesso temo
7. String Quartet No. 9 In D Minor, Op. 34 B.75: Adagio
8. String Quartet No. 9 In D Minor, Op. 34 B.75: Finale - Poco allegro

Tracks:

1. String Quartet No. 10 In E Flat Major, Op. 51 B. 92: Allegro ma non troppo
2. String Quartet No. 10 In E Flat Major, Op. 51 B. 92: Dumka (Elegia): Andante con moto - Vivace
3. String Quartet No. 10 In E Flat Major, Op. 51 B. 92: Romanza: Andante con moto
4. String Quartet No. 10 In E Flat Major, Op. 51 B. 92: Finale - Allegro assai
5. String Quartet No. 11 In C Major, Op. 61 B. 121: Allegro
6. String Quartet No. 11 In C Major, Op. 61 B. 121: Poco adagio e molto cantabile
7. String Quartet No. 11 In C Major, Op. 61 B. 121: Scherzo: Allegro vivo - Trio: L'istess tempo
8. String Quartet No. 11 In C Major, Op. 61 B. 121: Finale - Vivace

Tracks:

1. String Quartet No. 12 In F Major, Op. 96 B. 179: Allegro ma non troppo
2. String Quartet No. 12 In F Major, Op. 96 B. 179: Lento
3. String Quartet No. 12 In F Major, Op. 96 B. 179: Molto vivace
4. String Quartet No. 12 In F Major, Op. 96 B. 179: Finale: Vivace ma non troppo
5. String Quartet No. 13 In G Major, Op.106 B. 192: Allegro moderato
6. String Quartet No. 13 In G Major, Op.106 B. 192: Adagio ma non troppo
7. String Quartet No. 13 In G Major, Op.106 B. 192: Molto vivace
8. String Quartet No. 13 In G Major, Op.106 B. 192: Finale: Andante sostenuto - Allegro con fuoco

Tracks:

1. String Quartet No. 14 In A Flat Major, Op. 105 No. 193: Adagio ma non troppo - Allegro appassionato
2. String Quartet No. 14 In A Flat Major, Op. 105 No. 193: Molto vivance
3. String Quartet No. 14 In A Flat Major, Op. 105 No. 193: Lento e molto cantabile
4. String Quartet No. 14 In A Flat Major, Op. 105 No. 193: Allegro non tanto
5. Cypresses, B. 152: Moderato
6. Cypresses, B. 152: Allegro ma non troppo
7. Cypresses, B. 152: Andante con moto
8. Cypresses, B. 152: Poco Adagio
9. Cypresses, B. 152: Andante
10. Cypresses, B. 152: Andante moderato
11. Cypresses, B. 152: Andante con moto
12. Cypresses, B. 152: Lento
13. Cypresses, B. 152: Moderato
14. Cypresses, B. 152: Andante maestoso
15. Cypresses, B. 152: Allegro scherzando
16. Cypresses, B. 152: Allegro animato

Customer Reviews:

Brilliant music, excellent performances.......2006-10-11

Dvorak.......2006-05-16

A little cold.......2006-01-16

Music to get your blood flowing!.......2005-11-24

The finest readings I have heard of these quartets.......2005-11-04

Average customer rating: Best I've ever heard

Antonín Dvorák: The String Quartets Manufacturer: Polygram Records ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Strings | Instruments | Classical | Styles | Music ASIN: B000001GC3 Release Date: 1990-07-24

Tracks:

1. Str Qrt no. 1 in A, op. 2B.8: Andante - Allegro
2. Str Qrt no. 1 in A, op. 2B.8: Adagio affettuoso ed appassionato
3. Str Qrt no. 1 in A, op. 2B.8: Allegro scherzando - Trio
4. Str Qrt no. 1 in A, op. 2B.8: Finale: Allegro animato
5. Quartettsatz: Andante appassionato in a: en la mineur (con sordino)

Tracks:

1. Str Qrt no. 2 in B-flat, B.17: Allegro, ma non troppo
2. Str Qrt no. 2 in B flat, B.17: Largo
3. Str Qrt no. 2 in B flat, B.17: Allegro con brio
4. Str Qrt no. 2 in B-flat, B.17: Finale: Andante-Allegro giusto-Allegro animato
5. 2 Walzees, op.54 B.105: Moderato
6. 2 Walzees, op.54 B.105: Allegro vivace
7. Str Qrt in F, B.120 (fragment): Allegro vivace

Tracks:

1. Str Qrt no. 3 in D, B.18: Allegro con brio
2. Str Qrt no. 3 in D, B.18: Andantino
3. Str Qrt no. 3 in D, B.18: Allegro energico - Trio
4. Str Qrt no. 3 in D, B.18: Finale: Allegretto

Tracks:

1. Str Qrt no. 4 in e, B.19: Velmi pohiblive a razne (Assai con moto ed energico)
2. Str Qrt no. 4 in e, B.19: Andante religioso
3. Str Qrt no. 4 in e, B.19: Allegro con brio
4. Str Qrt no. 5 in f, op. 9, B.37: Moderato
5. Str Qrt no. 5 in f, op. 9, B.37: Andante con moto quasi allegretto
6. Str Qrt no. 5 in f, op. 9, B.37: Tempo di valse
7. Str Qrt no. 5 in f, op. 9, B.37: Finale: Allegro molto

Tracks:

1. Str Qrt no. 6 in a, op. 12, B.40: Allegro ma non troppo
2. Str Qrt no. 6 in a, op. 12, B.40: Poco allegro
3. Str Qrt no. 6 in a, op. 12, B.40: Poco adagio
4. Str Qrt no. 6 in a, op. 12, B.40: Finale: Allegro molto
5. Str Qrt no. 7 in a, op. 16, B.45: Allegro
6. Str Qrt no. 7 in a, op. 16, B.45: Andante con moto
7. Str Qrt no. 7 in a, op. 16, B.45: Allegro scherzando
8. Str Qrt no. 7 in a, op. 16, B.45: Finale: Allegro con brio ma non troppo

Tracks:

1. Str Qrt no. 8 in E, op. 80, B.57: Allegro
2. Str Qrt no. 8 in E, op. 80, B.57: Andante con moto
3. Str Qrt no. 8 in E, op. 80, B.57: Allegro scherzando
4. Str Qrt no. 8 in E, op. 80, B.57: Finale: Allegro con brio
5. Str Qrt no. 9 in d, op. 34, B.75: Allegro
6. Str Qrt no. 9 in d, op. 34, B.75: Alla Polka
7. Str Qrt no. 9 in d, op. 34, B.75: Adagio
8. Str Qrt no. 9 in d, op. 34, B.75: Poco allegro

Tracks:

1. Str Qrt no. 10 in E-flat, op. 51, B.92, "The Slavonic": Allegro, ma non troppo
2. Str Qrt no. 10 in E-flat, op. 51, B.92, "The Slavonic": Dumka - Elegia
3. Str Qrt no. 10 in E-flat, op. 51, B.92, "The Slavonic": Romanza
4. Str Qrt no. 10 in E-flat, op. 51, B.92, "The Slavonic": Finale: Allegro assai
5. Str Qrt no. 11 in C, op. 61, B.121: Allegro
6. Str Qrt no. 11 in C, op. 61, B.121: Poco adagio e molto cantabile
7. Str Qrt no. 11 in C, op. 61, B.121: Scherzo: Allegro vivo
8. Str Qrt no. 11 in C, op. 61, B.121: Finale: vivace

Tracks:

1. Str Qrt no. 12 in F, op. 96, B.179, "The American": Allegro, ma non troppo
2. Str Qrt no. 12 in F, op. 96, B.179, "The American": Lento
3. Str Qrt no. 12 in F, op. 96, B.179, "The American": Molto vivace
4. Str Qrt no. 12 in F, op. 96, B.179, "The American", Finale: Vivace ma non troppo
5. Str Qrt no. 13 in G, op. 106, B.192: Allegro moderato
6. Str Qrt no. 13 in G, op. 106, B.192: Adagio, ma non troppo
7. Str Qrt no. 13 in G, op. 106, B.192: Molto vivace
8. Str Qrt no. 13 in G, op. 106, B.192: Finale: Andante sostenuto - Allegro con fuoco

Tracks:

1. Str Qrt no. 14 in A-flat, op. 105, B.193: Adagio, ma non troppo - Allegro appassionato
2. Str Qrt no. 14 in A-flat, op. 105, B.193: Molto vivace
3. Str Qrt no. 14 in A-flat, op. 105, B.193: Lento e molto cantabile
4. Str Qrt no. 15 in A-flat, op. 105, B.193: Finale: Allegro, non tanto
5. Cypresses B.152: 1. Ja vim, ze v sladke nadeji: Moderato
6. Cypresses B.152: 2. V tak mnohem srdci mrtvo jest: Allegro ma non troppo
7. Cypresses B.152: 3. V te sladke moci oci tvych: Andante con moto
8. Cypresses B.152: 4. O, nasi lasce nekvete to vytouzene stesti: Poco Adagio
9. Cypresses B.152: 5. Zde hledim na tvuj drahy list: Andante
10. Cypresses B.152: 6. O, zlata ruze spanila: Andante con moto
11. Cypresses B.152: 7. Kol domu se ted potacim: Andante con moto
12. Cypresses B.152: 8. Zde v lese u potoka: Lento
13. Cypresses B.152: 9. O, duse draha, jedinka: Moderato
14. Cypresses B.152: 10. Tam stoji stara skala: Andante maestoso
15. Cypresses B.152: 11. Nad krajem vevodi lehky spanek: Allegro scherzando
16. Cypresses B.152: 12. Ty se ptas, proc moje zpevy: Allegro animato

Customer Reviews:

Best I've ever heard.......2006-04-12

Average customer rating: Ouch ! Too many wrong notes ...

Dvorak: No. 10 in E Flat major, OP.51 and No. 11 in C major, OP. 61 Manufacturer: Chandos ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Chilingirian String Quartet | ( C ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music ASIN: B000000AKK Release Date: 1992-10-28

Tracks:

1. Str Qt No.10 in E-flat Op.51: I. Allegro ma non troppo
2. Str Qt No.10 in E-flat Op.51: II. Dumka (Elegie). Andante con moto - Vivace
3. Str Qt No.10 in E-flat Op.51: III. Romanze. Andante con moto
4. Str Qt No.10 in E-flat Op.51: IV. Finale. Allegro assai
5. Str Qt No.11 in C Op.61: I. Allegro
6. Str Qt No.11 in C Op.61: II. Poco Adagio e molto cantabile
7. Str Qt No.11 in C Op.61: III. Allegro vivo
8. Str Qt No.11 in C Op.61: IV. Finale. Vivace

Customer Reviews:

Ouch ! Too many wrong notes ..........2001-02-20

Average customer rating:

Dream Melodies (Collectors Edition) (Box Set) Manufacturer: Delta ProductGroup: Music Binding: Audio CD Minuets | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music Octets | Chamber Music | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Boccherini | Boccherini, Luigi | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Brahms | Brahms, Johannes | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Bruch | Bruch, Max | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music General | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Frederick the Great | Frederick the Great | ( F ) | Featured Composers, A-Z | Classical | Styles | 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Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music ASIN: B00008L42H Release Date: 2003-02-13

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Dvorák: String Quartets (Complete) Manufacturer: Supraphon ProductGroup: Music Binding: Audio CD Quartets | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music General | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music ASIN: B0009VKRW6 Release Date: 2005-08-02

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Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Ballets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Theatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music French Horn | Brass | Instruments | Classical | Styles | Music Trumpet | Brass | Instruments | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Piano | Keyboard | Instruments | Classical | Styles | Music Clarinet | Reeds & Winds | Instruments | Classical | Styles | Music Flute | Reeds & Winds | Instruments | Classical | Styles | Music Oboe | Reeds & Winds | Instruments | Classical | Styles | Music Violin | Strings | Instruments | Classical | Styles | Music Berlin 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Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music ASIN: B00008MH9V Release Date: 2003-02-13

Average customer rating: There were greater talents. This Is No Lesson in Economics... CLASSICAL MUSIC AT ITS MOST EXPENSIVE (AND BEST) It's actually not so expensive A Superb Reissue

The Rubinstein Collection (Limited Edition) [Box Set] Manufacturer: RCA ProductGroup: Music Binding: Audio CD Dances | Ballets & Dances | Classical | Styles | Music Mazurkas | Ballets & Dances | Classical | Styles | Music Polonaises | Ballets & Dances | Classical | Styles | Music Waltzes | Ballets & Dances | Classical | Styles | Music Quartets | Chamber Music | Classical | Styles | Music Quintets | Chamber Music | Classical | Styles | Music Trios | Chamber Music | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music All Works by J.S. 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Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Ballets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Villa-Lobos, Heitor | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Symphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music Organ | Keyboard | Instruments | 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Stores | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music ASIN: B00001O2XZ Release Date: 1999-10-26

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Customer Reviews:

There were greater talents........2005-05-30

This Is No Lesson in Economics..........2004-10-10

CLASSICAL MUSIC AT ITS MOST EXPENSIVE (AND BEST).......2003-05-30

It's actually not so expensive.......2001-06-06

A Superb Reissue.......2000-04-30

RCA deserves to be commended on going the extra mile and releasing ALL of the authorized Rubinstein recordings, well organized and superbly remastered in this comprehensive edition. Hopefully, RCA will also release the individual volumes for those who are not completists or who simply cannot afford the entire set. True, this set is at full price. A source who was connected with this reissure has told me that RCA planned to issue the set at mid price, but the cost of this mammoth edition went far overbudget--and the full price was dictated by their production costs. Certainly, the money was well spent. The ramastering, particularly in the earlier recordings, must be heard to be believed. The packaging, documentation, and liner notes are all first class.

It is fascinating to trace Rubinstein's evolution as an interpreter--from the devil-may-care early days through the mature recordings of the 1950s, into the 1970s, when his playing on record tended to be a bit cautions.

Hopefully, the cost of producing this magnum opus and the reported slow sales it has been getting will not deter RCA from producing more boxed sets of Horowitz and many of the other artists in the RCA vaults. Bravo, RCA!

Music Track:

1. Dvorak:Quartet Op.16/Cypresses
2. Für Elise and Other Piano Favourites
3. Fabio Armiliato, Tribute to Verdi
4. Felix Mendelssohn: String Quartets 1 & 2
5. Gletle: Celebremus cum gaudio
6. Gregorian Chant (Vol. 3): Requiem
7. Guitar with Rain Sounds: Rainbow Colors
8. Hommage: A Tribute to Clara Haskil and Dinu Lipatti
9. In Honour of Our Lady
10. Joplin: The Entertainer

Music Track

music track

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