La Nuit

On this CD:

1. Pieces (2) for piano (for left hand alone), Op. 9
Composed by Alexander Nikolayevich Skryabin
Performed by Joaquin Achucarro

2. Estampes, for piano, L. 100 La soirée dans Grenade
Composed by Claude Debussy
Performed by Joaquin Achucarro

3. Berceuse, for piano
Composed by Alexander Ilyinsky
Performed by Joaquin Achucarro

4. Nocturne for piano in E flat major, Op. 9/2, CT 109
Composed by Fryderyk Chopin
Performed by Joaquin Achucarro

5. Petite Suite for piano Serenade
Composed by Alexander Borodin
Performed by Joaquin Achucarro

6. Petite Suite for piano Nocturne
Composed by Alexander Borodin
Performed by Joaquin Achucarro

7. Feux d'artifices, prelude for piano, L. 123/12
Composed by Claude Debussy
Performed by Joaquin Achucarro

8. Nocturne for piano in F major, Op. 15/1, CT 111
Composed by Fryderyk Chopin
Performed by Joaquin Achucarro

9. Kinderszenen No. 7 ("Träumerei"), for piano, Op. 15/7
Composed by Robert Schumann
Performed by Joaquin Achucarro

10. La sérénade Interrompue, prelude for piano, L. 117/9
Composed by Claude Debussy
Performed by Joaquin Achucarro

11. Nocturne for piano in C sharp minor, Op. 27/1, CT 114
Composed by Fryderyk Chopin
Performed by Joaquin Achucarro

12. Ritual Fire Dance (from "El Amor brujo"), for orchestra and various arrangements Danse rituelle du feu
Composed by Manuel de Falla
Performed by Joaquin Achucarro

13. Preludes (3) for piano Prelude No. 2
Composed by George Gershwin
Performed by Joaquin Achucarro

14. Liebesträume, notturno for piano in A-flat major No. 3 (O Lieb, so lang du lieben kannst), S. 541/3 (LW A103/3)
Composed by Franz Liszt
Performed by Joaquin Achucarro

15. Nocturne No. 4 for piano in C minor ("Bal fantôme"), FP 56/4
Composed by Francis Poulenc
Performed by Joaquin Achucarro

16. Nocturne, lyric piece for piano, Op. 54/4
Composed by Edvard Grieg
Performed by Joaquin Achucarro

17. Clair de lune, for piano, L. 75/3
Composed by Claude Debussy
Performed by Joaquin Achucarro

La Nuit, Music, Alexander Borodin, Fryderyk Chopin, Claude Debussy, Manuel de Falla, George Gershwin, Edvard Grieg, Alexander Ilyinsky, Franz Liszt, Francis Poulenc, Robert Schumann, Alexander Scriabin, Joaquín Achúcarro, Chamber Music & Recitals, Character/Single-Movement/Miscellaneous Work for Keyboard, Classical, Classical Artists, Classical Music, Keyboard, Keyboard Work for One Hand, Keyboard Work with Descriptive or Unclassified Title, Music for Keyboard, Nocturne for Keyboard, Orchestral, Orchestral Music, Prelude for Keyboard, Suite/Partita for Keyboard
The Chorus (Les Choristes)
Average customer rating: 5 out of 5 stars
  • Amazing children's voices
  • Great Music
  • THE CHORUS CD
  • Great music, but missing some songs from the movie
  • a wonder
 The Chorus (Les Choristes)
Bruno Coulais
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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  1. The Chorus (Les Choristes)
  2. The Motorcycle Diaries
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ASIN: B0002OWY3K
Release Date: 2005-01-04

Tracks:

  1. Les Choristes
  2. In Memoriam
  3. L'Arrivee a L'Ecole
  4. Pepinot
  5. Vois sur ton Chemin
  6. Les Partitions
  7. Caresse sur L'Ocean
  8. Lueur d'Ete
  9. Cerf-Volant
  10. Sous la Pluie
  11. Compere Guilleri
  12. La Desillusion
  13. La Nuit
  14. L'Incendie
  15. L'Evocation
  16. Les Avions en Papier
  17. Action Reaction
  18. Seuls
  19. Morhange
  20. In Memoriam A Cappella
  21. Nous sommes de Fond de l'Etang

Amazon.com

Already a box office sensation with a million-selling soundtrack in its native France, writer/director Christopher Barratier's tale of a post-war music teacher's lasting impact on his young charges rode its formulaic Hollywood roots all the way to Academy Award and Golden Globe nominations as Best Foreign Language Film, as well as an Oscar nod for Best Song ("Look To Your Path [Vois Sur Ton Chemin]," a collaboration between the director and film composer Bruno Coulais). Taking his inspiration from the boy's chorus at the center of the film's drama, Coulais has concocted a masterful, classically rooted score that showcases the crystalline, youthful harmonies of Les Petits Chanteurs de Saint-Marc Choir. The composer bridges the baroque and modern eras in a collection of mostly Latin choruses and chants, a skillful, often haunting fusion that also netted Coulais' compelling score BAFTA and Cesar Awards in Britain and his native France, respectively. -- Jerry McCulley

Album Description

The Chorus (Les Choristes), written and directed by Christophe Barratier, is already a French cinema phenomenon. The modestly budgeted film about a music teacher in a post-war France who wins over the troubled students at a boarding school arrived in French theatres last summer with little advance hype. Defying industry expectations, this affecting tale proceeded to break box-office records. The soundtrack to The Chorus (Les Choristes) features performers by the Lyon-based Petits Chanteurs de Saint Marc and several haunting solo turns by 13 year-old boy soprano Jean-Baptiste Maunier, who also portrays the youthful protagonist of the film.

Customer Reviews:

5 out of 5 stars Amazing children's voices.......2007-05-14

This CD has been in the player in my kitchen ever since it arrived and has been played many times, and no one in the family is tired of it. The children's voices are wonderful, the pieces are beautiful, the harmonies haunting. A longtime favourite for sure.

5 out of 5 stars Great Music.......2007-05-11

The CD is so enjoyable. The music is beautiful. I can not say enough good about it. The orchestra and choir are outstanding. The move is also wonderful, French with subtitles. I heard the CD when I was visiting a friend in Germany. I ordered the CD and movie as soon as I arrived back in the States. Such beautiful melodies and performance quality of the highest standard.

5 out of 5 stars THE CHORUS CD.......2007-05-07

Excellent CD! Good sound reproduction and excellent music. Makes you feel like you are watching the movie again! Angelic young voices singing beautiful French choral pieces. Beautiful and relaxing.

4 out of 5 stars Great music, but missing some songs from the movie.......2007-02-25

I rented this movie last year, and really enjoyed it. However, when I bought the CD, I discovered it was missing my favorite song from the movie. However, the songs on the album are absolutely beautiful.

5 out of 5 stars a wonder.......2007-01-19

this collection of music is one of the finest things which i have ever listened to. the movie is equally beautifull.
Le Pas Du Chat Noir
Average customer rating: 5 out of 5 stars
  • Lovely
  • truly unique
  • absolutely essential (FJB/O!-music 2006)
  • Mediterranean Music
  • excellent music
 Le Pas Du Chat Noir
Anouar Brahem
Manufacturer: Ecm Records
ProductGroup: Music
Binding: Audio CD

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  1. Le Voyage de Sahar
  2. Astrakan Cafe
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ASIN: B00006EXHT
Release Date: 2002-08-27

Tracks:

  1. Le Pas Du Chat Noir
  2. De Tout Ton Coeur
  3. Leila Au Pays Du Carrousel
  4. Pique-nique A Nagpur
  5. C'est Ailleurs
  6. Toi Qui Sait
  7. L'arbre Qui Voit
  8. Un Point Bleu
  9. Les Ailes Du Bourak
  10. Rue Du Depart
  11. Leila Au Pays Du Carrousel, Var.
  12. Deja La Nuit

Amazon.com

The Tunisian oud master Anouar Brahem has chosen to work in a trio setting this time out, accompanied by Francois Couturier on piano and Jean-Louis Matinier on accordion. Brahem states in the liner notes that these pieces were actually composed on the piano, emerging while he was taking a much-needed short break from his primary instrument. While Pas de Chat Noir ("The Black Cat's Footsteps") is a change of pace, it is a not a terribly remote detour. Brahem is still in his favorite space, exploring the power of implication, and the other players are in synch with his vision. All three participants sound muted, relating to one another in parallels rather than in a heated dialogue. The result is a spacious, romantic pastiche of Farid El-Atrache, Astor Piazzolla, Keith Jarrett, 19th- and 20th-century French impressionists (especially Eric Satie), plus shades of every strung-out, enervated, after-hours nightclub jam that ever was. --Christina Roden

Customer Reviews:

5 out of 5 stars Lovely.......2007-05-20

This is a beautiful CD, filled with a musical style which defies categorization. Evocative of Eric Satie's work for the piano, this album is a hypnotic mix of Middle Eastern and Western sounds - part jazz, part classical. This is one of those purchases which I am glad I went the extra mile to find.

5 out of 5 stars truly unique.......2007-05-19

It is hard to describe this unusual CD. Hauntingly peaceful are two words that come to mind.Relaxing and calming are two more. Simply beautiful also.

5 out of 5 stars absolutely essential (FJB/O!-music 2006).......2006-11-26

Anouar Brahem is an artist of incredible vision and talent. This recording, is one of his best.

In the notes to the CD, Brahem is quotes as saying that after recording his THIMAR album, the resulting physical and artistic exhaustion caused him to set aside his oud for a while - something he said he had never before done. Turning his musical ideas and expression to his piano, Brahem created the pieces recorded here. When he took these ideas into the studio (and taking his oud along with him), along with colleagues François Coutourier (piano) and Jean-Louis Matinier (accordion), his ideas were brought beautifully to fruition. The result is one of the most beautiful recordings I have ever heard.

The pieces having been written on the piano, that instrument takes the lead - but the oud and the accordion have a lot to say as well, and their voices blend effortlessly with that of the keyboard. Brahem is a master not only at composition and performing, but, in his arrangements, and in the very choosing of his accompanying musicians, shows a brilliance that is breathtaking. Through the various groupings that he has assembled on his recordings, he endows his music with a strength and scope that is stunning - it takes on a life of its own, and grows far beyond whatever boundaries smaller minds might employ to contain it by definition.

This is 'world music' in the deepest, spiritual sense of the phrase - political frontiers are vanquished and erased, while cultures are honored, respected and mingled.

Brahem's last album, ASTRAKAN CAFÉ, alluded to this meeting and convergence of styles - with each successive release, Brahem furthers his cause (and that of the open-minded, eager-to-explore listener). Each and every track included here is an absolute gem. Approach this album with an open mind and ear, and marvel at the journey on which you are to be led.

This is an absolutely essential recording.

5 out of 5 stars Mediterranean Music.......2006-11-03

One of the best CDs I have ever bought. Many asked who was playing when I played it. I purchased 4 more for friends. Soothing and rich. if you like Arabic music infused with French touch of accordion.

5 out of 5 stars excellent music.......2006-03-23

The music on this CD has a beautifully interweaving combination of instuments. The lovely melodies are simple and complex at the same time, and evoke pleasant reverie. Everyone we have played it for enjoyed it very much.
Susan Graham - La Belle Époque (The Songs of Reynaldo Hahn)
Average customer rating: 5 out of 5 stars
  • Susan Graham, Songs of Reynaldo Hahn
  • Excellent Catalyst for Seduction. Buy It.
  • Graham's Artistry Makes for Compelling Listening in a Collection of Songs from a 'Minor' Composer
  • The beauty of "La Belle Époque"
  • A very good Hahn collection
 Susan Graham - La Belle Époque (The Songs of Reynaldo Hahn)
Reynaldo Hahn , Susan Graham , and Roger Vignoles
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000AG7M
Release Date: 1998-09-15

Tracks:

  1. A Chloris
  2. Le Rossignol des lilas
  3. L'Enamour
  4. Trois Jours de vendage
  5. Lyde
  6. Tyndaris
  7. Phyllis
  8. Les Fontaines
  9. L'Automne
  10. Infidelit
  11. Dans la nuit
  12. D'une prison
  13. Quand la nuit n'est pas teoilee
  14. Fume
  15. Le Printemps
  16. Je me souviens
  17. Quand je fus pris au pavillion
  18. Paysage
  19. Fetes galantes
  20. Nocturne
  21. Mai
  22. L'Heure exquise
  23. Offrande
  24. Si mes vers avaient des ailes

Amazon.com

Lyric mezzo-soprano Susan Graham stands out from the crowd for her expressive, opulent voice and communicative gifts. Someone at Sony has made the decision to place her in the public mind primarily as a singer of French works, and although it would be a shame to see her limited to that area of the repertoire, she does sing the French repertoire exceptionally. Graham sings sensitively and idiomatically in this group of 24 songs by Reynaldo Hahn (1875-1947), a Venezuelan-born, French-reared composer and conductor who knew how to craft a song like few others. In such lovely songs as "A Chloris," which opens the album, and "Je me souviens," Hahn creates a bevy of beautiful little worlds, which Graham and the outstanding pianist Roger Vignoles present in memorable form. This album belongs in the collection of all lovers of song. --Sarah Bryan Miller

Customer Reviews:

5 out of 5 stars Susan Graham, Songs of Reynaldo Hahn.......2007-01-10

Stunning. The sticker on the front of the CD (New York Times quote) says it all: "breathtaiking and unforgettable!".

5 out of 5 stars Excellent Catalyst for Seduction. Buy It........2006-05-19

'La Belle Epoque, The Songs of Reynaldo Hahn' by mezzo-soprano Susan Graham, accompanied by pianist, Roger Vignoles, is much different from my earlier subject of a Graham Review, some songs from Berlioz. The Berlioz material struck me as a concerto for orchestra and voice. This was excellent material for to wow a mate on a first date. Reynaldo Hahn's chamber songs are for much more intimate venues and objectives. Even more than any other 'Lieder' or 'Chansom' specialist I can think of, these are the sorts of things you want to use when the object is seduction.

The songs are so gentle and so seductive that they are as likely to set the tone for the seducer as well as for the seductee. Even if you are not in a seductive situation, the songs will make you want to be there.

All this means is that while Reynaldo Hahn does not have the great reputation of Berlioz or Shubert or Schuman or Debussy, you really should know his songs, and Ms. Graham does a great interpretation to make this introduction.

5 out of 5 stars Graham's Artistry Makes for Compelling Listening in a Collection of Songs from a 'Minor' Composer.......2006-02-27

This was only Graham's second solo outing, and for many listeners it confirmed the promise of her d?but recording of "Les Nuits d'?t?" -- an unusual accomplishment for a relatively minor project.

I know the songs of Reynaldo Hahn from a number of worthy recordings from other artists -- Rachel Yakar, Martyn Hill, Bruno Laplante, Mady Mespl?, Graham Johnson & Co. (the Hyperion French Song Edition), one-offs on Elly Ameling albums, not to mention vintage recordings by Hahn himself. All the same, this recording was a complete revelation. Her beauty of tone, her ease with the French language (surpassing, I daresay, the much-vaunted Francophony of Felicity Lott), her canny selection of songs, Vignoles's sensitive accompaniment, they all add up. But there's that (ahem) je-ne-sais-quoi that makes something a classic, and this album has it. It captures an era, it creates a time and place that come wafting out of your speakers.

My favorite song on this record is "Si la nuit n'est pas ?toil?e" -- it is a rapturous melody to a quintessential Victor Hugo text. But there is nary a false note on the entire album. I do recommend, if you can find it, the Ameling album "Serenata," which includes two Hahn songs I haven't encountered elsewhere, "L'amiti?" with its faint melancholy and "La vie est belle" with its French ?lan.

As we know, Graham has gone on to much bigger things, but she retains her commitment to the art of song and to breathing fresh life into French rarities (as in her delightful operetta album). In terms of tone, timbre, and intonation, for my money she has the most beautiful voice in opera today. My only hope is that she doesn't go the way of Ren?e Fleming and become The Voice Beautiful ... she veered a bit in that direction with her recent Chausson record, and I hope she gets back to business and gets her vivid personality back in action in her song performances.

5 out of 5 stars The beauty of "La Belle Époque".......2005-09-13

This is one of the most beautiful vocal recordings I have recently experienced. The songs of Reynaldo Hahn are beautiful gems exquisitly presented by the polished voice of Susan Graham. I have gone back to this recording many times.

4 out of 5 stars A very good Hahn collection.......2004-12-05

Venezuelan-born Reynaldo Hahn was taken to Paris at age 3, and became, early enough (his most famous song, Si mes vers avaient des ailes, was composed when he was 12!) a steady feature in the musical life of Paris.

Lover of Marcel Proust, sought-after musical entertainer in the salons of the Highest Society, diarist, composer, singer, renowned conductor, influential music writer in the most powerful daily in France (Le Figaro) finally General Manager of the Opéra Comique before dying of a brain tumor in 1947, Hahn was a multi-faceted musician of the highest probity. His songs are simple, patrician, utterly elegant, and always set to the best poetry. His simplicity and purity of means accomplish in little what many pretentious thunderers fail even to approximate.

Hahn himself had a light little baritone voice, a little croak of a voice, really, with which he became popular in high society drawing rooms before the First World War: a voice that charmed duchesses and made the most reserved princesses smile. He even made some 50 records between 1920 and 1930, which show his unique, expressive musicality, unfailing sense of phrasing, elegance of style, and fine piano-playing (He almost invariably accompanies himself.)

Hahn's own 78s, and a very few others by the likes of Ninon Vallin, give a clear recorded testimony of how his songs ought to be performed: simply, elegantly, with charm.

Graham is a lovely singer and a supple musician. Her French is not exactly top-notch but most people will not care: they will respond to her beautiful sound and endearing manner. The pianist is also good.
The Very Best of Franco Corelli
Average customer rating: 5 out of 5 stars
  • If you love beautiful voices...
  • If you want to know Corelli's art, this is the right CD
  • excellent gift
  • Greatest Tenor of This Century!
  • Ah... Franco :}
 The Very Best of Franco Corelli

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008V5VV
Release Date: 2003-04-22

Tracks:

  1. A Te, O Cara
  2. Meco All' Altar Di Venere... Me Protegge, Me Difende
  3. Ah Si, Ben mio...De Quella Pira
  4. Se Quel Guerrier Io Fossi!...Celeste Aida
  5. Pur Ti Riveggo, Mia Dolce Aida
  6. Intanto Amici... Viva Il Vino Spumeggiante
  7. Mamma, Quel Vino E Generoso
  8. Recitar!... Vesti La Giubba
  9. No, Pagliaccio Non Son
  10. Colpito Qui M'avete...Un Di All'azzuro Spazio
  11. Credo A Una Possanza Arcana
  12. Legray!... Andrea Chenier!...Si, Fui Soldato
  13. Come Un Bel Di Di Maggio
  14. Vicino A Te

Tracks:

  1. Donna Non Vidi Mai
  2. Recondita Armonia
  3. E Lucevan Le Stelle
  4. Non Piangere, Liu... Ah! Per L'ultima Volta!
  5. Nessun Dorma
  6. Favorita Del Re!... Spirto Gentil
  7. Cielo E Mar
  8. L'anima Ho Stanca
  9. Non Lunge Della Torre... Bianca Al Par Di Neve Alpina
  10. Ange Adorable
  11. L'amour, L'amour.. Ah! Leve-Toi, Soleil!
  12. O Nuit Divine!
  13. C'est La! Salut! Tombeau!
  14. Fronde Tenere... Ombra Mai Fu
  15. Ave Maria
  16. Domine Deus
  17. Core 'Ngrato
  18. Torna A Surriento

Customer Reviews:

5 out of 5 stars If you love beautiful voices..........2007-04-30

and passionate singing, you won't be disappointed. While Corelli certainly had his flaws, they are minor in the larger picture of this unique, magnificent force of nature. Then get this set for your friend who thinks Andrea Bocelli is a great tenor.

5 out of 5 stars If you want to know Corelli's art, this is the right CD.......2007-03-10

Franco Corelli had one of the powerful tenor voices of the twentieth century. Think Mario del Monaco with more beauty and grace; think Richard Tucker with a smoother voice. He had annoying touches in his singing, such as those "catches" here and there. But, with Tucker, he is, in my estimation, one of the two most powerful and attention riveting tenors in the past century. Other tenors were more artistic, provided better characterization (think Domingo, Gigli, Pavarotti, Gedda, Caruso, and some others).

But Corelli was a wonder of nature! Some samples: "Ah si, ben mio. . .Di quella pira." If there were an aria made for Corelli, this would be it. His big, rich, powerful voice fits this cut nicely. Not much subtlety here. In "Di quella pira," he hits the high notes in a stentorian manner. There are those mannerisms, but they are so easily forgiven, taking into account that rich, lustrous voice.

"Celeste Aida" is another representative cut. This is a powerful version. Also, note how he goes from forte to piano at the end of this aria. A powerful effect indeed.

Then, there are the twin arias from "Tosca." In "Recondita armonia," his rich voice is well manifest. He exhibits a smooth line in his singing. This is a powerful version of this well known aria. "E lucevan le stele" displays again that rich voice. At one point, he goes from forte to piano in a mesmerizing manner (Who'd have thought it?). His final "la vita" grabs one's attention.

Finally, "Nessun dorma." Well, smoothly, and powerfully sung. The final "vincero" is powerfully rendered, leaving goose bumps on the spine.

This is the very best of Franco Corelli. Those who want to get a sense of the vocal prowess of one of the most powerful tenors of the 20th century should attend to this double CD set.

5 out of 5 stars excellent gift.......2007-02-09

I gave it to my father and he says Its an amazing cd.

5 out of 5 stars Greatest Tenor of This Century!.......2007-02-03

Franco Corelli is the greatest tenor of this century. Although there are many fine tenors including Carlo Bergonzi - no tenor comes close to singing with the pure heart and animal magnetism of Franco Corelli. Surprisingly, he was also quite comfortable with bel canto, listen to the incredible "A te o'cara". I've heard "Nessun Dorma" sung by many excellent tenors and hands down, none can touch the sublime beauty of Corelli's version. This 2cd set of his greatest arias is a wonderful gift for any opera fan. "Recondita Armonia" is my personal favorite. His thrilling vocal beauty and intensity of performance is truly unforgettable.

5 out of 5 stars Ah... Franco :}.......2007-01-10

Such a pleasing voice. I can't believe the clarity and perfection. He was well before my time and others have become more 'popular' since then, but for some reason his voice seems better than the more current singers. I do not know much about opera so I will have to rely only on my own ears. I happily recommend this double album. I like to have it playing on the 5 CD changer with other opera cds, mixing through them...it is a perfect saturday morning accompaniment. enjoy.
Ravel: Piano Works
Average customer rating: 5 out of 5 stars
  • Outstanding performance
  • tour de force
  • Ravel Piano Works- Pascal Roge
  • Beautiful Works, Excellent Performance
 Ravel: Piano Works

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Debussy: Piano Works
  2. Satie: Piano Works
  3. Ravel: The Piano Concertos; Valses nobles et sentimentales
  4. After the Rain...The Soft Sounds of Erik Satie
  5. Liszt: Favourite Piano Works

ASIN: B00000422W
Release Date: 1994-11-15

Tracks:

  1. Gaspard de la nuit: I Ondine
  2. Gaspard de la nuit: II Le Gibet
  3. Gaspard de la nuit: III Scarbo
  4. Valses nobles et sentimentales: I Modere, tres franc
  5. Valses nobles et sentimentales: II Assez lent, avec une expression intense
  6. Valses nobles et sentimentales: III Modere
  7. Valses nobles et sentimentales: IV Assez anime
  8. Valses nobles et sentimentales: V Presque lent, dans un sentiment intime
  9. Valses nobles et sentimentales: VI Vif
  10. Valses nobles et sentimentales: VII Moins vif
  11. Valses nobles et sentimentales: VIII Epilogue, lent
  12. Jeux d'eau
  13. Miroirs: I Noctuelles
  14. Miroirs: II Oiseaux tristes
  15. Miroirs: III Une barque sur l'ocean
  16. Miroirs: IV Alborada del gracioso
  17. Miroirs: V La Vallee des cloches

Tracks:

  1. Sonatine: I Modere
  2. Sonatine: II Mouvement de menuet
  3. Sonatine: III Anime
  4. Le tombeau de Couperin: I Prelude
  5. Le tombeau de Couperin: II Fugue
  6. Le tombeau de Couperin: III Forlane
  7. Le tombeau de Couperin: IV Rigaudon
  8. Le tombeau de Couperin: V Menuet
  9. Le tombeau de Couperin: VI Toccata
  10. Prelude
  11. Menuet sur le nom d'Haydn
  12. A la maniere de Borodine
  13. Menuet antique
  14. Pavane pour une infante defunte
  15. A la maniere de Chabrier
  16. Ma Mere L'Oye: Pavane de la Belle au bois dormant
  17. Ma Mere L'Oye: Petit Poucet
  18. Ma Mere L'Oye: Laideronnette, imperatrice des pagodes
  19. Ma Mere L'Oye: Entretiens de la Belle et de la Bete
  20. Ma Mere L'Oye: Le Jardin feerique

Customer Reviews:

5 out of 5 stars Outstanding performance.......2005-11-29

I have to concur with Del Dotto's opinion in the yr 2000, this is as close to definitive as possible.
But why stop at just 1 excellent recording, also consider Jean Efflam Bavouzet on the MDG label. As well another definitive recording (yes its possible to have more than just one definitive) is Alexandre Tharaud's recent recording on Harmondo Mundi.

Pascal Rouge, a true master in Ravel, a very rare talent in the recording industry.


5 out of 5 stars tour de force.......2005-04-20

Pascal Roges recordings of Ravels great piano works serves as a honest mark of the music that never was, but perhaps might have been. Gently capturing the sheltered aura of pre-novelite Chopin, whilst endowing the music with the acousto-eco-hyperbolies of Keats, this recording is not to be missed. one can almost sense the tragic embrace that beheld Toffy and Dolly in that one moment, that one eternal moment. Ah. I shall never forget it. Ravels piano works are, in all senses, composures of 20th century modernity, suffused with the country-stylised effects of, say, Emmylou Harris, and the impecably marked greenhouse-jubilance connecting all the pieces in one final exotic anti-frenzy makes certain implications on ones ability to hate. I dont hate this cd, for example. the best pieces are Jeux d'eau, what a hit! and Le Tombeau de Couperin. Buy this cd and you will/wont be very very happy.

4 out of 5 stars Ravel Piano Works- Pascal Roge.......2002-08-30

Having searched for ages for a definitive recording of the Impressionistic Masterpiece "Gaspard de la Nuit", I found it in this CD. Roge plays the technical inferno of Ondine and Scarbo with flawless taste and passion. This recording would rival that of Martha Argerich's famous recording of Gaspard that has long been thought to be the best. The Tombeau and Sonatine are also very nicely done. Sometimes however, with the smaller lesser known pieces such as the Minuet, you get the sense that he is sightreading, not truely feeling the music. Nevertheless this is a must have.

5 out of 5 stars Beautiful Works, Excellent Performance.......2002-08-27

Together with the 2CD set of Debussy's piano works, these two albums are master recordings of the finest impressionist piano music. Pascal Roge has an astonishing control of the sound of the piano, and can bring out a beautiful palette of various tone colours and moods, orchestrating the piano and creating a dreamworld of sensations. Listen to the wonderful suite Gaspard de la Nuit, the marvellous sonatine (especially the second movement), and of course the mirroirs... This album is a must!
Prokofiev, Ravel: Piano Concertos, etc / Martha Argerich
Average customer rating: 4 out of 5 stars
  • treasured
  • Easily one of the finest releases of the Deutsche Grammophon catalog
  • Miraculous!
  • The young Argerich--fresh and completely without affectation
  • Beautiful rendition
 Prokofiev, Ravel: Piano Concertos, etc / Martha Argerich

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001GQQ
Release Date: 1996-05-14

Tracks:

  1. Konzert fur Klavier und Orchester Nr.3 C-dur op.26: 1. Andante - Allegro
  2. Konzert fur Klavier und Orchester Nr.3 C-dur op.26: 2. Thema. Andantino - Variations I. L'istesso Tempo - Var.2.Allegro - Var.3. - Allegro moderato - Var.4.Andantino meditativo - Var.5.Allegro giusto - Thema.L'istesso tempo
  3. Konzert fur Klavier und Orchester Nr.3 C-dur op.26: 3. Allegro ma non troppo
  4. Konzert fur Klavier und Orchester G-dur - In G Major: 1. Allegramente
  5. Konzert fur Klavier und Orchester G-dur - In G Major: 2. Adagio assai
  6. Konzert fur Klavier und Orchester G-dur - In G Major: 3. Presto
  7. Gaspard de la nuit - Trois poemes pour piano d'apres Aloysius Bertrand: 1. Ondine. Lent
  8. Gaspard de la nuit - Trois poemes pour piano d'apres Aloysius Bertrand: 2. Le Gibet. Tres lent
  9. Gaspard de la nuit - Trois poemes pour piano d'apres Aloysius Bertrand: 3. Scarbo, Modere

Amazon.com essential recording

This is the original Prokofiev/Ravel concerto coupling as it appeared on LP; the Prokofiev has also been coupled with the Tchaikovsky First Concerto. I prefer this edition since superb performances of the Ravel are less common. The young (1967) Martha Argerich plays the Prokofiev for maximum brilliance but leavens the Ravel with the composer's ironic lyricism. It's very effective. The bonus is one of the greatest performances of the Ravel piano suite ever recorded, but it leaves me wondering what will happen to the remainder of the original LP. All those solo Ravel pieces should be in the catalog; as Argerich plays them, they offer a primer on what keyboard color is all about. --Leslie Gerber

Customer Reviews:

5 out of 5 stars treasured.......2007-06-05

I won't go at length about this CD's every refinement, but the Adagio assai on ravel's concerto is easily the best I have ever heard. It is possibly the best collaboration between orchestra/conductor and the pianist of any work. Abbado and Argerich just clicked. It's magic. That does not come along often, even with the masters.

5 out of 5 stars Easily one of the finest releases of the Deutsche Grammophon catalog.......2007-05-24

It's criminal that DG waited almost thirty years to reissue these excellent recordings as a compact disc edition. Never mind the middling late Karajan discs or all this overwrought Lang Lang tripe that they're defecating into mass-production these days - this 1967 release is the finest of many stunning collaborations between Argerich and Abbado at the distinguished helm of the BPO.

The first of the two piano concertos on this disc is Prokofiev's third, and it's undoubtedly one of the best of either Argerich's or Abbado's respective careers. The performance ebbs and flows naturally with note-perfect precision and vibrant (but never overstated), colorful dynamics. Argerich has a keen understanding of any composer's more playful sensibilities, which is why her intuition has always been especially keen when interpreting repertoire works that express such wit by the likes of Prokofiev. Cliché as it is, the only complaint that one could direct at this recording is that it's too short - after three thrilling, relatively brief movements, one is left breathless, but wanting even more. If a better performance of this work has been committed to disc, I'm not familiar with it. Argerich's 1998 recording (paired with Dutoit) is good but nowhere close to this, and the Prokofiev/Coppola recording available from Naxos suffers from the age and deterioration of its' source; given such a poor recording, many aspects of that terrific performance are impossible to evaluate.

The recording of the Ravel piano concerto is almost as thrilling as that of the Prokofiev concerto, and for all the same reasons. Both pianist and orchestra tackle the amusing inventions that Ravel invested in this remarkable piece. The three part form of the second movement is especially well navigated, something that can't be said of many other performances of this composition.

The expanded storage capacity of the CD format permits another recording in addition to the two of the original Prokofiev/Ravel LP: Argerich's amazing 1974 performance of Ravel's "Gaspard de la nuit." If any recording presents this composition as the one of the most difficult of the standard repertoire and Argerich as one of the finest pianists of her generation, it's this one. Both technically and expressively, it is almost incomparably superb, only surpassed by Pogorelich's brilliant equivalent. Argerich exhibits a curious insight pertaining to Ravel's unique, macabre adaptation of Bertrand's poem, and her execution of what Ravel called a "caricature of romanticism" does this insight justice. The speed and tonal color produced in her performance of the infamously difficult "Scarbo" movement is almost inhuman, and must be heard to be believed. This recording was originally released on LP along with numerous other excellent Ravel solo piano works such as "Valses nobles et sentimentales" and "Sonatine." Most of those other recordings are available on different DG compilations, and the inclusion of "Gaspard" succeeding the two concertos on this disc feels appropriate.

It should be mentioned that DG might regain some of its' straying audience if the label chose to reissue DVDs of the many excellent live performances and music videos that it released over the course of it's long and storied existence, instead of so many pointless, worthless, pretentious albums by pop star morons-turned-fake classicists like Sting and Elvis Costello. The music videos for this disc's recording of "Gaspard de la nuit" were especially interesting - curious little films that capably presented symbolist iconography related to the source material as well as video footage of Argerich's light-speed fingers. I've seen enough of these videos in poor quality on YouTube to know that a sufficient number of them exist to pad out a DVD that any sighted Argerich fan would be willing to view, and probably pay for.

Like most of the discs in DG's "The Originals" reissue series, the remastering of these recordings is adequate, but hardly exceptional. The original recordings of the concertos were a bit too bright (almost harsh), and the remastered versions fix this while rendering the soft passages a bit too subdued. Overall, this is a fair trade-off. At the cut price, you can't possibly go wrong with this phenomenal release.

5 out of 5 stars Miraculous!.......2007-05-12

The collaboration between Argerich and Abbado is impressive. Argerich is at her best. A must for your classical collection.

5 out of 5 stars The young Argerich--fresh and completely without affectation.......2007-02-25

The few complainers about this famous recording have slipped fra down the list here at Amazon, and what's striking is that the things they hate about Argerich (mannered phrasing, overly aggressive attack, rushing, banging) are the very things we don't get here. Ms. Argerich can display a reckless, hectoring style, but at her best--as here--she's full of imagination, wit, and an uncanny ability to see beneath the surface of the score.

I can only second everyone else's high praise for the Prokofiev and Ravel concertos, which are spellbinding, as well as for her Gaspard de la Nuit, which is staggeringly virtuosic and original. Abbado conducts with gusto and style, if not the greatest nuance, and only the somewhat dated sonics detract (marginally) from a recording that has remained in print for forty years.

4 out of 5 stars Beautiful rendition.......2007-01-03

The piano concertos by Prokofiev and Ravel are played brilliantly and the quality of the recording is all right, though it could be better (which cost this recording a star). A real treat, both Argerich and the orchestra show great timing and dynamics.
Both sound and interpretation of Gaspard de la nuit do not match the recording by Alexandre Tharaud (Ravel: l'oeuvre pur piano). Still I wholeheartedly recommend this album.
Midori ~ Encore!
Average customer rating: 4.5 out of 5 stars
  • A+
  • Even for a trained jazz musician who thinks classical artists are overhyped, this stands out as one of the best albums.
  • Fantastic
  • Enjoyable listening
  • very interesting
 Midori ~ Encore!
Fritz Kreisler , Niccolo Paganini , Christoph Willibald Gluck , Cesar Cui , Grazyna Bacewicz , Edward Elgar , Dmitry Shostakovich , Antonin Dvorak , Sergey Prokofiev , Pyotr Il'yich Tchaikovsky , Karol Szymanowski , Pablo de Sarasate , Gabriel Faure , Alexander Nikolayevich Skryabin , Bela Bartok , Eugène Ysaye , Midori (Goto) , and Robert McDonald
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000028N1
Release Date: 1992-12-08

Tracks:

  1. Praeludium and Allegro (in the style of Pugnani)
  2. Habanera, Op. 21, No. 2
  3. Cantabile
  4. Kaleidoscope: Orientale, Op. 50, No. 9
  5. Oberek, No. 2
  6. Salut d'Amour
  7. Miniature Viennese March
  8. 24 Preludes, Op. 34: No. 10 - Moderator non tropp
  9. 24 Preludes, Op. 34: No. 15 - Allegretto
  10. 24 Preludes, Op. 34: No. 16 - Andantino
  11. 24 Preludes, Op. 34: No. 24 - Allegretto
  12. Chanson de matin, Op. 15, No. 2
  13. Introduction et Tarentelle
  14. Slavonic Dance in E minor, Op. 46, No. 2 (B 170)
  15. The Love For Three Oranges: March
  16. Souvenir d'un lieu cher: Melodie, Op. 42, No. 3
  17. Mythes, Op. 30: La FOntaine d'Arethuse
  18. Syncopation
  19. Orfeo ed Euridice: Melodie ('Dance Of The Blessed Spirits')
  20. Berceuse, Op. 16
  21. Etude in Thirds, Op. 8, No. 10
  22. Romanian Folk Dances, Sz 56: Dance With Sticks - Allegro moderato
  23. Romanian Folk Dances, Sz 56: Waistband Dance - Allegro
  24. Romanian Folk Dances, Sz 56: Stamping Dance - Andante
  25. Romanian Folk Dances, Sz 56: Hornpipe Dance - Molto moderato
  26. Romanian Folk Dances, Sz 56: Romanian Polka - Allegro
  27. Romanian Folk Dances, Sz 56: Quick Dance - Allegro
  28. Reve d'enfant, Op. 14

Customer Reviews:

5 out of 5 stars A+.......2007-05-10

To say that I love this disc would be an understatement. I have probably listened to it 500 times. To comment on just a few of the tracks...
The "Praeludium and Allegro" is definitely the best recording anyone (except maybe Kreisler!) has ever done. The praeludium, which is almost all quarter notes, is often just blindly sawed out. Midori treats each note individually. The allegro is also nice - not rushed at all. The staggeringly difficult Skryabin-Szigeti "Etude in Thirds" tossed off with impeccable technique and spotless intonation. Sarasate's "Habanera" sparkles with a decisive 'Spanish' flavor. Elgar's "Chanson de Matin" is just plain beautiful. Also nice are inclusions of some numbers not heard hardly ever, including Bacewicz's "Oberek #2" mazurka and the Shostakovich preludes. Robert McDonald, definitely one of the best, is the able pianist for all the numbers.

5 out of 5 stars Even for a trained jazz musician who thinks classical artists are overhyped, this stands out as one of the best albums........2007-04-11

Let's be honest--any kid with a violin who ever set foot in a conservatory thinks (s)he's a prodigy, the next Mehta or Yo Yo Ma, while they play the same old tired music everyone else plays, exactly as the greats play it, with hardly a shred of originality that doesn't arise out of an inability to replicate the 'masters' as well as their CD players (and that goes for jazz musicians too, but they don't get as snobby about it). The musicians who are truly great don't have any sort of attitude about their playing or their music--they just play, and they play anything, and it's great.

Midori has been one such great artist from early on. She simply had the knack. You would still want to listen to her if she was half as skilled. Every decent musician practices assiduously, seeks out the best people to learn from, makes sacrifices in life just for the chance to play for a living (even weddings and strip clubs if need be), but few have 'the knack.'

I don't know if Midori has a similar story, nor does it really matter in terms of actually making music. I know her parents moved from Osaka to the States with her when she was about ten just so she could pursue her potential--as all great students have great parents. I'm sure she didn't just pop out of the womb playing violin. But, like I wrote above, she's got the knack that you can't get through practice or training. She's just plain great.

Yes, I'm bored by classical music in general. I like 'good' music regardless of style though, and this album is so far beyond good that it belongs in whatever collection of immortal artist you may have--say: Miles Davis, Joe Henderson, Johnny Cash, Billy Joel, Ella Fitzgerald, Aretha Franklin, Shaka Khan, Luther Vandross, and--even if you have no other classical music in your collection--Midori.

4 out of 5 stars Fantastic.......2006-08-11

Midori produces some amazing sounds out of her violin!
You cant go wrong with Encore! Shes brilliant.

3 out of 5 stars Enjoyable listening.......2005-09-24

I enjoyed this cd especially the first three pieces. Midori played Sarasate and Paganini pretty well.

4 out of 5 stars very interesting.......2005-09-13

I as watching (and listening!) her play live in Dubrovnik this summer. In this record she is equally brilliant as she is when playing live!
Gottschalk: A Night in the Tropics
Average customer rating: 4.5 out of 5 stars
  • A worthwhile contribution to musical history
  • Just plain fun
  • Enjoyable and Fun Taste of America!
  • Weak Music
  • light, fun music
 Gottschalk: A Night in the Tropics

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Gottschalk, Louis MoreauGottschalk, Louis Moreau | ( G ) | Composers, A-Z | Classical Music Blowout | Stores | Music
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Similar Items:
  1. Louis Moreau Gottschalk: Piano Music
  2. A Gottschalk Festival
  3. Gottschalk: Works for piano solo, four hands & with orchestra
  4. Gottschalk: Piano Music
  5. Gottschalk: Piano Music for 2 and 4 hands

ASIN: B00004D3IV
Release Date: 2000-02-22

Tracks:

  1. Celebre Tarantelle, Op. 67, No.5
  2. Souvenir de Porto Rico, Marche des Gibaros
  3. The Dying Poet, Meditation
  4. Tournament Galop
  5. O! ma charmante
  6. Le Bananier, Chanson Negre
  7. Manchega, Etude de Concert
  8. Celebre Tarantelle, Op. 67, No.4
  9. Berceuse (Cradle Song)
  10. Symphonie romantique, 'A Night In The Tropics': I Noche en los Tropicos
  11. Symphonie romantique, 'A Night In The Tropics': II Festa Criolla

Customer Reviews:

4 out of 5 stars A worthwhile contribution to musical history.......2006-06-29

The reviewers who complain of "naive" and "weak" orchestration should read the liner notes. The orchestrations are not Gottschalk's, mostly, but those of Richard Rosenberg, artistic director of the Hot Springs Music Festival. And while it may seem easy to blast Rosenberg, Gottschalk was no master of orchestration himself. I played in the Hot Springs Music Festival Orchestra this summer, including recording more Gottschalk (as well as Nazareth and Bares) for Naxos, and I promise that Gottschalk's treatment of Mehul's "Grande Chasse de Jeune Henri," which will soon be released on Naxos, will leave no doubt in your mind that Gottschalk was right to restrict most of his activity to the piano. (More proof that Gottschalk was indeed the the "Chopin of the Creoles")
At any rate, this series of recordings seems to me a worthwhile historical project. There is some really beautiful music on these discs, in addition to some music that really need never have been revived. In any case, the listener to this disc will find some enjoyment, little offense, and much food for thought about the development of American musical culture.

5 out of 5 stars Just plain fun.......2004-12-13

I'm not sure how other reviewers could have found this music weak and naive--too much Schönberg, maybe? Or maybe they were trying to delve its musical profundity, when in fact this music isn't profound and doesn't claim to be. It's just energetic, fun music from a composer who wasn't content to color within the Classical-era lines. If you can imagine "Creole Classical," in fact, that's a good description of this CD. Although the bulk of the album consists of rollicking showtunes (most of which feature the piano as the dominant instrument, since most of the songs are orchestral arrangements of piano pieces), there are some surprisingly tender, lyrical moments as well. The whole album is imbued with an intriguingly pre-Jazz flavor that combines with the classical structure to create some of the best moments in American music: catchy, energetic and always entertaining. For those moments when Beethoven (or Schönberg) is too much depth for one day, this CD is the perfect alternative... particularly at this price.

5 out of 5 stars Enjoyable and Fun Taste of America!.......2002-04-30

Every once in a while, I like to buy a CD of a composer I'm not familiar with (and with NAXOS's low prices, why not?). When I got home and listened to this one, once wasn't enough. I listened twice through. This CD is real fun!!

In his day, Gottschalk was called "the Chopin of Creoles." Most of his writing was for the piano and this CD is generally short piano pieces arranged for orchestra. The music mixes strong folk melodies and New Orleans Creole inspired syncopation with the European Classical tradition- the result being a distinctly american divertimenti.

The music as a whole is very motif oriented with a touch of variation and some interesting arrangement twists. While and orchestral CD, the piano gets a lot of attention, giving us some nice interplay between the two.

The only complaint I have is that the CD was recorded at a music festival where professional musicians are playing side by side with selected 'pre-professionals.' I'm not a snob and normally it wouldn't bother me, but Gottschalk's unusual syncopation tends to be unprofessionally slopppy at times. Fortunately, any mistakes are in the supporting insturments. No star shall be subtracted because NAXOS has done such a great job giving us a quality CD at a good price.

1 out of 5 stars Weak Music.......2002-04-24

Upon listening to this CD I understand why Gottschalk is noted mainly for his piano compositions. I found the whole CD weak musically and the orchestration naïve. It seems as if these pieces are piano works that want to be orchestral compositions when they grow up.

I have several other CDs by this conductor, not sure of his credentials, who seems on a mission to champion the music of the unknown composers. While I applaud his work in bring the music of composers of color to the public's attention I must say that there are many more notable Black and Hispanic composers who deserve to have their music played before we go dipping into this well of musical obscurity.

I think that this conductor needs to ask himself something that many musicologist ask before wasting time on second rate composer: why is a composer's music not known in the first place?

5 out of 5 stars light, fun music.......2000-07-29

this CD is one of the best in the "american classics" series i have heard. the playing is warm, playful and full of energy.

these delightful compositions for orchestra and piano seem almost timeless. again thanks to naxos for bringing this largely unknown composer's talent to a modern audience at a steal!
Véronique Gens - Nuit d'étoiles (Mélodies Française) / Vignoles
Average customer rating: 5 out of 5 stars
  • Lovely
  • An unexpected glimpse of happiness.
  • Enchanting recital of French Melodies
  • Nuit d'toiles - Melodies Francaises/ Gens, Vignoles
  • An Outstanding Vocal Performance
 Véronique Gens - Nuit d'étoiles (Mélodies Française) / Vignoles
Gabriel Fauré , Claude Debussy , Francis Poulenc , Véronique Gens , and Roger Vignoles
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Véronique Gens ~ Berlioz - Les Nuits d'été · La mort de Cléopatre
  2. Poulenc - Melodies / Ameling · Gedda · W. Parker · Sénéchal · Souzay · Baldwin
  3. Reneé Fleming & Jean-Yves Thibaudet - Night Songs (Fauré, Debussy, Marx, Strauss, Rachmaninov)
  4. Tragédiennes
  5. Joseph Canteloube: Chants d'Auvergne

ASIN: B00003ZKR9
Release Date: 2000-04-11

Tracks:

  1. Apres un reve, Op. 7 No. 1
  2. Sylvie, Op. 7 No. 3
  3. Au bord de l'eau, Op. 8 No. 1
  4. Lydia, Op. 4 No. 2
  5. Le papillon et la fleur, Op. 1 No.1
  6. Mandoline, Op. 58 No. 1: 5 Melodies de Venise
  7. Clair de lune, Op. 46, No. 2
  8. Les berceaux, Op. 23 No. 1
  9. 3 Chansons de Bilitis: I. La flute de Pan
  10. 3 Chansons de Bilitis: II. La chevelure
  11. 3 Chansons de Bilitis: III. Le tombeau des Naiades
  12. Fetes galantes: I. En sourdine
  13. Fetes galantes: II. Fantoches
  14. Fetes galantes: III. Clair de lune
  15. Nuit d'etoiles
  16. Beau soir
  17. Fleur des bles
  18. La Belle au bois dormant
  19. Noel des enfants qui n'ont plus de maison
  20. BANALITES: I. Chanson d'Orkenise
  21. BANALITES: II. Hotel
  22. BANALITES: III. Fagnes de Wallonie
  23. BANALITES: IV. Voyage a Paris
  24. BANALITES: V. Sanglots
  25. 2 Melodies de Guillaume Apollinaire: I. Montparnasse
  26. 2 Melodies de Guillaume Apollinaire: II. Hyde Park
  27. Les chemins de l'amour - valse chantee

Customer Reviews:

4 out of 5 stars Lovely.......2005-08-30

I recommend this to any art-song lover, and really, anybody at all. Gens does an excellent performance of a great collection of beautiful French songs. Her voice is enjoyable all the way, she has great expression, and a convincing mastery of the genre.

5 out of 5 stars An unexpected glimpse of happiness........2001-07-21

Stendhal wrote that "the sight of anything extremely beautiful, in nature or in art, brings back the memory of what one loves, with the speed of lightning. That is, ... all that is beautiful and sublime in the world takes part in the beauty of what one loves, and this unexpected glimpse of happiness immediately fills the eyes with tears. This is how love of the beautiful and love give each other life." This is what Ms. Gens will do to you when you listen to this CD.

5 out of 5 stars Enchanting recital of French Melodies.......2000-07-07

This is a most enjoyable release, all the more so because Veronique Gens, who is generally considered a baroque specialist on the lyric stage, may well be a torch-bearer of the elusive art of the French song in the coming decades. The voice of Gens, which is solid and well-integrated with an alluring dash of vibrancy embedded therein, is eminently suited to the repertoire represented in this new Virgin Classics release. Her secure technique (just a hint of strain in one or two high notes) also renders it possible for her to fine down her voice in the ending of phrases to a charming effect. Being a native French speaker certainly helps, too. Although hers is perhaps not the most strongly-etched of readings, she is able to inflect the text intelligently, and her subtle but heart-felt stresses on particular words not only serve to illuminate the poetic prose, but also meld beautifully with the notes that she sing.

The CD opens with songs by Faure, and while Gens may not possess the charm and naturalness of utterance of Maggie Teyte, whose recordings of Faure's songs are, in the opinion of this reviewer, unsurpassable, she can conjure up the right kind of feeling for every song as no one can. Her tempo for the popular "Apres un reve" is a trifle too laid back. Yet, she conveys to perfection the dream-like quality of the song, as well as the sense of confusion and regret at awakening. Her singing of "Le papillon et la fleur" is delightfully vivid, and her evocation of the feeling of sadness being kept in restraint in "Les berceaux" makes the performance both intimate and touching.

The Debussy group is no less impressive. Despite the innovative idiom in which most of these songs are composed, Gens is able bring them off effortlessly and stylishly. She is in total command whether in the serenity of "Beau soir", the romanticism of "Nuit d'etoiles", the rustic charm of "Fleur des bles", or the harrowing grimness of "Noel des enfants qui n'ont plus de maison", the last one composed when Debussy was being haunted by the atrocities of the Great War. In "Fetes galantes I", although the vocal and piano parts are often independent of each other, Gens's remarkable interpretation succeeds in unifying the two strands into a picturesque and colourful whole. The "3 Chansons de Bilitis", which are composed very much in the style of PELLEAS ET MELISANDE, also find an ideal interpreter in Gens where, blessed with a keen sense of rhythm, she succeeds in propelling the texts forward with musical grace and dramatic import. She would surely make a wonderful Melisande.

The Poulenc is equally fine. The young soprano is able to do full justice to the diverse moods in "Banalites", which, according to Olivier Opdebeeck, who penned the CD notes, is composed in a "part-melancholy, part-joyful tone with a barb of irony which the composer identified in the poet". The "2 Melodies de Guillaume Apollinaire" are sharply contrasted, one (Montparnasse) languid and brooding and the other (Hyde Park) gusty and piquant. Gens's singing of "Les chemins de l'amour", a cross between a Viennese waltz and a cabaret song, is loveliness itself and provides a delicious end to an enchanting recital.

The major reservation that this reviewer has involves the accompaniment of Roger Vignoles. While he is able to provide secure support for the singer, his playing is uncharacterful and even bland. Besides, the piano tone seems to be rather thin at times. Nonetheless, this should not detract one from the sensuous beauty of Gens's performance. This reviewer hopes that Virgin Classics would be encouraged by the success of this release so that they can present this most promising singer in further volumes of French songs by, say, Chausson, Ravel and Duparc.

5 out of 5 stars Nuit d'toiles - Melodies Francaises/ Gens, Vignoles.......2000-06-13

Not being a professional, but loving the genre of French melodies I'll avoid technical commentary; I have become a collector of these in recent years and find this one extremely satifying and appreciate the variety this CD presents.

5 out of 5 stars An Outstanding Vocal Performance.......2000-05-01

This ranks as one of the very best recordings of French 'melodies' that I have yet heard. Unlike most other singers, Gens gives the words drama and meaning. Too many singers perform these works in a detached 'artistic' manner that often makes them all sound almost alike. I say this not to belittle Gens' voice (which is superb), but to indicate that this disk will take you beyond the 'standard' interpretations of these works. I had a chance to compare one of the melodies with another recent recording by Schafer, another singer whom I respect Both were being featured in a local record store. It was hard to realize they were actually singing the same piece. I recently saw Gens perform much of the same program at a recital in NYC. This was the best recital I had heard in a very long time (I go to many). The disk is almost as good. It suffers a bit from a very unnatural recorded sound: the microphone is much too close to the singer and the piano is much too forward. Also the accompaniest in NYC was clearly better. Nevertheless, it would be hard to find a better recorded performance. The more I listen to the disk, the less I notice these drawbacks. The choice of repetoire is also well done. I particularly liked the Debussy 'Trois chansons de Bilitis.' She ends with 'Les chemins de l'amour' which Poulenc wrote for Jean Anouilh's play 'Leaocadia'. This has become very popular outside the normal recital circuit. If you get only one disk of French melodies, this is the one to get.
Opera's Greatest Duets
Average customer rating: 5 out of 5 stars
  • Excellent selections
 Opera's Greatest Duets

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Most Famous Opera Duets
  2. Operas Greatest Moments / Domingo, Price, Caballé, Kraus, Norman, Lanza
  3. Opera's Greatest Love Songs
  4. Great Operatic Duets
  5. Bellezza vocale ~ Beautiful Opera Duets

ASIN: B000003FRB
Release Date: 1994-09-27

Tracks:

  1. Otello: Gia nella notte
  2. Les pecheurs des perles: Au fond du temple saint
  3. Il Trovatore: Se m'ami ancor ... Ai nostri monti
  4. Don Giovanni: La ci darem la mano
  5. Madama Butterfly: Scuoti quella fronda (Flower Duet)
  6. La forza del destino: Solenne In quest'ora
  7. La Boheme: O soave fanciulla
  8. Les Contes d'Hoffmann: Belle nuit (Barcarolle)
  9. Don Carlo: E lui! desso! l'Infante! ... Dio, che nell'alma infondere
  10. Porgy And Bess: Bess, You Is My Woman Now
  11. La Traviata: Parigi, o cara
  12. La Boheme: In un coupe? ... O Mimi, tu piu non torni
  13. Norma: Mira, o Norma
  14. Otello: Ah! mille vite ... Si, pel ciel marmoreo giuro!

Customer Reviews:

5 out of 5 stars Excellent selections.......2001-12-26

Excellent opera selections. Good range of different operas. The singers themselves are well known. Highly recommended to anyone getting into classical music.

Music Track:

  1. Leó Weiner: Piano Music, Vol. 2
  2. Leo: Diana Amante
  3. Lindberg & Friends Play Lindberg
  4. Manuel M. Ponce: Complete Works for Guitar, Vol. 1
  5. Mario del Monaco
  6. Martinu: Nonet No2; Rondes H200
  7. Mercandante: Messa a tre voci
  8. Messe pour un siècle nouveau
  9. Moniuszko: Canons
  10. Moussorgski: Tableaux d'une exposition; Une nuit sur le Mont Chauve

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