Two Hymn-Tune Preludes - Bryden Thomson

On this CD:

1. Symphony No. 8 in D minor
Composed by Ralph Vaughan Williams

Conducted by Bryden Thomson

2. Eventide, hymn-tune prelude for small orchestra No. 1 in G major
Composed by Ralph Vaughan Williams

Conducted by Bryden Thomson

3. Fantasia on Greensleeves, for harp, flute, & strings (arranged by R. Greaves; from the opera Sir John In Love)
Composed by Ralph Vaughan Williams

Conducted by Bryden Thomson

4. Partita for double string orchestra
Composed by Ralph Vaughan Williams

Conducted by Bryden Thomson

Tracks:

Air 'On the G String' - Academy Of St. Martin In The Fields
Morning - Academy Of St. Martin In The Fields
Canon In D - Academy Of St. Martin In The Fields
Jesu, Joy Of Man's Desiring - Academy Of St. Martin In The Fields
Gymnopedie No.1 - City Of Birmingham Symphony Orchestra
II. Andante - Stephen Hough
Viens, Mallika - Mady Mesple
In Paradisum - Choir Of King's College, Cambridge
Clair De Lune - Dame Moura Lympany
II. Andate - Yehudi Menuhin
The Swan - Osian Ellis
II. Lento E Largo - Tranquillissimo - Zofia Kilanowicz
II. Andantino - James Galway
II. Largo - Yehudi Menuhin
Nimrod - London Symphony Orchestra
Blow the Wind - Pie Jesu - Jocelyn Pook
Variation 18 - Cecile Ousset
Pavane Op.50 - Gareth Morris

Tracks:

Zion Hort Die Wachter Singen - South German Madrigal Choir
Adagio In G Minor - Academy Of St. Martin In The Fields
Minuet - Academy Of St. Martin In The Fields
II. Largo - Andrei Gavrilov
Meditation - Hans Kalafusz
I. Adagio Sostenuto - Dame Moura Lympany
Belle Nuit, O Nuit D'amour (Barcarolle) - Elisabeth Schwarzkopf
II. Andante - Nigel North
II. Adagio - Jack Brymer
Intermezzo - Philharmonia Orchestra
I. Moderato - London Chamber Orchestra
O Mio Babbino Caro - Montserrat Caballe
Fantasia On 'Greensleeves' - Sinfonia Of London
II. Adagio Sostenuto (Opening) - Cecile Ousset
Nocturne - Academy Of St. Martin In The Fields
II. Adagio (Opening) - Julian Bream
Adagio For Strings Op.11a - The Philadelphia Orchestra
Entr'acte To Act III - Orchestre National De France

Amazon.com

You want relaxing classical music that'll soothe your soul but won't lull you into sleep? Here's a double CD for you. The Most Relaxing Classical Album in the World ... Ever! does its best to cover both well-worn classical favorites (Bach's "Air on the G String," Pachelbel's "Cannon," Debussy's "Clair de Lune") and some eclectic left-field choices (an excerpt from Górecki's Symphony No. 3, Jocelyn Pook's "Blow the Wind," and Samuel Barber's Adagio for Strings. The performances of most of these excerpts are top-notch--artists include Sir Neville Marriner, James Galway, Jacqueline du Pré and the Philadelphia Orchestra--and there's enough variety here for everyone. --Edward Garabedian

Customer Reviews:

Lives Up To The Title, Fine Variety Of Genre's........2007-02-04

This CD is a great way to enjoy a large variety of Classical Composers & many of their best known pieces. Vivaldi's "Four Seasons," is an all time favorite. There are vocals, Piano pieces, & some fine Violins. I found the latter the most enjoyable. Here you can find Rodrigo & Pachelbell. Samuel Barber's haunting Adagio will make your skin tingle. This may not be to everyones taste, but if you wish to relax? Give this a couple of listens.

Good for relaxing pregnant women.......2007-01-17

I stumbled onto this album whilst searching bit torrent websites for classical music. I don't normally listen to classical music but thought it might be relaxing for my pregnant wife. After hearing the quality of the performances, the arrangement, and the recording I decided to buy the album from amazon. All the songs you would expect from a "best album in the world" are there and they are not boring to listen to like a lot of other classical albums. I now play this album in the car constantly and the wife requested it be played at the hospital during the birth.

Too much opera.......2007-01-10

If it wasn't for the opera this would be a great CD.

Does what it set out to do, very well.......2006-11-15

So i'm a classical music veteran, someone who prefers to collect a complete work, rather than classical compilations. I probably would not have listened to this album at all if my dad didnt buy it for me as a gift. By now, i own the complete works that over half of the excepts on this disc come from. I am a purist if ever there was one.

That said, i totally adore this set because i have learned to take it on its own terms. These discs weren't meant for expert classical listeners, so a review from that sort of mindset is useless. This set was meant for pure, easy listening, and for a basic starters kit for classical newbies. Most of all, it was just meant to do what the title says, to relax the average human being. classical expert or not.

Yes, some of these pieces have been altered or shortened, like Mozart's Flute and Harp Concerto Andantino, but they have been edited for a good enough reason: the full versions would have been too long to flow with the rest of the album. And also, the full versions contain so much development that they don't become easy listening anymore. The shortened versions work in the context of the album. Most essentially, the shortened versions on the discs still convey the main flavor the composers were going for. The melodies and themes remain unchanged.

To sum up, it is true that when i want to actually listen deeply to classical music, this album would never be a choice. I would want to hear the complete works like the composers intended. But at certain times when i simply don't mind about that stuff, when i just need to loosen up and free my mind of stress with some nice melodies, this set does the job well enough.

Last but not least: being a purist and a classical buff, i am very particular about performance quality. I was very glad to find that EMI did not get lazy about this. All the artists are world-class, and all the performances are at least exceptional. Some performances are even quite excellent, like the Clair De Lune, which is one of the best i've heard. (Credit to Dame Lympany, the pianist.)

So once again, recommended for its stated purpose, to relax. I am a purist, a classical buff, and i still enjoy this disc. That says something.

TRULY The most relaxing and beautiful music ever written........2006-11-10

This album along with Volume 2 are now the two most valued albums in my music collection. I have all of the songs contained on these two albums but they are scattered through at least a dozen different albums and several are not performed by artists such as those that recorded this album and Volume 2.
SIMPLY BEAUTIFUL !!!!!!!!!!

Vaughan Williams: The Nine Symphonies; Job (Box Set)

Average customer rating:

RESTORES ONE'S FAITH IN HONEST MUSIC MAKING
Excellence throughout

Vaughan Williams: The Nine Symphonies; Job (Box Set)

Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Vaughan Williams: Symphonies 1-9 / Boult
Vaughan Williams: Complete Concertos
Bax: The Symphonies
Kurt Atterberg: The Symphonies (Box Set)
Bliss: A Colour Symphony; The Enchantress; Cello Concerto

ASIN: B00006J3LP
Release Date: 2002-11-06

Tracks:

A Sea Symphony
A London Symphony
Symphony No. 8 In D Minor
English Folk Song Suite
A Pastoral Symphony
Symphony No. 4 In F Minor
Flos Campi
Oboe Concerto In A Minor
Symphony No. 5 In D
Symphony No. 6 In E Minor
Symphony No. 9 In E Minor
Fantasia On "Greensleeves"
Serenade To Music
Partita For Double String Orchestra
Sinfonia Antartica
Fantasia On A Theme By Thomas Tallis
Five Variants Of Dives And Lazarus
Job - A Masque For Dancing

Customer Reviews:

RESTORES ONE'S FAITH IN HONEST MUSIC MAKING.......2007-03-29

Thank God for Tod Handley. I vividly recall a year or two back, feeling particularly jaundiced after a succession of glitzy, superficial concerts by conductors far starrier and younger, having my faith in real music making restored by a Handley concert which included a scintillating Schubert Little C Major and a profoundly moving VW Sea Symphony.

That work, of course, is the springboard for this cycle of complete VW symphonies. And a very satisfying journey through this inspiring canon of nine it is, too. Handley's affinity with English music needs no reiterating, but his relationship with Vaughan Williams in particular is a special one. More than most, he is alive to the changing and developing nature of the different symphonies through Vaughan Williams life - from the rich Romantic panoply of the 1st, taking in the influence of study with Ravel in the 3rd, the violence of Nos.4 & 6 and the idealisation of his Pilgrim music as well as that of his beloved Tudor composers in the Fifth, right through to the exploration of new sonorities and form in 7, 8 and 9. Throughout the cycle, this is music making that is honest, perceptive, communicative and frequently illuminating and inspiring.

Handley's Sea Symphony has terrific sweep in the opening movement, ideal rhythmic crispness in the scherzo and real depth in the long, questing Finale. Its one drawback is perhaps the somewhat cramped acoustics of Liverpool's Philharmonic Hall compared to, say, the fuller sound of the Kingsway Hall in Boult's second recording. His London Symphony is as fine as any, though I do now miss the passages opened out in Hickox's recording of the Original Version.

I'm inclined to think this the best Pastoral of any on disc: it finds Handley very sensitive to all the overtones of VW's experiences of the Great War that lie behind its overt pastoralism - Flanders Fields as much as English ones. This is followed by a stunning Fourth, matched only by the composer's own performance. The grinding dissonances of its motto motif, the bounce of the jazzier rhythms, the dark Beethovenian transition to the Finale are all perfectly realised: "I don't know if I like it, but it's what I meant" in VW's famous phrase and I feel sure Handley's performance is just what he meant.

The Fifth finds fierce competition from Boult (twice), Barbirolli (twice) and Haitink (most purely symphonic of all). But Handley strikes a fine balance between the Pilgrim's Progress antecedents of much of the material and the `absolute music' arguments to which it is subjected. This disc is almost worth it for the glorious horn counterpoint at the climax of the first movement alone, picked out by Handley as by no other conductor in my experience. His Sixth is another blistering reading to set beside that of his mentor, Boult, in mono for Decca. Handley's pp final movement here is too mystical to be mistaken for the post-nuclear landscape it's often compared to - it seems closer to VW's great friend, Holst's, Neptune. Pacing and colour are the strengths of this Antarctica, but only Haitink really succeeds in making it sound truly symphonic. And No.8 was always the domain of its dedicatee, `Glorious John' Barbirolli, who seemed to have the secret of its somewhat obtuse Variations without a Theme opening movement, its Bartokian Strings only and Wind only inner movements and the clangour of its Finale with `all the phones and spiels know to the composer'. However the elusive 9th is one of the best of Handley's set. He really seems to understand its deep, dark, Hardyesque mysteries, grounded as those novels seem to be in the very earth and land of England, as well as its further explorations of intriguing sonorities with the use of flugelhorn and saxophones.

The fill-ups from the original discs are here as well, including a fine Job and a superb Flos campi, another elusive work that seems to speak of secrets that are not to be found in the VW biographies. These are all considerable performances that reflect Handley's long-standing empathy with and authority in this music. And all at a bargain price.

Excellence throughout.......2004-10-16

On balance, this is probably the best set of Vaughan Williams symphonies out there today. Vernon Handley was a protege of Adrian Boult and you can hear a likeness in the way the two approach the music of their countryman. Boult may have had an advantage, being alive at a time Vaughan Williams was composing and premiering a number of the symphonies after they were composed.

The passage of time has left us two outstanding sets of Vaughan Williams symphonies by Boult, including a latter stereo version. I have heard both sets and they are wonderful. I prefer this one, however. Handley does things with some of the lesser played Vaughan Williams scores that, I believe, gives him an edge as the best of today's interpreters.

His version of the "Sea" Symphony No. 1 -- which is not a favorite of mine -- stacks up with anything out there. It avoids the bombastic approach taken by some conductors that do not completely understand the music or Vaughan Williams style. Even the new Atlanta Symphony version of the "Sea" Symphony does not exceed the vigor, loveliness and fine singing on parade under Handley's baton.

Handley also does wonderful things with the lesser known Symphonies 8 and 9, which some critics went wow over when Bernard Haitink recorded them together on one CD a few years back. Personally, I never heard the message of the dramatic 8th Symphony until I listened to this set.

Handley is hardly at a loss in the more well-known symphonies, either. His renditions of the "London" Symphony 2, "Pastoral" Sympony 3, Symphony 4 and "Antarctica" Symphony 7 are up with the best versions ever recorded. Handley's version is the first time I ever heard the chimes of Big Ben in the "London" symphony. His trip to Antarctica in Symphony 7 is probably the best one out there today and rivals the famous mono version Boult did 50 years ago, less the spoken tracts at the beginning and between sections.

Handley is equally fine in Vaughan Williams two violent symphonies, Nos. 4 and 6. In Symphony 4, he is especially visionary, understanding that the composer was not really writing about the impending world war when he penned the symphony in the late 1930s. Vaughan Williams said it was more about human interaction and communication and you hear this from Handley, who eschews much of the needless violence other conductors put into the score.

It is only the Symphony No. 5 where I find a clear preference to versions by Andre Previn in either of his stereo versions. Previn's 1988 Telarc recording also includes "Fantasia on a Theme by Thomas Tallis", perhaps Vaughan Williams' best-known melody. This is preferable to Handley's Symphony 5 diskmate, the "Flos Campi" Suite, which provides another moment for the Liverpool Philharmonic Choir to shine. Previn endows the wonderful symphony with more romance and emotion than Handley.

That's not to say Handley's recording is a dog. Hardly! His is an exquisite recording of some of the world's most beautiful music. It lacks little and competes with the best out there. All told, this is a five star set with beautiful and, when appropriate, powerful and visceral playing from the Royal Liverpool Philharmonic Orchestra.

There are other fine Vaughan Williams set extant -- both Boult sets, the exceptionally well-recorded Thomson on Chandos, various recordings by Previn & Hickox and those by Bakels on Naxos -- but no complete set quite captures Ralph Vaughan Williams as three dimensionally as this one. My only complaint is Classics for Pleasure could have mated Handley's equally brilliant version of "Job: A Masque for Dancing" with one of the shorter symphonies and did not.

Ralph Vaughan Williams: Symphony No. 8 / Partita for Double String Orchestra / Fantasia on "Greensleeves" / Two Hymn-Tune Preludes - Bryden Thomson

Average customer rating:

Ralph Vaughan Williams: Symphony No. 8 / Partita for Double String Orchestra / Fantasia on "Greensleeves" / Two Hymn-Tune Preludes - Bryden Thomson
Ralph Vaughan Williams , Bryden Thomson , and The London Symphony Orchestra
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music
ASIN: B000000AKF
Release Date: 1992-10-28

Tracks:

Symphony No. 8 In D Minor: I - Fantasia (Variazioni senza Tema) - Moderato
Symphony No. 8 In D Minor: II - Scherzo alla Marcia (per stromenti a fiato) - Allegro alla marcia
Symphony No. 8 In D Minor: III - Cavatina (per stromenti ad arco) - Lento espressivo
Symphony No. 8 In D Minor: IV - Toccata - Moderato Maestoso
Two Hymn-Tune Preludes: I - Eventide (Monk) - Lento sostenuto
Two Hymn-Tune Preludes: II - Dominus Regit Me (Dykes) - Andante con moto
Fantasia on 'Greensleeves'
Partita For Double String Orchestra: I - Prelude - Andante tranquillo
Partita For Double String Orchestra: II - Scherzo Ostinato - Presto
Partita For Double String Orchestra: III - Intermezzo (Homage To Henry Hall) - Andante con moto
Partita For Double String Orchestra: IV - Fantasia - Allegro

Music Track:

Music Track

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