The Six Bach Flute Sonatas

Track Listings

1. Sonata in E-flat Major, BWV 1031 for Flute and Obbligato Harpsichord - Allegro moderato

2. Sonata in E-flat Major, BWV 1031 for Flute and Obbligato Harpsichord - Siciliana

3. Sonata in E-flat Major, BWV 1031 for Flute and Obbligato Harpsichord - Allegro

4. Sonata in E Major, BWV 1035 for Flute and Basso Continuo - Adagio ma non tanto

5. Sonata in E Major, BWV 1035 for Flute and Basso Continuo - Allegro

6. Sonata in E Major, BWV 1035 for Flute and Basso Continuo - Siciliano

7. Sonata in E Major, BWV 1035 for Flute and Basso Continuo - Allegro assai

8. Sonata in A Major, BWV 1032 for Flute and Obbligao Harpsichord - Vivace

9. Sonata in A Major, BWV 1032 for Flute and Obbligao Harpsichord - Largo e dolce

10. Sonata in A Major, BWV 1032 for Flute and Obbligao Harpsichord - Allegro

11. Sonata in E Minor, BWV 1034 for Flute and Basso Continuo - Adagio ma non tanto

12. Sonata in E Minor, BWV 1034 for Flute and Basso Continuo - Allegro

13. Sonata in E Minor, BWV 1034 for Flute and Basso Continuo - Andante

14. Sonata in E Minor, BWV 1034 for Flute and Basso Continuo - Allegro

15. Sonata in C Major, BWV 1033 for Flute and Basso Continuo - Andante; Presto

16. Sonata in C Major, BWV 1033 for Flute and Basso Continuo - Allegro

17. Sonata in C Major, BWV 1033 for Flute and Basso Continuo - Adagio

18. Sonata in C Major, BWV 1033 for Flute and Basso Continuo - Menuetto I; Menuetto II

19. Sonata in B Minor, BWV 1030 for Flute and Obbligato Harpsichord - Andante

20. Sonata in B Minor, BWV 1030 for Flute and Obbligato Harpsichord - Largo e dolce

See all 21 tracks on this disc

Editorial Reviews
Album Description
David Shostac, principal flutist of the Los Angeles Chamber Orchestra and one of Hollywood's most outstanding musicians, teams up with the late Igor Kipnis, well-known from his many albums on other labels, and cellist John Walz, member of the Pacific Trio and principal cellist of the Long Beach Symphony and Los Angeles Opera, in this wonderful CD of the Bach flute sonatas.

Tracks:

Sonata, BWV 1030 In B Minor: Andante
Sonata, BWV 1030 In B Minor: Largo e dolce
Sonata, BWV 1030 In B Minor: Presto
Sonata, BWV 1030 In B Minor: Allegro
Sonata, BWV 1031 In E-Flat (Transp. To G): Allegro moderato
Sonata, BWV 1031 In E-Flat (Transp. To G): Siciliano
Sonata, BWV 1031 In E-Flat (Transp. To G): Allegro
Sonata, BWV 1032 In A (Transp. To G): Vivace
Sonata, BWV 1032 In A (Transp. To G): Largo e dolce
Sonata, BWV 1032 In A (Transp. To G): Allegro
Sonata, BWV 1033 In C: Andante - Presto
Sonata, BWV 1033 In C: Allegro
Sonata, BWV 1033 In C: Adagio
Sonata, BWV 1033 In C: Menuetto I & II
Sonata, BWV 1034 In E Minor (Transp. To G Minor): Adagio ma non tanto
Sonata, BWV 1034 In E Minor (Transp. To G Minor): Allegro
Sonata, BWV 1034 In E Minor (Transp. To G Minor): Andante
Sonata, BWV 1034 In E Minor (Transp. To G Minor): Allegro
Sonata, BWV 1035 In E (Transp. To F): Allegro ma non tanto
Sonata, BWV 1035 In E (Transp. To F): Allegro
Sonata, BWV 1035 In E (Transp. To F): Siciliano
Sonata, BWV 1035 In E (Transp. To F): Allegro assai

Customer Reviews:

Jarrett and Petri are superb.......2004-02-27

Often I will purchase a CD based on its cover. A quirk of mine, but I find that for me the packaging is often a reflection of the musical value within. On the cover of this album you see Keith and Michala in mysterious bluish tones - looking genuinely pleased to be here, and perhaps a little amused. They are accompanied by a black cat. Something sort of magic about that. I know not a whit about either harpsicord or recorder playing, but as a musician, I assure you that the playing is superbly colored- sometimes sad, at other times lyrical and truly soaring. There is pathos, passion and triumph here. Petri and Jarrett are two great players, but this kind of interplay does not happen in an afternoon. This recording is the fruit of some intense effort. The evidence: unlike many Bach readings, the phrasing is always intelligent, finely drawn. There is a subltle interplay between the rythms of these virtuoso players, like speed skaters that catapult each other along on the way, handing off rythm and speed in a decidedly cooperative, delicate and intimate manner. A highly dynamic reading of the Bach Sonatas. I highly recommend this CD to any and all listeners. If you don't know the Sonatas, this could be well be your best introduction.

Michala Petri is superb.......2000-11-30

If you appreciate Bach or recorder music, this album is a must for you. Keith Jarrett and Michala Petri have put together a series of performances that sound so "right " that you cannot imagine them played otherwise.

The recorder playing, especially, is intriguing. Michala produces a sound similar to a flute, but a little darker and more mellow. Recorder, especially for Baroque music, is highly underrated. This is a great addition to any Baroque collection.

Tracks:

Cello Concerto No. 2 In D Major, H. 7b Op. 101
Cello Concerto In A Minor, Op. 129
Phantasiestke (3 Fantasy Pieces) For Clarinet (Or Cello Or Violin) & Piano, Op
Variations On A Rococo Theme, For Cello & Orchestra (Or Cello & Piano) In A Majo
Sonata For Cello & Piano No. 1 In F Major, Op. 5/1
Sonata For Cello & Piano No. 2 In G Minor, Op. 5/2
Sonata For Cello & Piano No. 3 In A Major, Op. 69
Sonata For Cello & Piano No. 4 In C Major, Op. 102/1
Sonata For Cello & Piano No. 5 In D Major, Op. 102/2
Sonata For Arpeggione & Piano In A Minor, D.821
Pieces For Children Big And Small For Piano, 4 Hands Op. 85
Feldeinsamkeit ("Ich Ruhe Still Im Hohen Gren Gras"), Song For Voice & Piano,
Romance For Cello & Piano, Op. 69
Shylock, Incidental Music And Suite For Tenor & Orch., Op. 57
Mavra, Opera Buffa In One Act
Nocturne For Violin (Or Flute) & Piano
Melody In F, Various Arrangements, Op. 3/1
Introduction & Polonaise Brilliante For Cello & Piano In C Major, Op. 3
Song Without Words For Cello & Piano In D Major, Op. 109
Le Coq D'or (The Golden Cockerel; Zolotoy Petushok), Concert Suite For Orchestra
The Tale Of Tsar Saltan, Op. 57
Carnival Of The Animals, Zoological Fantasy For 2 Pianos & Ensemble
Berceuse, For Violin & Piano (Or Orchestra) In D Major, Op. 16
Tonadillas Al Estilo Antiguo, Songs (10) For Voice & Piano, H. 136
Goyescas (Serenata Goyesca; Dusk), For Piano, H. 63
La Gitana For Violin & Piano (After An 18th Century Arabo-Spanish Gypsy Song)
Papillon, For Cello & Piano, Op. 77
L' Enfant Prodigue, Sce Lyrique For Voices & Orchestra, L. 57
Pie En Forme De Habanera, For Solo Instrument & Keyboard (Arr.)
Kaddisch, Song For Voice & Piano (Modie Hraue No. 1)
O Mensch, Bewein' Dein' Sde Gross, Chorale Prelude For Organ (Orgel-Bhlein N
Herzlich Tut Mich Verlangen, Chorale Prelude For Organ, Bwv 727 (Bc K109)
Ich Ruf Zu Dir, Herr Jesu Christ (I), Chorale Prelude For Organ (Orgel-Bhlein
Nun Komm Der Heiden Heiland (I), Chorale Prelude For Organ (Orgel-Bhlein No. 1
Sonata For Cello & Continuo In C Major, G. 6 (Six Sonatas No. 2)

Customer Reviews:

Fantastic Fournier.......2004-02-16

On this 4CD EMI Import, the great cellist Pierre Fournier performs a variety of orchestral and chamber recordings, recorded primarily in mono from the 1940s and early 50s. There are three orchestral works -- Haydn's 2nd Concerto (Kubelik/Philharmonia, 1951), Schumann's Concerto (Sargent/Philharmonia, 1956 in stereo), and Tchaikovsky's Rococo Variations (Bigot/Lamoureux, 1941). Disc two, and half of disc three, contain Beethoven Cello Sonatas with the great Artur Schnabel, while the fourth disc features a variety of pieces, from Bach and Boccherini to Debussy and Ravel, with pianist Gerald Moore. I'm withholding a fifth star because the collection contains mostly historical recordings, though it certainly captures one of history's greatest cellists in his prime. With that being said, "Les Introuvables de Pierre Fournier" is a must buy for cello entusiasts.

Average customer rating:

Bach: Six Flute Sonatas

Manufacturer: Arabesque Recordings
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Imports | Stores | Music
ASIN: B000000T75
Release Date: 1993-08-05

Tracks:

Son in e, BWV 1034: Adagio Ma Non Tanto - John Solum/Igor Kipnis/Barbara Bogatin
Son in e, BWV 1034: Allegro - John Solum/Igor Kipnis/Barbara Bogatin
Son in e, BWV 1034: Andante - John Solum/Igor Kipnis/Barbara Bogatin
Son in e, BWV 1034: Allegro - John Solum/Igor Kipnis/Barbara Bogatin
Son in C, BWV 1033: Andante; Presto - John Solum/Igor Kipnis/Barbara Bogatin
Son in C, BWV 1033: Allegro - John Solum/Igor Kipnis/Barbara Bogatin
Son in C, BWV 1033: Adagio - John Solum/Igor Kipnis/Barbara Bogatin
Son in C, BWV 1033: Menuet I; Menuet II - John Solum/Igor Kipnis/Barbara Bogatin
Son in E, BWV 1035: Adagio Ma Non Tanto - John Solum/Igor Kipnis/Barbara Bogatin
Son in E, BWV 1035: Allegro - John Solum/Igor Kipnis/Barbara Bogatin
Son in E, BWV 1035: Siciliano - John Solum/Igor Kipnis/Barbara Bogatin
Son in E, BWV 1035: Allegro Assai - John Solum/Igor Kipnis/Barbara Bogatin
Son in b, BWV 1030: Andante - John Solum/Igor Kipnis
Son in b, BWV 1030: Largo E Dolce - John Solum/Igor Kipnis
Son in b, BWV 1030: Presto - John Solum/Igor Kipnis
Son in A, BWV 1032: Vivace - John Solum/Igor Kipnis
Son in A, BWV 1032: Largo E Dolce - John Solum/Igor Kipnis
Son in A, BWV 1032: Allegro - John Solum/Igor Kipnis
Son in E flat, BWV 1031: Allegro Moderato - John Solum/Igor Kipnis
Son in E flat, BWV 1031: Siciliana - John Solum/Igor Kipnis
Son in E flat, BWV 1031: Allegro - John Solum/Igor Kipnis

Amazon.com

John Solum is an accomplished player of the baroque flute, Igor Kipnis one of our greatest harpsichordists. Together they produce a nearly ideal disc, beautifully played in every respect and even decorated with authentic-sounding embellishments. They stick with demonstrably authentic Bach works, passing up some disputed pieces. Solum has supplied a missing fragment of the Sonata for Flute and Harpsichord in A Major. If for some reason you don't like the baroque flute, check out Paula Robison and Kenneth Cooper's remarkably stylish disc, which includes the disputed works (Vanguard SVC 70/1). For authentic instruments, though, this is definitely your disc. --Leslie Gerber

Six Sonatas for Harpsichord, Flute & Cello

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Six Sonatas for Harpsichord, Flute & Cello
Richter , Lausanne Bach Ens , Lucca , and Sartoretti
Manufacturer: Doron
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B00000IPS4
Release Date: 2000-01-11

C.P.E. Bach: Six Sonatas for Flute and Continuo (The Earlier Sonatas)

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C.P.E. Bach: Six Sonatas for Flute and Continuo (The Earlier Sonatas)

Manufacturer: Centaur
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B00000DRFR
Release Date: 1990-01-01

Johann Christian Bach: Six Sonatas, Op. 16

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Johann Christian Bach: Six Sonatas, Op. 16

Manufacturer: Cpo Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Johann Christian Bach: Piano Sonatas, Op. 17

ASIN: B000001S2P
Release Date: 1997-06-10

Tracks:

I. Allegro Assai
II. Andante Grazioso
I. Allegretto
II. Andante Grazioso
I. Allegro Assai
II. Tempo Di Minuetto
I. Allegretto
II. Pastorale: Non Tanto Allegro
I. Allegro Con Spirito
II. Rondo: Allegretto
I. Allegretto
II. Allegretto

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Bach Flute Sonatas
Two Bach Virtuosos

The Six Bach Flute Sonatas
J.S. Bach
Manufacturer: Resort Classic
ProductGroup: Music
Binding: Audio CD

Classical | Indie Music | Stores | Music

General | Classical | Styles | Music
ASIN: B00005ABF8
Release Date: 2001-02-20

Tracks:

Sonata in E-flat Major, BWV 1031 for Flute and Obbligato Harpsichord - Allegro moderato
Sonata in E-flat Major, BWV 1031 for Flute and Obbligato Harpsichord - Siciliana
Sonata in E-flat Major, BWV 1031 for Flute and Obbligato Harpsichord - Allegro
Sonata in E Major, BWV 1035 for Flute and Basso Continuo - Adagio ma non tanto
Sonata in E Major, BWV 1035 for Flute and Basso Continuo - Allegro
Sonata in E Major, BWV 1035 for Flute and Basso Continuo - Siciliano
Sonata in E Major, BWV 1035 for Flute and Basso Continuo - Allegro assai
Sonata in A Major, BWV 1032 for Flute and Obbligao Harpsichord - Vivace
Sonata in A Major, BWV 1032 for Flute and Obbligao Harpsichord - Largo e dolce
Sonata in A Major, BWV 1032 for Flute and Obbligao Harpsichord - Allegro
Sonata in E Minor, BWV 1034 for Flute and Basso Continuo - Adagio ma non tanto
Sonata in E Minor, BWV 1034 for Flute and Basso Continuo - Allegro
Sonata in E Minor, BWV 1034 for Flute and Basso Continuo - Andante
Sonata in E Minor, BWV 1034 for Flute and Basso Continuo - Allegro
Sonata in C Major, BWV 1033 for Flute and Basso Continuo - Andante; Presto
Sonata in C Major, BWV 1033 for Flute and Basso Continuo - Allegro
Sonata in C Major, BWV 1033 for Flute and Basso Continuo - Adagio
Sonata in C Major, BWV 1033 for Flute and Basso Continuo - Menuetto I; Menuetto II
Sonata in B Minor, BWV 1030 for Flute and Obbligato Harpsichord - Andante
Sonata in B Minor, BWV 1030 for Flute and Obbligato Harpsichord - Largo e dolce
Sonata in B Minor, BWV 1030 for Flute and Obbligato Harpsichord - Presto: Allegro

Album Description

David Shostac, principal flutist of the Los Angeles Chamber Orchestra and one of Hollywood's most outstanding musicians, teams up with the late Igor Kipnis, well-known from his many albums on other labels, and cellist John Walz, member of the Pacific Trio and principal cellist of the Long Beach Symphony and Los Angeles Opera, in this wonderful CD of the Bach flute sonatas.

Customer Reviews:

Bach Flute Sonatas.......2001-09-05

by David Sherr

Musicians concerned with "authenticity" in the performance of the music of J.S. Bach look to "On Playing The Flute" by J.J. Quantz (1697-1773) for the answers to questions of interpretation. It offers page after page of rules concerning tempo, articulation, ornamentation, in fact every aspect of performance for not only the flute, but, as the title of Chapter XI indicates, "Of Good Execution in General in Singing and Playing."

If the scholars of the "period" instrument movement were to read a little further, however, they would see something much more revealing than a set of rules.

"I do not pretend to prescribe rules for those musicians who have acquired general approbation either in composition or performance," Quantz wrote. "The agreeableness of music lies not in uniformity or similarity, but in diversity. Rarely do we follow that surest of guides, our own feelings."

"At many places people did not concern themselves about good taste at all, but remained attached to older ways. And, furthermore, there were various adversaries who, possessed of an absurd love for the old, believed they had sufficient grounds to reject everything as extravagances that departed from the old mode. It was not so long ago that they still defended the old style, their fervor as great as their grounds were weak."

In his "Essay On The True Art Of Playing keyboard Instruments," Carl Philipp Emanuel Bach wrote, "No one can be content with one who memorizes all the rules and follows them mechanically. Something more is required. Play from the soul, not like a trained bird."

That surest of David Shostac's guides has resulted in a recording of the flute sonatas of J.S. Bach that sets a new standard. Accompanying his modern flute with the contemporary sounding harpsichord of Igor Kipnis and the resonant cello of John Walz, Shostac utilizes every available resource and the result is a performance of extraordinary beauty and insight. Timbres are perfectly matched in one passage, the same notes bursting with color in the next. The virtuosic demands of the C major sonata are met with consummate ease. The e minor, as profound a piece as exists in this instrumentation, is played with liquid sound and flawless, flowing legato.

Comparing this recording to any of the period instrument performances available should be enough to send practitioners of "authentic performance" back to the basements of college music departments where they belong. Music, after all, is what it sounds like; there is no hidden meaning, nothing that can't be divined by listening. Listen to this.

Two Bach Virtuosos.......2001-07-25

Since the CD liner notes left me with many questions, I contacted Mr. Kipnis, a personal friend, for some answers. He e-mailed the following: "The Bach Flute Sonatas were recorded in mid-March, 2000, in a small private concert hall, which often serves as a recording site and is an adjunct to the home of Dr. Alan Kay and Bonnie MacBird in Brentwood, Calif. This is the second time I have recorded the Sonatas, the first being on Arabesque with John Solum, baroque flute, with baroque cello support. David Shostac and I date our friendship back to the mid 1960s, when he was a fellowship performer and I a faculty member at the Berkshire Music Center in Tanglewood. We had the opportunity of performing the flute sonatas six time together preceeding the 3-day recording session." This long association of these two virtuosos explains the seamless mesh of their individual instruments. Three of the sonatas are "Obbligato Harpsichord," while the other three are "Basso Continuo," meaning that Bach wrote only the left hand notes, leaving the harpsichordist to "realize" the texture. The liner notes comment: "Mr. Kipnis does much of his own realization, and both performers surprise each other with a variety of ornaments and articulations." I give a standing ovation to both Mr. Shostac and Mr. Kipnis.

Johann Christian Bach: Op.16 Six Piano Sonatas with Flute Accompaniment

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Period Instruments

Johann Christian Bach: Op.16 Six Piano Sonatas with Flute Accompaniment

Manufacturer: Hungaroton
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000JPLH
Release Date: 1999-12-14

Customer Reviews:

Period Instruments.......2004-07-22

Miklos Spanyi plays a copy of a Baldassare Pastori tangent piano and Benedek Csalog plays a copy of a 1745 Rottenburgh baroque flute in a recording of the six keyboard sonatas with flute accompaniment, Op 16, by Johann Christian Bach (1735-1782).

The works on this recording:

1. Sonata in D major for Piano and Flute, Op 16/1
2. Sonata in G major for Piano and Flute, Op 16/2
3. Sonata in C major for Piano and Flute, Op 16/3
4. Sonata in A major for Piano and Flute, Op 16/4
5. Sonata in D major for Piano and Flute, Op 16/5
6. Sonata in F major for Piano and Flute, Op 16/6

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Rainy Day Classics

Manufacturer: Golden Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B00013NDHS
Release Date: 2004-02-10

Tracks:

Prde in D flat major, Op. 28/15 (Raindrops) - Peter Schmalfuss
Symphony No. 4 in A major, Op. 90, "Italian" II: Andante Con Moto - Julian Armstrong
Concerto for flute and orchestra in G major, Op. 29 II: Andante ...
Piano Concerto No. 2 in B flat major, Op. 1 II: Adagio
An de Pringe VII: Eglogue, From Premi Ann- Peter Schmalfuss
"The Sleeping Beauty," Ballet Suite, Op. 66a Panorama
Symphony No. 3 in E flat major, Op. 97 "Rhenish" II: Scherzo - Milan Horvat
Suite No. 5 in C minor, BWV 1011, for violoncello sarabande
Symphony No. 8 in G major, Op. 88, "English" II: Adagio - Milan Horvat
Concerto Grosso in C minor, Op. 6/8, HWV 326 V: Siciliana: Andante - Pavol Bagin
Adagio in G minor (Renzo Giazatto, Ricordi) - Garcia Navarro

Tracks:

Piano Concerto No. 9 in E flat major "Jeune Homme," K. 271 II: Andante - Kurt Redel
Sonata in No. 8 in C minor, Op. 13 (Pathque) II: Adagio Cantabile - Dubravka Tomsic
String Serenade in C major, Op. 48, III: Larghetto Elegiaco
Prde in E flat major, Op. 23/6 - Andante - Yuri Rozum
Concerto for cello and orchestra No. 2 in D major II: Adagio
Symphony No. 1 in C major II: Adagio
French Suite No. 5 in G major, BWV 816, for harpsichord sarabande - Christiane Jaccottet
Concerto for violoncello and orchestra No. 2, in A major, II: Romance:
Concerto Grosso in F major, Op. 6/12 III: Adagio
"At the Fireplace," From Scenes from Childhood, Op. 15 - Peter Schmalfuss
V: Adagio, Valse, From: Ballet "Giselle" Philharmonia Orchestra London - Alfred Scholz

Music Track:

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1. Sonata in E-flat Major, BWV 1031 for Flute and Obbligato Harpsichord - Allegro moderato
2. Sonata in E-flat Major, BWV 1031 for Flute and Obbligato Harpsichord - Siciliana
3. Sonata in E-flat Major, BWV 1031 for Flute and Obbligato Harpsichord - Allegro
4. Sonata in E Major, BWV 1035 for Flute and Basso Continuo - Adagio ma non tanto
5. Sonata in E Major, BWV 1035 for Flute and Basso Continuo - Allegro
6. Sonata in E Major, BWV 1035 for Flute and Basso Continuo - Siciliano
7. Sonata in E Major, BWV 1035 for Flute and Basso Continuo - Allegro assai
8. Sonata in A Major, BWV 1032 for Flute and Obbligao Harpsichord - Vivace
9. Sonata in A Major, BWV 1032 for Flute and Obbligao Harpsichord - Largo e dolce
10. Sonata in A Major, BWV 1032 for Flute and Obbligao Harpsichord - Allegro
11. Sonata in E Minor, BWV 1034 for Flute and Basso Continuo - Adagio ma non tanto
12. Sonata in E Minor, BWV 1034 for Flute and Basso Continuo - Allegro
13. Sonata in E Minor, BWV 1034 for Flute and Basso Continuo - Andante
14. Sonata in E Minor, BWV 1034 for Flute and Basso Continuo - Allegro
15. Sonata in C Major, BWV 1033 for Flute and Basso Continuo - Andante; Presto
16. Sonata in C Major, BWV 1033 for Flute and Basso Continuo - Allegro
17. Sonata in C Major, BWV 1033 for Flute and Basso Continuo - Adagio
18. Sonata in C Major, BWV 1033 for Flute and Basso Continuo - Menuetto I; Menuetto II
19. Sonata in B Minor, BWV 1030 for Flute and Obbligato Harpsichord - Andante
20. Sonata in B Minor, BWV 1030 for Flute and Obbligato Harpsichord - Largo e dolce