Beethoven: Leonore Overture No. 2 / Symphony No. 3

On this CD:

1. Leonore Overture No. 2 in C major, Op. 72a
Composed by Ludwig van Beethoven
Performed by London Symphony Orchestra
Conducted by Felix Weingartner

2. Symphony No. 3 in E flat major ("Eroica"), Op. 55
Composed by Ludwig van Beethoven
Performed by Vienna Philharmonic Orchestra
Conducted by Felix Weingartner

Tracks:

I: Adagio Molto - Allegro Con Brio
II: Andante Cantabile Con Moto
III: Menuetto & Trio: Allegro Molto E Vivace
IV: Adagio - Allegro Molto E Vivace
I: Allegro Ma Non Troppo
II: Andante Molto Mosso
III: Allegro - In Tempo D'allegro - Tempo I
IV: Allegro
V: Allegretto

Tracks:

I: Allegro Con Brio
II: Marcia Funebre: Adagio Assai
III: Scherzo & Trio: Allegro Vivace
IV: Finale: Allegro Molto - Poco Andante - Presto
Gross Fuge

Tracks:

I: Adagio Molto - Allegro Con Brio
II: Larghetto
III: Scherzo & Trio: Allegro
IV: Allegro Molto
I: Allegro Con Brio
II: Andante Con Moto - Piu Mosso - Tempo I
III: Allegro -
IV: Allegro - Presto

Tracks:

I: Adagio - Allegro Vivace
II: Adagio
III: Menuetto: Allegro Vivace - Trio: Un Poco Meno Allegro
IV: Allegro Ma Non Troppo
I: Poco Sostenuto - Vivace
II: Allegretto
III: Presto - Assai Meno Presto
IV: Allegro Con Brio

Tracks:

I: Allegro Vivace Con Brio
II: Allegretto Scherzando
III: Tempo Di Menuetto
IV: Allegro Vivace
Overture
Overture
Overture
Overture

Tracks:

I: Allegro Non Troppo, Un Poco Maestoso - Christa Ludwig
II: Molto Vivace - Presto - Christa Ludwig
III: Adagio Molto E Cantabile - Andante Moderato - Christa Ludwig
IV: Presto - Recitativo - Allegro Assai - Alla Marcia - Christa Ludwig
Overture - Christa Ludwig

Tracks:

I: Allegro Con Brio
II: Largo
III: Rondo: Allegro Scherzando
I: Allegro Con Brio
II: Adagio
III: Rondo: Molto Allegro

Tracks:

I: Allegro Con Brio
II: Largo
III: Rondo: Allegro
I: Allegro Moderato
II: Andante Con Moto
III: Rondo: Vivace

Tracks:

Fantasia For Piano, Chorus And Orchestra
I: Allegro
II: Adagio Un Poco Mosso -
III: Rondo: Allegro

Amazon.com essential recording

Otto Klemperer's Beethoven is one of the towering achievements in the history of recordings. By today's standards, these performances are hopelessly old-fashioned: dark, heavy, and frequently very slow. But they are also the grandest, most unsentimental, most purposeful versions in the catalog. In addition, the relatively slow tempos (only in the fast movements--the slow ones are pretty swift) and forward wind balance permit more detail to be heard than in most original-instrument performances. At budget price and with the entire piano concerto cycle thrown in for good measure, this is greatness incarnate. --David Hurwitz

Customer Reviews:

Great Performance.......2007-07-07

There are many different ways to perform Beethoven and each one is valid.
If you like it fast - go to Toscanini or Norrington. If you prefer slow, powerful and majestic, this is your set. Towards the end of his distinguished career, the great Otto Klemperer set down his final views of the performance of these symphonnies. The set is a coherent whole and will give great pleasure for ever. The challenging mix of the young Barenboim and the aged Klemperer worked surprisingly well and thus the concertos may also be recommended. There are odd additional items which add to the pleasure. Finally do not forget to purchase his memorable set of 'Fidelio' to complete your traversal of a great conductor giving great performances of a composer that he loved. Finally the price is ridiculously low and provides quality and quantity at a great price. Thus you should be able to buy the opera set from the savings made!

Great Analog Beethoven Cycle.......2007-05-07

This Klemperer cycle is just one of a dozen or so GREAT analog Beethoven symphony cycles that were recorded during Analog's golden age starting about 1958. These cycles are easily a match for digital and they should still be around for another 1,000 years, if the Lord tarries. These sets include: Karajan (twice, early 60s and late 70s) Bohm, Krips, Jochum, Bruno Walter, Leinsdorf, Rene Leibowitz, Szell, Ormandy, Bernstein, Steinberg, and Solti. This morning I listened to the Klemperer recordings of Beethoven's symphonies 5, 6, & 7. Very enjoyable, I got my Beethoven RDA fix.

Of all these Analog sets, I most enjoy the Leibowitz Spring 1961 cycle with the Royal Philharmonic. I have this cycle on an audiophile early 90s European import Edition Phoenix label special pressing "on extra virgin vinyl." These are by far the best analog symphonic lps I have ever heard from a recording standpoint. BY FAR! And they will rock your house.

You can almost justify Karajan's 4 recorded Beethoven cycles and one video based upon improvements in recording technology. Thru Rhapsody, I have listened to his mid 50s cycle and the orchestra sounds great, but the recording quality is sub par compared to Analog's golden age. So the rational for 4 cycles would be, (1) recent great improvements in recording technology (early 60s), (2) it has been 15 years and he has grown as an artist (late 70s), (3) we now have digital! Let's do one of the first Beethoven digital cycles (80s).

Klemperer is a no-brainer. I do not have to think twice about plopping one of his lps onto my turntable or hitting the play button at Rhapsody. When the music starts, the listening pleasure begins. Don't miss his Bruckner symphony recordings!

An essential collection.......2007-04-25

How best to describe Otto Klemperer's perspective on Beethoven's symphonies: grand, heroic, intense, insightful, stubborn, obstinate, detailed, dramatic, monumental, granitic, deeply emotional, never sentimental. This boxed set of the complete symphonies and concerti embodies all of these elements as stands as one of the great achievements of recorded music.

These performances were recorded with the Philharmonia Orchestra at its peak, in the sumptuous acoustics of Kingsway Hall in London and in fine and detailed sound, and mostly in the mid-1950's during one of the brief charmed periods of Klemperer's life. EMI's impresario Walter Legge had made him permanent conductor of the Philharmonia, and when Klemperer embarked on this project in his 70's, he was in relatively good mental and physical health (Klemperer could show symptoms of manic depression and survived many health crises - brain tumor, broken bones, paralysis - which would have stopped most people).

By this time Klemperer had slowed the tempi of the fast movements of the Beethoven symphonies (listen to his early 1950's recordings of the 5th and 6th on Vox to hear by how much). This tendency is more pronounced in these studio recordings than in the live performances which were recorded during that era. The slowness is mostly saved by Klemperer's use of "sprung" rhythms, which keep the slow tempi from feeling laggardly.

Klemperer's earliest recordings in this series - symphonies 3, 5 and 7 - predate stereo and were recorded in excellent monaural sound. He rerecorded all three of these symphonies in stereo, but those recordings were made after he burned himself by falling asleep while smoking in bed. All three performances feature slower tempi than the earlier ones (whether this was the conductor's preference or the result of physical incapacity is open to conjecture). In particular, the rerecorded 7th suffered from lax phrasing, inattentiveness and perverse tempi. That is NOT the version contained in this set: fortunately, EMI had simultaneously recorded the earlier version of the 7th in "experimental" stereo, and it is that earlier version which is released here (and in remarkably good stereo). The versions of the 3rd and 5th are the rerecorded stereo ones.

You will find no finer studio versions of the 2nd, 4th, 6th, 7th or 8th. All are insightful, beautifully detailed and powerful. The 2nd clearly looks forward to the 3rd and not back toward Hayden, the 4th is boisterous and vital, the 6th bucolic and sumptuous (not a quality normally associated with Klemperer), the 7th gains in drama what it loses in swiftness and lightness, and in the 8th in particular we see the conductor's empathy to Beethoven's sense of humor. Klemperer had a deep affinity for the "Eroica", and the rerecorded version here, while slower than the 1955 recording, was dubbed by "High Fidelity"'s Harris Goldsmith (no Klemperer fan, he) as "the best Eroica going slow" and is a monumental masterpiece (the second movement is shattering). The 1st, while leisurely, is a lovingly crafted.

That leaves the 5th and 9th. There is no doubt in my mind that the earlier, mono 5th is superior to the remake in this set. We lose that sense of an inevitable onslaught, especially in the outer movements. And the 9th, while similar in conception to the live versions recorded around the same time (on Testament with the Philharmonia and on Music&Arts with the Concertgebouw), suffers from diffuse sound and occasional lack of focus. I emphasize that these recordings of both symphonies are still head and shoulders above most of the competition; we're talking about different levels of greatness here.

Are there superior Klemperer recordings of these symphonies? Yes; but all are live, and despite the relatively good reprocessed sound, they don't reveal the same level of detail that these studio recordings do. Klemperer was a very different conductor in front of an audience, and there is more vitality and drama in the live versions of the 3rd (Testament, with the Danish Symphony), 6th 7th and 8th (Music&Arts with the Concertgebouw) and the 9th (see above). Music&Arts' set of the complete symphonies, recorded live in Vienna in 1960, is long out of print and had cramped sound with poor detail - a supplement to this set, not a replacement.

As to the piano concerti: they are better than one might expect. Barenboim, although steeped in the Germanic performance tradition, is more naturally aligned with the Furtwangler and Edwin Fischer than with Klemperer. However, the two of them actually work together extremely well and this is a fine, insightful set.

Any complete cycle of Beethoven, symphonies or concerti, will have drawbacks. There will be unevenness in the performances, as there are here. But there are advantages to hearing one musician's perspective on the works, especially when (as here) the performer has depth of understanding, integrity of vision, and a structural understanding of the pieces.

The digital remastering is excellent and the sound barely shows its age. This may not be your only complete set of Beethoven's symphonies, but it should be one of them. And at a price this low, it's a bargain too.

The best value in classical music on CD at the moment..........2007-01-02

What is the best value in classical discs available today ? Who knows, but I defy anyone to beat the EMI compilation of Klemperer' recordings of the complete Beethoven Symphonies, Piano Concertos (with Barenboim), several overtures the Choral Fantasia etc etc. 9 discs for only $44 ( well that was the price I paid). You have got to be kidding... I only had two concerns with buying this. First on the age of the recordings, all more than 40 years old. No worry at all. This is a masterpiece of reconstruction. The sound quality indistinguishable from any modern recording. Secondly , the performances themselves. I had been warned that Klemperer notoriously chose rather slow tempi. Again I needn't have worried. I immediately went to the slow movements of the 2nd piano concerto and the fourth symphony, where many slow tempists have in the past come unstuck. The piano concerto was an absolute revelation. The combination of the youthful Barenboim and the Philharmonia's masterful playing time and gain had me on the edge of my seat. " Yes,go on, well...." Slow it may have been. Boring, never. The same applies in spades to the slow movement of the fourth. Right from the eerie opening, which is yes, very slow indeed, I knew this movement would be a revelation and I can honestly say I have never hear it better played. Follow this with a scherzo bounding in energy and thumping finale and you will never get a better performance of this, one of Beethoven's "lesser" symphonies. And I haven't even got round to the "biggies" yet! The box set looks unattractive and the portrait of Klemperer makes him appear a first class nerd. Pay absolutely no attention to this....

Wonderful Performances.......2006-04-07

I have admittedly not made it through the entire set as of yet, but feel sufficiently blown away by the First Symphony and the Eroica - particularly the second movement of the latter - to weigh in here. With respect to the tempo issue, I must - at least so far - argue in favor of Klemperer's decision to slow things down a bit. I think the effect is, as someone else has observed, a clearer and more visceral experience of Beethoven's composition. It brings out the feeling. The sound comes up a little short on the low end, but it isn't a major distraction. My only problem lies in EMI's inexplicable lack of any discussion of the performances. The notes are bland, dry descriptions of the pieces themselves, with some basic history thrown in. Given the fact that there are probably hundreds of different CDs of Beethoven's symphonies out there, all with similar explanatory notes, it is infuriating that nothing is said about these particular performances. This is in contrast with the EMI Bach set (with Yehudi Menuhin) in which there is a wonderful essay that discusses Menuhin's work in historical context.

Average customer rating:

Great value!

The Story of Beethoven

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Dances | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

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ASIN: B000001KCZ
Release Date: 1995-04-16

Tracks:

Tempo Di Minuetto - Guiomar Novaes
Bach: Two-Part Invention No. 9 - Guiomar Novaes
Minuet in G Major, Wo0 8, 10/2 - Guiomar Novaes
German Dances, Wo0 8, Nos. 1 & 2 - Arthur Hannes
Sonatina, Anh. 5/2 - Guiomar Novaes
Appassionata - Guiomar Novaes
Overture to 'To Creatures of Prometheus,' Op. 43 - Arthur Hannes
Andante Con Moto - Arthur Hannes
Emperor - Guiomar Novaes
Andante Ma Non Troppo - Guiomar Novaes
Allegro Con Brio; Marcia Funebre - Arthur Hannes
Allegro Con Brio; Allegro - Arthur Hannes
Poco Sostenuto - Arthur Hannes
Pastorale (Excerpts) - Arthur Hannes
Allegretto - Arthur Hannes
Leonore Overture No. 3, Op. 72 - Arthur Hannes
Coriolan Overture, Op. 62 - Arthur Hannes
Adagio Sostenuto; Presto Agitato - Guiomar Novaes
Allegro Ma Non Troppo; Presto - Guiomar Novaes
Allegro - Guiomar Novaes
Adagio Un Poco Mosso - Guiomar Novaes
Rondo: Allegro - Guiomar Novaes

Customer Reviews:

Great value!.......2007-01-04

Though I haven't listened to all of the CD's in this series which I ordered, I am very impressed with the ones I have listened to. Very enjoyable and informative, and the price couldn't be any lower!!!

Average customer rating:

The Best Beethoven Symphonies Recording I've Ever Heard
Solti's Beethoven is mainly for his fans.
big shouldered beethoven from the city of big shoulders...
Solti's Great Beethoven- an essential!
The benchmark recordings for the Beethoven nine !

Beethoven: The Nine Symphonies

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Mozart: 46 Symphonies - Berlin Philharmonic / Karl Böhm

ASIN: B0000041XV
Release Date: 1990-09-11

Tracks:

Symphony No. 1 In C Major, Op. 21: I Adagio molto - Allegro con Brio - Ludwig Van Beethoven
Symphony No. 1 In C Major, Op. 21: II Andante cantabile con moto - Ludwig Van Beethoven
Symphony No. 1 In C Major, Op. 21: III Menuetto: Allegro molto e vivace - Ludwig Van Beethoven
Symphony No. 1 In C Major, Op. 21: IV Adagio - Allegro molto e vivace - Ludwig Van Beethoven
Symphony No. 2 In D Major, Op. 36: I Adagio molto - Allegro con brio - Ludwig Van Beethoven
Symphony No. 2 In D Major, Op. 36: II Larghetto - Ludwig Van Beethoven
Symphony No. 2 In D Major, Op. 36: III Scherzo: Allegro - Ludwig Van Beethoven
Symphony No. 2 In D Major, Op. 36: V Allegro molto - Ludwig Van Beethoven

Tracks:

Symphony No. 3 In E Flat Major, Op. 55 'Eroica': I Allegro con brio - Ludwig Van Beethoven
Symphony No. 3 In E Flat Major, Op. 55 'Eroica': II Marcia funebre: Adagio assai - Ludwig Van Beethoven
Symphony No. 3 In E Flat Major, Op. 55 'Eroica': III Scherzo: Allegro vivace - Ludwig Van Beethoven
Symphony No. 3 In E Flat Major, Op. 55 'Eroica': IV Finale: Allegro molto - Ludwig Van Beethoven
Overture 'Egmont', op. 84 - Ludwig Van Beethoven

Tracks:

Symphony No. 5 In C Minor, Op. 67: I Allegro con brio - Ludwig Van Beethoven
Symphony No. 5 In C Minor, Op. 67: II Andante con moto - Ludwig Van Beethoven
Symphony No. 5 In C Minor, Op. 67: III Allegro - Ludwig Van Beethoven
Symphony No. 5 In C Minor, Op. 67: IV Allegro - Ludwig Van Beethoven
Symphony No. 4 In B Flat Major, Op. 60: I Adagio - Allegro vivace - Ludwig Van Beethoven
Symphony No. 4 In B Flat Major, Op. 60: II Adagio - Ludwig Van Beethoven
Symphony No. 4 In B Flat Major, Op. 60: III Allegro vivace - Ludwig Van Beethoven
Symphony No. 4 In B Flat Major, Op. 60: IV Allegro ma non troppo - Ludwig Van Beethoven

Tracks:

Symphony No. 6 In F Major, Op. 68 'Pastoral': I Allegro ma non troppo - Awakening Of Cheerful Feelings Upon Arrival In The Country - Ludwig Van Beethoven
Symphony No. 6 In F Major, Op. 68 'Pastoral': II Andante molto mosso - By The Brook - Ludwig Van Beethoven
Symphony No. 6 In F Major, Op. 68 'Pastoral': III Allegro - Peasants' Merrymaking - Ludwig Van Beethoven
Symphony No. 6 In F Major, Op. 68 'Pastoral': IV Allegro - Thunderstorm - Ludwig Van Beethoven
Symphony No. 6 In F Major, Op. 68 'Pastoral': V Allegretto - Shepherd's Song. Happy And Thankful Feelings After The Storm - Ludwig Van Beethoven
Overture 'Leonore' No. 3, Op. 72a - Ludwig Van Beethoven

Tracks:

Symphony No. 7 In A Major, Op. 92: I Poco sostenuto - Vivace - L.V. Beethoven
Symphony No. 7 In A Major, Op. 92: II Allegretto - L.V. Beethoven
Symphony No. 7 In A Major, Op. 92: III Presto - L.V. Beethoven
Symphony No. 7 In A Major, Op. 92: IV Allegro con brio - L.V. Beethoven
Symphony No. 8 In F Major, Op. 93: I Allegro vivace e con brio - L.V. Beethoven
Symphony No. 8 In F Major, Op. 93: II Allegretto scherzando - L.V. Beethoven
Symphony No. 8 In F Major, Op. 93: III Tempo di menuetto - L.V. Beethoven
Symphony No. 8 In F Major, Op. 93: IV Allegro vivace - L.V. Beethoven

Tracks:

Symphony No. 9 In D Minor, Op. 125: I Allegro ma non troppo, un poco maestoso - L.V. Beethoven
Symphony No. 9 In D Minor, Op. 125: II Molto vivace - L.V. Beethoven
Symphony No. 9 In D Minor, Op. 125: III Adagio molto e cantabile - L.V. Beethoven
Symphony No. 9 In D Minor, Op. 125: IV Presto - Allegro assai - Andante maestoso - Allegro energico, sempre ben marcato - L.V. Beethoven

Customer Reviews:

The Best Beethoven Symphonies Recording I've Ever Heard.......2007-06-20

This is absolutely a gorgeous recording. It is uplifting and some of the softer sections of the 9th Symphony are so beautiful it brings tears to your eyes.

The Karajan Beethoven Symphonies of 1963 which many rave over is a casualty of not transferring from analog to digital well. Though Karajan's interpretation is wonderful, it is overpowering to the point of speaker overload in the stronger parts and too weak in the softer parts which is typical of old live analog orchestra recordings transferring to digital.

I think Sir Georg was the last of the conductors of his time and style, which is very sad. There will never be a kind like him or Karajan again.

Solti's Beethoven is mainly for his fans........2007-04-22

Although there are some great moments in Sir Georg Solti's last Beethoven Symphony cycle, recorded 1986-89, there are generally better recordings available.

First of all, Sir Georg's tempos in Symphony I: IV and Symphony 2: IV are break-neck, and almost reckless, so much so the Chicago players have trouble staying together!

The recording job throughout is acceptable, but the orchestra does not sound that realistic or immediate, and Decca's usually rich bass and midrange don't come through as in many other Solti recordings. The record level is low, and one has to boost the volume quite alot to get any sense of presence.

I don't think as highly of this set as some listeners might, as I have other recordings of Beethoven I turn to more often: Karl Bohm/Vienna Philharmonic (DG, rec. 1970-72) especially for Symphonies 2,3,4,5,6, and 8; Bernstein/Vienna Philharmonic (DG, rec. 1977-9); Szell/Cleveland (Sony Essential classics, rec. 1959-68) for Symphonies 1,3,4,and 9;
Karajan/Berlin Philharmonic (DG, either the 1961-2 or 1975-77 cycle, both available as complete sets); Bruno Walter/Columbia Symphony (Sony: Symphonies 2,3,4,6, and 8); Ormandy/Philadelphia Orchestra (Sony: Symphonies 5,6 and 8 - may be hard to find in April, 2007) or even Solti/Chicago Symphony in an earlier analog cycle (London, rec. 1972-74) which has sound with better presence: more defined bass, than this recording. Those who are Chicago Symphony fans and MUST have one of their recordings could seek out any of the Fritz Reiner/Chicago Beethovens: Symphonies 1,3,5,6,7 and 9 are still available (RCA).

In light of the competition, I'd pass on this one.

If you like Solti/Chicago, consider their recordings of the Brahms Symphonies (London, 4 CD set). And for SOLTI fans, he recorded the Beethoven Symphonies 3, 5 and 7 with the Vienna Philharmonic (Decca, 1958), a recording I have not heard, but have read is very good, better than either of Solti's Chicago Beethoven Symphony recordings.

big shouldered beethoven from the city of big shoulders..........2006-08-06

This is a broad, powerful, heavy-duty Beethoven symphony cycle, free of idiosyncracy, that can stand as a benchmark to measure against more unconventional interpretations, a kind of golden mean of Beethoven. Decca's spacious sonics foregrounds Solti's attention to orchestral detail; all the sections, particularly the low strings and the winds can be heard to beautiful effect. Solti's tempos are expansive, and as befits a great opera conductor,incident rules over architecture. The decade from the late '80's to the late '90's was a stellar period for Beethoven symphony cycles. The four best, each completely at odds with the other, are Gardiner (period performance practice, Beethoven as French revolutionary, martial, manic, zealous); Barenboim (Wagnerian, deep orchestral colors, expressive tempos); Harnoncourt (raw,fusing Barenboim's personal expressiveness and Gardiner's small forces and fast tempos --Beethoven as untamed avant gardist, somewhere between Bach and Schoenberg); and this set, where Solti utilizes a Wagnerian orchestra with strong on-the-beat phrasing (Toscanini to Barenboim's Furtwangler). This conductor was the last of the old-school Middle Europeans in the field, and one of the only members of his breed to benefit from a first-rate band recorded with clarity in digital sound. (Karajan's late Beethoven cycle is to be avoided at all cost). If you like your Ludwig Van straight up, technocratic, without weirdness or surprises, then this set is for you (I mean that as a compliment...)

Solti's Great Beethoven- an essential!.......2006-05-22

Reviewers would tell you that Karajan's first Deutsche Grammophon recordings is the Beethoven cycle to own. While I believe that Karajan's string-rich virtuoso view of Beethoven's score is refreshing, a quick comparison of the score and Karajan's music shows that he often takes a very Wagnerian (rubato) view of the score. Most people believe that Wagnerian entails a brassy, loud "heavy-metal" handed interpretation of the music. This, however, is a misconception that needs to be erased. Unlike Wagner, Beethoven had metronome markings in his score that a conductor needs to interpret to music to make the music sound right. Also, the development in the symphonies' musical and emotional structure are aided by these score markings to make it easier for the conductor to bring forth the composer's message. Karajan took a Wagnerian style of conducting in the sense that he changed some of the tempi to his liking. Solti, however, follows Beethoven's score in a German Romantic tradition. This means that there is a transparency to his conducting, but not to the degree that Szell takes with his Beethoven. Every musical detail is heard, and the strings are very well accentuated too. Karajan's recording emphasized the strings too much and drowned the other instruments. I find that although his Beethoven symphonies can be rather ravishing, it does not offer a very complete vision of the music.

These Chicago recordings (recorded by possibly the greatest symphony in the world at that time, the CSO) are undoubtedly the work of a conductor who knew the intentions of Beethoven very well and respected them. I highly recommend this set for anyone who wants to listen to Beethoven as it should be performed.

The benchmark recordings for the Beethoven nine !.......2005-10-16

Some say the Karajan (1963) are better. Well it may have sounded so *inside the hall* when Karajan played it back then. But the recording is pretty awful. I own the set and am thinking of tossing them out. But then it shouldn't come as a surprise because it was recorded in ..umm..1963.. using primitive equipment.

This Decca DDD set, like all Decca DDD recordings, are just spectacular ! The sound is rich, clear and room filling with plenty of bass in the strings, something most other recordings seem to lack. I have heard many versions of the Beethoven nine, Szell, Bernstein, Karajan, Muti, Levine, Chailly and others - but this is the one that sets the benchmark.

(ps: For # 3, I prefer the Levine/Met (DG, 4D recording) version )

Average customer rating:

One of Karajan's best Beethoven Symphony cycles
Fine Analog Performance
Bring me the desert island, please.
Karajan's best Beethoven cycle for combination of performance and sound
under the surface

Beethoven: Nine Symphonies

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Beethoven: Symphonies Nos. 1, 2, 4, 5

ASIN: B000001GBT
Release Date: 1990-07-03

Tracks:

Symphony No. 1 In C Major, Op. 21: 1. Adagio molto - Allegro con brio
Symphony No. 1 In C Major, Op. 21: 2. Andante cantabile con moto
Symphony No. 1 In C Major, Op. 21: 3. Menuetto. Allegro molto e vivace
Symphony No. 1 In C Major, Op. 21: 4. Adagio - Allegro molto e vivace
Symphony No. 4 In B Flat Major, Op. 60: 1. Adagio - Allegro vivace
Symphony No. 4 In B Flat Major, Op. 60: 2. Adagio
Symphony No. 4 In B Flat Major, Op. 60: 3. Allegro vivace
Symphony No. 4 In B Flat Major, Op. 60: 4. Allegro ma non troppo
Overture, Egmont, Op. 84: Sostenuto, ma non troppo - Allegro

Tracks:

Symphony No. 2 In D Major, Op. 36: 1. Adagio - Allegro con brio
Symphony No. 2 In D Major, Op. 36: 2. Larghetto
Symphony No. 2 In D Major, Op. 36: 3. Scherzo. Allegro
Symphony No. 2 In D Major, Op. 36: 4. Allegro molto
Symphony No. 7 In A Major, Op. 92: 1. Poco sostenuto - Vivace
Symphony No. 7 In A Major, Op. 92: 2. Allegretto
Symphony No. 7 In A Major, Op. 92: 3. Presto
Symphony No. 7 In A Major, Op. 92: 4. Allegro con brio

Tracks:

Symphony No. 3 In E Flat Major, Op. 55 'Erocia': 1. Allegro con brio
Symphony No. 3 In E Flat Major, Op. 55 'Erocia': 2. Marcia funebre. Adagio assi
Symphony No. 3 In E Flat Major, Op. 55 'Erocia': 3. Scherzo. Allegro vivace
Symphony No. 3 In E Flat Major, Op. 55 'Erocia': 4. Finale. Allegro molto
Overture Leonore No. 3, Op. 72A: Adagio - Allegro

Tracks:

Symphony No. 5 In C Minor, Op. 67: 1. Allegro con brio - L.V. Beethoven
Symphony No. 5 In C Minor, Op. 67: 2. Andante con moto - L.V. Beethoven
Symphony No. 5 In C Minor, Op. 67: 3. Allegro - L.V. Beethoven
Symphony No. 5 In C Minor, Op. 67: 4. Allegro - L.V. Beethoven
Symphony No. 8 In F Major, Op. 93: 1. Allegro vivace e con brio - L.V. Beethoven
Symphony No. 8 In F Major, Op. 93: 2. Allegretto scherzando - L.V. Beethoven
Symphony No. 8 In F Major, Op. 93: 3. Tempo di Menuetto - L.V. Beethoven
Symphony No. 8 In F Major, Op. 93: 4. Allegro vivace - L.V. Beethoven
Overture Fidelio, Op. 72B: Allegro - L.V. Beethoven

Tracks:

Symphony No. 6 In F Major, Op. 68 'Pastorale': 1. Awakening Of Cheerful Feelings Upon Arrival In The Country - Allegro ma non troppo
Symphony No. 6 In F Major, Op. 68 'Pastorale': 2. Scene By The Brook - Andante molto mosso
Symphony No. 6 In F Major, Op. 68 'Pastorale': 3. Merry Gathering Of Country Folk
Symphony No. 6 In F Major, Op. 68 'Pastorale': 4. Thunderstorm
Symphony No. 6 In F Major, Op. 68 'Pastorale': 5. Shepherd's Song: Happy And Thankful Feelings After The Storm
Overture To H. J. von Collin's Tragedy, Op. 62: Allegro con brio
Overture 'The Creatures Of Prometheus' To Salvatore Vigano's Ballet: Adagio - Allegro molto con brio
Overture 'The Ruins Of Athens' From The Music To A. von Kotzebue's Play: Andante con moto - Allegro, ma non troppo

Tracks:

Symphony No. 9 In D Minor, Op. 125: 1. Allegro manon troppo, un poco maestoso - Ludwig Van Beethoven
Symphony No. 9 In D Minor, Op. 125: 2. Molto vivace - Ludwig Van Beethoven
Symphony No. 9 In D Minor, Op. 125: 3. Adagio molto e cantabile - Ludwig Van Beethoven
Symphony No. 9 In D Minor, Op. 125: 4. Presto - Ludwig Van Beethoven
Symphony No. 9 In D Minor, Op. 125: 4. Presto - Final Chorus From Schiller's 'Ode To Joy' - Ludwig Van Beethoven

Amazon.com

This is hedonistic Beethoven, though in listening to these accounts one wonders sometimes whether Herbert von Karajan may not have confused sex with love, and physicality with emotion. At least he seems more concerned with opulence of sound and weight of texture than with psychology or substance. Yet while his interpretation has neither great emotion, nor struggle, nor a sense of spiritual release, it certainly has great beauty and exhilaration. The readings are typical of the "massaged" style of performance Karajan cultivated in Berlin during the 1970s, and which Andrew Porter famously critiqued when he likened the results to Kobe beef. There is a certain softness under all that muscularity, though for the most part Karajan shows his usual strong grip and maintains the balance of lyrical and kinetic elements. The Berlin Philharmonic, at its peak when these recordings were made, is a marvel: even if its playing is rarely fiery or spontaneous, its sound is plush, succulent, and exilaratingly rich. Karajan uses a big orchestra all the way through, even in Symphony No. 1--which as a result sounds rather massive, though not heavy (the brisk scale in the violins at beginning of the fourth movement is delightfully airy). In addition to their polish, his readings are notable for their high energy level. This is particularly true of the Eighth, one of the most successful items in the set, which is interpreted in a way that clearly shows its connection to Seventh. On balance, the accounts run from very good to outstanding (Nos. 4, 8 and 9), but only rarely do they approach the transcendent. The recordings, made in Berlin's Philharmonie, are close-miked and mastered at a fairly high level, and sound is impressively firm. --Ted Libbey

Customer Reviews:

One of Karajan's best Beethoven Symphony cycles.......2007-04-20

Herbert von Karajan (1908-1989) recorded the Beethoven Symphonies four different times: with the Philharmonia Orchestra (early 1950s, EMI); with the Berlin Philharmonic (1961-62, DG); again with Berlin (1975-77, DG: THIS recording), and finally, in Berlin (1982-85, DG). Most critics consider either the 1961-2 or THIS recording to be Karajan's best Beethoven Symphony cycle. (The EMI has cramped sound, and the last cycle shows Karajan's eccentric side: somehow it doesn't "jell" and sound like Beethoven to me - it's more Karajan than Beethoven.)

These have Karajan's best Beethoven Symphony 5 and Symphony 6 recordings. The Berlin Philharmonic has the lush, rich sound Karajan was known for and will be remembered for by future generations of music lovers. The other symphonies are all very fine, too.

I should state my allegiences are for Bohm/Vienna Philharmonic (DG, 1970-72) in most of these symphonies. I also like Szell/Cleveland (Sony) for Symphonies 1, 3, 4 and 9; and Bruno Walter/Columbia Symphony for Symphony 3,4,5, and 7 (Sony). Thomas Beecham's EMI recordings of Symphonies 2 and 7 with the Royal Philharmonic are worth seeking out.

Karajan is very fine, if you don't have an allegience to a given conductor, as I do to Karl Bohm.

Fine Analog Performance.......2007-03-12

Karajan has been one of my favorites for the past 30 plus years and I have many of his recordings on lp and cd. One of the few things I collect are lp box sets. This set I own on vinyl and it either just got posted to Rhapsody or I just ran into it. Rhapsody now has this set, his 1950s, and his digital 1980s posted. I have not run into the early 60s set yet at Rhapsody, but have it on vinyl and cd. I was a bit surprised to see yet another Karajan Beethoven Symphony cycle at Rhapsody and did a search at Amazon to find out what cycle it is.

Karajan did at least 4 complete Beethoven Cycles (50s, 60s, 70s, and 80s) on lp/cd plus one video cycle in the mid 80s that is just outstanding. Some may argue that this is overkill, and many argue about what cycle is best. As far as I know, no one has surpassed Karajan for the most complete cycles title (Jochum comes to mind who I think did three cycles). It is now possible to convert them all to mp3, put them on a single cd or into an mp3 player and do a taste test. Any of these cycles are fun to listen to and they are all well played, conducted, and recorded. The 50s cycle is probably the weakest from a sound/ recording engineer perspective and maybe the 80s is the best (though some do not like the early digital sound). I personally like the early 60s best plus I greatly enjoy the DVDs. I bought them from China through Ebay for about $30 including s/h.

The big difference for Karajan 80s vs 70s is that in the 80s he had health issues prior to his passing and he also started to get very elderly (born in 1908). I have viewed his DVDs of Tchiakovsky (sym. 4, 5, 6) and Dvorak (8, 9) and his Beethoven 9. He seems to be more vigorious on the Beethoven set, followed by the Tchaikovsky, and then the Dvorak. He seemed to me to be a little out of it on the Dvorak 9th and that symphony seemed to drag. I love his Tchiakovsky set from the 70s and the 80s video is almost as good. I read that Karajan had over 800 recordings!

Bring me the desert island, please........2005-12-17

I've always been an admirer of Karajan's Beethoven. I pretty much cut my Beethoven teeth on the much lauded (by me, too) sixties set. In many peoples' minds I suppose it will never be surpassed.

However, in nearly every respect, this mid-seventies undertaking is a better set. I have, as have others, quibbles with certain decisions Karajan makes. For example, he seems to have no problem occasionally ignoring Beethoven's calls for repeats, while at other times he observes them scrupulously. It seems to me that if Beethoven says to do it, then you should do it. Karajan, apparently, doesn't agree.

One could quickly lapse into a minutiae-induced stupor over details. However, a couple will suffice: This is, without doubt, Karajan's best recorded Sixth. That said, it must be admitted his overall concept of this symphony has always been, for some, a weak link. I agree. Simply, there are probably better Sixth's in the catalog, although none could possibly be better played, interpretation not withstanding. Also, this Fifth is to be preferred over the earlier version, ignored repeats and all. The Ninth, arguably the crown jewel of the earlier set, is remarkable here. The soloists are all admirable, even if they aren't Janowitz, Ludwig, et al.

All-in-all, a magnificent undertaking, beautifully realized on CD.

Finally, as most know, Karajan undertook the complete symphonies one last time, near the end of his career (and life) in the early eighties. They are great. The sound is generally great (although not really better in any demonstrable way than here). But Karajan and his Berlin orchestra were having legal, personal and personnel problems which would finally force the Maestro to leave Berlin all together for his final few recordings. At this stage, probably the less said about the utterly disgraceful treatment the ailing Maestro was subjected to, the better. However, that final recorded cycle suffers, I think, from these problems. There are, at times, a certain sloppiness to the procedings Karajan would never have tolerated earlier in his life.

Happily, we have cycle two, in glorious mid-seventies Berlin sound, as a living testament of Karajan's superlative Beethoven.

Karajan's best Beethoven cycle for combination of performance and sound.......2005-10-09

This cycle of Beethoven symphonies, recorded 1975-77 is Herbert von Karajan's strongest. It is also the best of his Beethovens for both performances and sound. Symphonies 5 and 6 are the best here of any others Karajan did, as are Symphonies 1, 2, 3 and 9.

Much of "the best" depends on personal preferences, but I prefer these to the last cycle, recorded 1982-84 for DG. The 1961-2 cycle (DG) is also very fine.

I won't go into details in the interest of keeping this review concise. But Karajan takes slightly slower tempos in Symphony 5: I and Sym. 6: I, II, making a better case for each work.

The sound is rather low level, and you may have to crank up your volume a bit + add some extra bass, as Deutsche Grammophon often shorts the bass a bit in some of their recordings. But the sound is clean, and overall very fine.

Read my reviews of Karajan's first DG cycle, also with the Berlin Philharmonic, for other details. This cycle is recommended, and highly thought of by many critics.

under the surface.......2003-09-18

This truly is an amazing set!
For me this set beats his famous 1963 recordings.
It seems that many people take it for a fact that most of his 1970 recordings lack power, passion and meaning without ever hearing those performances.

Yes you have that recognizable Karajan sound allover, but how this sound interacts with a certain composer or work you'll only find out by listening to it.
For example: I like the "kitschy" singing violins in this Beethovenset very much, it adds mysterie to the score.
The same singing violins (same recorded as well) however I dislike very much in his Bruckner-recordings.
Weird, because string-vibrato in general suits Bruckner's music better than Beethoven's.
But to me those strings rob Bruckner's music of its mystery and mystique.

As said, the main reason why people underrate this set and most of his '70 recordings is because of their general perception of Karajan's sound.
That Karajan sound isn't just the orchestral playing, but also the sound of the recordings and I agree that this sound can add too much "Karajan" to a musical work and can rob the music's identity
The Karajan soup, constantly flavoured by the same ingredients.
One particular flavour is the artificial sounding concert hall acoustic and it is this acoustic in partnership with those singing violins that might give some music that peculiar 1970 romantics feel: candlelight dinners, on the beach at the right time: when the sun is going down etc.

But it's not honest to judge all his music on these unlikable (or likable if you will) features
Under that polished surface of the recordings there is real passion, energy and drive and the playing isn't that polished at all.
Listen to the lower strings, they rub intensly and the brass isn't underplayed all the time, rather under-mixed.
I am probably the only person who rate these performances higher than his 1963 recordings, there I do not find the same energy, passion and speed.

Yes, the tempi are faster and I like them that way.
Of this set I particuarly like the 3rd, 5th, 6th, 7th and 8th symphony.
The first two symphonies are given a too massive performance, in these works only a period intsrument ensemble can do a fine job or the orchestra must be smaller.

His 9th is let down by a too slow and not very rhythmical defined 1st movement. The rest, especially the adagio is superb.
The adagios in general I like better played by a traditional orchestra instead of a period ensemble.

His 3rd is superb.
Great speed in the first movement and the orchestra is playing their socks of, what power, drive and passion!
Same with the 7th.
Yes the brass could be better profiled and articulated, but the overall stormy performance generously makes up for these minor complaints.

His 6th is still the best I ever heard, to my ears this work is the most romantic in atmosphere and therefore everything matches even that "kitschy" recording.
And that's actually pretty funny because Karajan didn't care much for this symphony.

All these performances are not that cold and polished as the recordings might suggest.
In comparison with Gardiner I noticed that Gardiner's performance is much more controlled, polished and somewhat more polite than Karajan.
I recommend this set without hesitation, for me these performances are still up with the best.
Judge for yourself.

Beethoven: Symphony Nos. 6, 7 & 8/2 Overtures

Average customer rating:

Master of the Slow and the Beautiful
You must hear this recording
Great all around
The best version of the sixth!
Best Thing I Ever Bought.

Beethoven: Symphony Nos. 6, 7 & 8/2 Overtures
Ludwig van Beethoven , Karl Böhm , Vienna Philharmonic Orchestra , and Dresden Staatskapelle
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Beethoven: Symphonies Nos. 1, 2, 4, 5
Beethoven: Symphonies Nos. 3 & 9; Overtures
Beethoven: Symphonies Nos. 4 & 6 "Pastorale"
Beethoven: Symphony No.9 'choral', 'egmont' Overture
Furtwangler Conducts Beethoven - Beethoven: symphonies no 3,4,5, & 9, Leonore

ASIN: B000001GJF
Release Date: 1995-07-18

Tracks:

Symphonie No. 6 'Pastorale' en a majeur, Op. 68: Eveil d'impressions agreables en arrivant a la campagne: Allegro ma non troppo
Symphonie No. 6 'Pastorale' en a majeur, Op. 68: Au bord du ruisseau: Andante molto mosso
Symphonie No. 6 'Pastorale' en a majeur, Op. 68: Joyeuse assemblee de paysans: Allegro
Symphonie No. 6 'Pastorale' en a majeur, Op. 68: L'Orage et le Tonnerre: Allegro
Symphonie No. 6 'Pastorale' en a majeur, Op. 68: Chant pastoral - Remerciement a la Divinite apres l'Orage: Allegretto
Ouvertures: Leonore III, Op. 72A
Ouvertures: Fidelio, Op. 72B

Tracks:

Symphonies No. 7 en la majeur, Op. 92: Poco sostenuto - Vivace
Symphonies No. 7 en la majeur, Op. 92: Allegretto
Symphonies No. 7 en la majeur, Op. 92: Presto
Symphonies No. 7 en la majeur, Op. 92: Allegro con brio
Symphonies No. 8 en fa majeur, Op. 93: Allegro vivace e con brio
Symphonies No. 8 en fa majeur, Op. 93: Allegretto scherzando
Symphonies No. 8 en fa majeur, Op. 93: Tempo di Menuetto
Symphonies No. 8 en fa majeur, Op. 93: Allegro vivace

Amazon.com

Karl Böhm's Beethoven is, on balance, the best complete cycle available from Deutsche Grammophon. This will come as a surprise to many, given the fact that the label relentlessly promotes performances by Herbert von Karajan (three complete cycles!) and Leonard Bernstein, but for quality of playing, as well as superb sound, these versions are just about unbeatable. And at a "twofer" price, the complete set on three pairs of discs is a terrific value. --David Hurwitz

Customer Reviews:

Master of the Slow and the Beautiful.......2006-06-12

I always love Bohm's meticulous extraction of beautiful music through slow tempi. Other conductors just skip through the nice pieces far too quickly.

You must hear this recording.......2004-08-08

It's very exciting to see Bohm's Beethoven cycle, Mozart recordings and Tristan und Isolde get the praise that it deserves. For those of you who are not familiar with Bohm, take the leap and see why everyone is so excited. You may notice that many of his lower profile recordings (such as this) often have higher ratings then the classics. Bohm is not a surface conductor; many will testify that his recordings did not appeal to them the first few times they listened to them, but suddenly grew on them. If the other reviewers seem to struggle for words, it isn't surprising. Nothing is as amazing as hearing such 'plain' recordings and realizing they are better and more miraculous then the competition. For those of you that have this recording, but don't like it, keep it on the shelf and take it down every now and then and see how it works for you. I will tell you, having the whole cycle, that these three (along with the eroica) are the best of the cycle. The fifth is rather slow at times, and (sadly) it is probably not Bohm's fault, or Beethoven, but the fact that we have grown so used to hearing it that it has to be 'Kleiberized' to make it alive again. I definitely prefer his seventh over others, and as has been attested to, it is one that has to grow with you. The only other recording to recommend is Krips cycle, which unfortunately has all but disappeared from print and public eye. It's certainly not better, but it is interesting to hear a conductor who has a Beethoven sound even more transparent then Bohm's. As for the more recent digital recording of the ninth, you will notice that it has taking a heavy critical slam for its consistently slow tempos. Although I defend the recording, I have to admit this to be the case, and except for the first movement, I would have liked to have seen it taken faster. This recording definitely cannot be recommended too much, and I agree with another reviewer that it is very surprising that DG has not made a greater effort to push this cycle. I have noticed that it has stayed consistenly in print (recently reissued again) and it may be that they know there's more money to be made in selling the recordings individually. Who can say? Whatever the case, buy it!!

Great all around.......2002-11-06

Some have said that Beethoven's odd-numbered symphonies are great and his even ones are only mediocre. Well, here Bohm shows us how great the 6th and 8th symphonies are. Like many have commented, this is one of the best recordings of the 6th out on the market. The "Pastoral" symphony is rich and lush, and Vienna takes you away into the landscape that Beethoven envisioned as he wrote this wonderful work. Great attention to detail that is highly satisfying. In the 8th, Bohm doesn't let up and conducts with such precision as to create a wonderful driving energy that can be felt underlying the piece. Excellent choice of tempi and full rich sound. The 7th is not my favorite of the recordings out there but it is still well done.

The best version of the sixth!.......2001-02-27

Beethoven's sixth is often underappreciated and overlooked. This version will quickly get you to reconsider your opinion if you have dismissed the sixth as "lightweight." The entire symphony is played with exquisite sensitivity. The first two movements, in particular, reveal Beethoven's genius. Bohm gets the orchestra to revel in Beethoven's lush textures. Everying is balanced and played with great delicacy. Bohm's reading of the seventh is quite different than the famous Klieber version. Again, other reviewers have criticized Bohm for being a bit too slow (the only place this is a concern is in his rendering of the fifth). However, Bohm gets a different, though equally satisfying effect from the slower tempo, particularly in the second movement. Bohm gets much more emotional depth out of this movemement than Klieber does. The spirited eighth is every bit as great as Szell's outstanding version with the Cleveland Symphony. In short, this is a "can't miss" cycle. You can't go wrong, and you won't be dissatisfied with Bohm's versions of all nine Beethoven symphonies.

Best Thing I Ever Bought........2001-01-08

I am so utterly charmed by these recordings that it amazes me.

Customer Reviews:

Mostly good.......2007-05-26

A bit of a mixed bag. The symphonies are superb. This is one of the great symphony cycles. The piano sonatas are good, very good (analog) sound. The quartets are well recorded indeed, but there are better cycles out there. The rest is OK, and the sound is genrally good.

Look at the List of Performers First.......2006-11-17

If you want most of Beethoven sitting on one bookshelf, this is a great bargain (especially if you shop for it on amazon.de). But few if any of the performances represent the pinnacles of interpretation that most listeners demand when Beethoven is the composer. The symphonies for instance: can Blomstedt be compared to Furtwangler or (if you lean toward historically informed instrumentation) Gardiner? Most amazingly, the artists who perform the quartets -- the heart of Beethoven's music -- are not even named in the listing.
On the other hand: Vivaldi: The Masterworks is a collection including the very best interpreters, such as Fabio Biondi! Bach Edition (complete Bach) is a fabulous selection of recordings made over 20 years, and almost the same praise can be given the Complete Mozart.

this "masterworks" series is available much more cheaply from Amazon France.......2006-05-28

there are several sets in this series and it's much cheaper to buy these from Amazon France.

included are bach, beethoven, vivaldi, brahms, dvorak, schubert, handel, hayden, and mendelssohn.

they're even cheaper than the list price once u go through the checkout (VAT is removed for overseas (out-of-france) purchases).

**also, the 'complete works of mozart' set is much cheaper there (or at Amazon Germany), too. the 'complete works of bach' is due out later this year.

You heard guy below: Beethoven needs the royality checks! .......2006-04-07

There is quality beyond the Austrian green cardboard (which is lovely to look at, to say the least). In fact, the performance of the symphonies (Dresden Staatskapelle and Herbert Blomstedt) is alone worth the price. The Staatskapelle is a solid group, and Blomstedt, although less wellknown, holds his own. It should be mentioned that Blomstedt recorded many of the most celebrated 20th composition CDs on the market, and definitely knows his stuff. Peter Wohlert recorded mostly for compiliation lables, but to be selected by the Berlin Phil shows that he is a formdiable conductor in rank as well.

Should you buy this collection then? Given the fact that each CD cost $1.75, there is definitely the bargin factor. However, Beethoven's music desveres the top interpreters and musicians of our time - and this applies for all of his music, not just the symphonic. If you are into bargins, then proceed to buy this collection. However, if you save up a bit more, you can buy Karajan's 1963 Beethovens symphonies along with Kempff's 1956 sonata cycles for just a bit more than 70 bucks. Shop around for the string quartets, and the complete overtures should range anywhere from 15 to 30 bucks depending on the conductor/ensemble.

Overall, this is certainly an exceptional bargin. However, quality matter more than money. Besides, chicks dig people with sophisticated tastes.

Buy my box Set!.......2006-03-21

Awesome deal, 40 CD box set of me, Beethoven! There are 3 principle reasons you should buy this box set:

This box is QUALITY my friend, made of the finest, Austrian cardboard with a lovely green finish, it is made to last! You can just set it on your dresser and whenever you need a Beethoven fix you can just pull a CD out. But don't you hate getting your CDs out of order so you can't find what the hell you're looking for?! Not with this set! They are well organized into symphonies, concerti, sonatas and such, so you can find EXACTLY what your looking for, and they have big numbers on them so you can put them right back where they belong.

And the music! Need we go into this, composed through the inspiration of God himself and penned by the greatest composer who ever walked the streets of Vienna, me, Beethoven! Top notch, all done by top performers and recorded at high, clear, digital quality, stick one in your stereo and rock out man! All of my great and mighty works are here, absolutely sublime!

Lastly, you'll be supporting me, I need those royalty checks to keep rolling in!

Buy it if you love me or just buy it if you want people to think that you're sophisticated (the chicks also dig it, I should know: Antonie Brentano, giggity!), you can't go wrong!

Beethoven: Symphony No. 3 'Eroica'; Leonore Overture No. 2

Average customer rating:

Fine Beethoven 3rd Symphony and Lenore Overture from Haitink, LSO
A pleasant, prim Eroica--what is Haitink up to?

Beethoven: Symphony No. 3 'Eroica'; Leonore Overture No. 2

Manufacturer: Lso Live UK
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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Beethoven: Symphony No. 6 "Pastoral"; Symphony No. 2
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Beethoven: Symphonies Nos. 4 & 8

ASIN: B000GH3CXE
Release Date: 2006-08-08

Tracks:

Allegro Con Brio
Marcia Funebre: Adagio Assi
Scherzo And Trio
Finale: Allegro Molto
Leonore Overture No.2

Customer Reviews:

Fine Beethoven 3rd Symphony and Lenore Overture from Haitink, LSO.......2006-09-15

Bernard Haitink's latest Beethoven symphony cycle may lack the passion and excitement found in other recently recorded cycles using the Jonathan Del Mar-edited Barenreiter Edition of these symphonies, but I don't think that these are apt criticisms of this recording of a fine account of the Beethoven Third Symphony and a superb performance too of the second Leonore Overture (The most passionate, exciting version I have heard yet remains Claudio Abbado's revelatory, quite dazzling interpretation, among the highlights in his latest Beethoven symphony cycle with the Berliner Philharmoniker. And yet, I might add that Abbado doesn't observe the repeats in the first movement, while I believe Haitink does in this recording.). However, I suspect that not only will it not be dismissed by most classical music critics and fans, but instead, it will find ample praise in some circles. Haitink offers a fine, often fascinating, account of Beethoven's 3rd Symphony which pays ample homage to period instrument practice and is blessed with exemplary playing from the London Symphony Orchestra (Indeed, I find this version far more interesting than his critically acclaimed Philips recording from the 1970s - or is it 1980s - with him conducting the Royal Concertgebouw Orchestra.). Haitink's latest traversal favors rather brisk tempi, with the only disappointment being the second movement's "Funeral March", which doesn't seem as appropriately dour as others I've heard lately, most notably Abbado's. However, unlike a previous reviewer, I don't regard this as a fundamentally flawed aspect of this performance, but rather, a unique interpretation offered by this venerable conductor; moreover, I think the London Symphony Orchestra offers inspired performances from its winds, horns and strings from the opening notes of the riveting first movement to the very end of the last. Having enjoyed this freshly realized, vivid account of the Beethoven Third Symphony, I am eagerly looking forward to hearing the rest of Haitink's new Beethoven Symphony cycle; judging from this recording, it most likely is one blessed with superb direction from Haitink, superlative playing from the London Symphony Orchestra, and last, but not least, splendid digital recording from the LSO Live recording team. If my predictions bear fruit, then this latest Beethoven symphony cycle will be one sought after by devout fans of classical music, the London Symphony Orchestra, and Bernard Haitink.

A pleasant, prim Eroica--what is Haitink up to?.......2006-08-09

So far, Haitink's live Beethoven cycle from London has displayed touches of period style and very little passion or heroism--it's almost prim. That's certainly true of this Eroica. Never a great Beethoven conductor, Haitink still retained a great deal of vitality when I last heard him a few years ago in Bsoton. Yet the first movement here is slack and uninvolving. The touchstone movement is the funeral march, taken quickly and without any hint of grief or majesty. What is Haitink thinking?

The Scherzo is quick-paced and pleasant; Haitink doesn't dig into the phrasing, which was fatal to the funeral march, but in this movement he shows more robustness. The LSO evidences some spirit for the first time, and the recording is clear and natural. The finale is quite brisk at 11 minutes. Haitink speeds thorugh almost without pause, certainly without expressive detail--it's as if he's in a hurry to catch a cab.

I was amazed to see when the Gramophone recently picked Haitink's earlier Sym. #2 and #6 as a recording of the month. I am prepared to be amazed a second time if they go for this Eroica. Well, LSO Live is a regular advertiser.

Beethoven: Symphonies Nos. 1-9; Overtures; Violin Concerto (Limited Edition)

Average customer rating:

Bernstein's First, Quite Possibly, Best, Beethoven Symphony Cycle
Bernstein's early Beethoven makes an enticing bargain

Beethoven: Symphonies Nos. 1-9; Overtures; Violin Concerto (Limited Edition)

Manufacturer: Sbme Import
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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Similar Items:

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Beethoven: The 9 Symphonies
Sibelius: The Complete Symphonies
Tchaikovsky: The Complete Symphonies

ASIN: B00006OA68
Release Date: 2002-10-28

Tracks:

Symphony No.1 In C Major, Op.21
Symphony No.2 In D Major, Op.36
Symphony No.4 In B-Flat Major, Op.60
Symphony No.6 In F Major, Op.68
Symphony No.9 In D Minor, Op.125
Concerto For Violin And Orchestra In D Major, Op.61

Customer Reviews:

Bernstein's First, Quite Possibly, Best, Beethoven Symphony Cycle.......2007-05-23

For those wondering why Leonard Bernstein was such an important, exciting conductor, there's no better introduction than these fine early stereo recordings he made with the New York Philharmonic Orchestra. Critics have celebrated these as exciting, revelatory accounts, almost as memorable as those from George Szell and The Cleveland Orchestra and Herbert von Karajan and the Berliner Philharmoniker, which were recorded almost at the same time as Bernstein's. The only reason why I'd give higher recommendations to Szell's and Karajan's cycles lies primarily with the acoustical qualities of the recording studios (In Karajan's case the converted Berlin church where he made most of his 1960s and 1970s recordings with the Berliner Philharmoniker was sonically the best at that time.) and the overall quality of the musicianship of their respective ensembles, which I would have to rate slightly higher than the New York Philharmonic's. The two finest recordings from Bernstein's New York Philharmonic cycle are those with of the 3rd and 5th symphonies which remain two of the most dramatic recordings of these pieces that I've heard. Overall, I think this set deserves favorable comparisons with his mid 1970s Deutsche Grammophon cycle recorded with the Wiener Philharmoniker during live performances at Vienna's Musikverein; the only exceptional differences are the slightly warmer acoustics of the orchestra and concert hall in the 1970s cycle, and Bernstein's usage of slightly quicker tempi and smaller orchestral forces. If you're looking for an alternative traditional Beethoven symphony cycle, then you won't miss by acquiring this early Bernstein cycle.

Bernstein's early Beethoven makes an enticing bargain.......2007-02-20

I wonder if Leonard Bernstein was the first American conductor to record a complete Beethoven cycle? He must have been, and two of these performances--the Eroica and the Fifth Sym. -- were made famous as vehicles for LB's television talks in the Fities and Sixties. Millions of post-war kids learned from them and I'm one. In retrospect Bernstein's Beethoven wasn't as propulsive and exciting as memory made them. But these performances are full-boded, direct, and satisfying. Perhaps the authority of Karajan and the Berlin Phil. isn't present, but even so, Sony is offering the cycle as a tremendous bargain, all the more so if you buy it used at Amazon Marketplace. Several overtures are thrown in, along with Isaac Stern's excellent account of the Violin Concerto (conductor and soloist are in sympathy, as always, but this is one of their poorest sounding recordings, unfortunately).

LB used a big orchestra for his Beethoven, and the Columbia Records engineers caught them in a big, reverberant space. If you want to hear this music on a modest scale or with historical touches, lok elsewhere. After he decamped to Europe, Bernstein made a second Beethoven cycle with the Vienna Phil. that's leaner, faster, but somewhat lacking in the excitment of discovery that one heard the first time around.

Average customer rating:

Beethoven, Muti, And Philadelphia
Nice.
I'm happy with choosing this set
Disappointing Beethoven from a conductor I usually like
Incomparable! Bring on 10 stars!

Beethoven: Complete Symphonies

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Classical | Box Sets | Stores | Music

Beethoven: Complete Piano Sonatas / Daniel Barenboim
Brahms: Complete Symphonies
Complete Symphonies (Box)
Beethoven: Complete symphonies
Symphonie Fantastique

ASIN: B00000C2KJ
Release Date: 1998-11-03

Tracks:

Symphony No.5 In C Minor, Op.67: I. Allegro con brio
Symphony No.5 In C Minor, Op.67: II. Andante con moto
Symphony No.5 In C Minor, Op.67: III. Allegro
Symphony No.5 In C Minor, Op.67: IV. Allegro - Presto
Symphony No. 1 In C Major, Op.21: I. Adagio molto - Allegro con brio
Symphony No. 1 In C Major, Op.21: II. Andante cantabile con moto
Symphony No. 1 In C Major, Op.21: III. Menuetto & Trio: Allegro molto e vivace
Symphony No. 1 In C Major, Op.21: IV. Adagio - Allegro molto e vivace

Tracks:

Symphony No. 2 In D Minor, Op 36: 1. Adagio molto-Allegro con brio
Symphony No. 2 In D Minor, Op 36: II. Larghetto
Symphony No. 2 In D Minor, Op 36: III. Scherzo & Trio: Allegro
Symphony No. 2 In D Minor, Op 36: IV. Allegro molto
Symphony No.4 In B Flat Major, Op 60: I. Adagio - Allegro vivace
Symphony No.4 In B Flat Major, Op 60: II. Adagio
Symphony No.4 In B Flat Major, Op 60: III. Menuetto: Allegro vivace - Trio: Un poco meno allegro
Symphony No.4 In B Flat Major, Op 60: IV. Allegro ma non troppo

Tracks:

Symphony No.3 In E Flat Major, Op.55 'Eroica': I. Allegro con brio
Symphony No.3 In E Flat Major, Op.55 'Eroica': II. Marcia funebre: Adagio assai
Symphony No.3 In E Flat Major, Op.55 'Eroica': III. Scherzo & Trio: Allegro vivace
Symphony No.3 In E Flat Major, Op.55 'Eroica': IV. Finale: Allegro molto - Poco andante - Presto
Overture: Fidelio, Op.72b
Overture: Die Weihe des Hauses, Op.124

Tracks:

Symphony No.6 In F Major, Op.68 'Pastoral': I. Allegro ma non troppo - Beethoven
Symphony No.6 In F Major, Op.68 'Pastoral': II. Andant molto mosso - Scene By The Brook - Beethoven
Symphony No.6 In F Major, Op.68 'Pastoral': III. Allegro - Merry Gathering Of The Country Folk - Beethoven
Symphony No.6 In F Major, Op.68 'Pastoral': IV. Allegro - Storm And Tempest - Beethoven
Symphony No.6 In F Major, Op.68 'Pastoral': V. Allegretto - Shepherds' Song. Happy And Thakful Feelings After The Storm - Beethoven
Overture: Leonore NO.3, Op.72a - Beethoven

Tracks:

Symphony No.7, A Major, Op.92: I. Poco sostenuto - Vivace
Symphony No.7, A Major, Op.92: II. Allegretto
Symphony No.7, A Major, Op.92: III. Presto - Assai meno presto
Symphony No.7, A Major, Op.92: IV. Allegro con brio
Symphony No. 8 In F Major, Op.93: I. Allegro vivace e con brio
Symphony No. 8 In F Major, Op.93: II. Allegretto scherzando
Symphony No. 8 In F Major, Op.93: III. Tempo di menuetto
Symphony No. 8 In F Major, Op.93: IV. Allegro vivace

Tracks:

Symphony No. 9 in D minor, Op. 125 - I Allegro ma non troppo, un poco maestoso - L.V. Beethoven
Symphony No. 9 in D minor, Op. 125 - __ Molto vivace - Presto - L.V. Beethoven
Symphony No. 9 in D minor, Op. 125 - III Adagio molto e Adagio molto e cantabile -- Andante moderato - L.V. Beethoven
Symphony No. 9 in D minor, Op. 125 - Presto - L.V. Beethoven

Customer Reviews:

Beethoven, Muti, And Philadelphia.......2005-12-03

The nine symphonies of Beethoven are not only a high watermark in the classical music genre, but indeed a high watermark for all of music and humanity in general. They are remarkable also for the sheer fact that Beethoven was often in poor health when he composed them, and struggling with deafness as well. From the first two symphonies, both in the Haydn/Mozart sphere, to the ground-breaking "Eroica" and moving up to the immense universes of the Ninth, Beethoven helped set the stage not only for the music of the 19th century, but also even the 20th as well.

Not surprisingly, there have been dozens upon dozens of box sets devoted to Beethoven's symphonies over the decades. But this one by the Philadelphia Orchestra under Riccardo Muti stands tall with other Beethoven sets for the way this great orchestra navigates its way through these works under the direction of a great conductor who had the unenviable task of carving out a niche for himself in Philadelphia, where the reputations of Leopold Stokowski and Eugene Ormandy still loom large.

The box set consists of:

CD-1: SYMPHONIES NOS. 5 & 1

CD-2: SYMPHONIES NOS. 2 & 4

CD-3: SYMPHONY NO. 3 (EROICA); OVERTURE TO "FIDELIO"; CONSECREATION OF THE HOUSE OVERTURE

CD-4: SYMPHONY NO. 6 (PASTORAL); LEONORA OVERTURE NO. 3

CD-5: SYMPHONIES NOS. 7 & 8

CD-6: SYMPHONY NO. 9 (CHORAL); CHERYL STUDER (soprano); DELORES ZIEGLER (mezzo-soprano); PETER SEIFFERT (tenor); JAMES MORRIS (bass); WESTMINSTER CHOIR (Joseph Flummerfelt, chorus director)

Recorded between 1985 and 1988, this box set may not enjoy the same amount of praise richly and deservedly placed on those by Solti, Karajan, Bernstein, or Szell, but the performances contained in them are very true to the composer's intentions without sacrificing spirit or orchestral texture. The 1st, 2nd, 4th, and 8th symphonies are very Classical in their performances, while nos. 3, 5, 6, & 7 are sterling examples of balancing classical structure with Romanticism. The addition of three overtures, two of them from the composer's one and only opera "Fidelio", is also welcome. And then there's the Ninth Symphony, with its immense power and the triumphal "Ode To Joy" finale, superbly pulled off by Muti and the orchestra with a distinguished quartet of vocal soloists and the Westminster Choir.

Every self-respecting music aficionado should have a Beethoven symphonic box set in their collection, and this one is a fine addition to the many great such box sets out there.

Nice........2005-11-03

It's true what most reviewers are saying about the more subtle interpretation, but I kind of like it that way. I have this box (which does have a 6 CD jewelbox-by the way) and the Solti version. While Sir Georg is my usual default, I find this one making it's way to the player more often.

I'm happy with choosing this set.......2005-02-04

I wanted to get a great recording of the Beethoven Symphonies and scoured the Internet looking for quality recordings. It came down to this set and Karajan's set, and this won due to price.

I'm aware of Karajan's set, and I'm not going to say anything bad about it. It's loud and boisterous, but just ask yourself this--would Beethoven have liked it? Of course.

Muti's interpretation is more subtle and less bombastic. If it were a flavor, it would be vanilla. But what's wrong with vanilla? Sure, the Philadelphia Orchestra is not as prestigious as Berlin or Vienna. And yes, they are playing on modern instruments, not period instruments.

But here's what you get, and here's why I think this is the best value set out there. You get all nine symphonies, plus three overtures: Fidelio, Leonore No. 3, and the Consecration of the House. The Ninth features opera star James Morris as one of the soloists and the Westminster College Choir. It's a digital recording (1986). Oh yes, and it's thirty dollars cheaper.

I actually prefer the more "classical" approach to the symphonies that Muti provides (don't worry, the Ninth is still purely Romantic). I'm sure one can find better recordings piecemeal (or perhaps collectively), but the fact remains that these recordings are very good and cannot be dismissed.

FYI-- The CDs are not in a jewel case but a cardboard box with stiff paper sleeves for each of the 6 CDs. Liner notes are good but not great.

Disappointing Beethoven from a conductor I usually like.......2003-09-02

I'm afraid I agree with the fellow who found the sound of these recordings dim--details in the strings and woodwinds remain unclear even after hours of fiddling with an equalizer. I agree that Karajan's and Toscanini's Beethoven are the pits, and I'd rather listen to Muti's Beethoven given the choice. There is no denying the beauty of the playing. Still, Muti is too much of a romantic for Beethoven--those subtle changes of tempo that are so effective and necessary in Tchaikovsky (Muti's is among the best) in Beethoven become fussy, distracting and effeminate, weakening forward momentum. I wish I liked this set--the price is certainly right--but...

Incomparable! Bring on 10 stars!.......2002-12-18

I have had this set for a month or two now and have wanted to write a review, but I have been overwhelmed by the idea of critiquing every symphony because each recording is so outstanding in its own right that I wanted to say something about each one. I realize that a few words about some of the recordings say volumes about the whole set.

First of all, one of the reviews suggested that this set was more classical in interpretation than the 'bombastic romantic' interpretations by Solti, von Karajan or Furtwangler and even Bruno Walter. Toscanini was a speed [fan] although tender moments do pop out. Another brought out his experience with all of the sets of his Beethoven recordings and tried to compare them.

I say that this set is incomparable because there is no set out there to compare it with, because the set has its bombastic moments and tender, classical moments, if you will. For instance, the larghetto movement of the second symphony, which is a struggle between major and minor melodies in only the way Beethoven could weave them. After the recapitulation of the two themes and toward the end of the movement there is an ascending melody lower strings answered in a descending theme by the violins that is so wonderfully and romantically played, the strings soar so beautifully (Muti has a way with Maestoso, such as a passage in the first movement of Tchaikovsky's sixth in a descending scale by the orchestra ) the majesty is astounding. That is not 'classical'! His recordings of the 2nd and 4th are like no others. Maestro Muti also brings out melodies that I have never heard in any other Beethoven redordings. The fifth is a marvel of invention, I know every single note of this symphony by heart and the Maestro brings out things I haven't heard before. The adagio and the finale of the seventh are so wonderful. The second and third movements are a marvel in the 9th also.l also think that the eigth is a marvel. I have heard at least 100 performances of it and non other compare. The third is also a wonder. And to have the overtures. What a wonderful bonus. I almost forgot to mention the 'Pastoral'. I had been waiting for years and years to listen a recording that matched Bruno Walter's old recording of it. The reason is the majesty of the last movement. All the recordings that I owned or listened to did not come close (maybe Ormandy did), but this one did and I am so greatful. I usually graded a Beethoven set by the sensitivity of the sixth. (I used to have several sets of Beethoven but all was lost in a fire several years ago).

Tracks:

Trumpet concerto: Brandenburg Concerto No.2 - Trumpet Concerto
Petrouchka
Pictures at an Exhibition
Leonore Nos. 3&2
Ein Heldenleben
Symphony No.5
Scheherazade
Don Juan
Fetes
Piano Concerto In G
Piano Cto. No. 1
Pines Of Rome
Concerto For Orchestra
Carmen Prelude
Firebird Suite
Parsifal Prelude
La Mer
Symphony No. 2
Symphony No. 3 (Post Horn)
Capriccio Espagnol
American In Paris
Magnificat

Customer Reviews:

Orchestral Trumpet Player's Bible:.......2003-05-08

I carry this recording around with me in my case, and listen to it before auditions, concerts, rehearsals, etc. It's simply how the excerpts (along with trumpet playing in general) should sound. Smith's virtuostic playing, coupled with his vast orchestral experience, really teach the parts. All trumpet players, top to bottom, have something to learn from this CD--and while the entire work (with orchestra) and part should be studied (Smith actually recommends this), it is still very useful to hear one of the finest players on earth performing just the trumpet part.

Essential Recording for Any Trumpet Player.......2001-05-24

If any principal orchestral trumpet player has succeeded Adolph Herseth as the "state of the art," the probable consensus among his peers would be Philip Smith of the New York Philharmonic. His virtually flawless technique, gourgeous sound, rarified musicianship and exceptional leadership make him virtually unique in his field, and his more than 20 years with the Philharmonic (plus his early years with the Chicago Symphony) have firmly established him as one of the greats in the history of orchestral brass performance.

Measured simply as a documentation of his skills, this recording would be an extraordinary document - the playing throughout is stupendous. But this is much more than that; Mr. Smith proves to be as articulate (mild "New Yoahk" accent and all) as he is talented, and his performance suggestions are truly helpful, even for those of us without his superhuman abilities. The recorded sound is superb, and overall this is a joy to listen to at every level. I recommend it without reservation for any trumpet player aspiring to a higher level of musicianship and performance - and if you play it at full volume shortly after your warmup, your neighbors will be very impressed.

Most Excellent.......1999-12-13

As a trumpet player, I must say that Phil Smith's comments during each track are immensely beneficial. His thoughts have produced profound understanding in my trumpet playing, and despite the fact that this CD is intended as a grouping of Phil Smith's insights into common Orchestral Excerpts and his following demonstration, I have countless times listened out of pure enjoyment than to gain expert insight. His tone is the most beautiful I have ever heard, and it shows on this CD. I recommend this particularly for any aspiring trumpet student.

Awesome!.......1999-10-25

The previous reviewer of this CD missed the point of the CD. Lets say your working on the Carmern Prelude or Stravinsky Pétrouchka you buy this CD, and learn how Philip Smith (one of the greatest symphonic trumpet players in the world) would interpret and play it. Thats why its entitled Orchestra Trumpet Excerpts.

Excellent for aspiring trumpet players, otherwise..........1999-05-31

This CD would be excellent for aspiring orchestral trumpeters and soloists; although Philip Smith conveys his expertise exceptionally well, this short snips of music on this CD are no substitute for the actual full-orchestra recordings.

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