Rheinberger Organ Sonatas, Vol. 4
On this CD:
1. Sonatas (20) for organ, No 5 in F sharp, Op 111
Composed by Joseph Rheinberger
Performed by Bruce Stevens
2. Sonatas (20) for organ, No 4 in A, Op 98
Composed by Joseph Rheinberger
Performed by Bruce Stevens
3. Sonatas (20) for organ, No 19 in G, Op 193
Composed by Joseph Rheinberger
Performed by Bruce Stevens
Rheinberger Organ Sonatas, Vol. 4, Music, Joseph Rheinberger, Bruce Stevens, Chamber Music & Recitals, Classical, Classical Composers, Classical Music, Keyboard, Romantic Sonata/Sonatina for Keyboard
Average customer rating:
- Uniformly Excellent
- Uniformly excellent
- Good choice!
|
Rheinberger: Works for Organ, Vol. 3
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Rheinberger, Joseph
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- Rheinberger: Works for Organ, Vol. 4
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- Rheinberger:Works for Organ, Vol. 1
- Rheinberger: Works for Organ, Vol.2
- Buxtehude: Organ Music, Vol. 4
ASIN: B000058UTV
Release Date: 2001-03-20 |
Tracks:
- Son No.8 in e, Op.132: Prld
- Son No.8 in e, Op.132: Intermezzo
- Son No.8 in e, Op.132: Scherzoso
- Son No.8 in e, Op.132: Passacaglia
- Ten Trios Op.49, Nos. 1-5: I. Andante
- Ten Trios Op.49, Nos. 1-5: II. Moderato
- Ten Trios Op.49, Nos. 1-5: III. Adagio
- Ten Trios Op.49, Nos. 1-5: IV. Allegretto
- Ten Trios Op.49, Nos. 1-5: V. Con Moto
- Son No.9 in B flat, Op.142: Prld And Fugue
- Son No.9 in B flat, Op.142: Romanze
- Son No.9 in B flat, Op.142: Fant And Fugue
- Ten Trios Op.49, Nos.6-10: VI. Alla Breve
- Ten Trios Op.49, Nos.6-10: VII. Andantino
- Ten Trios Op.49, Nos.6-10: VIII. Adagio Non Troppo
- Ten Trios Op.49, Nos.6-10: IX. Moderato
- Ten Trios Op.49, Nos.6-10: X. Andante Molto
Customer Reviews:
Uniformly Excellent.......2003-08-19
Another example of a hiccup by my computer or mouse - not sure which one - and multiple reviews were submitted. Sorry about that.
This is the third volume of Rheinberger Sonatas by Wolfgang Rubsam and again I am pleased at the quality and technique as well as structural craftsmanship, especially as the later sonatas are approaching the half hour mark. Just learning the hundreds of thousands of notes is an accomplishment in itself but sculpturing the long pieces into a single unit is perhaps an even greater effort.
In a sense, the composer assists in this effort by introducing and reintroducing themes. The writing is now becoming dense in parts - like Vierne's sober, thick First Organ Symphony. But Rheinberger is too much a melodist to become infatuated with so-called "walls of sound". Despite the intensity, he repeatedly emerges with absolutely beautiful melodies that literally sing to the listener.
The Eighth is another somber work and the technical demands of the final movement (Passacaglia) is especially noteworthy. The Ninth (in B flat Minor) alludes to an almost Classical tone in parts yet explores various Romantic realms at ease. This is the longest and most mature of the first nine. It is extremely original without departing from the strict confines of a strucure the composer apparently relishes.
The Trios are miniature tone poems with a German, Romantic appeal. Some are gems, others are simply melodic
Uniformly excellent.......2003-07-18
This is the third volume of Rheinberger Sonatas by Wolfgang Rubsam and again I am pleased at the quality and technique as well as structural craftsmanship, especially as the later sonatas are approaching the half hour mark. Just learning the hundreds of thousands of notes is an accomplishment in itself but sculpturing the long pieces into a single unit is perhaps an even greater effort.
In a sense, the composer assists in this effort by introducing and reintroducing themes. The writing is now becoming dense in parts - like Vierne's sober, thick First Organ Symphony. But Rheinberger is too much a melodist to become infatuated with so-called "walls of sound". Despite the intensity, he repeatedly emerges with absolutely beautiful melodies that literally sing to the listener.
The Eighth is another somber work and the technical demands of the final movement (Passacaglia) is especially noteworthy. The Ninth (in B flat Minor) alludes to an almost Classical tone in parts yet explores various Romantic realms at ease. This is the longest and most mature of the first nine. It is extremely original without departing from the strict confines of a strucure the composer apparently relishes.
The Trios are miniature tone poems with a German, Romantic appeal. Some are gems, others are simply melodic.
Good choice!.......2002-01-26
This recording is a good addition to any collection of organ recordings. Rubsam is certainly a well-respected performer, and this recording is no exception. Rheinberger is a composer well-known to organists, and while there are certainly many other higher profile recordings of his works to be had, this is a good recording for half the price of others.
Average customer rating:
- All Good Things...
- All Good Things...
- All Good Things....
|
Rheinberger: Works for Organ, Vol. 4
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Rheinberger, Joseph
| ( R )
| Featured Composers, A-Z
| Classical
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Sonatinas
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| Forms & Genres
| Classical
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| Historical Periods
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| Historical Periods
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- Rheinberger:Works for Organ, Vol. 1
ASIN: B00005RT4O
Release Date: 2002-01-15 |
Tracks:
- Fuge: Molto Moderato - Fuge
- Thema Mit Veranderungen: Andante
- Fantasie Und Finale: Quasi Adagio - Allegro Non Troppo
- I Andantino Amabile In D Flat Major
- II Moderato In B Flat Major
- III Allegretto In E Flat Major
- IV Quasi Adagio In C Major
- V Moderato In E Major
- Agitato: Allegro
- Cantilene: Adagio
- Intermezzo: Moderato
- Fuge: Con Moto
Customer Reviews:
All Good Things..........2003-08-19
OK OK - I admit it in this edited version. My computer went belly up and submitted multiple reviews. But in this case I think the subject is worthy of all the praise.
Yes, this is currently the last recording of the Rheinberger Sonatas by Wolfgang Rubsam. It is pitiful that there is not a single collection of the Sonatas in their entirety (No 15 seems to be the hardest to locate). Again, I praise these recordings for their affordable price, the detailed liner notes, the sequential order of presentation and last (but certainly not least) the grand interpretation of a great German Romantic.
The Tenth in B Minor opens broadly and again, quintessentially organist (if there is such a word - and if not there should be). It proceeds almost majestically, a mighty, solemn prelude with brief pauses. The Andante is followed by a Fantasie, this Sonata having only three movements. The opening bars set the stage for a concluding Allegro non troppo that is again punctuated with several pauses in which the composer seems to gather his forces for a final charge.
The Eleventh in D Minor has long been a favorite due to its dark, infectious overflowing nature. The Agitato is another of those pieces for virtuosos only. It relaxes rarely and the massive sound recalls Widor, the gorgeous melodies, Bruckner, the conclusion, Reger. The beautiful Adagio precedes the famous Intermezzo whose ABA structure alternates between beautiful melodies and sharp chords. The final fugue begins without pause and the haunting melody intertwines with an early melody as they grow and evolve into something majestic and awe-inspiring.
Needless to say, I await the next batch.
All Good Things..........2003-07-29
*Yes, this is currently the last recording of the Rheinberger Sonatas by Wolfgang Rubsam. It is pitiful that there is not a single collection of the Sonatas in their entirety (No 15 seems to be the hardest to locate). Again, I praise these recordings for their affordable price, the detailed liner notes, the sequential order of presentation and last (but certainly not least) the grand interpretation of a great German Romantic.
The Tenth in B Minor opens broadly and again, quintessentially organist (if there is such a word - and if not there should be). It proceeds almost majestically, a mighty, solemn prelude with brief pauses. The Andante is followed by a Fantasie, this Sonata having only three movements. The opening bars set the stage for a concluding Allegro non troppo that is again punctuated with several pauses in which the composer seems to gather his forces for a final charge.
The Eleventh in D Minor has long been a favorite due to its dark, infectious overflowing nature. The Agitato is another of those pieces for virtuosos only. It relaxes rarely and the massive sound recalls Widor, the gorgeous melodies, Bruckner, the conclusion, Reger. The beautiful Adagio precedes the famous Intermezzo whose ABA structure alternates between beautiful melodies and sharp chords. The final fugue begins without pause and the haunting melody intertwines with an early melody as they grow and evolve into something majestic and awe-inspiring.
Needless to say, I await the next batch.
All Good Things...........2003-07-22
Yes, this is currently the last recording of the Rheinberger Sonatas by Wolfgang Rubsam. It is pitiful that there is not a single collection of the Sonatas in their entirety (No 15 seems to be the hardest to locate). Again, I praise these recordings for their affordable price, the detailed liner notes, the sequential order of presentation and last but certainly not least the grand interpretation of a great German Romantic.
The Tenth in B Minor opens broadly and again, quintessentially organist (if there is such a word - and if not there should be). It proceeds almost majestically, a mighty, solemn prelude with brief pauses. The Andante is followed by a Fantasie, this Sonata having only three movements. The opening bars set the stage for a concluding Allegro non troppo that is again punctuated with several pauses in which the composer seems to gather his forces for another charge.
The Eleventh in D Minor has long been a favorite due to its almost infectious, overflowing, dark nature. The Agitato is another of those pieces for virtuosos only. It relaxes rarely and the massive sound recalls Widor, the gorgeous melodies, Bruckner, the conclusion, Reger. The beautiful Adagio precedes the famous Intermezzo whose ABA structure alternates between beautiful melodies and sharp chords. The final fugue begins without pause and the haunting melody intertwines with an early melody as they grow and evolve into something majestic and awe-inspiring.
Needless to say, I await the next batch of Sonatas.
Average customer rating:
- Rich, Romantic Sound
- Rich Romantic Sound
- Rich Romantic Sound
|
Rheinberger:Works for Organ, Vol. 1
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Rheinberger, Joseph
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- Rheinberger: Works for Organ, Vol.2
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- Franck: The Great Organ Works Vol. 1
ASIN: B000031WH2
Release Date: 1999-11-30 |
Tracks:
- Son No.1 in c, Op.28: Prld
- Son No.1 in c, Op.28: Andante
- Son No.1 in c, Op.28: Finale
- Son No.2 in A flat, Op.65: Grave - Allegro
- Son No.2 in A flat, Op.65: Adagio Espressivo
- Son No.2 in A flat, Op.65: Finale
- Son No.3 in G, Op.88: Pastorale
- Son No.3 in G, Op.88: Intermezzo
- Son No.3 in G, Op.88: Fugue
- Son No.4 in a, Op.98: (Tempo Moderato)
- Son No.4 in a, Op.98: Intermezzo
- Son No.4 in a, Op.98: Fuga Cromatica
Customer Reviews:
Rich, Romantic Sound.......2003-08-20
I have returned to edit a duplicate review (one is not allowed to delete a review after it has been submitted) explaining that yes, the CD was great and no, I did not mean to submit the same review twice.
What is so outstanding about these 20 sonatas is the consumate artistry of the set. Along with their meticulous craftmanship they are also peculiarly "organistic" in a way that other organ works are not. Rheinberger was a musical genius encased in a rather parochial veneer. One cannot imagine this happily married devout Catholic engaging in shenanigans like Lizst, Beethoven or Wagner. The composer did not set out to cause waves but to make music. It is unfortunate that only his organ works are heard today, but at least we have that much. Many composers have now faded into oblivion, only to be remembered as footnotes.
These twenty Sonatas, along with the two Organ Concertos, define the German Romantic Movement. His Peace Concerto, composed prior to WWI, evidenced a naive but noble belief that the nations of Europe could live in peace. Little did he realize that his own adopted land would be the instigator of two conflicts over the next four decades.
Although the Sonatas evolve in complexity and style, their basic structure and style are set from the first - a strict sonata framerwork, a fast slow fast, and a concluding fugue. This does not imply a lack of originality since it is more difficult to demonstrate variety within a set form that establish new forms. The first Sonata in C Minor is majestic and again, utterly organistic. For example, Lizst's organ music always sounds like a piano, Saint-Saens a symphony and Handel's a harpsichord. The punctuated sounds of the bass, the virtuosity of writing for both hands and feet, the flowing harmonies with their semi-quaver rhythm (a Rheinberger hallmark) - all of these are present in the first Sonata.
The only complaint concerns the Third Sonata. This work is magisterial and should be taken at a more stately pace than Rubsam allows. In parts, it sounds hurried. But this is a minor quibble with what is surely a definitive recording
Rich Romantic Sound.......2003-07-29
What is so outstanding about these 20 sonatas is the consumate artistry of the set. Along with their meticulous craftmanship they are also peculiarly "organistic" in a way that other organ works are not. Rheinberger was a musical genius encased in a rather parochial veneer. One cannot imagine this happily married devout Catholic engaging in shenanigans like Lizst, Beethoven or Wagner. The composer did not set out to cause waves but to make music. It is unfortunate that only his organ works are heard today, but at least we have that much. Many composers have now faded into oblivion, only to be remembered as footnotes.
These twenty Sonatas, along with the two Organ Concertos, define the German Romantic Movement. His Peace Concerto, composed prior to WWI, evidenced a naive but noble belief that the nations of Europe could live in peace. Little did he realize that his own adopted land would be the instigator of two conflicts over the next four decades.
Although the Sonatas evolve in complexity and style, their basic structure and style are set from the first - a strict sonata framerwork, a fast slow fast, and a concluding fugue. This does not imply a lack of originality since it is more difficult to demonstrate variety within a set form that establish new forms. The first Sonata in C Minor is majestic and again, utterly organistic. For example, Lizst's organ music always sounds like a piano, Saint-Saens a symphony and Handel's a harpsichord. The punctuated sounds of the bass, the virtuosity of writing for both hands and feet, the flowing harmonies with their semi-quaver rhythm (a Rheinberger hallmark) - all of these are present in the first Sonata.
The only complaint concerns the Third. This work is magisterial and should be taken at a more stately pace than Rubsam allows. In parts, it sounds hurried. But this is a minor quibble with what is surely a definitive recording
Rich Romantic Sound.......2003-07-17
What is so outstanding about these 20 sonatas is the consumate artistry of the set. Along with their meticulous craftmanship they are also peculiarly "organistic" in a way that other organ works are not. Rheinberger was a musical genius encased in a rather parochial veneer. One cannot imagine this happily married devout Catholic engaging in shenanigans like Lizst, Beethoven or Wagner. The composer did not set out to cause waves but to make music. It is unfortunate that only his organ works are heard today, but at least we have that much. Many composers have now faded into oblivion, only to be remembered as footnotes.
These twenty Sonatas, along with the two Organ Concertos, define the German Romantic Movement. His Peace Concerto, composed prior to WWI, evidenced a naive but noble belief that the nations of Europe could live in peace. Little did he realize that his own adopted land would be the instigator of two conflicts over the next four decades.
Although the Sonatas evolve in complexity and style, their basic structure and style are set from the first - a strict sonata framerwork, a fast slow fast, and a concluding fugue. This does not imply a lack of originality since it is more difficult to demonstrate variety within a set form that establish new forms. The first Sonata in C Minor is majestic and again, utterly organistic. For example, Lizst's organ music always sounds like a piano, Saint-Saens a symphony and Handel's a harpsichord. The punctuated sounds of the bass, the virtuosity of writing for both hands and feet, the flowing harmonies with their semi-quaver rhythm (a Rheinberger hallmark) - all of these are present in the first Sonata.
The only complaint concerns the Third. This work is magisterial and should be taken at a more stately pace than Rubsam allows. In parts, it sounds hurried. But this is a minor quibble with what is surely a definitive recording.
Average customer rating:
|
Rheinberger: Complete Organ Works, Vol. 4
Manufacturer: MD&G Records
ProductGroup: Music
Binding: Audio CD
Rheinberger, Joseph
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ASIN: B00005A7WJ
Release Date: 2001-04-24 |
Tracks:
- Sonata No. 7 op. 127: Praeludium. Allegro non troppo
- Sonata No. 7 op. 127: Andante
- Sonata No. 7 op. 127: Finale. Grave - Vivo
- Sonata No. 8 op. 132: Praludium
- Sonata No. 8 op. 132: Intermezzo. Andantino
- Sonata No. 8 op. 132: Scherzoso. Allegro molto
- Sonata No. 8 op. 132: Passacaglia. Molto moderato
- 12 Fughetten strengen Styls op. 123b
- 12 Fughetten Strengen Styls, Op.123b: Andantino in f#
- 12 Fughetten Strengen Styls, Op.123b: Andante in D flat
- 12 Fughetten Strengen Styls, Op.123b: Animato in c#
- 12 Fughetten Strengen Styls, Op.123b: Andante in e flat
- 12 Fughetten Strengen Styls, Op.123b: Con Moto in A flat
- 12 Fughetten Strengen Styls, Op.123b: Andante in e
- 12 Fughetten Strengen Styls, Op.123b: Maestoso in A
- 12 Fughetten Strengen Styls, Op.123b: Con Moto in g#
- 12 Fughetten Strengen Styls, Op.123b: Con Moto in a
- 12 Fughetten Strengen Styls, Op.123b: Andantino in B
- 12 Fughetten Strengen Styls, Op.123b: Tempo Moderato in b
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Rheinberger: Complete Organ Works, Vol.2
Manufacturer: MD&G Records
ProductGroup: Music
Binding: Audio CD
Rheinberger, Joseph
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ASIN: B00002R31A
Release Date: 2000-01-11 |
Tracks:
- Son No.2 in A flat, Op.65: Grave/Allegro
- Son No.2 in A flat, Op.65: Adagio Espressivo
- Son No.2 in A flat, Op.65: Finale. Fuga. Allegro
- Zehn Trios Op.49: 1. Andante
- Zehn Trios Op.49: 2. Moderato
- Zehn Trios Op.49: 3. Adagio
- Zehn Trios Op.49: 4. Allegretto, Quasi Andantino
- Zehn Trios Op.49: 5. Con Moto
- Zehn Trios Op.49: 6. Alla Breve
- Zehn Trios Op.49: 7. Andantino Amabile
- Zehn Trios Op.49: 8. Adagio Non Troppo
- Zehn Trios Op.49: 9. Moderato
- Zehn Trios Op.49: 10. Andante Molto
- Trio in c, WoO 37
- Son No.3 in G, Op.88: Pastorale. Con Moto
- Son No.3 in G, Op.88: Intermezzo. Andante Con Moto
- Son No.3 in G, Op.88: Fuge. Non Troppo Allegro
- Son No.4 in a, Op.98: Tempo Moderato
- Son No.4 in a, Op.98: Intermezzo. Andantino
- Son No.4 in a, Op.98: Fuga Cromatica. Tempo Moderato
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Rheinberger: Complete Organ Works, Vol. 12
Manufacturer: MD&G Records
ProductGroup: Music
Binding: Audio CD
Rheinberger, Joseph
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ASIN: B0007OP676
Release Date: 2005-05-24 |
Tracks:
- Praludium. Molto Moderato, Ma Energico
- Provencalisch, Andantino
- Introduction Und Finale. Grave-Con Moto
- Praludium. Lento Maestoso
- Intermezzo. Adagio
- Pastorale. Andantino
- Finale. Con Moto
- Andante Amabile
- Moderato
- Andantino Amabile
- Andantino
- Zum Eingang
- Zum Gloria
- Zum Credo
- Zum Offertorium
- Zum Sanktus
- Nach Der Wandlung
- Zum Agnus Dei
- Zum Schlub
- Postludium
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Rheinberger Organ Sonatas, Vol. 4
Manufacturer: Raven Records
ProductGroup: Music
Binding: Audio CD
Rheinberger, Joseph
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ASIN: B00005B7HL
Release Date: 2001-04-24 |
Average customer rating:
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Rheinberger: Complete Organ Works, Vol.1
Manufacturer: MD&G Records
ProductGroup: Music
Binding: Audio CD
Rheinberger, Joseph
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- Rheinberger: Complete Organ Works, Vol.3
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ASIN: B00000K385
Release Date: 1999-09-21 |
Tracks:
- Three Fughettas: E major
- Three Fughettas: C minor
- Three Fughettas: G minor
- Three Preludes and Fugues: D minor - JWV 10
- Three Preludes and Fugues: E minor - JWV 13
- Three Preludes and Fugues: C minor - JWV 16
- Five Pieces out of WoO 25: Allegretto, quasi Andante. No. 1 E minor
- Five Pieces out of WoO 25: Andante. No. 3 E major
- Five Pieces out of WoO 25: Andantino - No. 4 G minor
- Five Pieces out of WoO 25: Con moto - No. 6 D major
- Five Pieces out of WoO 25: Fuga. Allegro moderato - No. 5 C major
- Great Fugue - JWV 3 - F minor
- Four Versets JWV 151: Vor dem Evangelium
- Four Versets JWV 151: Moderato
- Four Versets JWV 151: Langsam
- Four Versets JWV 151: Nach dem Its missa est
- Fugue WoO 10 - F minor
- Five Pieces for Organ: Vorspiel - D flat major
- Five Pieces for Organ: Maestoso - F major
- Five Pieces for Organ: Andantino - A major
- Five Pieces for Organ: Andante, quasi Adagio - G minor
- Five Pieces for Organ: Fughetta. Moderato - G major
- Sonata No. 1 Op. 27 C minor: Praeludium - Grave
- Sonata No. 1 Op. 27 C minor: Andante
- Sonata No. 1 Op. 27 C minor: Finale. Fuga. Alla breve
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Josef Rheinberger, Vol.3
Manufacturer: Motette Records
ProductGroup: Music
Binding: Audio CD
Rheinberger, Joseph
| ( R )
| Featured Composers, A-Z
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Sonatinas
| Sonatas
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Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
ASIN: B00004RJ5C
Release Date: 2000-03-28 |
Music Track:
- Richter: Schubert & Liszt Piano Sonatas
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- Royal Strings
- Russian Futurism Vol. 2
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- Sabine Meyer Plays Romantic Music (Box Set) [Box set]
Music Track
music track
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