Liszt: Années de Pèlerinage, Italie, Venezia e Napoli

On this CD:

1. Sposalizio II, for piano (Années II/1), S. 161/1 (LW A55/1)
Composed by Franz Liszt
Performed by Frederic Chiu

2. Il penseroso II, for piano (Années II/2), S. 161/2 (LW A55/2)
Composed by Franz Liszt
Performed by Frederic Chiu

3. Canzonetta del Salvator Rosa II. for piano (Années II/3), S. 161/3 (LW A55/3)
Composed by Franz Liszt
Performed by Frederic Chiu

4. Sonetto del Petrarca No. 47 (Benedetto sia'l giorno), for piano (Années II/4), S. 161/4 (LW A55/4)
Composed by Franz Liszt
Performed by Frederic Chiu

5. Sonetto del Petrarca No. 104 (Pace non trovo) for piano (Années II/5), S. 158/5 (LW A55/5)
Composed by Franz Liszt
Performed by Frederic Chiu

6. Sonetto del Petrarca No. 123 (I'vidi in terra angelica costumi), for piano (Années II/6), S. 158/6 (LW A55/6)
Composed by Franz Liszt
Performed by Frederic Chiu

7. Aprés une lecture du Dante II, fantasia quasi sonata, for piano (Années II/7) S. 161/7 (LW 159/7)
Composed by Franz Liszt
Performed by Frederic Chiu

8. Gondoliera, for piano (Années, suppl. to II/1), for piano, S. 162/1 (LW A197/1)
Composed by Franz Liszt
Performed by Frederic Chiu

9. Canzona, for piano (Années, suppl. to II/2), for piano, S. 162/2 (LW A197/2) [Unspecified] Canzone, for piano
Composed by Franz Liszt
Performed by Frederic Chiu

10. Tarantelle, transcription for piano (after Cui, Op. 12), S. 482 (LW A327)
Composed by Franz Liszt
Performed by Frederic Chiu

Tracks:

Hungarian Rhapsody No. 12 In C-Sharp Minor
Liebestraum No.3
Mephisto Waltz No.1
Funerailles (No.7 Of Harmonies Poetiques Et Religieuses)
Rigoletto: Conc Paraphrase
La Campanella

Tracks:

Die Forelle
Der Muller Und Der Bach
Wohin?
Lebe Wohl!
Das Wandern
Der Lindenbaum
Horch, Horch, Die Lerch
Auf Dem Wasser Zu Singen
Die Post
Aufenthalt
Lob Der Tranen
Erlkonig
I. Allegro Con Fuoco
II. Adagio
III. Presto
IV. Allegro

Tracks:

Lento Assai - Allegro Energico -
Andante Sostenuto
Allegro Energico - Andante Sostenuto - Lento Assai
Valse Impromptu
I. 'Hohe Liebe' In A flat
II. 'Selinger Tod' In E Flat
III. 'O Lieb' In A Flat
Grand Galop Chromatique

Tracks:

I. Sposalizio
II Penseroso
III. Canzonetta Del Salvator Rosa
IV. Sonetto 47 Del Petrarca
V. Sonetto 104 Del Patrarca
VI. Sonetto 123: Del Petrarca
VII. Apres Une Lecture De Dance (Fant Quasi Son)

Tracks:

I. La Chapelle De Guillaume Tell
II. Au Lac De Wallenstadt
III. Pastorale
IV. Au Bord D'une Source
V. Orage
VI. Vallee D'Obermann
VII. Eglogue (Hirtengesang)
VIII. Le Mal Du Pays
IX. Les Cloches De Geneve

Tracks:

I Gondoliera
II. Canzone
III. Tarantella
Les Jeux D'eau A La Villa D'Este (No.4 Of Annees De Pelerinage, Troisieme Annee)
Benediction De Dieu Dans La Solitude: (No.3 Of Harmonies Poetiques Et Religieuses)
Ballade No.2 In B

Tracks:

I. Preludio: Presto
II. Molto Vivace
III. Paysage: Poco Adagio
IV. Mazeppa: Allegro
V. Feux Follets: Allegretto
VI. Vision: Lento
VII. Eroica: Allegro
VIII. Wilde Jagd: Presto Furioso
IX. Ricordanza: Andantino
X. Allegro Agitato Molto
XI. Harmonies Du Soir: Andantino
XII. Chasse-Neige: Andante Con Moto

Tracks:

Zwei Konzertetuden: I. Waldesrauschen
Zwei Konzertetuden: II. Gnomenreigen
I. Il Lamento
II. La Leggierezza
III. Un Sospiro
I. Andante Con Moto
II. Un Poco Piu Mosso
III. Lento Placido
IV. Quasi Adagio
V. Andantino
VI. Allegretto Sempre Cantabile
Reminiscences De Don Juan

Tracks:

Reminiscences De Norma
Totentanz (Danse Macabre)
Malediction
Fant On Hungarian Folk Themes

Customer Reviews:

Ethereal LIszt in Superb Sound.......2006-09-29

Piano playing of extraordinary romantic depth and breadth. Bolet is inside Liszt's mind, as Liszt's romantic self unfolds on the keyboard. It is as if Bolet is the master himself. Superlative recordings to boot!

A great collection of Liszt treasures.......2004-01-12

The booklet of this set has an interesting explanation of why Jorge Bolet stayed out of the spotlights for so long before taking up his -glorious- career. It was his devotion to Liszt. By then, in the 1950s, Liszt was still regarded as a B-composer (There are still people who tend to think so: I read someone who called Liszt `the father of all bar pianists'. Now, if you know a worse offence...). Only after Liszt's reputation had increased, Bolet could enter his `Indian summer', which lasted from about 1975 until his passing away in 1990. During this period, he was finally able to perform his favourite music as much as possible. This fine 9-disc set may indeed be Bolet's most important testament. Additionally, it's one of the most important Liszt collections on the market. But beware: there's much more than just Bolet, considering Liszt's piano works. I can't say this is the perfect set or near it. Still five stars, for some astonishing piano playing that we don't come across very often nowadays.

Bolet won a Gramophone Award for his 1st book of Années de Pelerinage, which is not strange when listening to the recordings. This is a portrait of a man who's entirely on his own, looking for his soul while wandering trough the beautiful Switzerland - I can't say it better than B. Johnson already did. It's Romantic nonsense, of course, but in Liszt's days it was a common idea, and it can still sweep me away. Bolet's superior tonal colouring - beautiful, but not too far-driven, for the risk it would almost be too intimidating - and his peaceful nature lift this music to the greatest heights. My only complaint would be the `Orage' piece: Bolet's technique can't quite handle it, and its aggressive nature is much less overwhelming as a result. Nevertheless, the rest of the pieces show him at his very best. So does the second year of the Années (that is oddly placed in the set before the first year by Decca). The Dante Sonata, one of Liszt's greatest pieces, fares very well under Bolet's hands.

Equally excellent were the Schubert Song Transcriptions. The transcriptions aren't very different from the original songs, but they are definitely interesting. Especially when someone like Bolet takes them under his hands! All songs are terrifically played, with real standouts like `Auf dem Wasser zu singen', `Der Mueller und der Bach' and `Erlkoenig'. Bolet's romantic touch (he may have been the last of his kind) lets the music unendingly flow. Brilliant!

These comments also apply to Liszt's Consolations, which are placed on another disc. Liszt shows here how much he's in debt to Schubert, and wrote music of a disarmingly lyrical nature. Bolet gives almost naively innocent readings of these pieces. Talking about singing music, why not include the Liebesträume, `Venezia e Napoli' and many, many other pieces as well. Although some people still regard Liszt as a bombastic composer, he was in fact much more active on the spiritual and lyrical area. It is largely this nature of Liszt that is put into the spotlights by Bolet. He is really terrific whenever music ought to sound peaceful and meditative.

But Liszt was also a stunning virtuoso. People may eschew him for that, but that's often without any good ground. The B minor Sonata and the Transcendental Etudes, to give some names, are not only pianistically but also musically amazing works. It takes to be both a good technician and a musician to play them well, and this is where Bolet occasionally fails. He was over 65 when he made these recordings, and I can't help but say that his technique was not anymore what it used to be. In many pieces you can hear him struggle.

In what may be the most difficult music Liszt wrote, the Transcendental Etudes, Bolet takes tempi that are almost too easy (e.g. no.10 should be `Allegro molto agitato' but Bolet plays it very moderately), perhaps because his technique was by then too limited to give the pieces a really impressive treatment. Even then, I do feel a ertain nobility in Bolet's slow approach that gives every study a dignified stature (and that's something you won't find with Kissin or Cziffra!). The sonata is similarly noble and yet tremendously powerful in its scope, even though Bolet may lack some technial control at isolated spots.

Anoter treacherous piece is the `Reminiscences de Don Juan', which is a transcription of no less an opera than -of course- Don Giovanni! Bolet plays this 20-minute piece with a lot of humour and swing: it's a great way to clean up your mind! Also recommendable are the Etudes de Concert (e.g. Waldesrauschen), whose light spirit is very well captured.

A treasure trove set overall, I can recommend it without any limitations. There's no other composer that suited Bolet as well as Liszt, and the vice versa may be true as well. But the pianist also has his weaker points, particularly regarding his technique, that wasn't what it used to be. Oh, and the piano sound is not always equally convincing: the instrument sounds a little shrill at times. But there's an amazing amount of colour in the instrument, and it allows Bolet to reachfor the deepest, darkest sonorities you've heard. This collection is therefore not just THE best Liszt: there are many more pianists who made supreme recordings of him (e.g. Arrau, Brendel, Richter) and I definitely recommend searching them out as well. After you've heard this!

An excellent collection of Liszt interpretations........2003-12-03

I was very impressed with Bolet's playing. His rendition of La Campanella is the best I've ever heard.

Liszt for the ages........2001-12-05

Both for those that would like to find out for the first time what Liszt is all about, and for those few that are very familiar with the Paganini of the 88: LOOK NO FURTHER!

It doesn't get any better than this.

After I heard throughout the seventies about this "unknown" great of the romantic repertoire, I was fortunate enough to see him for the first time about a month after he recorded the first issue of this now legendary Liszt series. While his technique may not have exactly been what it used to be before (e.g. Orage in Suisse of Les Annees), all the performances benefit from the wisdom of many, many years. While all the performances are of a uniform Olympic level, two issue stand out in my mind.

First, there is the cd of Schubert Liszt transcriptions. Bolet really sets the standards for "singing" on the piano. His version of "Der Muller und der Bach" has to be believed to be heard.

Most importantly though, there is "Suisse" the first year of Liszt's years of pilgrimage. I own this disc from the day it appeared on the shelves and still listen to it every month. Surely, there are more technically brilliant versions. For the true "Liszt Nuts", I would certainly advise Leslie Howard's version of "L'Album d'un voyageur", that contains the first version of many of the "Suisse" pieces, and some additional pieces that Frenz (for reasons that escape me completely) excluded from the later Suisse. Yet, nobody, not even Brendel or Berman, have come close to Bolet on delivering on the central theme of Suisse, man finding himself back in an exploration of nature.

While they stem from the earlier days of digital recording the recordings are still more than respectable and benefit greatly from Bolet's attention for color, aided by his favorite Bechstein.

Tracks:

deuxieme annee: italie (Second Year: Italy): Sposalizio (Marriage Of The Virgin)
deuxieme annee: italie (Second Year: Italy): Il pensieroso (The Thinker)
deuxieme annee: italie (Second Year: Italy): Canzonetta del Salvator Rosa (Canzonetta Of Salvator Rosa)
deuxieme annee: italie (Second Year: Italy): Sonetto 47 del Petrarca (Sonnet 47 Of Petrarch)
deuxieme annee: italie (Second Year: Italy): Sonetto 104 del Petrarca (Sonnet 104 Of Petrarch)
deuxieme annee: italie (Second Year: Italy): Sonetto 123 del Petrarca (Sonnet 123 Of Petrarch)
deuxieme annee: italie (Second Year: Italy): Apres une lecture du Dante, fantasia quasi una sonata (After Reading Dante)
venezia e napoli (Venice And Naples): Gondoliera (Gondolier's Song)
venezia e napoli (Venice And Naples): Canzone (Song)
venezia e napoli (Venice And Naples): Tarantella

Customer Reviews:

Liszt's unrivalled piano compositions.......2006-08-28

Jeno Jando has been a staunch and first-class Liszt champion for Naxos. Recording some impeccable interpretations for the Complete Piano Music of Liszt series, he's also recorded all three books of the Annees de Pelerinage. The first book was given a stellar approach and interpretation; the second book (or second year) here proves to be just as great. Jando's use of shading and his meticulous attention to effects make for some incredible executions.

Take the "Sposalizio," with its amorous poetry and romantic mood, capped off by an uplifting Lisztian conclusion. Jando plays it with purity and a refined touch. The "Il Penseroso" is probably the best overall delivery of this melancholy composition. While Berman and Bolet have their own unique style, Jando plays it quietly and with a morose sentimentality. When the lower bass must be explored, Jando does not *pound*, but he *pushes* into the keys to create a blanket of darkness. The "Canzonetta del Salvatore Rosa" is unfortunately not one of the most original or interesting of the set. It has its charms and rhythmic delight, but fails to say much else; it's not wholly bad but not impressive either. The "Sonnetto 47 del Petrarca" is a different story: This piece speaks volumes of tenderness and affection. The underlying melody is as captivating as a Chopin prelude or nocturne, and Jando emphasizes the exquisite Lisztian touch of dramatic passion.

The "Sonetto 104 del Petrarca" is another moving work of picturesque quality. It speaks like a love letter or poem, a sublime model of Liszt's effective romantic style. Chopin wasn't the only master; Liszt also delivers the most sentimental and rapturous bars of music here. Again, Jando plays with enthusiasm, yet never rushes to the end; he plays like he enjoys listening to the music. The last Petrarch "Sonetto 123" is the most lyrical of them all, summoning ecstasy and love-sick feelings from the piano. These, along with his Liebestraumes and Harmonies Poetiques et Religieuses are his fine contributions to the romantically-charged pieces in the Romantic piano literature. The music here, with its lovely emotions and embellished romance mingle together to create a breathtaking fresco.

A stark and mind-blowing contrast to the prior works occurs when Liszt's great Dante Sonata, or "Apres une lecture du Dante" opens with its ominous tritone octave chords. For those unfamiliar with this work: It is one of Liszt's masterpieces on piano, as original and inspired as his Sonata in B minor, and if I may say so, one of the greatest "Sonata's" in the Romantic era. Who else has achieved such artistic mastery of conjuring images like this? Liszt's work is one of visionary innovation and power: Tell me you don't imagine Hell with all the swirling and descending chromatic octaves, played with blistering force and dark emotions from Jando. Screams, pain, shadows, pummeling winds against the sinners, the dread that Dante feels: Liszt elevates Dante's great literary visions to the highest musical degree. When Hell's musical depiction is complete, Liszt attains an even higher level of imagery when he plays the "Francesa and Paolo" themes. If you listen carefully, you can actually *hear* Francesa speak, telling her sad story of doomed-love. Then, amazingly, the music convincingly portrays Dante's feelings regarding the tale. The gentle bars of nostalgic and gloomy music move back into the whirling tones of Hell, and the piece ends with a final glimpse of Heaven and the triumph of Dante's journey out of it. This is a monumental work that leaves me stunned. Those already familiar with this work know what I'm talking about, but I implore anyone who has not heard this to experience this colossal and extraordinary music. Jando, in my opinion, plays it better than Bolet's which is, unfortunately, the only version I'm familiar with besides Jando's.

The Venezia e Napoli here is of exceptional musical worth. I find all three pieces beautiful and enthralling. The "Gondoliera" is idyllic and mesmerizing, played with color and dynamism by Jando. The following "Canzone" is exotic and visceral. It follows the trend of being a murky and gray piece; played with just the appropriate tempo and emphasis of the theme on Jando's part. As a final thrilling encore, Jando performs the "Tarentella" with aplomb and virtuosic splendor. Ultimately, the piece is an explosion of electrifying rhythm and shattering ecstatic chords. Musically it provides excitement and interest; I love it.

Bottom line: Jando and Naxos have once again made a high-quality disc of excellence: the sound-engineering leaves nothing to be desired and the music is the best of its kind. Liszt's greatest piano compositions can be found here. While those already familiar with the works may not care to buy this (usually those familiar with Bolet or Berman like to stick to their guy). But those who have not yet heard this music from Liszt and/or are curious, I definitely recommend this recording, a disc that predominantly consists of masterpieces.

Good alternative to Berman, Cziffra, Bolet, et al........2004-02-05

Naxos' "in-house pianist" turns out a more than satisfactory performance in this second volume of three "Years of Pilgrimage" albums, in part due to the comparative lack of pastoral imagery--lyricism is not Jando's forte. Received a Penguin Rosette (for what it's worth). Recorded sound is fine, with Venezia e Napoli being the standout performance on this disc.

Beautiful bargain Liszt.......2000-06-09

Jando's "Years of Pilgrimage" is the finest budget version available, as good as Jerome Rose's is on Vox. Passionate performances, gorgeous sound. My favorite Liszt piano music, actually. This music presages Debussy and Ravel and no piano-lover should be without it.

Average customer rating:

Liszt: Les Années de pèlerinage

Manufacturer: EMI Classics Imports
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
ASIN: B00008PW61
Release Date: 2003-11-04

Tracks:

La Chapelle De Guillaume Tell
Au Lac De Wallenstadt
Pastorale
Au Bord D'Une Source
Orage Vallee D'Obermann
Eglogue
Le Mal Du Pays
Le Mal Du Pays
Les Cloches De Geneve, Nocturne
Spozalizio
Il Penseroso
Canzonetta Del Salvator Rosa
Sonetto 47 Del Petrarca
Sonetto 104 Del Petrarca
Sonetto 123 Del Petrarca

Tracks:

Apres Une Lecture De Dante (Fantasia Quasi Sonata)
Gondoliera
Canzone
Tarentella
Angelus! (Priere Aux Anges Gardiens)
Aux Cypres De La Villa D'Este I
Aux Cypres De La Villa D'Este II
Les Jeux D'Eau A La Villa D'Este
Sunt Lacrymae Rerum
Marche Funebre
Sursum Corda

Liszt: Deuxième Année de Pèlerinage - Italie/Venezia e Napoli/Au bord d'une source

Average customer rating:

Years of pilgrimage II - Italian Art
A more introspective year of travel

Liszt: Deuxième Année de Pèlerinage - Italie/Venezia e Napoli/Au bord d'une source

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Imports | Stores | Music
Similar Items:

Liszt: Première Année de Pèlerinage - Suisse; Trois morceaux suisse
Liszt: Années de Pélerinage III; Historical Hungarian Portraits; Five Hungarian Folksongs
Liszt: Transcendental Studies
Liszt Transcriptions of Berlioz, Chopin, Saint-Saëns
Liszt: Harmonies poétiques et religeuses

ASIN: B00000300R
Release Date: 1997-03-10

Tracks:

Deuxieme Annee de Pelerinage - Italie: Sposalizio
Deuxieme Annee de Pelerinage - Italie: Il penseroso
Deuxieme Annee de Pelerinage - Italie: Canzonetta del Salvator Rosa
Deuxieme Annee de Pelerinage - Italie: Sonetto 47 del Patrarca
Deuxieme Annee de Pelerinage - Italie: Sonetto 104 del Petrarca
Deuxieme Annee de Pelerinage - Italie: Sonetto 123 del Patrarca
Deuxieme Annee de Pelerinage - Italie: Apres une lecture du Dante - Fantasia quasi Sonata
Venezia E Napoli: Gondoliera
Venezia E Napoli: Canzone
Venezia E Napoli: Tarantella
Au bord d'une source

Customer Reviews:

Years of pilgrimage II - Italian Art.......2004-10-19

Quite nice CD, one of the best in the Howard's serie!! In fact there are many recordings, some marvellous, some ugly, of the "Deuxième Année de Pèlerinage - Italie" and its supplement "Venezia e Napoli": Lazar Berman (DG), Aldo Ciccolini (EMI), Louis Lortie (Chandos), Jeno Jandò (Naxos) Alfred Brendel (Philips) Jorge Bolet (Decca), Thomas Hitzlberger (Cybele), Frederic Chiu (Harmonia Mundi)...
Howard's one is very very nice, with deep moments, tempi are right, great touch and ideas!
A very good CD indeed! Recommended! :)

A more introspective year of travel.......1999-09-17

The flip-side of Volume 1 of the years of travel? The music's a little darker, a little more brooding. I have to go; I'm going to put the CD on right now.

Average customer rating:

Annees De Pelerinage
Liszt , and Berman
Manufacturer: Polygram Int'l
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Imports | Stores | Music
ASIN: B000069KJ0
Release Date: 2002-05-02

Tracks:

Cd 1 / Premere Annee: Suisse
Cd 2 / Deuxieme Annee: Italie
Cd 3 / Troisieme Annee

Average customer rating:

Liszt: Années de pèlerinage

Manufacturer: Mirare France
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Imports | Stores | Music
ASIN: B00015WMFU
Release Date: 2004-05-11

Liszt: Années de Pèlerinage, Italie, Venezia e Napoli

Average customer rating:

Liszt: Années de Pèlerinage, Italie, Venezia e Napoli

Manufacturer: Harmonia Mundi
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Barcarolles | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
ASIN: B00005CCBK
Release Date: 2001-05-08

Liszt: Les Années de pèlerinage (Years of Pilgrimage)

Average customer rating:

Liszt: Les Années de pèlerinage (Years of Pilgrimage)

Manufacturer: EMI Records [All429]
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Imports | Stores | Music
ASIN: B000006DEP
Release Date: 2001-07-10

Tracks:

Premiere annee : La Suisse: La chapelle de Guillaume Tell
Premiere annee : La Suisse: Au lac de Wallenstadt
Premiere annee : La Suisse: Pastorale
Premiere annee : La Suisse: Au bord d'une source
Premiere annee : La Suisse: Orage
Premiere annee : La Suisse: Vallee d'Obermann
Premiere annee : La Suisse: Eglogue
Premiere annee : La Suisse: Le mal du pays
Premiere annee : La Suisse: Les cloches de Geneve, nocturne
Deuxieme annee : L'talie: Sposalizio
Deuxieme annee : L'talie: Il Penseroso
Deuxieme annee : L'talie: Canzonetta del Salvador Rosa
Deuxieme annee : L'talie: Sonetta 47 del Petrarca
Deuxieme annee : L'talie: Sonetto 104 del Petrarca
Deuxieme annee : L'talie: Sonetto 123 del Petrarca

Tracks:

Les Annees de pelerinage: Apres une lecture de Dante
Supplement : Venezia e Napoli: Gondoliera
Supplement : Venezia e Napoli: Canzone
Supplement : Venezia e Napoli: Tarantella
Troisieme annee : L'Italie: Angelus!
Troisieme annee : L'Italie: Aux cypres de la Ville d'Este
Troisieme annee : L'Italie: Aux cypres de la Ville d'Este
Troisieme annee : L'Italie: Les jeux d'eau a la Ville d'Este
Troisieme annee : L'Italie: Sunt lacrymae rerum
Troisieme annee : L'Italie: Marche funebre
Troisieme annee : L'Italie: Sursum corda

Music Track:

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