Dvorák and Saint-Saëns: Cello Concertos

On this CD:

1. Cello Concerto in B minor, B. 191 (Op. 104)
Composed by Antonin Dvorak
Performed by London Philharmonic Orchestra with Pierre Fournier
Conducted by Sergiu Celibidache

2. Cello Concerto No. 1, in A minor, Op. 33
Composed by Camille Saint-Saens
Performed by Philharmonia Orchestra with Pierre Fournier

3. Variations on a Rococo Theme, for cello & orchestra (or cello & piano) in A major, Op. 33
Composed by Pyotr Il'yich Tchaikovsky
Performed by Lamoureux Concert Association Orchestra with Pierre Fournier
Conducted by Eugene Bigot

Tracks:

Cello Concerto No. 1 In C Major, Hob. VIIb:1: 1 - Moderato - Kadenz - Tempo I
Cello Concerto No. 1 In C Major, Hob. VIIb:1: 2 - Adagio - Kadenz - Tempo I
Cello Concerto No. 1 In C Major, Hob. VIIb:1: 3 - Allegro molto
Cello Concerto No. 2 In D Major, Hob. VIIb:2: 1 - Allegro moderato
Cello Concerto No. 2 In D Major, Hob. VIIb:2: 2 - Adagio
Cello Concerto No. 2 In D Major, Hob. VIIb:2: 3 - Rondo (Allegro)
Cello Concerto in B flat major: 1 - Allegro moderato - Kadenz - Tempo I
Cello Concerto in B flat major: 2 - Adagio no troppo
Cello Concerto in B flat major: 3 - Rondo (Allegro) - Kadenz - Tempo I

Tracks:

Cello Concerto In A Minor, Op. 129: I. Nicht zu schnell
Cello Concerto In A Minor, Op. 129: II. Langsam - Etwas lebhafter - Schneller
Cello Concerto In A Minor, Op. 129: III. Sehr lebhaft - Kadenz - Tempo I
Concerto No. 1 in A minor, Op. 33
Cello Concerto In G Minor: I. Allegro
Cello Concerto In G Minor: II. Adagio
Cello Concerto In G Minor: III. Allegro non tanto

Tracks:

Concerto In B Minor, Op. 104: I. Allegro
Concerto In B Minor, Op. 104: II. Adagio ma non troppo
Concerto In B Minor, Op. 104: III. Finale (Allegro moderato)
Concerto In E Minor, Op. 85: Adagio-Moderato
Concerto In E Minor, Op. 85: II. Lento-Allegro molto
Concerto In E Minor, Op. 85: III. Adagio
Concerto In E Minor, Op. 85: IV. Allegro ma non troppo

Amazon.com essential recording

During her far-too-brief career, cellist Jacqueline du Pré exhibited an almost oracular power of communication. Her performances bristled with the kind of brilliant electricity that could change lives and convert listeners to a lifelong love of music. Happily, it's possible to experience a sense of that power from the recordings du Pré completed before multiple sclerosis halted her career as a performer in the early 1970s. This set provides a splendid portrait--at bargain price--of du Pré's unmistakable personality: the astonishingly original yet convincing phrasing, raw energy, and ability to make her instrument sound uncannily like a human voice (du Pré was after all a favored student of Mstislav Rostropovich). Her rendition of Haydn's Concerto in C is clearly cast in a romantic--and nowadays perhaps unfashionable--mold, yet du Pré's big, bold tone carries the musical line forward with exhilarating presence. It's a demeanor that proves especially reassuring for the quirkily mercurial inventions of Boccherini. Yet du Pré most indelibly leaves her signature on the work that became her hallmark, Edward Elgar's E Minor Concerto, grafting a deeply personal level of expression onto the score's rich post-World War I melancholy. In the Schumann, du Pré makes an eloquently passionate protagonist. A similar sense of excitement is to be heard in Dvorák's Concerto--performed near the end of her career--above all in the flame of inspiration she evidently sparks from the orchestra in the serene close of its slow movement. This is a supremely rewarding collection for the beginner and aficionado alike. --Thomas May

Customer Reviews:

Beutefully interpretted.......2007-04-04

Jacquline du Pres interprettation of some of the moast famous cello consertos is simply amasing. her music just flows with energy and abbowe all passion. she realy brings out the qaleties of the cello with intensety and softnes intertwined. music bursting with passion.

I THOUGHT I had heard these concertos,,,.......2007-04-04

UNTIL I was fortunate enough to have heard them performed by Jacqueline du Pre!!!
ABSOLUTELY STUNNING!!! Her superb playing, along with truly masterful
interpretative skills, just "comes pouring out of the speakers!"
Also, the orchestras were obviously truly inspired by these opportunities to perform and record with one of the greatest musicians of all time.
The sound quality is excellent, as is the separation and clarity of both the soloist's and orchestral performances. The overall dynanism is also top notch - I found I had to lower the volume substantially from my normal
system loudness levels.
I've enjoyed this set so much I'll probably wind up buying everything from Amazon that EMI has produced with Jacqueline du Pre's name on it!

Excellent Selection.......2007-02-27

The choice of concertos is excellent and the artistry of Jacqueline du Pre is exceptional. The Schumann and Saint-Saens works are truly beautiful.

The album is a fitting tribute to the tragic loss of an incredible young talent.

A sassy dame.......2007-02-20

I love this CD. It came extremely fast to NZ and a bonus too as I was expecting only one cd not three!
While Dvorak is currently my favourite, other composers featured here have been growing on me.
Never been a Cello devotee in the past, but I am enjoying this new phase of my musical listening.
The late Ms du Pre plays with vigor and assertiveness, yet manages to convey those moving and sublime moments when needed.
Most enjoyable. Thanky you

Pleasure to listen.......2006-02-23

This 3 cd pack plays daylong on the player. Great music, great artist.

Average customer rating:

One of the better Slava recordings, but not the best
Puts a smile on my face
Unbelievable Performance
A too-often overlooked gem
Underrated Great Performance of the Dvorak Cello Concerto

Dvorak & Saint-Saens: Cello Concertos

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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Elgar: Cello Concerto; Sea Pictures; Cockaigne Overture

ASIN: B00005NW07
Release Date: 2001-09-11

Tracks:

Vc Con in b, Op.104: I. Allegro
Vc Con in b, Op.104: II. Adagio Ma Non Troppo
Vc Con in b, Op.104: III. Finale (Allegro Moderato)
Vc Con No.1 in a, Op.33: Allegro Non Troppo -
Vc Con No.1 in a, Op.33: Allegretto Con Moto -
Vc Con No.1 in a, Op.33: Un Peu Moins Vite

Customer Reviews:

One of the better Slava recordings, but not the best.......2007-05-29

On this recording, Rostropovich and Giulini form a fine match: Slava's brilliant and sensitive playing, and Giulini's lyrical and passionate conducting... well, this performance will move you to tears and cause goose bumps all over your body. Just listen to the wonderful passage just before the finale explodes into its glorious ending: you will seldom hear such a delicate transmission, with a perfect balance between soloist and orchestra - they fit like hand in glove. And this is only one example.

The recording quality is also excellent (analogue stereo, from 1978 - very fine CD transfer), and so is the orchestral playing (London Philharmonic Orchestra in top form).

Now there is a bunch of other recordings with Slava and the Dvorák concerto. For example, we have three other stereo recordings, one with von Karajan (DG); one with Ozawa (Erato); and an early one with Boult (Testament). Further, there are four mono recordings, with Khaikin (Revelation/Yedang); with Talich (Supraphon) which was Slava's first recording of this concerto; the famous 1968 concert with Svetlanov (BBC Legends, live) and, finally, with Ancerl in Toronto (Tahra, live).

How does the present recording stand in comparison with these other recordings? In the von Karajan case, cellist and conductor are worlds apart, but both sound and playing are fine. Ozawa's interpretation is not entirely convincing, lacking in Bohemian temperament, but the recording and playing are fine here too. Boult, finally, has vintage stereo sound but in terms of interpretational quality it is second to none. Khaikin and Talich are both of great interest. But in my view, Slava's first recording with Talich holds a special place, because it simply outstanding in all respects: playing and interpretation are first class. Yes, it is a mono recording, but that's fine with me. Khaikin's recording is very fine too, even if the interpretation is a bit less convincing than Talich's, partly due to the eccentric Soviet playing style in the late fifties. Svetlanov's live recording is also a memorable moment, and so is Ancerl's 1972 Toronto broadcast - which boasts two outstanding artists in exile. Slava's playing is excellent in both, but the orchestral execution is not entirely spotless. Nonetheless, the two orchestras give their very best.

In sum, then, I rank the eight Slava-Dvorák recordings as follows: I. Boult (because of the better sound), 2. Talich, 3. Ancerl, 4. Svetlanov, 5. Khaikin, 6. Giulini, 7. Ozawa, 8. Karajan.

Thus this is one of the best Slava STEREO recordings of the Dvorák concerto, second to Slava/Boult, which is my prime recommendation. But check Talich if you look for an equally arresting Slava interpretation with - perhaps - ideal accompaniment. Moreover, if sound is not an important issue, Slava's mono recordings with Ancerl, Svetlanov and Khaikin are all better than Slava/Giulini. And then there are of course other great cellists to consider: Fournier (DG), and Casals/Szell (Naxos, EMI, Dutton). My advice is that you should have at least one of these too.

Puts a smile on my face.......2007-01-23

I love this CD....I only wish that more music was included....maybe another disc?

Unbelievable Performance.......2004-07-12

Dvorak's Cello Concerto is one of the most deeply monumental, moving works ever written. Giulini's stirring leadership really reaches deep into the score and brings out its powerful meaning. Also, Rostropovich, the 'master cellist', of course gives you nothing less of a magnificent performance.

Again, I can not express how towering a piece of work the Dvorak is, and how successfully Giulini's London Philharmonic is in performing it. The charming lyrical melodies loom over the tremendously powerful opening movement. The second movement is deeply felt, with its sudden outburst of emotion 3+ minutes in, immediately followed by a romantic melody giving tribute to Dvorak's much loved sister-in-law in ailing health. The 3rd movement, also very moving, uses a triangle and solo violin to create even more emotional effects, with more nostalgic moments for the sister-in-law, who has now died.

The Saint-Saens is a personal favorite of Slava. A fine masterpiece to create a great coupling with the Dvorak.

This disc is a moment of musical history. Highly reccomended. Of course, you should also eventually own Slava's other recordings as well, and don't forget to look into Jacqueline de Pre either.

A too-often overlooked gem.......2003-12-01

Long overshadowed by the much more famous 1969 Karajan/ Rostropovich recording on DG, this recording is undergoing a bit of a rediscovery (probably because of its recent release on the "Greatest Recordings of the Century" label). But no matter what the reason, its growing acclaim is well deserved.

Some have commented that the first movement of the Dvorak is marginally slower than the Karajan recording, and this reduces its dramatic impact. But while this is perhaps true, this approach instead highlights its lyrical qualities. Giulini is much more successful than Karajan in bringing out Dvorak's folk music influence. Giulini is best known as an opera conductor, and I'm sure his experience with singing allowed him to better express the concerto's lyricism. The result is a very moving interpretation, one which I think has a much better blend of drama and lyricism than does Karajan's recording.

Secondly, Rostropovich's playing is impeccable. In fact, I think I like him better here than in the Karajan recording. His tone and pitch are suburb, like they are in nearly all his recordings. But the extra space Giulini gives him by slowing down the tempi allows Rostropovich to explore the music a bit more, adding his own unique interpretations to the concertos, often with riveting results. The middle of the third movement of the Dvorak is a case in point. Rostropovich's playing is simply so musical, so fantastically beautiful that one cannot but marvel.

In short, this recording deserves every ounce of praise now being bestowed upon it. It is a great buy for anyone who likes Dvorak, Giulini, Rostropovich or cello music in general. I would strongly recommend that you buy both this recording and Karajan's, so that you can hear two very different interpretations, and see how each emphasizes a different aspect of the music. Both are wonderful, and the subordinate position this recording has endured is unjustifiable.

Underrated Great Performance of the Dvorak Cello Concerto.......2002-11-30

"Slava" Rostropovich has recorded the Dvorak Cello Concerto at least four times; his most memorable recordings are those with Karajan and the Berlin Philharmonic on Deutsche Grammophon and Ozawa and the Boston Symphony on Erato. However, this recent EMI reissue may be his best performance yet, since it is blessed with an unusually passionate, lyrical performance by the London Philharmonic under Carlo Maria Giulini's baton. Giulini is far more successful than either Karajan or Ozawa in probing the lyricism present in Dvorak's score. Both he and the London Philharmonic are splendid accompanists too with Rostropovich in a dazzling version of Saint-Saens 1st Cello Concerto. If you own either the Karajan or Ozawa versions, you should definitely acquire this fine performance too.

Average customer rating:

Haunting, Atmospheric, and Beautiful
Not your ordinary tonal bubble bath ...
The Best overall stress reducing music cd ever!
Only problem is...
Wonderful and Relaxing.

Night Tracks

Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD

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Nightmoods: Twilight Hour
Morning Mood: The Soft Sounds of Grieg
Northern Lights: Music of Contemplation for a New Age
The Most Relaxing Piano Album in the World...Ever!

ASIN: B000000SAH
Release Date: 1996-10-29

Tracks:

Symphony No. 2: Andante sostenuto 'A London Symphony'
Paulina's Theme & Paulina's Secret (Death And The Maiden)
La Traviata: Prelude To Act 1
Symphony No. 9 'New World': Largo
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Sacred Choral Works: Concerto No. 32, Andante Moderato
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Amazon.com

This disc must be intended for insomniacs; it has that three-in-the-morning feel. The single movements featured are for the most part well performed. And some are decidedly off the beaten track, like Wojciech Kilar's Death and the Maiden (no relation to Schubert's) from the soundtrack to the movie, Paulina's Secret. And we also get English horn player Thomas Stacy doing the solo from the slow movement of Dvorák's New World Symphony with the New York Philharmonic. Also, there is violinist Tasmin Little and the BBC Symphony in a beautiful, dewy performance of The Lark Ascending by Vaughan Williams. -- Gwendolyn Freed

Customer Reviews:

Haunting, Atmospheric, and Beautiful.......2006-06-15

Every time I find myself awake past midnight, I listen to this CD. It does indeed have that "three-in-the-morning feel". I'm not a classical music buff but every piece on Night Tracks is well-chosen and played beautifully. No matter I stressed out I may feel, this CD never fails to relax me and fill me with peace and tranquility --- I can't recommend it highly enough. The album cover is striking and moody.

Not your ordinary tonal bubble bath ..........2005-10-01

I love this recording for its thought-provoking selections. I wouldn't suggest reading while you listen, you'll get too distracted. Maybe a long soak in the bath and a nice glass of wine. It's great for thinking things over. If I have a criticism, it's the odd themes from Dvorak, Copland, Vaughn Williams and Verdi. Playing just a taste of a theme from something doesn't satisfy. But the Bach, Kilar, Espere and the rest are wonderful.

The Best overall stress reducing music cd ever!.......2005-01-17

This is by far one of my favorite cd's to listen to at the end of a long day. Especially in the winter months curled up by a fire and a good book.

Only problem is..........2005-01-04

I always fall asleep by the third song. It is so relaxing and wonderful in assortment.

Wonderful and Relaxing........2003-01-17

Truly one of the best collections of relaxing classical music. A must have for couples when the kids are gone, or just some quiet time alone. Soothing to the mind, body and soul.

Grego Piatigorsky Plays Great Cello Concertos

Average customer rating:

Grego Piatigorsky Plays Great Cello Concertos

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B0000029VD
Release Date: 1997-06-03

Tracks:

I. Allegro
II. Adagio, Ma Non Troppo
III. Finale Allegro Moderato
Adagio Ma Non Troppo-Un Poco Piu Animato-A Tempo
Allegro Non Troppo-Allegro Molto-Tempo... - Gregor Piatigorsky

Dvorak & Saint-Saens: Cello Concertos, etc

Average customer rating:

Probably the best of Slava's eight recordings of Dvorák's Cello concerto
classic early rostropovitch

Dvorak & Saint-Saens: Cello Concertos, etc

Manufacturer: Testament UK
ProductGroup: Music
Binding: Audio CD

Etudes | Forms & Genres | Classical | Styles | Music

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ASIN: B000003XK4
Release Date: 1997-04-10

Tracks:

Cello Concerto In B Minor, Op. 104: I. Allegro
Cello Concerto In B Minor, Op. 104: II. Adagio ma non troppo
Cello Concerto In B Minor, Op. 104: III. Finale: Allegro moderato - Andante - Allegro vivo
Cello Concerto No. 1 In A Minor, Op. 33: I. Allegro non troppo
Cello Concerto No. 1 In A Minor, Op. 33: II. Allegretto mon moto
Cello Concerto No. 1 In A Minor, Op. 33: III. Allegro non troppo
Dance Of The Elves, Op. 39
Preludes, Book I: Minstrels, No. 12
Suite Bergamasque: Clair De Lune, No. 3
Etude, Op. 8 No. 11
Vocalise, Op. 34 No. 14

Customer Reviews:

Probably the best of Slava's eight recordings of Dvorák's Cello concerto.......2007-06-12

This fine Testament issue boasts a remastered release of Mstislav Rostropovich's first stereo recording of Dvorák's Cello concerto, op. 104, originally released by EMI in 1957. At the conductor's rostrum, Sir Adrian Boult leads an impressive orchestra - the Royal Philharmonic Orchestra, at its very peak. Boult's interpretation of the orchestral part is second to none: it's a very taut, balanced interpretation, very different from the later excesses by von Karajan (DG) and Ozawa (Erato). Thoughtful and controlled, but with perfect understanding of the work's structure, to hear Boult's interpretation is like hearing this concerto for the first time. Thus Slava's warm, lyrical tone is in far better company here than elsewhere - perhaps with the exception of Talich's magisterial account (Supraphon), which also is an unforgettable performance.

Sound is vintage but very fine. The cello is in the front, and the orchestral details are well recorded.

This recording also features Slava's first stereo recording of Saint-Saëns' cello concerto (1956), now under Malcolm Sargent's baton, conducting the Philharmonia Orchestra. That performance is also of great interest, because it's Slava's finest account of this work, and it's recorded in vintage stereo sound.

In addition, we are also offered a selection of minor pieces for cello and piano, with Slava and Alexander Dedyukhin: David Popper's "Dance of the Elves"; Debussy's "Minstrels" and "Clair de lune"; Scrabin's "Étude op. 8 no. 11"; and Rachmaninov's "Vocalise". These memorable sessions are recorded in mono.

Thus this recording offers maximum value for your money. You get an outstanding performance in fine sound. If you only want one of Slava's recordings of the Dvorák concerto, grab this one. I recommend it warmly. But if sound is not an issue, consider also Slava's first recording of this concerto with Talich.

classic early rostropovitch.......2001-01-12

This is a wonderful disc. The short pieces are enthralling - and very individually done, with, for example, a very slow but beautifully sustained tempo for 'Vocalise'. The Saint-Saens is brisk, lively, dramatic and full of character. The prize of the collection, though, is this lovely version of the Dvorak. Here. Rosropovitch lingers a bit less than in later performances (e.g. the famous, but rather plummy one with Karajan) and the music seems better - stronger and more symphonic - for it. Nothing is perfunctory, with the gentler lyrical passages beautifully phrased, but the whole thing always moves forward and has a constant sense of purpose, of 'going somewhere'. It's riveting. Recordings are good for their age and fully enjoyable. Much recommended.

Anne Gastinel Performs Cello Concertos (Box Set)

Average customer rating:

Anne Gastinel Performs Cello Concertos (Box Set)

Manufacturer: Valois
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000E64Z5
Release Date: 2004-02-17

Average customer rating:

Not all are live...
Get 3 Individual Ma CD's With the Money About To Be Spent!
Just Amazing

Great Cello Concertos

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000026O2
Release Date: 1989-11-20

Tracks:

Concerto For Cello & Orchestra, Op. 101: I. Allegro moderato
Concerto For Cello & Orchestra, Op. 101: II. Adagio
Concerto For Cello & Orchestra, Op. 101: III. Allegro
Concerto No. 1 For Cello & Orchestra, Op. 33: Allegro non troppo; Allegro con moto; Allegro non troppo
Concerto For Cello & Orchestra, Op.129: Nicht zu schnell
Concerto For Cello & Orchestra, Op.129: Langsam
Concerto For Cello & Orchestra, Op.129: Sehr lebhaft

Tracks:

Concerto For Cello & Orchestra, Op. 104: I. Allegro
Concerto For Cello & Orchestra, Op. 104: II. Adagio ma non troppo
Concerto For Cello & Orchestra, Op. 104: III. Finale: Allegro moderato
Concerto For Cello & Orchestra, Op. 85: I. Adagio; Moderato
Concerto For Cello & Orchestra, Op. 85: II. Lento; Allegro molto
Concerto For Cello & Orchestra, Op. 85: III. Adagio
Concerto For Cello & Orchestra, Op. 85: IV. Allegro

Customer Reviews:

Not all are live..........2003-12-03

Amazon puts "Live" in the title of this disc, but a closer reading of the liner notes shows that some are live and some are not.... it's confusing and I wish the record companies would clearly label whether recordings are live or not on the OUTSIDE of the disc, so you can see it BEFORE you buy it, as many collectors prefer not to purchase live recordings.

In any event, I purchased this recording without knowing it was recorded live and I haven't been disappointed. The Haydn is played with that characteristic Ma reserve, but it works quite well for the piece, being from the Classic Era and all...

Saint-Saens and Schumann are surprisingly lively, although I generally prefer Rostropovich.

Of course, no one plays the Elgar better than Du Pre, so if you're looking for that, you should get the EMI recording of Du Pre/Barenboim b/w Janet Baker's Sea Songs instead of this.

And if you're looking for the Dvorak, the 1969 recording of Rostropovich/vonKarajan/BPO on DG takes the cake EVERY time. Don't waste your time on Ma's soulless, sanitized reading of this wonderfully romantic concerto. If you're up to it and you really want to hear someone pour their heart into Dvorak, try DuPre's late-60s recording on Angel (EMI) with Barenboim and Chicago. Tasty!

Get 3 Individual Ma CD's With the Money About To Be Spent!.......2001-10-18

Nothing to be said about super star Yo-Yo, but I have to confess that as far as concertos go, Yo-Yo Ma does incredulously better in live performances, and if you turn that sentence around, you will see the gist of what I have to say.
All cellists (or any performer on any instrument really) have their more forte genres; for certain romantic concertos, such as Elgar or Schumann particulalry, I frankly don't think Yo-Yo Ma gives MILESTONE performances on this CD set. But of course, his reading of Haydn concertos is one of the most delightfully beautiful ones out there, get it by all means. Also, they were made far back when Yo-Yo Ma was but a young cellist, so that is one obvious reason why there should be better recordings around now(i.e. If you want a Dvorak Concerto by Ma, you should definitely go for the new one with Kurt Masur and New York Philharmonic).

There are numerous other recordings that truly show all admirable, enjoyable aspects of Ma playing (e.g. the exuberant and refreshing Beethoven Sonatas, a little lagged but very beautiful Brahms Sonatas,..) and this is not the best Ma CD's you can get. Money to spend on this CD set? By three other CD's by Ma, there are a LOT of cheaper and greater ones out there!

Just Amazing.......2000-08-01

Yo Yo Ma never seems to dissapoint. His tone is incredibly clear and plays with poise and confidence that every musician should emulate. Yo Yo Ma's interpretation of all the concerti are first rate and some are even better. His Haydn in D leaves me speechless and his Dvorak is one of the best ever recorded. This is one of the best cd collections on the market. You should enjoy every moment of it.

Average customer rating:

Rostropovich and Giulini in top form
Beautiful music in outstanding performances.

Dvor k & Saint-Sans:Cello Concertos

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Tracks:

Cello Concerto In B Minor, Op.104: I: Allegro
Cello Concerto In B Minor, Op.104: II: Adagio ma non troppo
Cello Concerto In B Minor, Op.104: III: Finale (Allegro moderato)
Cello Concerto No.1 In A Minor, Op.33: I: Allegro non troppo
Cello Concerto No.1 In A Minor, Op.33: II: Allegretto con moto
Cello Concerto No.1 In A Minor, Op.33: III: Allegro no troppo

Customer Reviews:

Rostropovich and Giulini in top form.......2000-12-19

The "benchmark" recording of the Dvorak according to most guides is the Rostropovich/Karajan pairing. But forgot the cello playing for the moment and compare the orchestral playing in the opening bars. Karajan selects a brisker tempo and uses a more dramatic approach; Guilini's introduction is darker, richer, more meditative, and as if often the case with his conducting, slower. In this case, the cello playing being equal in both recordings, the nod goes to Guilini in the accompaniment. As for the Saint-Saens, you will be hard-pressed to find a more fiery performance than this one.

Beautiful music in outstanding performances........2000-09-19

To my ears, Rostropovich was the greatest cellict of the 20th century and Giulini was one of the half dozen or so greatest conductors. Combine the two and you have the finest performance of Dvorak's beautiful cello concerto that I've ever heard. The Saint-Saens concerto, although no quite up to the level of Dvorak's masterpiece, is still quite lovely and the performance -- like that of the Dvorak -- is outstanding. For some reason Rostropovich's pairing with Giulini has not sold as well as it should have. Whatever the reason, it is not for lack of superb playing and conducting. This CD is a treasure to be snapped up while it's still available.

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Dvorák and Saint-Saëns: Cello Concertos

Manufacturer: Classica D'oro
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
ASIN: B00005JI55
Release Date: 2001-08-07

Tracks:

Vc Con in b, Op.104: Allegro
Vc Con in b, Op.104: Adagio Ma Non Troppo
Vc Con in b, Op.104: Allegro Moderato
Vc Con No.1 in a, Op.33: Allegro Non Troppo
Vc Con No.1 in a, Op.33: Allegretto Con Moto
Vc Con No.1 in a, Op.33: Allegro Non Troppo
Vars On A Rococo Theme in A, Op.33: Intro
Vars On A Rococo Theme in A, Op.33: Theme
Vars On A Rococo Theme in A, Op.33: Vars

Dvorak & Saint-Saens: Cello Concertos; Faure: Elegie Op. 24

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Dvorak & Saint-Saens: Cello Concertos; Faure: Elegie Op. 24
Dvorak , Saint-Saens , Bernard Haitink , Roberto Benzi , Maurice Gendron , and London Philharmonic Orchestra
Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music
ASIN: B00000E3W0
Release Date: 1990-10-25

Music Track: