Ferruccio Tagliavini
On this CD:
1. Lucia di Lammermoor, opera Lucia perdona
Composed by Gaetano Donizetti
Performed by Pietro Cimara, Robert Merrill, Lily Pons, Ferruccio Tagliavini
2. Lucia di Lammermoor, opera Io di te... Verranno a te sull'aure
Composed by Gaetano Donizetti
Performed by Pietro Cimara, Robert Merrill, Lily Pons, Ferruccio Tagliavini
3. Lucia di Lammermoor, opera Sconsigliato... Hai tradito il cielo e amor
Composed by Gaetano Donizetti
Performed by Pietro Cimara, Robert Merrill, Lily Pons, Ferruccio Tagliavini
4. Lucia di Lammermoor, opera Tombe degli avi miei... Fra poco a me ricovero
Composed by Gaetano Donizetti
Performed by Pietro Cimara, Robert Merrill, Lily Pons, Ferruccio Tagliavini
5. Lucia di Lammermoor, opera Di chi mai piangete
Composed by Gaetano Donizetti
Performed by Pietro Cimara, Robert Merrill, Lily Pons, Ferruccio Tagliavini
6. Lucia di Lammermoor, opera Tu che a Dio
Composed by Gaetano Donizetti
Performed by Pietro Cimara, Robert Merrill, Lily Pons, Ferruccio Tagliavini
7. Werther, opera Io non so se son desto... O natura
Composed by Jules Massenet
Performed by Franco Capuana, Giulietta Simionato, Ferruccio Tagliavini
8. Werther, opera Dividerci dobbiam
Composed by Jules Massenet
Performed by Franco Capuana, Giulietta Simionato, Ferruccio Tagliavini
9. Werther, opera Un altro ella sposò
Composed by Jules Massenet
Performed by Franco Capuana, Giulietta Simionato, Ferruccio Tagliavini
10. Werther, opera Ma come dopo il nembo
Composed by Jules Massenet
Performed by Franco Capuana, Giulietta Simionato, Ferruccio Tagliavini
11. Werther, opera Tradurre... Ah non mi ridestar
Composed by Jules Massenet
Performed by Franco Capuana, Giulietta Simionato, Ferruccio Tagliavini
12. La Traviata, opera Voi qui... In dì, felice, eterea
Composed by Giuseppe Verdi
Performed by Licia Albanese, Alberto Erede, Ferruccio Tagliavini
13. La Traviata, opera Lungi da lei... De' miei bollenti spiriti
Composed by Giuseppe Verdi
Performed by Licia Albanese, Alberto Erede, Ferruccio Tagliavini
14. La Traviata, opera Mi chiamaste
Composed by Giuseppe Verdi
Performed by Licia Albanese, Alberto Erede, Ferruccio Tagliavini
15. La Traviata, opera D'ogni suo aver tal femmina
Composed by Giuseppe Verdi
Performed by Licia Albanese, Alberto Erede, Ferruccio Tagliavini
16. Ay, Ay, Ay for voice & orchestra
Composed by Osman Perez Freire
Performed by Ferruccio Tagliavini
17. Malinconia D'Amore for voice & orchestra
Composed by Giovanni D'Anzi
Performed by Ferruccio Tagliavini
18. La A la luz de la luna
Composed by Michelena
Performed by Ferruccio Tagliavini, Pia Tassinari
Ferruccio Tagliavini, Music, Anton y Michelena, Giovanni D'Anzi, Gaetano Donizetti, Jules Massenet, Osman Perez Freire, Giuseppe Verdi, Ferruccio Tagliavini, Alberto Erede, Franco Capuana, Giulietta Simionato, Licia Albanese, Lily Pons, Pia Tassinari, Pietro Cimara, Robert Merrill, Classical, Classical Artists, Classical Music, Classical Vocals, French Romantic Opera, Italian Romantic Opera, Opera, Solo Voice(s) and Orchestra, Two Solo Voices (with or without Keyboard/Continuo), Vocal
Average customer rating:
- Callas bids farewell to Lucia in grand style...
- Terrific!
- Perfect Voice Isn't Always Better Opera
- A maiden Lucia
- Lovely last Lucia
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Donizetti: Lucia Di Lammermoor with Maria Callas, Ferruccio Tagliavini, Tullio Serafin, Philharmonia Orchestra & Chorus
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Verdi: La Traviata (Complete opera); Maria Callas; Alfredo Kraus
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- Verdi: Un Ballo In Maschera (complete opera) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Antonino Votto, Chorus & Orchestra of La Scala, Milan
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ASIN: B000002RXT
Release Date: 1997-08-19 |
Tracks:
- Preludio
- Act One, Scene One: Percorrete ... Percorriamo ... Io spiagge vicine
- Act One, Scene One: Tu sei turbato!... E n 'ho ben d'onde
- Act One, Scene One: Cruda, funesta smania (Enrico, Raimondo)
- Act One, Scene One: Il tuo dubbio e ormai certezza ... Come vinti da stanchezza (Enrico, Raimondo)
- Act One, Scene One: La pietade In suo favore
- Act One, Scene Two: Ancor non giunse?
- Act One, Scene Two: Regnava nel silenzio alta la notte e bruna (Lucia)
- Act One, Scene Two: Quando rapito in estasi (Lucia)
- Act One, Scene Two: Egli s'avanza ... Lucia, Perdona se ad ora inusitata (Edgardo, Lucia)
- Act One, Scene Two: Sulla tomba che rinserra il tradito genitore
- Act One, Scene Two: Qui di sposa eterna fede... Ah, soltanto il nostro foco
- Act One, Scene Two: Ah! talor eei tui pensiero venga un foglio messagero
- Act One, Scene Two: Verrano a te sull'aure i miei sospiri Ardenti (Edgardo, Lucia)
Tracks:
- Act Two, Scene One: Lucia fra poco a te verra .. Tremante l'aspetto (Enrico)
- Act Two, Scene One: Appressati, Lucia...Il pallor funesto, orrendo
- Act Two, Scene One: Soffriva nei pianto .. Un folle t'accese
- Act Two, Scene One: Che fia? .. Suonar di giublio
- Act Two, Scene One: Se tradirmi tu portai .. Tu che vedi il pianto mio (Enrico, Lucia)
- Act Two, Scene Two: Per te d'immenso giubilo .. Per pocco fra le tenebre spari la vostra stella
- Act Two, Scene Two: Dov'e Lucia? .. Qui giungere or la vedrem (Enrico)
- Act Two, Scene Two: Piange la madre estinta (Enrico, Lucia, Raimondo)
- Act Two, Scene Two: Chi mi frena in tal momento? (Edgardo, Enrico, Lucia, Raimondo)
- Act Two, Scene Two: T'allontana, sciagurato .. Rispettate in me di Dio (Enrico, Raimondo)
- Act Two, Scene Two: Sconsigliato! In queste porte chi ti guida? (Enrico, Edgardo, Raimondo, Lucia)
- Act Two, Scene Two: Esci, fuggi, il furor che mi accende ((Enrico, Raimondo Lucia, Edgardo)
- Act Three, Scene One: D'immensso giubilo s'innalzi un grido (Raimondo)
- Act Three, Scene One: Dalle stanze ove Lucia tratta avea col suo consorte (Raimondo)
- Act Three, Scene One: Oh! Qual funesto avvenimento! (Raimondo)
- Act Three, Scene One: Il dolce suono mi colpi di sua voce!.. Ardon gli incensi (Lucia, Raimondo)
- Act Three, Scene One: Spargi d'amaro pianto (Lucia, Raimondo)
- Act Three, Scene Two: Tombe degli avi miei
- Act Three, Scene Two: Fra pocco a me ricovero dara negletto avello (Edgardo)
- Act Three, Scene Two: Oh mechina! Oh fato orrendo! (Edgardo)
- Act Three, Scene Two: Tu che a Dio spiegasti l'ali (Edgardo, Raimondo)
Customer Reviews:
Callas bids farewell to Lucia in grand style..........2007-05-16
I've always had a soft spot for this recording as it was the first (along with the 1957 "Il Barbiere di Siviglia") Callas opera sets that I acquired. My original lp's are now more than 20 years old and I still love this recording. True, Lucia is one of Callas' most controversial roles but also one that she helped to restore to its proper place as a work of true musical drama by showing that it was far more than just a piece for coloratura fireworks.
From 1959 onward, Callas began to remake a number of her key roles in stereo for Angel/EMI, this Lucia being the first of those remakes ("La Gioconda", "Norma" and "Tosca" would follow.) Like the other remakes (with the possible excetion of the 1964 "Tosca"), the earlier mono versions that Callas recorded need to be heard in conjuntion with the stereo remakes. In each of the earlier versions, Callas is more secure of voice though interpretively she is finer in the remakes.
That being said, there are a number of things I should mention where this recording is concerned. Firstly, I find the leading man to be a big letdown in this recording. Although Tagliavini was a great lyric tenor in his day and had partnered Callas in stage performances of this opera earlier in the decade, by 1959 he was past his prime and at times sounds grumpy. His high notes sound dry and forced which doesn't help Callas who was not vocally at her very best in this recording. I can't help but think how much better this set would have been if Callas had been partnered by Bergonzi, young, ardent and dashing as Edgardo. Bergonzi had performed the role opposite Callas 2 years previously and would have made a perfect partner for the diva. Imagine the young, impetuous Bergonzi opposite the Callas Lucia on the edge of madness from her very first appearance. Secondly, the inclusion of a young Cappucilli at the very outset of his career is a bonus as a suave Enrico. Thirdly, Serafin is his usual splendid self and draws a stunning performance from the Philharmonia. Finally, the stereo sound from 1959 is fine and atmospheric, worthy of capturing Callas in her final thoughts on one of her greatest roles.
And Callas? I unashamedly admit that I love just about everything the diva recorded and this set is no exception. It's true that the top notes are not what they once were and there are a few wobbles that even I can't countenance (the worst one for me is in the reprise of "Quando rapito in estasi.") While it is true that her voice is not as full as in her earlier recordings I find that the fragile quality of her singing here works well in interpreting Lucia who is in a fragile mental and emotional state from the moment she appears. I also love the vocal colours that Callas brings to the role especially in the mad scene where she presents a dazed heroine in a world of her own where spectres alternate with loving memories of the past. In all it's a wonderful assumption of a great role. I also find that the 1959 interpretation is deeper than in the 1953 recording which I find more straightforward. But I love the 1953 for the steadiness of the voice and hearing the high E flats full, strong and secure. That being said, the two in this recording aren't that bad, the first lightly sung and dead on pitch, the second sung with more force resulting in a little spreading. However, the wobbles are minimal in this recording and are outweighed by such a great characterisation.
Where recorded Lucia's are concerned, my favourite is Callas (and I'm not backward in saying that I'm biased.) I have the Sills Lucia which I enjoy for the high notes and effortless coloratura but I feel Callas is more Lucia than Sills. I've heard Sutherland's second Lucia which I enjoyed for hearing her in wonderful, free and strong voice and for the great Edgardo of Pavarotti. But, I find Sutherland's matronly sound a stumbling block with Callas sounding younger and more fragile as the heroine. However, all three singers have done Lucia great service over the years and none should be ignored.
My recommendation: for lovers of Lucia and Callas, this is a must. To hear Callas' final thoughts on the role prior to renouncing it by the end of 1959, this is it. True, there are moments of insecurity but in this recording you will hear Lucia beautifully vocalised by one of her greatest champions.
Terrific!.......2007-02-11
I have played this recording three times since I got it two days ago and I am absolutely thrilled with it. I have had the 1953 mono Callas Lucia for a few years now plus I have a couple live Callas Lucias. This one is wonderful for the great sound, plus Callas' co-workers on this recording are the best bunch.
I do really enjoy di Stefano on the 1953 set, but Tagliavini is just as great of a singer in my opinion - the voice is sweet enough, the focus is tight and the high notes are thrilling. He seems to hold back a little in the first act, possibly to let Callas shine, but in the sextet and the last act, he is dripping with enthusiasm and pathos.
Capuccilli is a better sounding Enrico - Gobbi sounds ugly and wooden in the older recording. Either the Bel Canto demands or perhaps the mono recording emphasize the negative aspects of Gobbi's voice in the older recording. Capuccilli has a pleasant, but still somewhat sinister sound.
The bass - Bernard Ladysz had an unusually beautiful voice and is one more lovely aspect to sweeten this already terrific recording.
Callas herself, sounds more appropriate to the role in this recording. Her voice is much less dark and more frail - not frail compared to other sopranos but compared to her earlier voice, she sounds lighter and more agile. Her coloratura is a bit more accurate in this recording. I love it. Don't be put off by it being a somewhat 'late' recording of Callas. She made the most of the studio setting and brought astounding drama to her studio recordings, plus, even when her voice was giving her some trouble, she was able to command it well in the studio setting. This is a wonderful Lucia. I am sorry I did not buy it earlier, however, I would not consider parting with the old mono one either. They are both an indispensable part of a Callas lover's collection.
Perfect Voice Isn't Always Better Opera.......2007-01-15
I have to agree with Cornelia's earlier review here. For me the essence of Callas is truly found in her desceding chromatics and the way she phrases "Alfin son tua, alfin sei mio!" in this recording. NO! the totality of her voice isn't perfection here---but who cares. It's a defining moment in 20th century opera---That entire aria is. It's a tour de force made even more compelling by the fact that her instrument isn't perfect---It's a triumph of will and I've never been satisfied by another interpretation---not Sills, not Sutherland--well most definately not Sutherland, but not even Callas in better voice on earlier recordings.
A maiden Lucia.......2004-07-13
Sometimes I wonder at those who listen to Lucia di Lammermoor merely to collect vocal tricks, gimmicks and use- as well as senseless fireworks. I hear Sills and repeat a critic: "Full of notes, empty of sense!". Sutherland's matronly sound never quite fit this delirious maiden either. Callas' voice in 1959 was fragile, yet surprisingly accurate and brilliant. However stupid must one be not to notice it? When has the phrase "Alfin son tua, alfin sei mio!" been sung with such meaning and longing, a moment all other Lucias wreck with their tweeting? And actually I find more beauties here than in all other Lucias. Her voice has an airy, soft quality here, reducing all other Lucias to lifeless, bloodless unfeeling robots in my opinion. This is a REVELATION by a genius, an artist who knew better than tweeting. And her trills? Pitch-perfect! Get yourself a pitch-pipe and try! And the cadenza? Beautifully done! I also love young Cappuccilli as Enrico, what an amazing voice! Serafin is, well, Serafin. The greatest Belcanto conductor, reducing all others to pupils. Do yourself a favour and buy this Lucia, for Callas, Serafin, the amazing sound and the TRUEST meaning of Lucia. We are indebted to La Divina who gave us everything she had! Long may she reign!
Lovely last Lucia.......2004-03-30
I find nothing bad in this Lucia. It's deep, full of emotions and beautiful. I'm glad I bought it, I'll try Callas' other Lucias too. Just my two cents.
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Verdi: Rigoletto
Manufacturer: Preiser Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000FWGYOE
Release Date: 2006-09-05 |
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Maria Callas and the Great Verdi Voices
Manufacturer: Enterprise
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ASIN: B00005K9PW
Release Date: 2001-06-05 |
Tracks:
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- Rigoletto: Questa O Quella, Per Me Pari Sono - Tito Schipa
- Rigoletto: Ella Mi Fu Rapita...Parmi Veder Le Lagrime - Ferruccio Tagliavini
- Rigoletto: Cortigiani, Vil Razza Dannata - Giuseppe De Luca
- Rigoletto: Tutte Le Feste Al Tempio - Lily Pons
- Rigoletto: La Donna E Mobile - Giuseppe Di Stefano
- Simon Boccanegra: Il Lacerato Spirito - Ezio Pinza
- La Traviata: Follie, Follie...Sempre Libera - Luisa Tetrazzini
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Donizetti: Lucia di Lammermoor (Highlights)
Manufacturer: Angel Records
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ASIN: B000006OGB
Release Date: 1998-06-02 |
Tracks:
- Cruda, Funesta Smania
- Regnava Nel Silenzio
- Quando Rapito In Estasi
- Sulla Tomba
- Qui Di Sposa Eterna Fede
- Verrano A Te
- Soffriva Nel Pianto
- Che Fia?...Tu Che Vedi Il Pianto Mio
- Per Te D'immenso Giubilo...Per Poco
- Chi Mi Frena
- Il Dolce Suono...Ardon Gli Incensi
- Spargi D'amaro Pianto
- Fra Poco A Me Ricovero
- Tu Che A Dio Spiegasti L'ali
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Ferruccio Tagliavini
Manufacturer: Bongiovanni
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ASIN: B00005KA20
Release Date: 2001-05-29 |
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A Midsummer's Night Dream: Music from and Inspired
Manufacturer: First Choice
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ASIN: B00000JJUE
Release Date: 1999-07-13 |
Tracks:
- La Bhoeme: Che Gelida Manina - Jussi Bjoerling
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Ferruccio Tagliavini - Lebendige Vergangenheit
Manufacturer: Preiser Records
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Bellini, Vincenzo
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ASIN: B00000C3QG
Release Date: 1998-07-04 |
Tracks:
- Il Barbiere di Siviglia: Ecco ridente in cielo
- La Sonnambula: Prendi l'anel ti dono
- L'Elisir d'Amore: Una furtiva lagrima
- Rigoletto: Ella mi fu rapita
- I lombardi: La mia letizia infondere
- Falstaff: Dal labbro il canto
- Mignon: Addio Mignon!
- L'africana: Mi batte il cor... O Paradiso!
- Manon: En fermant les yeux
- Werther: Pourquoi me reveiller?
- L'amico Fritz: Suzel, buon di
- L'amico Fritz: Ed anche Beppe amo
- La Boheme: Che gelida manina
- La Boheme: Addio, dolce svegliare
- TOSCA: Recondita armonia
- TOSCA: E lucevan le stelle
- TOSCA: O dolci mani
- L' Arlesiana: E la solita storia
- I Quattro Rusteghi: Lucieta xe un bel nome
Average customer rating:
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Ferruccio Tagliavini: The Cetra Recordings 1940-1943
Manufacturer: Enterprise
ProductGroup: Music
Binding: Audio CD
Bellini, Vincenzo
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Donizetti
| Donizetti, Gaetano
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mascagni
| Mascagni, Pietro
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Massenet
| Massenet, Jules
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Thomas
| Thomas, Ambroise
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolf-Ferrari
| Wolf-Ferrari, Ermanno
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
ASIN: B000003U4I
Release Date: 1996-08-01 |
Tracks:
- Una Furtiva Lagrima
- Prendi, L'anel Ti Dono
- Addio Mignon
- Parmi Veder Le Lacrime
- Dal Labbro Il Canto
- Chiudo Gli Occhi
- Che Gelida Manina
- Recondita Armonia
- E Lucevan Le Stelle
- E' La Solita Storia Del Pastore
- Lucieta Xe Un Bel Nome
- Dunque E Proprio Finita
- Suzel, Buon Di
Average customer rating:
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Viva Verdi!
Manufacturer: Preiser Records
ProductGroup: Music
Binding: Audio CD
All Works by Verdi
| Verdi, Giuseppe
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
ASIN: B000056O60
Release Date: 2001-04-24 |
Customer Reviews:
A Big One for Preiser!.......2004-11-11
This is a fantastic collection of Verdi performances. Preiser scores a big one! I am impressed with their recent findings: The rare Guerrini Traviata and Forza, Stella Roman's colorful Trovatore Leonora, and now this truly wonderful collection featuring great performances from all voice categories
Higlights are:
Ernani Involami: Souez (Beautiful Rendition)
Forza trio: Martinelli is a god, etc...
Graveyard Aria from Ballo: Spani
O partia mia: the unforgettable Arangi-Lombardi
The Revelation is Grandi's Un macchia from Macbeth. It is the most imaginative ever. Simply spellbinding and with a stunning pianissimo high Dflat crowning the ending.
Preiser's engineers get better and better. I am duly impressed!
Average customer rating:
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Lucia Di Lammermoor-Highlights-1947: W. Lily Pons, Tagliavini; Cellini - Mexico City/1947
Manufacturer: Grand Tier
ProductGroup: Music
Binding: Audio CD
All Works by Donizetti
| Donizetti, Gaetano
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
ASIN: B000001ZRS
Release Date: 2002-03-19 |
Tracks:
- Lucia Di Lammermoor, Act One: Cruda, Funesta Smania - Ivan Petroff
- Lucia Di Lammermoor, Act One: Regnava Nel Silenzio - Lily Pons
- Lucia Di Lammermoor, Act One: Quando, Rapito In Estasi - Lily Pons
- Lucia Di Lammermoor, Act One: Sulla Tomba Che Rinserra - Ferruccio Tagliavini/Lily Pons
- Lucia Di Lammermoor, Act One: Qui Di Sposa Eterna Fede - Ferruccio Tagliavini/Lily Pons
- Lucia Di Lammermoor, Act Two: Appressati, Lucia; Il Pallor Funesto - Ferruccio Tagliavini/Lily Pons
- Lucia Di Lammermoor, Act Two: Che Fia? - Suonar Di Giubilo/Se Tradirmi Tu Potrai - Ferruccio Tagliavini/Lily Pons
- Lucia Di Lammermoor, Act Two: Che Mi Frena In Tal Momento?/Sxt - Ferruccio Tagliavini/Lily Pons/Ivan Petrof/Roberto Silva/Anna Maria Feuss
- Lucia Di Lammermoor, Act Two: T'Allontana, Sciagurato - Ferruccio Tagliavini/Lily Pons/Roberto Silva/Ivan Petroff/Chor/Renato Cellini
- Lucia Di Lammermoor, Act Three: Il Dolce Suono - Lily Pons
- Lucia Di Lammermoor, Act Three: Ardon Gl'Incensi/S'Avanza Enrico! - Lily Pons
- Lucia Di Lammermoor, Act Three: Spargi D'Amaro Pianto - Lily Pons
- Lucia Di Lammermoor, Act Three: Tombe Degli Avi Miei - Ferruccio Tagliavini
- Lucia Di Lammermoor, Act Three: Oh, Meschina! Oh, Fato Orrendo! - Ferruccio Tagliavini/Chor/Renato Cellini
- Lucia Di Lammermoor, Act Three: Tu Che Dio Spiegasti L'Ali - Ferruccio Tagliavini/Roberto Silva/Chor/Renato Cellini
Music Track:
- Garten von Freuden und Traurigkeit
- Georg Hann: Seine Letzten Aufnahmen
- Gottlieb Muffat: Componimenti Musicali per il cembalo
- Great Hollywood Epics
- Greatest Hits [Import]
- Grieg: Complete Violin Sonatas
- Huber: La Force du Vertige; Eröffnung und Zertrümmerung
- Ignaz Moscheles, Vol. 2
- Johann Christian Bach: Symphonies Concertantes, Vol. 5
- Johann Hoven: Die Heimkehr, Vol. 3
Music Track
music track
Recommended Music:
Silver [Import]
Zoltan Kodaly: Sonates for violin & cello Op. 7 & Op. 8 / Sandor Veress: Sonata for solo violin
Works for Violin/Viola and Piano
Music: Solar [CD-single] [Limited Edition]
Words & Music [Import]
Work It Out! [Import]
Yes I Can! Song
Works for String Quartet and Orchestra
With the North Carolina Ramblers and the Highlanders [Box set] [Original recording remastered]
Una Mujer, Un Sueño
With Teeth [Explicit Lyrics] [Import]
X-Rated Polkas
Wild Boys Pt.1 [CD-single] [Import]
Ernesto Lecuona: The Complete Piano Music, Volume 5
Live Scenes From New York