On this CD:
1. Jove's Nectar, for chorus, flute/alto flute, oboe/English horn, clarinet/bass clarinet, harp & percussion
Composed by Edwin London
Performed by Barry Centanni, Edward Gilmore, Edward Gilmore, Alyssa Reit, Sato Moughalian, Sato Moughalian
Conducted by Gregg Smith
2. Moon Sound Zone, for chorus & string quartet
Composed by Edwin London
Conducted by Gregg Smith
3. Psalm of These Days 1, for soprano, chorus, kazoo, flute & string quartet
Composed by Edwin London
Performed by Sato Moughalian
Conducted by Gregg Smith
4. Psalm of These Days 5, for chorus & band
Composed by Edwin London
Conducted by Edwin London
5. Bach (Again), for chorus
Composed by Edwin London
Conducted by Gregg Smith
Editorial Reviews Jove’s Nectar is a series of seven character variations, based on the well-known lyric by Ben Jonson, “Drink to me only with thine eyes,” originally titled To Celia. Moon Sound Zone, based on a poem written by the composer, is uncannily beautiful, hardly the music we might expect from a procedure that utilizes all twelve notes of the chromatic scale in a mathematically derived distribution. Psalm of These Days I and V are the opening and closing segments of a cycle of five interrelated, but varied, vocal/instrumental works based on Psalm texts and written between 1977 and 1980. Inspired in part by ideas suggested by William James’s The Varieties of Religious Experience, the cycle offers impressions of religious character types and postures ranging from the “once born soul” through rationality to the “sick soul,” the “mystic experience” and the eventual emergence of the “twice born” soul. The cycle is not religious music per se, but rather is about religious music. In Bach (Again) a Bach chorale (actually, any Bach chorale of the performers’ choosing) is deconstructed, as each sonority, indeed each note, is elongated so that it comes to be appreciated more for its inherent beauty than for its participation in a harmonic and contrapuntal progression toward a cadence.
Album Description
Edwin London (b. 1929) is one of the most original and accomplished composers in America today. Unwilling to ally himself with any trendy school of composition, and refusing even to see himself as either a radical or a conservative, he has gone his own way for many years, creating beautiful, challenging, inventive, marvelous music. These five choral works, though vastly different in conception, are nonetheless all expressions of the complex and multifaceted personality of their composer.
Jove's Nectar, Music, Edward Gilmore, Edwin London, Edwin London, Gregg Smith, Sato Moughalian, Alyssa Reit, Barry Centanni, Eileen Clark, Choral, Choral Music, Classical, Classical Composers, Classical Music, Classical Vocals
Average customer rating: 
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Jove's Nectar
Manufacturer: New World Records ProductGroup: Music Binding: Audio CD  General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Classical
| Indie Music
| Stores
| Music
ASIN: B00005M996 Release Date: 2001-06-26 |
Tracks:
Album Description
Edwin London (b. 1929) is one of the most original and accomplished composers in America today. Unwilling to ally himself with any trendy school of composition, and refusing even to see himself as either a radical or a conservative, he has gone his own way for many years, creating beautiful, challenging, inventive, marvelous music. These five choral works, though vastly different in conception, are nonetheless all expressions of the complex and multifaceted personality of their composer.Jove's Nectar is a series of seven character variations, based on the well-known lyric by Ben Jonson, “Drink to me only with thine eyes,” originally titled To Celia.
Moon Sound Zone, based on a poem written by the composer, is uncannily beautiful, hardly the music we might expect from a procedure that utilizes all twelve notes of the chromatic scale in a mathematically derived distribution.
Psalm of These Days I and V are the opening and closing segments of a cycle of five interrelated, but varied, vocal/instrumental works based on Psalm texts and written between 1977 and 1980. Inspired in part by ideas suggested by William James's The Varieties of Religious Experience, the cycle offers impressions of religious character types and postures ranging from the “once born soul” through rationality to the “sick soul,” the “mystic experience” and the eventual emergence of the “twice born” soul. The cycle is not religious music per se, but rather is about religious music.
In Bach (Again) a Bach chorale (actually, any Bach chorale of the performers' choosing) is deconstructed, as each sonority, indeed each note, is elongated so that it comes to be appreciated more for its inherent beauty than for its participation in a harmonic and contrapuntal progression toward a cadence.
Music Track:
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