The Virtuoso Handel

Track Listings

1. Non saria poco

2. Un' alma innamorata: Un' alma innamorata

3. Un' alma innamorata: Quel povero core

4. Un' alma innamorata: E pur benche egli veda

5. Un' alma innamorata: lo godo, rido e spero

6. Un' alma innamorata: In quanto a me ritrovo

7. Un' alma innamorata: Ben impari come se ama

8. Sventurato godi, o core abbandonato

9. Chi rapi la pace al core?: Chi rapi la pace al core?

10. Chi rapi la pace al core?: Figlio d'un fabbro, e amore

11. Chi rapi la pace al core?: Pupilla lucente

12. Sonata in C for Viola da Gamba and Harpsichord: Adagio

13. Sonata in C for Viola da Gamba and Harpsichord: Allegro

14. Sonata in C for Viola da Gamba and Harpsichord: Adagio

15. Sonata in C for Viola da Gamba and Harpsichord: Allegro

16. La Lucrezia: O Numi eterni!

17. La Lucrezia: Gia superbo del mio affanno

18. La Lucrezia: Ma voi forse nel Cielo

19. La Lucrezia: Il suol che preme

20. La Lucrezia: Ah! che ancor nel abisso

See all 25 tracks on this disc

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Sicilienne
Variations On One String On A Theme By Rossini: Moses Fantasie
Apres Un Reve
Hungarian Rhapsodie, Op. 68
'Goyescas': Intermezzo
Danse Rituelle Du Feu
La Fille Aux Cheveux De Lin
Piece En Forme De Habanera
'The Barber Of Seville': Figaro

Customer Reviews:

A good recording as far as it goes.......2000-09-14

Janos Starker is undoubtedly on of the best cellists of our time, and his technique is effortless on all of these virtuoso selections. Not only is his execution flawless, he is one of a few artists who can make their individual styles come out beautifully in a recording. His tone is strong and compelling in all of the selections, never forced but also never obsessed with smoothing over every trace of an individual performance. As a result the recording has a wonderfully spontaneous and solid flavor. Highlights are David Popper's Hungarian Rhapsody and the Falla Danse Rituelle. Unfortunately, it is true that many of these virtuoso pieces simply do not hold the listener time and time again as do, for example, the Brahms cello sonatas or the Dvorak concerto. So though you may listen to this recording many times (and get to love Janos Starker's playing in the process) also buy his recording of the Dvorak.

Average customer rating:

Virtuoso Brass

Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B0000006UD
Release Date: 1992-12-14

Tracks:

Rondeau
Three Pieces: Bouree
Three Pieces: Sonatina
Three Pieces: Fugue
Sound An Alarm: Overture
Sound An Alarm: Total Eclipse
Sound An Alarm: March
Sound An Alarm: Ah Let Me Weep
Sound an Alarm
Concerto In D Minor: Allegro In C Minor
Concerto In D Minor: Allegro
Concerto In D Minor: Largo
Concerto In D Minor: Allegro
Fanfare
Suite From The Monteregian Hills: La Marche
Suite From The Monteregian Hills: Chansom mncolique
Suite From The Monteregian Hills: Valse ridicule
Suite From The Monteregian Hills: Danse Villageoise
Enchanted Forest Suite: Dawn
Enchanted Forest Suite: Gnomes
Enchanted Forest Suite: Water Nymphs
Enchanted Forest Suite: Unicorn
Sonatine: Allegro
Sonatine: Andante
Sonatine: Allegro vivo
Sonatine: Largo - Allegro

The G.F. Handel Flute Sonatas for Flute and Harpsichord

Average customer rating:

Handel Sonatas
Handel with care!

The G.F. Handel Flute Sonatas for Flute and Harpsichord

Manufacturer: Cantilena Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Classical | Indie Music | Stores | Music
ASIN: B000009K68
Release Date: 1995-08-22

Tracks:

Sonata in G, Op.1, No. 5
Sonata in G, movement 2
Sonata in G, movement 3
Sonata in G, movement 4
Sonata in G, movement 5
Sonata in C, Opus 7, No. 7
Sonata in C, movement 2
Sonata in C, movement 3
Sonata in C, movement 4
Sonata in E minor, Opus 1, No. 16
Sonata in E minor, movement 2
Sonata in E minor, movement 3
Sonata in E minor, Movement 4
Sonata in E minor, movement 5
Sonata in F, Opus 1, No. 11
Sonata in F, movement 2
Sonata in F, movement 3
Sonata in F, movement 4
Sonata in G minor, Opus 1, No. 2
Sonata in G minor, movement 2
Sonata in G minor, movement 3
Sonata in G minor, movement 4
Sonata in A minor, Opus 1, No. 4
Sonata in A minor, movement 2
Sonata in A minor, movement 3
Sonata in A minor, movement 4
Sonata in B minor, Opus 1, No. 9
Sonata in B minor, movement 2
Sonata in B minor, movement 3
Sonata in B minor, movement 4

Album Description

The Complete Handel Flute sonatas performed for flute and harpsichord by virtuoso Laurel zucker and robin Sutherland. A must buy for any flute student.

Customer Reviews:

Handel Sonatas.......2006-07-11

Excellent musicianship, Handel would be pleased. My flute students are playing these sonatas, so very useful to have this great interpretation. I have a cd of recorders performing these works but it's not the same.

Handel with care!.......2003-05-14

a great rendition of the complete Handel sonatas for flute and harpsichord performed with finesse and Baroque accuracy by Laurel Zucker, flautist, and Robin Sutherland, harpsichordist.

Earl Wild: Virtuoso Piano Transcriptions

Average customer rating:

Magnificent panorama of transcriptions
Outstanding Grammy winning CD

Earl Wild: Virtuoso Piano Transcriptions

Manufacturer: Ivory Classics
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Improvisation | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Classical | Indie Music | Stores | Music
Similar Items:

The Virtuosity of Earl Wild
Earl Wild at 88
Earl Wild - Living History 'At 90'
Earl Wild Plays Johannes Brahms
Earl Wild's Legendary Rachmaninoff Song Transcriptions

ASIN: B00001XDQM
Release Date: 2000-07-18

Tracks:

Saint-Sa/Earl Wild: Le Rouet d'Omphale, Op.31
Handel/Earl Wild: Air and Variations - The Harmonious Blacksmith
Chopin/Earl Wild: Larghetto, from Piano Concerto No.2 in F minor, Op.21
Rachmaninov/Earl Wild: Midsummer Nights Op.14, No.5
Tchaikovsky/Pabst: Paraphrase on 'Sleeping Beauty'
Faurarl Wild: Improvisation on 'Aprun r'
Bach/Earl Wild: Hommage oulenc
Mozart/Backhaus: Serenade from 'Don Giovanni'
Churchill/Earl Wild: Reminiscences of 'Snow White' Whistle While You Work - I'm Wishing - One Song - Heigh Ho - Someday My Prince Will Come
Tchaikovsky/Earl Wild: At the Ball
Tchaikovsky/Earl Wild: Dance of the Four Swans from 'Swan Lake'
Johann Strauss, Jr./Tausig: One Lives but Once
Kreisler/Rachmaninov: Liebesleid

Album Description

This exceptional recording is largely devoted to Earl Wild's own dazzling piano transcriptions. Mr. Wild received a Grammy® Award in 1997 for this disc of Thirteen Virtuoso Piano Transcriptions. It is being re-released on Ivory Classics® in honor of Earl Wild's 84th birthday! Praised by critics and music lovers around the world as a "stunning document of musical sensitivity and virtuosity" and "a tribute to America's greatest pianistic treasure" - this CD is now available in its original 24-bit HDCD state-of-the-art audiophile sound.

Customer Reviews:

Magnificent panorama of transcriptions.......2007-03-08

Is there any other pianist like Earl Wild? For over 60 years he has proven to be a performing giant, making critics swoon and audiences enthralled. His recording output is even more epoch-making; his preference for peppering some odd obscurities into such recordings is a blessing. But his discography is not as significant as his phenomenal interpretations of what he plays. His ability to render Thalberg, Godowsky, Beethoven, Chopin and Rachmaninov with absolute poise, ravishing passion or thrilling bravura is what makes his recordings such a treasure. So I was enthusiastic when I first saw this particular recording, piano transcriptions that I knew would be given the best artistic treatment.

While there are a few common pieces here (Kreisler-Rach's Liebesleid and Strauss-Tausig's Valse Caprice No. 2), most of these are Wild's own piano transcriptions. His selection of pieces to transcribe is both perplexing and exciting at once: Saint-Saens, Handel, Tchaikovsky, Faure, Rachmaninov, Bach and Chopin. Throughout the entire disc, Wild is spiritually absorbed and technically brilliant. There isn't a single piece here that seems lackluster after Wild's poetic phrasing and refined virtuosity operate together.

I think the most notable works here are the Saint-Saens, Handel, Chopin, Pabst and Rachmaninov. Although I've never heard Saint-Saens's Le Rouet d'Omphale symphonic poem, Wild's engrossing and virtuosic transcription conjures exorbitant drama and lyricism. The central section is rather simplistic for its repetitive theme taken through different keys, but it is still gorgeous and powerful. I found a comment in the liner-notes most interesting regarding this transcription: "As a model Earl Wild does not use Saint-Saens' own rather spare piano version, but returns to the original orchestral score, incorporating many orchestral effects into his 1995 transcription."

Wild's transcription of the Larghetto from Chopin's PC No. 2 enables the piano to exhibit all of the nuances of the orchestral version. But upon hearing it, one forgets that an orchestra was even involved in the first place. It sounds like an original Chopin work, even with the noticeable difference in the agitated central section which once relied on orchestral tremolos. It would be an understatement to say Wild translates the music marvelously to solo piano. In Handel's Harmonious Blacksmith variations, Wild showcases a meticulous pianistic reproduction and doubly impresses with his exuberant performance. The Rachmaninov song "Midsummer Nights" is a rousing and passionate piece that sounds like an original piano work from the Russian master. But Pabst's Tchaikovsky paraphrase is the main blockbuster, full of beautiful intensity and exquisite reinventions of Tchaikovsky's grand themes from Sleeping Beauty. The last piece I'll remark on is Wild's own Reminiscences of Snow White, a peculiar endeavor that leaves me with mixed feelings. It wasn't my favorite piece because it sounded rather banal at times; one might even use the stereotype "elevator music." But relistening to it many times at least reveals to me that Wild superbly unifies Churchill's Disney themes. And he is in his prime when he embellishes the themes with dazzling flights in the style of a 19th century virtuoso. While the rest of these pieces deserve commentary, I think they pretty much speak for themselves.

Bottom line: This repertoire may not look interesting at a first glance, but I implore the reader to sample this. You'll not only find hidden gems (Mozart-Backhaus, Strauss-Tausig and Pabst) but also some glorious transcriptions from Wild's pen (Saint-Saens, Handel and Chopin).

Outstanding Grammy winning CD.......1999-12-03

This CD is a reissue of the 1996 SONY disc which won a Grammy (Wild's 80th birthday album). The Grammy awards do not always select the best CDs, but in this case, they really picked a winner. These is one of the finest piano discs in years, and will likely become a classic. Wild's own transcriptions dominate the disc, and they show true originality and charm. I hope Wild records a follow-up to this album with Ivory Records, which has produced a large number of classic piano discs recently. A must have for anyone who enjoys the piano, or the lost art of transcription.

Average customer rating:

A Musical Gift
WOW!!!
A light-hearted romp

Virtuoso Music for Horn & Piano

Manufacturer: Albany Records
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

Rap Rock | Rock | Styles | Music
Similar Items:

The Classic Horn: World Premiere Transcriptions
Eric Ruske Plays Romantic Horn Concerti
Horn Concertos
Mozart: Horn Concerti
French Music for Horn and Piano

ASIN: B00005NNFX
Release Date: 2001-08-28

Tracks:

Valse Suriano
Jota
Prld, Theme And Vars
Perpetuum Mobile
Erste Fant, Op.339 No.1
Valse Op.64, No.1
Aria Con Vars
Csardas
Canon in Octave
Romance Op.36
Le Basque
Fant And Vars On The Carneval Of Venice

Customer Reviews:

A Musical Gift .......2005-11-27

I played beside Eric when I was out of college and he was in high school. The phenomenal player that I knew then has matured into a horn player with a gift that has to be heard to be believed. By the time the CD was over, I was shaking my head in disbelief.

WOW!!!.......2004-04-23

Eric Ruske's virtuosity is phenomenal! By the time "Carnival in Venice" was over I was speechless. I didn't think that french horn playing that I heard was possible. Yet Eric's talent is obvious in that he made the most difficult techniques seem easy to perform.

I recommend this CD VERY HIGHLY!!!

A light-hearted romp.......2001-12-04

"Virtuoso Music for Horn and Piano" is a light-hearted romp through hornist Eric Ruske's arrangements of mostly familiar pieces. The selections are designed to exploit Ruske's virtuosity and he takes full advantage of the opportunity. At least three of the selections are arrangements of trumpet showcases, Arban's well-known "Carneval of Venice" and Mendez's "Valse Suriano" and "Jota." Czerney composed his "Erste Fantasie" for violin. Liner notes indicate that only the Rossini and Saint-Saens pieces were originally written for horn.
Eric Ruske has established himself as a major horn soloist, and this album reinforces my opinion that he is one of the best hornists currently active. Pianist Pedja Muzuevic provides excellent accompaniment.
Why record an album of light classics for horn? To quote Mr. Ruske, because "[i]t felt so good when it was over."

Average customer rating:

Brahms: Life & Works
Brahms
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Instructional | Miscellaneous | Styles | Music

Spoken Word | Poetry, Spoken Word & Interviews | Miscellaneous | Styles | Music
Similar Items:

The Life and Works of Franz Schubert
The Life and Works of Pyotr Il'yich Tchaikovsky
Life & Works of Bach
The Life and Works of Franz Liszt
Life & Works of Verdi

ASIN: B00006RHPY
Release Date: 2003-01-21

Tracks:

Destiny, Birth And Childhood
From Brothel To Beethoven
Hungarian Dance No. 1
A Life-Changing Tour
The Meeting With Joachim
Piano Sonata No. 3
Joachim Weighs In
Enter The Schumanns
Piano Sonata No. 3
Prophecy And Tragedy: A Double Yoke
Piano Trio No. 2
Brahms And Clara
Piano Sonata No. 1
A Triangular Bond
The Death Of Schumann - A Fateful Decision

Tracks:

The Young Messiah
Piano Concerto No. 1
The Virtuoso Takes Flight
Variations On A Theme By Paganini
Detmold And Distraction
Serenade No. 1
Birth Of The D Minor Concerto
Piano Concerto No. 1
The Taste Of Failure - And Of New Love
String Sextet
Love, Folly And A New Calling
Motet 'Ich Aber Bin Elend'
Brahms And Wagner
Variations And Fugue On A Theme By Handel
Frustrated Hopes And A Mother's Death
Trio For Horn, Violin And Piano

Tracks:

The Road To The Requiem
A German Requeim ('Denn Alles Fleisch Es Ist Wie Gras')
The Wanderer
Waltz In E
The Consummate Performer
Five Studies For Piano
Paradox Personified: The Tender Savage
Piano Concerto No. 2
A Demanding Friend
Variations On A Theme By Haydn (Or Variations On The St Antony Chorale
The Eternal Child
The Ghost Exorcised / Beethoven: Symphony No. 9 (Finale: 'Ode To Joy') / Symphony No. 1 (Finale: Opening)
Symphony No. 1

Tracks:

A Watershed In Brahm's Career
Symphony No. 2
The External Brahms
A Free Man At Last / Piano Sonata No. 1
Violin Concerto / The Rift With Joachim
The Composer At Work
Academic Festival Overture
Celebrity And Scholar
Motet 'Wenn Ein Starker Gewappneter'
Love, Loss And Reconciliation
Concerto For Violin And Cello
The Greatest Living Composer - But A Difficult Friend
The Philanthropist
Decline And Death
Piano Concerto No. 2

Average customer rating:

The Virtuoso Pianolist

Manufacturer: Reference Recordings
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Indie Music | Stores | Music
ASIN: B00004TLWP
Release Date: 1999-03-30

Tracks:

Igor Stravinsky: Les Noces (arr. Stravinsky)
Witold Lutoslawski: Variations on a Theme of Paganini (arr. Lawson)
Sergei Rachmaninoff: Rhapsody on a Theme of Paganini (arr. Lawson)
George Frideric Handel: Arrival of the Queen of Sheba (arr. Lawson)
Charles-Marie Widor: Symphony No.5 for Organ (excerpt: Toccata, arr. Lawson)
Overture
Belaye's Solo
Reconciliation
Finale

Album Description

"It's all enormous fun...it's certain that there will be nothing like this in your collection." -SAN FRANCISCO EXAMINER

Tracks:

Contana In E Flat: Allegro
Con in E flat: Largo
Con in E flat: Vivace
Con in d: Allegro E Non Presto
Contana In D: Adagio
Con in d: Allegro
Air
'Ach Es Bleibt In Meiner Liebe Lauter Unvollkommenheit' Aus Der Kantate, BWV 77
'Badinerie' Aus in B Major, BWV 1067
Con in e: Andante
Con in e: Allegro Molto
Con in e: Andante Poco Lento
Con in e: Allegro Vivace
Con in D: Allegro
Con in D: Largo
Con in D: Allegro
Son No.5 in D: Allegro
Son No.5 in D: Largo
Son No.5 in D: Allegro
Son No.5 in D: Largo/Allegro
Suite In D: Overture
Ste in D: Gigue
Ste in D: Aire
Ste in D: Bouree
Ste in D: March

Customer Reviews:

WOW!!! Great Barogue Playing and Beautiful Sound!!!.......2003-12-09

I bought this CD because I'm working on the Fasch and I needed a few recordings. I had no idea who the trumpet player was but he blew me away with his sound and his interpretation. This recording imediately became my favorite solo trumpet recording.

Average customer rating:

The Virtuoso Handel

Manufacturer: Cedille
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B00005U4VP
Release Date: 2001-01-01

Tracks:

No Saria Poco
Un' Alma Innamorata: Un' Alma Innamorata
Un' Alma Innamorata: Quel Povero Core
Un' Alma Innamorata: E Pur Benche Egli Veda
Un' Alma Innamorata: Io Godo, Rido E Spero

Music Track:

Music Track

music track

Recommended Music:

If You're Gone [CD-single] [Import]

Mozart: Piano Concertos Nos. 24 & 25 [Import]

Piano Con Forza

Music: Living in Kyros: The Global Church Sings Vol. 2

Long Nights Are Gone [Import]

None But One

Mending Broken Families

Martinu: Violin Sonatas

Red Hot & Blue [Live]

Mis 30 Mejores Canciones

Nor the Dahlias: The Dears 1995-1998

Lettere a F Fellini [Import]

Panflote [Import]

Verdi: Messa da Requiem

Blunted on Reality

1. Non saria poco
2. Un' alma innamorata: Un' alma innamorata
3. Un' alma innamorata: Quel povero core
4. Un' alma innamorata: E pur benche egli veda
5. Un' alma innamorata: lo godo, rido e spero
6. Un' alma innamorata: In quanto a me ritrovo
7. Un' alma innamorata: Ben impari come se ama
8. Sventurato godi, o core abbandonato
9. Chi rapi la pace al core?: Chi rapi la pace al core?
10. Chi rapi la pace al core?: Figlio d'un fabbro, e amore
11. Chi rapi la pace al core?: Pupilla lucente
12. Sonata in C for Viola da Gamba and Harpsichord: Adagio
13. Sonata in C for Viola da Gamba and Harpsichord: Allegro
14. Sonata in C for Viola da Gamba and Harpsichord: Adagio
15. Sonata in C for Viola da Gamba and Harpsichord: Allegro
16. La Lucrezia: O Numi eterni!
17. La Lucrezia: Gia superbo del mio affanno
18. La Lucrezia: Ma voi forse nel Cielo
19. La Lucrezia: Il suol che preme
20. La Lucrezia: Ah! che ancor nel abisso